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The Role of GPS Trackers in Protecting Musical Equipment on the Road

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By Mitch Rice

Introduction to the Importance of Musical Equipment Protection

Musicians and their crews invest heavily in musical equipment, from high-end instruments to expensive sound gear. Whether on a tour, traveling for a gig, or moving equipment between rehearsals, ensuring the safety of this equipment is paramount. Unfortunately, theft and damage are real risks that many musicians face on the road. This is where GPS trackers come into play, offering a robust solution for tracking and securing valuable asset tracker. In this article, we’ll explore how GPS trackers can protect musical equipment, the advantages they offer, and best practices for implementation.

Understanding GPS Trackers and How They Work

GPS (Global Positioning System) trackers are devices that use satellite signals to determine the precise location of an object. They communicate this data to a centralized system that can be accessed via computers or mobile apps. There are various types of GPS trackers, including passive, active, and hybrid models:

Passive GPS Trackers: These store location data that can be downloaded later. They are often used for tracking purposes but do not provide real-time data.

Active GPS Trackers: These provide real-time tracking information, making them ideal for musicians on the move. They continually send location data to the user.

Hybrid GPS Trackers: Combining features of both passive and active models, these offer flexibility in tracking and reporting.

The Benefits of Using GPS Trackers for Musical Equipment

Real-Time Monitoring

One of the main advantages of active GPS trackers is real-time monitoring. Musicians can know the location of their gear at any moment, ensuring that it’s where it should be. This feature is particularly useful during long tours, where equipment might change hands frequently.

Theft Recovery

In the unfortunate event that equipment is stolen, GPS trackers provide a way to recover lost items. Many models offer geo-fencing capabilities, which alert users when equipment leaves a designated area, enabling swift action.

Protection Against Damage

Some advanced GPS trackers come with sensors that monitor environmental conditions, like temperature and humidity. This feature can be particularly useful for protecting sensitive equipment, such as amplifiers or vintage guitars, from damage due to adverse conditions.

Improved Logistics and Inventory Management

Keeping track of musical equipment locations aids in logistics planning. Musicians can streamline their loading and unloading processes, ensuring that nothing is left behind or misplaced. Additionally, GPS trackers can help in managing inventory, ensuring that all items are accounted for after each show.

Reduced Insurance Costs

With the added security provided by GPS tracking, some insurance companies may offer reduced premiums for insured equipment. Showing proof of active GPS tracking may also facilitate quicker claims processing in the event of theft.

Best Practices for Using GPS Trackers with Musical Equipment

Choose the Right Tracker

Depending on the type of equipment and travel habits, selecting a GPS tracker that suits specific needs is crucial. Consider factors such as battery life, size, features, and price.

Utilize Geo-Fencing Alerts

Setting up geo-fences provides an extra layer of security. Users receive notifications when equipment enters or exits a predefined area, allowing them to act quickly in case of unauthorized movement.

Attach Trackers Securely

Ensuring that GPS trackers are securely attached to musical equipment is vital. Consider using discreet mounting options to prevent detection by potential thieves.

Review Data Regularly

Regularly monitoring movement data can help identify patterns, such as frequent stops or deviations from planned routes. This can alert you to potential issues or the need for better security measures.

Train Staff on Tracker Use

Everyone involved in transporting equipment should be trained on how to use GPS trackers effectively. This ensures a quick response in case of theft or emergencies.

The Future of GPS Tracking in the Music Industry

As technology continues to evolve, GPS tracking will become more integrated with other security features. Innovations such as integration with smartphone apps, artificial intelligence for predictive analytics, and enhanced battery life are likely scenarios.

For instance, the growing trend of smart devices will allow musicians to lock or unlock their equipment remotely, receive alerts about environmental conditions, and even track sound equipment wirelessly.

Case Study: Successful Implementation of GPS Tracking in a Touring Band

Consider the experience of a popular touring band that faced significant losses due to stolen equipment during their previous tours. After investing in reliable GPS tracking systems, the band was able to monitor their equipment in real-time. With geo-fencing set up in key locations, they quickly located a stolen vehicle containing several instruments, leading to a rapid recovery.

The reduction in thefts not only safeguarded their equipment but also contributed to a more relaxed touring experience. Band members felt secure, allowing them to focus on their performances rather than worrying about the safety of their gear.

Conclusion: Secure Your Musical Assets with GPS Tracking

The importance of protecting musical equipment on the road cannot be overstated. With the high costs and emotional value attached to instruments and gear, GPS trackers offer a reliable solution that combines convenience and security. Investing in GPS tracking technology is an essential step for every musician and his or her crew looking to safeguard their valuable assets.

By staying ahead with technology and employing best practices in equipment tracking, musicians can focus on what they do best: creating and sharing their music with the world. Whether hitting the stage or traveling to the next gig, GPS trackers can provide peace of mind, knowing that your equipment is secure and monitored.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

Alex Cooper Sits Down With Vice President & Democratic Presidential Nominee Kamala Harris in a Very Special Episode of Call Her Daddy

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Today, on Sunday, October 6th, Alex Cooper released the highly anticipated Call Her Daddy episode featuring Vice President and Democratic presidential nominee Kamala Harris. In this powerful discussion, Harris opens up about overcoming doubt, resilience, and key policy issues such as women’s rights and the economy. Vice President Harris reflects on her experiences of being told “no” throughout her career and emphasizes the importance of not letting others define you. Harris also shares her lifelong commitment to standing up against sexual violence, stressing the need for open dialogue to break the silence and stigma surrounding abuse. The conversation touches on the economic struggles women face when trying to escape abusive situations, highlighting the importance of financial independence. Harris critiques former President Trump’s stance on women’s rights and reproductive freedom, particularly following the overturning of Roe v. Wade, and explores the broader implications for access to essential healthcare. Additionally, she discusses student loan forgiveness and the financial challenges young people encounter when starting families, providing personal insights and policy-driven solutions throughout the conversation.

The full episode to the podcast HERE. Call Her Daddy is available for streaming on all podcast platforms.

Vice President Harris makes her debut appearance on Call Her Daddy with Alex Cooper, just days after the leading female podcaster and her network Unwell kicked off a new deal with SiriusXM.

Key moments from the episode include:

10:38 – HOW KAMALA HARRIS DEALS WITH DOUBT

Cooper: “When people tell you no, when people look at you and doubt you, what does that ignite in you?”

Harris: “So, I have been told that many times. And through the course of my career, I’ve been told you know, at one point, you’re too young. I’ve been told, no one like you has ever done that before, oh they’re not ready for you, oh (and this is the one that kills me) it’s going to be a lot of hard work. Right, as though we don’t like hard work. And here is my response: I don’t hear no. I don’t hear no. And I urge all of the daddy gang, don’t hear no. Just don’t hear it.”

11:35 – HARRIS REACTS TO ATTACKS MADE ON HER CHARACTER

Cooper: “Throughout this election, your identity has been called into question many times. Your opponent has called you crazy, weak, fake and dumb. How does that affect you?”

Harris: “I think it’s really important not to let other people define you. And usually those people who will attempt to do it don’t know you.”

11:54 – HARRIS ON WHY THE TOPIC OF SEXUAL ABUSE IS IMPORTANT & PERSONAL TO HER

Harris talks about when she realized at a young age her friend Wanda was being sexually assaulted and when she made the decision to protect vulnerable people and women.
15:03 – SEXUAL ABUSE IN AMERICA TODAY

Kamala thanks Alex for talking about sexual abuse on her platform. “Part of the issue is that people don’t talk about it. I don’t mean the survivors of it, I mean nobody does. And the more that we let anything exist in the shadows, the more likely it is that people are suffering and suffering silently and we need to talk about it. We have to talk about it,” said Harris.

Added Harris: “Child sexual assault is something that affects far more people than the public discourse about it acknowledges and the more we talk about it, the more we will address it and deal with it, the more we will be equipped to deal with it, in terms of schools, in terms of society at large and to not stigmatize it.”

“We still have so far to go on the issue of child sexual assault, just like in a previous time, the issue of domestic violence. People didn’t talk about domestic violence. And part of it was this really warped idea that what happens in the home is none of our business, but if it happened on the street, it would be our business. So the point being that abuse of anyone is something we should all take seriously as opposed to saying it’s not our business. It’s something that we have to agree should not happen and whatever resources and whatever attention we can put into reducing the likelihood that it happens is worthwhile.”

17:19 – HARRIS ON HOW TO MAKE THE COUNTRY SAFER FOR WOMEN

Harris: “When a woman and particularly if she has children, if she is economically reliant on her abuser, she is less likely to leave, because most women will endure whatever personal, physical pain they must in order to make sure their kids have a roof over their head or food.”

“So one of the ways we know that women are able to walk away from abuse, and there are many layers to her being able to do that, but one of them is does she have the economic freedom to be able to do that.”

“So one of the ways we know we can uplift the ability of women to have choices is uplift women the ability to have economic wealth and wellbeing.”

18:44 – HARRIS RESPONSE TO TRUMP TELLING WOMEN, “YOU WILL BE PROTECTED, AND I WILL BE YOUR PROTECTOR”

Harris: “So he, who, when he was president, hand selected three members of the United States Supreme Court with the intention that they would undo the protections of Roe V. Wade and they did just as he intended and there are now 20 states with Trump abortion bans, including bans that make no exceptions for rape or incest, which we just discussed, which means that you’re telling a survivor of a crime with a violation of their body, they don’t have a right to make a decision about what happens to their body next, which is immoral. So, this is the same guy that is now saying that, this is the same guy that said women should be punished for having abortions. This is the same guy who uses the same kind of language he does to describe women? So yeah, there you go.”
19:41 – ABORTION ACCESS IN THE U.S. TODAY AFTER ROE V. WADE OVERTURNED

Cooper: “Can you explain and talk about what is actually happening to abortion access right now in this country?”

Harris: “On public policy I often tell my team, look, I don’t want to hear about public policy, it’s a fancy kind of speech or paper. Tell me how it will affect  a real person. So let’s talk about how it will affect a real person. The majority of women who receive abortion care are mothers. So, if she is in a state, and by the way, every state in the south except for Virgina, has an abortion ban. So imagine she is in a state with an abortion ban (1 out of 3 women in our country are, by the way) and she’s a mom. So she is going to have to figure out one, god help her if she has affordable childcare, god help her if she has paid leave, and then she is going to have to, go to the airport, stand in a TSA line, sit on a plane next to a perfect stranger, to go to a city where she has never been, to receive the care she needs. She’s going to have to probably get right back on that plane because she’s got those kids. Her best friend’s probably not with her because that’s who is taking care of the kids. To get back in that TSA lane, to get back on a plane to go home.”

Cooper: “And that’s all if they can afford the plane ticket or the bus ticket.”
Harris: “Exactly.”

Added Harris: “Here is the thing, you don’t have to abandon your faith or deeply held beliefs to agree, the government shouldn’t be telling her what to do. If she chooses, she’ll talk to her priest, her pastor, her rabbi, her imam, but not the government telling you what to do and that’s what is so outrageous about it. A bunch of these guys up in these state capitals are writing these decisions because they somehow have decided that they are in a better position to tell you what’s in your best interest than you are to know what’s in your own best interest. It’s outrageous.”

23:36 – HARRIS SAYS SHE WAS THE FIRST VICE PRESIDENT OR PRESIDENT TO EVER IN OFFICE GO TO A REPRODUCTIVE HEALTHCARE CLINIC

Harris: “I was the First Vice President or President to ever in office go to a reproductive health center, ever.”

“It’s [also] about IVF treatments and access, it’s about access to contraception which is very much at risk with these folks. Back to the point about reproductive health clinics, do you know what those clinics also do? They do paps, they do breast cancer screenings, they do HIV testing, and they are having to close in many places with these bans. So think about the fact that for anyone who has gone to one of these clinics you understand it is sometimes the most trusted place where people receive that kind of health care because they walk into those places that are generally staffed by people who create a safe place for people to come in without judgement… and many of them are having to close because of these laws.”

25:17 – HARRIS CLAIMS PEOPLE WHO WERE ANTI-ABORTION HAVE NOW CHANGED THEIR STANCE IN THE LAST TWO YEARS

Harris: “…What I’m finding as I travel, people who before two years ago, before Roe V. Wade was overturned, people who felt very strong about that they are anti-abortion, anti-abortion, are now seeing what is happening and saying, hm, I didn’t intend for all of this to happen. And I think that’s also why in state after state, so-called red states and so-called blue states, when this issue has been on the ballot, the American people are voting for freedom. Because ultimately it’s about, look, this is not about imposing my thoughts on you in terms of what you do with your life or your body. It’s actually quite the opposite, it’s saying the government should not be telling people what to do.”

29:34 – HARRIS ON TRUMP’S CLAIMS THAT STATES ARE “EXECUTING BABIES AFTER BIRTH”

Harris: “That is not happening anywhere in the United States. It’s a bold face lie. Just a boldfaced lie that he is suggesting. Can you imagine he’s suggesting that women in their ninth month of pregnancy are electing to have an abortion? Are you kidding? That is so outrageously inaccurate and it’s so insulting to suggest that that would be happening and that women would be doing that. It’s not happening anywhere. This guy is full of lies. I mean, I just have to be very candid with you.”

35:12 – HARRIS RESPONSE TO CRITICISMS ABOUT HER NOT HAVING CHILDREN

Cooper reads a quote from the Governor of Arkansas, “My kids keep me humble. Unfortunately, Kamala Harris doesn’t have anything keeping her humble.”

Harris responds: “I feel sorry for her and I’m going to tell you why because I don’t think she understands that there are a whole lot of women out here who one, are not aspiring to be humble, two, a whole lot of women out here, who have a lot of love in their life, family in their life, and children in their life and I think it’s very important for women to lift each other up.”

Added Harris: “One of the things that I have really enjoyed about where the discussion has gone, one of the places it’s gone is about, I feel very strongly, we each have our family by blood and then we have our family by love. And I have both. And I consider it to be a real blessing. And I have two beautiful children: Cole and Ella, who call me ‘Mamala’, we have a very modern family, my husband’s ex-wife is a friend of mine, you know, and also I’ll tell you, look, I’m a child of divorced parents, and when I started dating Doug, my husband, I was very thoughtful and sensitive to making sure that until I knew that our relationship was something that was going to be real, I didn’t want to form a relationship with the kids and then walk away from that relationship. My own experience tells me that children form attachments and I wanted to be thoughtful about it. So I waited to meet the kids and they are my children and I love those kids to death. Family comes in many forms and I think that increasingly, all of us understand that this is not the 1950’s anymore. Families come in all shapes or forms and they are family nonetheless.”
38:34 – ON REPUBLICAN VICE PRESIDENT NOMINEE, JD VANCE’S QUOTE: “CHILDLESS CAT LADIES”

Harris: “I just think it’s mean and mean spirited. And I think that most Americans want leaders who understand that the measure of their strength is not based on who you beat down, the real measure of the strength of a leader is based on who you lift up.”
39:29 – HARRIS ON FINANCIAL OBSTACLES YOUNG PEOPLE FACE & HER PLAN TO HELP

Harris: “First of all, it’s a very real issue and we need to take it seriously and I do take it very seriously. So there are a number of issues that contribute to that feeling. One is housing is too expensive and we need to increase the housing supply, so part of my plan is to work with home builders in the private sector to create tax incentives to build by the end of my first term 3 million more housing units. Second piece is $25,000 down payment assistance for first time home buyers because a big issue in terms of the barrier to being a homeowner is just having enough to actually put that down payment down, to get your foot in the door. The other piece of it is we need to give tax credits and really understand that middle class and working people need a break and so part of my plan is to give 100 million more people who basically are middle class, working people tax cuts, including for young parents, a $6,000 tax cut for the first year of their child’s life, which helps them buy a crib or a car seat or clothing and just get through that first year which is such an important and critical stage of their child’s development.”

41:02 – HARRIS ON EXPANDING STUDENT LOAN FORGIVENESS AND HER VISION FOR THE FUTURE

Harris: “We are fighting and I’m going to continue to fight for student debt relief. I mean, student loan debt is a huge issue and to your point, it’s a barrier to people being able to even think about starting a family, buying a home, and we just need to give people relief. Part of the work that we’ve done, when I’ve been Vice President, is to forgive student loan debt for millions of people by this point, I think over 5 million, including doubling the amount of student loan forgiveness for public servants like nurses and teachers and firefighters, but we have to do more. Debt is a big issue. The other piece I’ve been pushing for is helping people in terms of medical debt not being on their credit score because you know, if you rack up debt because you have medical bills and it can be used against your credit score which is going to impact your ability to get an apartment lease or a car loan or a small business loan.”

AI Driving Market Shift, DJ Consoles Market to Grow by USD 124.2 Million (2024-2028) as DJ Numbers Rise

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The global disc jockey (DJ) consoles market  size is estimated to grow by USD 124.2 million from 2024-2028, according to Technavio. The market is estimated to grow at a CAGR of almost 3.79%  during the forecast period. Increasing number of djs is driving market growth, with a trend towards growing number of new dj console launches. However, high cost of dj consoles  poses a challenge. Key market players include ADJ Products, LLC., A.E.B. Industrial Srl, Audiotonix Ltd., CHAUVET and Sons Inc., DJ Tech Professional, Epsilon, Five Core Electronics Ltd., Global Distribution GmbH and Co. KG, Guillemot Corp. SA, IK Multimedia Production Srl, inMusic Brands Inc., Innovative Concepts and Design LLC, KORG Inc., Music Tribe Global Brands Ltd., Native Instruments GmbH, Noritsu America Corp., Rane Holdings Ltd., Roland Corp., VXK Inc., and Yamaha Motor Co. Ltd..

The global DJ consoles market is experiencing growth due to ongoing technological advancements. New product launches, such as InMusic Brands Inc.’s ONE motorized DJ controller, are driving market expansion. The ONE features motorized 7-inch turntable platters for enhanced performance and supports popular DJ software platforms. These technological improvements aim to deliver superior sound, seamless connectivity, and high-quality instruments to DJs. The continuous introduction of innovative products is anticipated to boost the growth of the global DJ consoles market throughout the forecast period.

The DJ console market in the audio equipment industry is thriving, with trends leaning towards digital platforms. Turntables and CD players are being replaced by digital media players and software platforms for beatmatching and scratching. Professional-grade consoles offer advanced mixing capabilities, while entry-level consoles cater to leisure activities. Seamless connection to digital platforms like laptops, tablets, streaming services, and social media is essential. AI-powered beatmatching assistants, automated track transitions, and smart song recommendations are transforming the DJ experience. DJ consoles are no longer just for music festivals and corporate events, but also for techno musicians and producers in various music genres. Portability, connectivity, and mixing capabilities remain key factors. The market includes DJ Controllers, Mixers, Media Players, Turntables, and consoles of various price points – Low-end, Mid-range, and High-end, as well as Analog and Digital options. Electronic musical instruments like DJ consoles continue to evolve, catering to the needs of sound engineers and live music producers.

The cost of DJ consoles and their accessories is a significant barrier to their wider adoption due to their high retail prices. Modern DJ consoles utilize advanced sound technology, making them expensive electronic musical instruments. The DJ system’s overall cost ranges from USD3,000 to USD5,000, with the DJ controller being the most expensive component, priced between USD500 and USD2,000. A DJ mixer follows closely, costing between USD300 and USD1,500. Other components, such as media players and turntables, account for approximately 30-35% of the total cost. The cost of a DJ console depends on its brand, variant, and features, including quality, functionalities, user interface, connectivity, and price. Consequently, the high cost of professional-grade DJ consoles restricts their accessibility to the mass market, potentially hindering the growth of the global DJ consoles market.

The Disc Jockey (DJ) console market faces several challenges from emerging technologies and changing consumer preferences. Laptops and tablets have gained popularity for their portability and digital workflow, threatening traditional DJ consoles. Streaming platforms and AI-powered beatmatching assistants, automated track transitions, and smart song recommendations are also disrupting the market. DJ consoles must adapt to these trends while maintaining their unique value proposition. For music festivals and corporate events, high-end DJ consoles with advanced mixing capabilities remain essential. Sound engineers and live music producers require professional-grade equipment, including DJ Mixers, Media Players, Turntables, and DJ Controllers. However, low-end consoles cater to leisure activities and techno musicians producing electronic music genres like trap and electronic dance music. Connectivity and portability are crucial factors for DJ consoles, with digital DJ consoles offering more flexibility than their analog counterparts. The market segments include DJ consoles based on price points: low-end, mid-range, and high-end. Electronic musical instruments and social media are also influencing the market dynamics.

The offline segment plays a significant role in the global disc jockey (DJ) consoles market, providing customers with the opportunity to personally examine and purchase DJ consoles. Brick-and-mortar retail stores specializing in musical instruments, pro audio equipment, and DJ gear are prominent offline sales channels. These stores allow customers to test DJ consoles, assess build quality, and receive expert advice from knowledgeable staff. Dedicated pro audio and DJ equipment stores cater to professional DJs and music producers, offering a wide range of DJ consoles and related equipment. Offline events, such as trade shows, music expos, and DJ workshops, serve as platforms for showcasing and selling DJ consoles. Lastly, offline secondhand markets provide opportunities to buy and sell used DJ consoles, offering more affordable options and access to vintage or discontinued models. These offline sales channels offer personal interaction, hands-on experience, and expert guidance, contributing to the growth of the offline segment in the global DJ consoles market.

The DJ consoles market encompasses a range of audio equipment designed for mixing and performing music. Key components include turntables, CD players, digital media players, mixers, software platforms, and various controllers. Beatmatching and scratching are essential skills for DJs, enabling seamless connection between tracks and creative transitions. Portable and wireless consoles offer flexibility for various events, from music festivals to corporate functions. Digital workflow and streaming platforms have revolutionized the industry, allowing for online streaming and AI-powered mixing. DAWs (Digital Audio Workstations) and beatmatching assistants streamline the production process. High-end consoles offer advanced features, while mid-range and low-end consoles cater to beginners and budget-conscious users. Sound engineers and live music producers often use professional-grade DJ consoles for large-scale events. Innovation continues with smart recommendations and automated transitions. However, high cost and limited availability can hinder market growth. The market serves diverse clientele, from creative entertainers to professional DJs, ensuring continuous evolution and demand.

The DJ consoles market is a vibrant segment of the audio equipment market, catering to the unique needs of disc jockeys (DJs) and music producers. It includes a range of equipment such as turntables, CD players, digital media players, mixers, and software platforms. These tools enable DJs to perform various techniques like beatmatching and scratching, and offer seamless connection with digital platforms, laptops, tablets, and streaming services. Professional-grade consoles deliver superior sound quality and advanced features, while entry-level consoles cater to beginners. The market is witnessing a shift towards digital workflows, with AI-powered beatmatching assistants, automated track transitions, and smart song recommendations. DJs perform at various events, including music festivals, corporate events, and social media platforms. They use DJ controllers, mixers, media players, and turntables. The market offers a diverse range of consoles, from low-end to high-end, analog to digital, and portable to professional-grade. DJ consoles are not just limited to music genres like techno and electronic dance music but are also used by sound engineers, live music producers, and techno musicians for leisure activities and electronic musical instruments like trap music.

Spotify Increases Music Industry Market Cap Market Share in Omdia’s Third Quarter Music Industry Share Review

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According to new analysis from Omdia, Spotify has increased its market share of the leading music companies’ combined market capitalization in the third quarter of this year.

After overtaking Universal Music Group (UMG) to become the biggest music industry company in the second quarter, Omdia’s Music Industry Sharewatch, 3Q24 has revealed that Spotify’s market share of the 28 companies tracked ended September at 32.9%, up from 28.7% at the end of June. Spotify’s market cap over the three-month period increased, to $72.2bn from $62.5bn. UMG remained in second place, but the company’s market share was down, to 21.8% from 24.7%.

In a strong quarter for live music promoters, Live Nation took third spot in the rankings. It’s market cap ended the quarter at $25.4bn compared with $21.7bn at the end of June, boosting the company’s market share to 11.6% from 10%. Chinese music streaming service Tencent Music Entertainment slipped to fourth place with a market share of 8.7%. Rounding out the top five, WMG’s market cap share edged up, to 7.4% from 7.3%.

In a good quarter for music overall, 15 of the 28 tracked companies registered an increase in their share prices over the quarter with 13 recording a negative performance. US broadcast group iHeartMedia was the top performer. Its share price opened on July 1 at $1.09 and closed on September 30 at $1.85. The company’s market cap in the quarter increased, to $289m from $196m. At the other end of the scale, US music and entertainment service LiveOne suffered the biggest decline, with its share price dropping 38.4%, to $0.95 from $1.54.

The combined market cap of the 28 companies ended September at $219.6bn compared with $217.5bn at the start of July and $194.2bn at the beginning of the year. Of the total, US-listed companies accounted for 65.6% of the combined end-September market cap total, with Netherlands-listed companies generating 21.8%, and German-listed companies 4.6%. The market cap share for streaming services stood at 43.4%, with record companies/music publishers accounting for 35.4%.

“Spotify’s performance in the third quarter is a continuation of the company’s strong showing in quarters one and two,” said Simon Dyson, Senior Principal Analyst at Omdia. “So far this year the share price has almost doubled. In contrast, UMG’s share price has struggled to regain the losses following the release of the company’s midyear results,” Dyson added.

Gary Nader Art Centre and The Latin Recording Academy Inaugurate The Latin GRAMMY Collection: 25 Years of Music and Art

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For the first time, this remarkable collection will be exhibited at the Gary Nader Art Centre. Featured artists include Romero BrittoWalter Goldfarb, and Michael V. Rios, known for his iconic Supernatural album cover for Carlos Santana. Visitors will enjoy a variety of artistic techniques, such as collage, muralism, and oil painting, representing diverse perspectives from across Latin America.

Gary Nader, founder of the Gary Nader Art Centre, remarked: “It’s a great privilege to present this collection that brings together two of Latin culture’s most powerful forms of expression—music and visual art. Miami, with its deep ties to Latin culture, provides the perfect stage to celebrate these achievements over the past 25 years.”

The Latin GRAMMY Art Collection began in 2000, when the Latin Recording Academy® commissioned visual artists to reflect the spirit of each year’s awards. Over the years, exceptional artists have contributed to this evolving collection, capturing the cultural landscape of Latin music.

The exhibition also includes exclusive memorabilia from Latin music icons such as Emilio Estefan, Laura Pausini, Gustavo Cerati, and Joe Arroyo, offering visitors a rare glimpse into the fusion of Latin music and art.

Exhibition Details

  • DatesOctober 2 – December 2024
  • Location: Gary Nader Art Centre, Miami, FL

Disney’s Chart-Topping ‘A Whole New Sound’ Arrives on Vinyl & Tokio Hotel’s ‘Colors of the Wind’ Video Released

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Get ready to drop the needle on your favorite Disney tunes as the highly anticipated splatter print vinyl edition of the chart-topping A Whole New Sound is available today. Featuring iconic Disney songs reimagined by your favorite pop-punk and alternative rock artists, this vinyl release is the perfect way to relive the magic of Disney classics with a fresh, energetic twist. A Whole New Sound, which debuted at No. 1 on Billboard‘s Compilation Albums and Kid Albums charts, is a love letter to pop-punk fans, seamlessly blending the genre’s dynamic spirit with the timeless appeal of Disney classics.

Today also marks the release of the captivating music video for Tokio Hotel‘s dynamic rendition of “Colors of the Wind” from Disney’s Pocahontas (1995). Bringing to life the song’s powerful message of environmental awareness and cultural understanding, the video is a must-see for fans of both the original and this new interpretation. View it HERE.

“We are very proud of our cover of ‘Colors of the Wind,’ simply because the song has such an important message, which has become even more relevant in today’s world. The Pocahontas song simply fits us perfectly as a band, because we stand for openness, respect and love. We are colorful and diverse and we like to show that. Our music video represents our deep personal connection with the movie and its message. Its Tokio Hotel meets Pocahontas and we simply love it!,” said Tokio Hotel vocalist Bill Kaulitz.

Missed the other music videos from the album? Don’t worry, Mickey and his friends have you covered with a YouTube playlist HERE. Experience the timeless classics “Can You Feel the Love Tonight” from The Lion King (1994) by Simple Plan and “I2I” from A Goofy Movie (1995) by Magnolia Park; relive the nostalgic bliss of New Found Glory‘s “Part of Your World” from The Little Mermaid (1989); dive into the electrifying energy of Yellowcard‘s “A Whole New World” from Aladdin (1992) featuring Chrissy Costanza; get ready to conquer the world with We The Kings‘ “Go the Distance” from Hercules (1997); and rock out to Plain White T‘s energetic rendition of “Surface Pressure” from Encanto (2021).

In 2005, the twins Bill and Tom, together with their bandmates Gustav and Georg, became teen stars as Tokio Hotel with the song “durch den Monsun” and captured the hearts of rock-punk fans overnight. Today, almost 20 years later, the band is one of the most popular German bands with international success, with four number one singles in Germany and Austria and over ten million records sold. Their sound encompasses several genres, including pop rock, alternative rock and electronic rock. The band members are just as versatile as their music, and they all have one thing in common: they like to reinvent themselves time and time again. Themes such as openness, respect and love are fundamental values that the band repeatedly focus on at their gigs, in their lyrics and in their private lives. They have thus become the voice of a generation. After their North and Latin America tour in December 2024, the band will embark on their long-awaited European tour with 16 concerts in 2024 – 7 of them in Germany (e.g. in CologneHamburgHanover and Berlin). Their new Disney cover song “Colors of the Wind” is now part of their repertoire.

The album is also available digitally now on all major streaming platforms, including Apple MusicAmazon Music, and Spotify.

A Whole New Sound Tracklist

  1. “Part of Your World” from The Little Mermaid by New Found Glory
  2. “Remember Me” from Coco by Mayday Parade
  3. “Can You Feel the Love Tonight” from The Lion King by Simple Plan
  4. “I2I” from A Goofy Movie by Magnolia Park
  5. “A Whole New World” from Aladdin by Yellowcard featuring Chrissy Costanza
  6. “Go the Distance” from Hercules by We The Kings
  7. “Surface Pressure” from Encanto by Plain White T’s
  8. “You’ve Got a Friend in Me” from Toy Story by Meet Me @ The Altar
  9. “You’ll Be in My Heart” from Tarzan by Boys Like Girls
  10. “Colors of the Wind” from Pocahontas by Tokio Hotel
  11. “Let It Go” from Frozen by LØLØ  
  12. “Friend Like Me” from Aladdin by Bowling For Soup

 

Steve Aoki, Dim Mak, and SoundCloud Launch #AOKIChallenge to Discover Emerging Music Producers

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Today, 2X GRAMMY-nominated artist Steve Aoki, in partnership with his renowned label Dim Mak Records and artist-first platform SoundCloud, is excited to announce the #AOKIChallenge. This initiative invites SoundCloud’s creator community to upload their original tracks using the hashtag #AOKIChallenge for a chance to have their music selected and released as an official single on Dim Mak Records. Submission link HERE.

The initiative provides emerging producers with a unique platform to showcase their talent and gain exposure through one of the most influential independent record labels in the world. Steve Aoki and his Dim Mak team will personally review all submissions and select one track that best aligns with the label’s cutting-edge sound. The winning track will be released as an official Dim Mak single and debut exclusively on SoundCloud.

Key Dates for the #AOKIChallenge:

  • October 3: #AOKIChallenge opens for submissions. 
  • October 29: Final submission deadline. Aspiring producers are encouraged to submit their original tracks before this date to be considered.

During the first week of December, Steve Aoki will participate in a special recording of SoundCloud’s Sound Advice program. This episode will recap the #AOKIChallenge, highlight Dim Mak’s commitment to discovering new talent, and promote the chosen artist’s work.

“SoundCloud has always been at the forefront of discovering and supporting emerging artists,” Steve Aoki shares. “Through the #AOKIChallenge, we’re excited to provide a platform for producers to share their music with the world, and I can’t wait to see what the SoundCloud community brings to the table.”

Founded in 2007, SoundCloud is an artist-first platform that empowers creators to build and grow their careers through cutting-edge tools, services, and resources. With over 400 million tracks from 40 million artists, SoundCloud continues to be a leading destination for music discovery and fan engagement.

Counting nearly 3 billion music streams to his name, Steve Aoki is a true visionary. Billboard described the 2x-GRAMMY-nominated music producer, artist, fashion designer, entrepreneur, NFT futurist, and Dim Mak Records founder as “one of the most in-demand entertainers in the world.” A Guinness World Record holder for the “Most Traveled Musician in a Single Calendar Year,” Aoki has performed at nearly every top festival around the world, including Coachella, Ultra Music Festival, Lollapalooza, Fuji Rock Festival, Tomorrowland, and Electric Daisy Carnival. Aoki also graced recent covers of Entrepreneur Magazine, Success Magazine, Electronic Musician, and Adweek as their “Visionary of the Year.”

As a globally successful cross-genre solo artist, Aoki has collaborated with an impressive list of varied artists, including BTS, Maluma, Snoop Dogg, Linkin Park, blink-182, One Direction’s Louis Tomlinson, Machine Gun Kelly, Lil Uzi Vert, 2 Chainz and Daddy Yankee, on top of having released three Platinum singles, six Gold singles, and over ten Top 10 radio records.

Aoki approaches each new endeavor with the same sense of dedication he’s put into his past achievements, including the Grammy-nominated Netflix documentary I’ll Sleep When I’m Dead (2016) and his memoir BLUE: The Color of Noise (2019). In 2012, he also founded THE AOKI FOUNDATION to support organizations in brain science and its research. His influential record label Dim Mak, which celebrated its 25th anniversary in 2021, is known for being a launching pad for the careers of prominent acts like Bloc Party, The Chainsmokers, Bloody Beetroots, The Kills, Zedd, and Diplo.

Kylie Minogue Announces North American Dates For Global 2025 Tension Tour

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Today, Kylie Minogue announces North American dates for her highly anticipated ‘Tension Tour’ for 2025, which will see the global icon perform in cities across the world and is set to be Kylie’s biggest tour since 2011. The North American leg will begin in Toronto, Canada on March 29 at Scotiabank Arena and go on to make stops in New York at Madison Square Garden, Austinat Moody Center, Miami at Kaseya Center, Los Angeles at Crypto.com Arena and more.

American Express is providing access to Amex Presale Tickets™ including VIP packages, available for Card Members to purchase before the general public beginning Tuesday, October 8 at 10am local through Thursday, October 10 at 10pm local (while supplies last) – this is one of the many entertainment benefits American Express Card Members can access across the arts, theater, sports and music through Amex Experiences. Terms apply.

Artist presale begins Wednesday, October 9 at 10am and fans can sign up now for early access to the artist presale at www.kylie.com. Tickets go on sale to the general public Friday, October 11 at 10am local.

A limited number of VIP packages will also be available to the general public starting on Wednesday, October 9 at 10am local. These exclusive offers can include VIP priority check-in and entrance, dedicated ‘Fast Lane’ for VIP merchandising shopping, VIP merchandise tour packs with commemorative VIP tour lanyard and laminate, and special invite to the official VIP Hospitality Lounge.

After opening in Kylie’s home country, Australia, the world tour will head into Asia and reach the UK in May. More countries and dates to be announced over the coming weeks including Europe and South America.

Kylie said: “I am beyond excited to announce the TENSION TOUR 2025. I can’t wait to share beautiful and wild moments with fans all over the world, celebrating the Tension era and more! It’s been an exhilarating ride so far and now, get ready for your close up because I will be calling Lights, Camera, Action … and there will be a whole lot of Padaming!”

‘Tension Tour’ 2025 North American Dates:
March 29 – Scotiabank Arena – Toronto, ON
March 30 – Bell Centre – Montreal, QC
April 2 – Allstate Arena – Chicago, IL
April 4 – Madison Square Garden – New York, NY
April 8 – Capital One Arena – Washington, DC
April 9 – TD Garden – Boston, MA
April 11 – State Farm Arena – Atlanta, GA
April 13 – Kia Center – Orlando, FL
April 14 – Kaseya Center – Miami, FL
April 17 – Moody Center – Austin, TX
April 19 – Footprint Center – Phoenix, AZ
April 22 – Chase Center – San Francisco, CA
April 25 – Climate Pledge Arena – Seattle, WA
April 26 – Pacific Coliseum – Vancouver, BC
April 29 – Ball Arena – Denver, CO
May 2 – Crypto.com Arena – Los Angeles, CA

Tension II – a brand new collection of 13 songs – will be released on October 18 via BMG and is available to pre-order here. Lead single from the new collection “Lights Camera Action” is out now. The high energy, high octane sequel to the Number 1 album and global smash Tension, sees Kylie head further into the electronic space. Packed full of dance floor anthems, the record includes nine brand new Kylie studio tracks plus the latest dance hit “Edge of Saturday Night” with The Blessed Madonna as well as the collaborations with Orville PeckBebe Rexha and Tove Lo, and Sia. Kylie said: “The Tension era has been so special to me … I can’t possibly let it be over just yet! Welcome to ‘Tension II’.”

2024 has already seen Kylie take home the Global Icon Award at the BRITs, win the Best Pop Dance Recording Grammy for the smash hit, ‘Padam Padam’, attend the Met Gala, complete her inaugural Las Vegas Residency, perform at WeHo Pride and release a series of high profile collaborations. July saw Kylie perform an awe-inspiring and critically lauded headline show at London’s BST Hyde Park. Described by The Guardian as “a glorious celebration of pop perfection” (5*) and by Metro as “outrageously good” (5*), Rolling Stone’s 5* review said: “This pop queen’s London takeover proves her unchallengeable place atop the throne remains perfectly intact.” Kylie released her Number 1 album ‘Tension’ in September 2023 which has now surpassed 500,000 sales worldwide and nearing half a billion streams.

Tension II Tracklisting:
1. Lights Camera Action
2. Taboo
3. Someone For Me
4. Good As Gone
5. Kiss Bang Bang
6. Diamonds
7. Hello
8. Dance To The Music
9. Shoulda Left Ya
10. Edge Of Saturday Night (with The Blessed Madonna)
11. My Oh My (with Bebe Rexha & Tove Lo)
12. Midnight Ride (with Orville Peck & Diplo)
13. Dance Alone (with Sia)

Yo Gabba GabbaLand! Original Soundtrack Out On Vinyl & CD December 6th

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Today it has been announced that the Season 1 soundtrack for Yo Gabba GabbaLand!, the much-anticipated revival of the Emmy-nominated cultural phenomenon Yo Gabba Gabba!, will be coming to vinyl and CD on December 6th via BMG, following the recent premiere of the first season of the series on Apple TV+.

The digital soundtrack, which dropped August 9th, has already been covered by the likes of Rolling Stone, Billboard, Stereogum and more for featuring Anderson .Paak, Portugal. The Man, Thundercat, mxmtoon, Local Natives, Lucius, Kurt Vile, Betty Who, Twin Shadow, Ty Segall, The Linda Lindas, Big Daddy Kane, Claud, Cory Wong and Antwaun Stanley, Dayglow, Miyavi, Paul Williams, Prestyn Smith, Reggie Watts, ROMderful, The Drums, and The Interrupters. It’s a perfect reminder why Yo Gabba Gabba! is beloved by parents and children.

“We couldn’t be more excited to bring more Gabba to the world! Music has always been the heart and soul of Yo Gabba Gabba!, and Yo Gabba GabbaLand! is no different,” said Scott Schultz & Christian Jacobs, co-creators and Executive Producers of Yo Gabba GabbaLand!. “The amazing amount of support and interest from the music community we’ve had all these years later fills us with so much joy—it’s going to be so much fun to pass that energy on to kids, families, and existing Gabba fans. With amazing guest artists like Anderson .Paak,  Thundercat and The Linda Lindas, the talent lineup for Yo Gabba GabbaLand! is basically our dream list of collaborators. Hope you’re ready to dancey dance – because this soundtrack is one giant celebration of awesomeness!”

 

 

Track Listing For “Yo Gabba GabbaLand! Season 1 Soundtrack”

  1. “Yo Gabba GabbaLand! Theme” (w/ Kammy Kam)
  2. “We’re All Connected” (w/ Anderson .Paak)
  3. “Yo Gabba GabbaLand!” (Yo Gabba Gabba!)
  4. “Animals Are Sleeping” (w/ Ty Segall)
  5. “Let’s Get Creative” (w/ Twin Shadow)
  6. “Art Party” (w/ Portugal. The Man & Paul Williams)
  7. “We Are What We Think We Are” (w/ Dayglow)
  8. “I’m So Happy to Be Little” (w/ The Linda Lindas)
  9. “Air Is Everywhere” (w/ Local Natives)
  10. “I Am The Wind” (w/ Betty Who)
  11. “The Water Song” (w/ ROMderful)
  12. “Let’s Drink Water” (w/ Miyavi)
  13. “Come and Play” (w/ Claud)
  14. “Many Sounds, One Band” (w/ Cory Wong and Antwaun Stanley)
  15. “The Beat of the Day” (w/ Big Daddy Kane)
  16. “Outside” (w/ Prestyn Smith)
  17. “The Orange Cat’s Special Time Outdoors” (w/ Thundercat)
  18. “Silly in the Rain” (w/ Lucius)
  19. “King Silly March” (w/ Kurt Vile)
  20. “The Beat of the Day” (w/ Reggie Watts)
  21. “Grow With Me” (w/ Miyavi)
  22. “Ch-Ch-Change” (w/ The Drums)
  23. “I Wonder” (Yo Gabba Gabba!)
  24. “I Wonder Why” (w/ mxmtoon}
  25. “Wonderful Day in a Wonderful Place” (w/ The Interrupters)
  26. “Yo Gabba GabbaLand! Outro” (Yo Gabba Gabba!)

Bruce Springsteen And The E Street Band Add New European Tour Dates For 2025

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Bruce Springsteen and The E Street Band have expanded their 2025 European tour run, adding eight new shows to previously-rescheduled dates in Marseille, Prague and Milan. Beginning on May 17 in Manchester, each of the just-added performances will bring Springsteen and The E Street Band to cities they haven’t yet played in 2023-2024 — with new shows planned across England, France, Germany and Spain. On recent tours of Europe, the band has been deemed “a spectacle of unadulterated joy and human connectedness” (The Telegraph) and “the greatest show on earth” (Billboard) — while “reminding us … no one does it better” (The Times). Tickets will go on sale starting with Lille on Oct. 7. A full list of performances and on-sale times are below.

The announcement of new 2025 tour dates arrives shortly before the release of “Road Diary: Bruce Springsteen and The E Street Band,” a Thom Zimny-directed film coming to Hulu and Disney+ on Oct. 25. Offering the most in-depth look ever at the creation of Springsteen and The E Street Band’s legendary live performances, the official trailer for “Road Diary” was released last week and can be previewed at BruceSpringsteen.net. This month, the band will also travel to Canada for eight more shows beginning on Oct. 31 in Montreal and running through Nov. 22 in Vancouver — which will mark their 114th total show since returning to the road in 2023. They wrapped their most recent U.S. tour with a Sept. 15 homecoming in Asbury Park, NJ — headlining Sea.Hear.Now for “an already legendary live set” (Variety) called “one of the greatest post-reunion shows in Springsteen history” (Rolling Stone).

Credit: Rob DeMartin

Credit: Rob DeMartin

Credit: Rob DeMartin

Bruce Springsteen and The E Street Band 2025 European Tour Dates

May 17 – Manchester, England – Co-op Live – On-sale: Oct. 11 at 10am BST (5 am ET) ticketmaster.co.uk

May 20 – Manchester, England – Co-op Live – On-sale: Oct. 11 at 10am BST (5 am ET) ticketmaster.co.uk

May 24 – Lille, France – Stade Pierre Mauroy – On-sale: Oct. 7 at 10am CEST (4am ET) gdp.fr/en

May 31- Marseille, France – Orange Velodrome (rescheduled from May 25, 2024) gdp.fr/en

June 4 – Liverpool, England – Anfield Stadium – On-sale: Oct. 11 at 10am BST (5am ET) ticketmaster.co.uk

June 11 – Berlin, Germany – Olympiastadion – On-sale: Oct. 9 at 10am CEST (4am ET) ticketmaster.de

June 15 – Prague, Czech Republic – Airport Letnany (rescheduled from May 28, 2024) ticketmaster.cz

June 18 – Frankfurt, Germany – Deutsche Bank Park – On-sale: Oct. 9 at 10am CEST (4am ET) ticketmaster.de

June 21 – San Sebastian, Spain – Estadio Reale Arena (Anoeta) – On-sale: Oct. 8 at 10am CEST (4am ET)  doctormusic.com/ entradas.com/

June 27 – Gelsenkirchen, Germany – Veltins Arena – On-sale: Oct. 9 at 10am CEST (4am ET) ticketmaster.de

June 30 – Milan, Italy – San Siro Stadium (rescheduled from June 1, 2024) ticketmaster.it

July 3 – Milan, Italy – San Siro Stadium (rescheduled from June 3, 2024) ticketmaster.it

 

Upcoming 2024 Canadian Tour Dates

Oct. 31 – Montreal, Quebec – Centre Bell

Nov. 3 – Toronto, Ontario – Scotiabank Arena

Nov. 6 – Toronto, Ontario – Scotiabank Arena

Nov. 9 – Ottawa, Ontario – Canadian Tire Centre

Nov. 13 – Winnipeg, Manitoba – Canada Life Centre

Nov. 16 – Calgary, Alberta – Scotiabank Saddledome

Nov. 19 – Edmonton, Alberta – Rogers Place

Nov. 22 – Vancouver, British Columbia – Rogers Arena