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Peter Gabriel Launches New Full Moon Cycle with ‘Been Undone’

Eric Alper
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Peter Gabriel Launches New Full Moon Cycle with ‘Been Undone’

Peter Gabriel has officially launched another year of lunar-synchronized releases with his latest single, “Been Undone.” This track marks the first offering from his forthcoming studio album, ‘o\i’, which serves as a thematic companion to his 2023 release, ‘i/o’. Recording for the project took place at Real World Studios in Bath and The Beehive in London, featuring Gabriel’s long-time core band of drummer Manu Katché, bassist Tony Levin, and guitarist David Rhodes. The initial release features the Dark-Side Mix by Tchad Blake, while a Bright-Side Mix from Mark ‘Spike’ Stent is set to follow on the upcoming new moon. This dual-mix approach continues Gabriel’s tradition of offering listeners multiple sonic perspectives on his contemporary compositions.

The songwriting on ‘o\i’ finds Gabriel reflecting on a global period of transition triggered by advancements in AI, quantum computing, and brain-computer interfaces. Gabriel describes these new songs as his “lumpy bits,” contrasting the “inside out” perspective of his previous album with the “outside in” approach of this new collection. He views the artist’s role as holding a mirror to these technological shifts, exploring how humanity remains interconnected with nature despite the rapid evolution of digital systems. “Been Undone” specifically navigates these themes through an atmospheric, art-rock lens, blending introspective lyrics with the experimental production for which Gabriel is renowned.

Maintaining the high visual standard of his previous work, each track on ‘o\i’ will be paired with a specific piece of art. The release of “Been Undone” is accompanied by ‘Ciclotrama 156 (Palindrome)’ by São Paulo-based artist Janaina Mello Landini. The work features intricate, branching sculptures made from unraveled ropes, which Gabriel notes resemble both tree trunks and fractal brain structures. Mello Landini, who has a background in architecture and mathematics, will eventually create an original piece specifically for this song as the album cycle progresses. This collaboration underscores Gabriel’s ongoing “brain project,” a multi-year exploration into the neurological and emotional impact of music.

Mcbaise Expands His Psychedelic Universe with New Album ‘Wrongderful’

Eric Alper
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Mcbaise Expands His Psychedelic Universe with New Album ‘Wrongderful’

London-based French producer and acclaimed visual artist Mcbaise, the musical moniker of Matthieu Bessudo, officially released his fourth studio album, ‘Wrongderful’, via Dirty Melody Records. Three years in the making, the project represents a significant sonic departure from his previous work on ‘Tubes’ by moving away from traditional jazz chords and walking bass lines toward a more expansive blend of yacht rock, funk, and psychedelic pop. Bessudo describes the record as a dual experience where sunny, punchy tracks sit alongside moodier, more introverted compositions. The album features the viral success “Alice” and the hypnotic late-night groove “Moon,” both of which further cement the artist’s ability to pair infectious melodies with sophisticated, throbbing rhythms.

Tardigrade Inferno Announces Third Studio Album ‘Hush’ and Premieres Single “Hide’n’Seek”

Eric Alper
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Tardigrade Inferno Announces Third Studio Album ‘Hush’ and Premieres Single “Hide’n’Seek”

Dark cabaret metal specialists Tardigrade Inferno officially announced that their third studio album, ‘Hush’, will be released on March 5, 2026. This new project serves as a thematic successor to their 2023 record ‘Burn the Circus’, opening with the metaphorical sounds of a circus burning down and a phoenix rising from the ashes. The band has transitioned toward a more mature aesthetic for this release, featuring oil-on-canvas cover art by Milena Kress and the notable absence of their long-time mascot, the Tardigrade. To offer a first taste of the record, the group premiered the official music video for their lead single, “Hide’n’Seek,” which showcases their signature blend of ironic lyricism and retro-futuristic horror-movie keyboards.

The production of ‘Hush’ was handled by Vladimir Lehtinen, who worked to capture the ferocious energy of the band’s live performances within a precise studio environment. Vocalist Darya Rorria utilizes her versatile contralto to deliver dark narratives that range from tragic whispers to soaring, tense passages. This album follows the momentum of their June 2025 live release, ‘Made in Hell’, and aims to deliver a more sincere and tangible sonic experience. ‘Hush’ will be available in multiple formats including CD, digital, and four exclusive vinyl editions. Fans can expect a sound that is both familiar to long-time listeners and technically elevated, solidifying the group’s place at the center of the dark cabaret metal scene.

The ‘Hush’ tracklist includes:

  1. The Final Show
  2. Hide’n’Seek
  3. Deadly Fairytales
  4. All in your Head
  5. Dead Fish Smile
  6. Subatomic Heist
  7. I.C.D.
  8. Goor
  9. Hush
  10. Hypograph
  11. I Am Eternal

Vince Gill Immortalizes Nashville Landmark on New EP ‘Brown’s Diner Bar’

Eric Alper
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Vince Gill Immortalizes Nashville Landmark on New EP ‘Brown’s Diner Bar’

Country Music Hall of Fame member Vince Gill continues his ambitious year-long project, ’50 Years From Home’, with the release of its third installment, ‘Brown’s Diner Bar’. Arriving via MCA Nashville, this EP follows ‘I Gave You Everything I Had’ and ‘Secondhand Smoke’ as part of a series celebrating Gill’s five decades in the music industry. The title track serves as a folk-inspired tribute to the historic Nashville eatery that Gill first visited in the mid-70s. Featuring a signature smooth electric guitar solo, the song captures the “funky vibe” of a burger joint that has been a staple for Music Row songwriters and musicians for a century. Gill reflects that these songs are deeply truthful, noting that a songwriter needs years of lived experience to fully understand and relate to the stories they choose to tell.

The collection features an impressive roster of guest contributors and co-writers including ERNEST, Jake Worthington, Leslie Satcher, Wade Bowen, and Waylon Payne. These collaborations result in a cohesive set of six new songs that balance nostalgia with contemporary creative energy. The EP concludes with a poignant, newly recorded version of his classic hit, “When I Call Your Name,” bringing the project’s reflective theme full circle. This release comes at a high point in Gill’s legendary career, arriving shortly after he was honored with the CMA Willie Nelson Lifetime Achievement Award. By curating this series of monthly EPs, Gill proves that his artistic momentum is as strong today as it was when he first left his Oklahoma home fifty years ago.

The ‘Brown’s Diner Bar’ tracklist includes:

  1. Brown’s Diner Bar
  2. Not Having You Around
  3. This Lonesome Old Cowboy
  4. Nobody Knows
  5. Young Again
  6. I’m Selling All My Memories
  7. When I Call Your Name

Laufey, dodie, and Jacob Collier Deliver Orchestral Rendition of ‘Wild Mountain Thyme’

Eric Alper
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Laufey, dodie, and Jacob Collier Deliver Orchestral Rendition of ‘Wild Mountain Thyme’

Laufey, dodie, and Jacob Collier joined forces with the National Symphony Orchestra for a breathtaking performance of the traditional folk ode “Wild Mountain Thyme” at the Kennedy Center. Part of the PBS series Next at the Kennedy Center, the collaboration was curated by Ben Folds as part of his Declassified program, which aims to reimagine contemporary music through an orchestral lens. The performance showcased a fascinating blend of musicality as the three artists transitioned between delicate solos and complex vocal harmonies. Jacob Collier further elevated the atmosphere by encouraging audience participation, turning the historic venue into a massive choir. This unique pairing of a rising jazz superstar, a celebrated English singer-songwriter, and a multi-instrumentalist virtuoso highlighted the versatility of the National Symphony Orchestra while bringing a fresh, modern perspective to a classic folk standard.

Video: Olivia Rodrigo and Feist Honor The White Stripes at Rock Hall 2025 Induction

Eric Alper
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Video: Olivia Rodrigo and Feist Honor The White Stripes at Rock Hall 2025 Induction

Olivia Rodrigo and Feist collaborated for a stripped-down performance of The White Stripes classic “We’re Going to Be Friends” during the 2025 Rock & Roll Hall of Fame Induction Ceremony in Los Angeles. The performance served as a tribute to inductees Jack and Meg White, whose influential career was honored by 2010 Rock Hall Inductee Iggy Pop. Jack White accepted the induction on behalf of the duo, marking a significant moment in the ceremony as contemporary artists celebrated the legacy of the Detroit rock icons. The acoustic rendition highlighted the melodic simplicity of the original track while showcasing the vocal chemistry between the multi-platinum pop star and the celebrated Canadian indie singer-songwriter. This collaboration was part of a larger tribute that also featured Twenty One Pilots, altogether cementing the enduring impact of The White Stripes on the modern alternative landscape.

Theo Bleak Chronicles the End of an Era with Single ‘Megan in New York’

Eric Alper
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Theo Bleak Chronicles the End of an Era with Single ‘Megan in New York’

Scottish indie artist Theo Bleak officially unveiled her single “Megan in New York,” a track that serves as a raw and haunting chronicle of a trip that marked the beginning of the end of a major chapter in her life. Co-written with long-time collaborator Mark Johnston, the song explores the damaging dynamics driven by passion and intense emotional connections lacking intellectual reason. Bleak explains that the track was inspired by the self-implosion of her life in the city, conversations with her friend Megan, and reflections on a man who kept her frozen in time. The single acts as the lead entry for her fourteen-song mixtape, ‘Bargaining’, which arrived late last month through Full Gloom.

The mixtape itself is a chronological documentation of a transformative year spent in the most intense stage of grief. Written and recorded at her saddest moments, the collection captures cathartic pain and hope with an unflinching honesty that even includes the audible creak of her studio chair. Theo Bleak excavates every bad experience and mistake for the sake of her songwriting, inspired partly by the complex philosophy found within the journals of her late great-uncle, John. This project marks a significant evolution for the Dundee-based artist following the success of her 2023 EP ‘Pain’, solidifying her reputation as one of Scotland’s most vulnerable and essential voices.

Blame Yourself Unveils Anthemic New Single ‘Satellites’ via Punkerton Records

Eric Alper
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Blame Yourself Unveils Anthemic New Single ‘Satellites’ via Punkerton Records

UK emo outfit Blame Yourself officially released their latest single, “Satellites,” through Punkerton Records. The track serves as an emotionally charged anthem centered on themes of perseverance and personal transformation. Originally written by frontman Nic Woods during his years as a solo artist, the composition has since evolved into a powerful full-band statement. Working with producer Mike Blakey, the group crafted an expansive sound that balances the urgency of early 2000s emo with modern production. The lyrics explore the difficult struggle of maintaining focus while pursuing ambitious goals, ultimately serving as a declaration of creative resilience.

Since their formation in 2022, Blame Yourself has built a reputation for delivering cathartic storytelling and raw energy. The band previously gained momentum with their debut full-length album, ‘Delirium Fantasies’, and earned recognition through a feature on BBC Introducing. Their sound draws significant influence from the soaring melodies of Taking Back Sunday and the vulnerability found in the work of Spanish Love Songs. This new single represents a milestone in the band’s career as they continue to refine their signature blend of nostalgic angst and heartfelt honesty. Fans of modern alternative rock will find “Satellites” to be a definitive example of the band’s ability to turn personal longing into a euphoric musical experience.

Hot Rod Reveals Debut Album ‘Harder Faster Glitter’ and Upcoming Single “Wasted”

Eric Alper
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Hot Rod Reveals Debut Album ‘Harder Faster Glitter’ and Upcoming Single “Wasted”

Street Symphonies Records and Burning Minds Music Group officially announced the release of ‘Harder Faster Glitter’, the debut studio album by Italian glam metal quintet Hot Rod. Scheduled for release on March 13, 2026, the record represents a sonic kaleidoscope that blends the high-energy sounds of early eighties hard rock with the gritty abrasiveness of nineties street metal. Formed in 2006, the band has spent years refining their unapologetic attitude through high-voltage live performances and multiple demo recordings. The group describes the new project as a tribute to the diverse influences that shaped them, allowing reflective hard rock passages to coexist with heavy metal intensity.

To introduce the album, Hot Rod will release their first single, “Wasted,” accompanied by an official lyric video on January 19, 2026. The tracklist features eleven songs including “Wild Wheels,” “Little Dirty Blonde,” and “Rock The House,” all aimed at fans of classic glam and melodic rock. The current lineup consists of vocalist Giuseppe Costa, guitarists Christian Balsamo and Mirko Di Bella, bassist Valeria Caudullo, and drummer Cristina Settembrino. Pre-saves for the album are now available across digital platforms as the band prepares to bring their electrifying fusion of neon-lit melodies and raw edge to a global audience.

Tracklist:
1. Wild Wheels
2. Wasted
3. Little Dirty Blonde
4. Clandestine
5. HeadbanGirl
6. Shot Of Love
7. Turning Blue
8. Don’t Wanna Be Like You
9. Jenny
10. Rock The House
11. Bullet Speed

DaBaby Announces New Album ‘Be More Grateful’ And Features Daughter Twin In “Don’t Insult Me”

Eric Alper
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DaBaby Announces New Album ‘Be More Grateful’ And Features Daughter Twin In “Don’t Insult Me”

Multi-platinum global superstar DaBaby officially announced that his upcoming studio album, ‘Be More Grateful’, will be released on January 16 via Interscope Records. This milestone follows a prolific streak of singles that showcase a more focused and intentional chapter for the Charlotte native. To celebrate the announcement, the rapper shared his latest single and music video, “Don’t Insult Me,” which features a heartfelt appearance by his daughter, affectionately known as Twin. Directed by Nick Mays, the visual uses a superhero-inspired narrative to emphasize themes of family protection and resilience. The video opens with paparazzi hounding the pair before Twin steps in to wave off the media with superpowers.

This new era for DaBaby marks a deeply personal shift that blends the raw conviction of his signature flow with reflections on fatherhood and guidance. Fans who pre-order the album gain access to a suite of instant-gratification tracks including “Don’t Insult Me,” “PBJT,” and the motivational “Letter To My YN,” which is a track dedicated to inspiring the younger generation. Beyond his musical output, DaBaby continues to expand his community impact through the DaBaby Cares initiative. Launched in honor of his late brother, Glenn Johnson, the platform provides critical mental-health resources and toolkits to prove that his commitment to growth extends far beyond the recording studio.

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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