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Robert Plant Opens Up About Saving Grace on NPR’s “World Cafe”

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Robert Plant joined NPR’s World Cafe host Raina Douris to talk about Saving Grace, the band and the album that carries the same name. Plant and the band also performed three tracks live during the session: “It’s a Beautiful Day Today,” “As I Roved Out,” and “Everybody’s Song.” The episode is available to hear now, and it is an intimate look at a project that clearly means a great deal to him.

Plant describes ‘Saving Grace’ as “a song book of the lost and found.” The album took shape during lockdown, when Plant connected with a tight-knit group of musicians in the English countryside: vocalist Suzi Dian, drummer Oli Jefferson, guitarist Tony Kelsey, banjo and string player Matt Worley, and cellist Barney Morse-Brown. Produced by Plant and the band, it was recorded over six years in the Cotswolds and on the Welsh Borders.

The source material is as eclectic as the setting. ‘Saving Grace’ draws on songs by Memphis Minnie, Blind Willie Johnson, Bob Mosley of Moby Grape, The Low Anthem, Martha Scanlan, Sarah Siskind, and Low. It is a record rooted in folk tradition but shaped entirely by the people who made it, and it lands with warmth and genuine depth.

GRAMMY Winner Molly Tuttle Brings “That’s Gonna Leave a Mark” to ‘Jimmy Kimmel Live!’

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Molly Tuttle and her band took the stage on Jimmy Kimmel Live! to perform “That’s Gonna Leave a Mark,” a GRAMMY-nominated track from her GRAMMY-nominated album ‘So Long Little Miss Sunshine.’ The performance is available to watch now, and it is a strong reminder of what Tuttle brings to a live setting: precision, presence, and genuine command of the room.

‘So Long Little Miss Sunshine’ was recorded in Nashville with producer Jay Joyce. The eleven originals and one cover (Icona Pop and Charli XCX’s “I Love It”) pull from pop, country, rock, and flat-picking, with a murder ballad thrown in for good measure. Tuttle’s guitar work is more front and center here than on any previous record, and she introduces banjo playing into two tracks for the first time. The album is nominated for Best Americana Album at the GRAMMYs, with “That’s Gonna Leave a Mark” up for Best Americana Performance.

The record is a genuinely bold move, expanding Tuttle’s sonic range without losing the virtuosity that made her a standout in the first place. It earns every one of those nominations.

Avant-Garde Icon Laurie Anderson Gets Her Hands Dirty on NTS Podcast “Digging with Flo”

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Avant-Garde Icon Laurie Anderson Gets Her Hands Dirty on NTS Podcast “Digging with Flo”


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Laurie Anderson sat down with Flo Dill for the latest episode of NTS’s “Digging with Flo,” recorded in a greenhouse, with gardening involved. The conversation covers Anderson’s expansive career and creative life. Dill introduces her guest as “a polymathic, pioneering multimedia artist,” and the episode lives up to that billing. It is available to watch and hear now.

Anderson’s latest album, ‘Amelia,’ is out now on Nonesuch Records. The twenty-two-track record explores the final flight of aviator Amelia Earhart, with music and lyrics written entirely by Anderson. She is joined on the record by Filharmonie Brno, conducted by Dennis Russell Davies, alongside Anohni, Marc Ribot, Martha Mooke, Nadia Sirota, and Kenny Wollesen, among others. It is the kind of album that expands what the format can do.

Coming up, Anderson heads to Knoxville at the end of March for the Big Ears Festival, then returns to Europe for a tour of her new piece “Republic of Love” with jazz band Sexmob starting in April. On top of that, Anderson and Sexmob’s live album ‘Let X=X’ arrives May 8 on Nonesuch Records, a triple-LP and double-CD set recorded during their 2023 tour together.

‘Let X=X’ spans twenty-three songs drawn from across Anderson’s career, performed in new arrangements, including a version of “Junior Dad” by Lou Reed and Metallica. Nonesuch Store orders include an exclusive autographed print from Anderson, while supplies last.

Red Hot Chili Peppers Bassist Flea Steps Out Solo With Jazz Debut ‘Honora’

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Flea is releasing his debut solo album, ‘Honora,’ on March 27, 2026, via Nonesuch Records. Nearly five decades into a career that redefined what a rock bassist could be, he is returning to his first musical loves: jazz and the trumpet. The album is named for a beloved family member, and it carries that personal weight in every decision made around it.

The record features an extraordinary supporting cast. Producer and saxophonist Josh Johnson, guitarist Jeff Parker, bassist Anna Butterss, and drummer Deantoni Parks form the core band. Vocalists include Thom Yorke and Nick Cave. Mauro Refosco and Nate Walcott also appear. The album spans six originals alongside interpretations of tunes by George Clinton and Eddie Hazel, Jimmy Webb, Frank Ocean and Shea Taylor, and Ann Ronell. That is a serious range, and ‘Honora’ handles it.

The lead track, “Traffic Lights,” is out now. Co-written with Thom Yorke and Josh Johnson, it features Yorke on vocals, piano, and synth. Flea describes sending Yorke an early version instinctively, knowing the rhythm and sensibility would connect. He was right. A visualizer, directed and animated by nespy5euro, is available now.

To make this record, Flea practiced trumpet every day for two years, through a stadium tour with Red Hot Chili Peppers, a new marriage, and a newborn at home. That commitment produced something genuinely moving: a jazz album that sounds like a musician finally doing what he always knew he was meant to do.

Flea and the Honora Band hit intimate venues across North America and Europe this May, with stops in Chicago, Toronto, Montreal, New York, Washington, Los Angeles, Berlin, Amsterdam, London, and Paris.

Flea and the Honora Band Tour Dates:

May 7 — Thalia Hall, Chicago, IL

May 9 — Opera House, Toronto, ON

May 10 — Théâtre Beanfield, Montreal, QC

May 12 — Webster Hall, New York, NY

May 13 — Black Cat, Washington, DC

May 16 — Fonda Theater, Los Angeles, CA

May 21 — Heimathafen, Berlin, Germany

May 22 — Paradiso, Amsterdam, Netherlands

May 26 — Koko, London, UK

May 28 — Alhambra, Paris, France

Emmylou Harris Opens Up About Her Career and European Farewell Tour

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Emmylou Harris is making the rounds, and the conversation is worth paying attention to. The legendary singer sat down with BBC Radio 4’s Front Row, hosted by Kate Molleson, for a wide-ranging discussion about her life and career. Molleson introduced her as someone who “brought together the worlds of folk, rock and country music” and “took harmony singing to new heights.” That framing is accurate, and Harris delivered.

Harris also spoke with the Guardian’s Fiona Sturges, and the interview is a reminder of what makes her singular. On the subject of retirement, Harris is characteristically direct: “I don’t really know what winding down is. I think when you’re an artist, you don’t ever really retire.” That clarity of purpose, still intact after decades, says everything about where she stands.

The BBC Radio 4 Front Row episode is available now on Spotify and Apple Podcasts. It also features Sir Ian McKellen and Sir Wayne McGregor, who choreographed Thomas Adès’ Dante, making it a rich listen well beyond the Harris conversation alone.

Harris is currently on her European Farewell Tour, which opened at Celtic Connections in Glasgow and 3Arena in Dublin. For tickets to remaining dates, visit nonesuch.com/on-tour.

Sarah Kirkland Snider Delivers ‘Forward Into Light,’ Her Most Ambitious Orchestral Statement Yet

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Sarah Kirkland Snider Delivers ‘Forward Into Light,’ Her Most Ambitious Orchestral Statement Yet


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Sarah Kirkland Snider’s fifth full-length album, ‘Forward Into Light,’ is out now on New Amsterdam / Nonesuch Records. The all-orchestral record was produced by multi-GRAMMY-winning producer Silas Brown and recorded by the GRAMMY-nominated Metropolis Ensemble, led by conductor and artistic director Andrew Cyr. It is Snider’s most expansive release to date, and it lands with the full weight of that ambition intact.

The album collects four major orchestral works: the title track, inspired by the American women’s suffrage movement; “Eye of Mnemosyne,” a multimedia commission from the Rochester Philharmonic exploring memory and culture; the string orchestra and harp version of “Drink the Wild Ayre,” reimagined from the final commission of the Emerson String Quartet; and “Something for the Dark,” a meditation on resilience commissioned by the Detroit Symphony Orchestra. Harpist Noël Wan appears on the latter arrangement.

The music is immersive, intricate, and built for headphones as much as concert halls. Snider designed the listening experience intentionally, working with Metropolis Ensemble to maximize detail in individual lines without losing expressivity. The result is an orchestral record that rewards close attention at every level of its production.

Snider has described the four works as connected by themes of perseverance, alliance, and evolution. Andrew Cyr puts it plainly: “The studio is another stage, and recording is its own artistic medium.” That philosophy is audible throughout, in a mix engineered for Atmos and modern playback that gives Snider’s orchestration genuine depth and focus.

Snider’s upcoming concert season includes a new work for dance with the New World Symphony and Miami City Ballet, and the professional world premiere of her new orchestral work “Marmoris” with the Monterey Symphony. Her music will be performed this season in Paris, Toronto, Antwerp, Brooklyn, and beyond.

Upcoming Performances:

April 17-19, 2026 — New World Symphony / Miami City Ballet

May 16-17, 2026 — Monterey Symphony (World Premiere: “Marmoris”)

Photo Gallery: High Valley, Sully Burrows, and Zack McPhee at Toronto’s Danforth Music Hall on March 7, 2026

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All photos by Mini’s Memories. You can contact her through Instagram or X.

Fingerstyle Blues Storyteller Roy Book Binder, Keeper Of Acoustic Tradition, Dies At 82

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Fingerstyle blues storyteller Roy Book Binder has died at 82, closing the final chapter on one of acoustic blues’ most colorful road warriors. Born Roy Alan Bookbinder in New York City, the guitarist, singer, and raconteur spent more than five decades carrying country blues and ragtime traditions onto festival stages, concert halls, and living rooms around the world.

Book Binder learned directly from Reverend Gary Davis, the legendary Piedmont blues master whose influence shaped generations of guitarists. As Davis’s student, chauffeur, and touring companion in the late 1960s, Book Binder absorbed the intricate fingerpicking style and storytelling approach that defined his own music for decades.

His first album, ‘Travelin’ Man’ (1971), launched a recording career that included more than a dozen releases, culminating with ‘In Concert Road Songs and Stories’ in 2017. Onstage, Book Binder blended vintage blues, ragtime guitar, and sharp humor into performances that felt like front porch storytelling with world-class musicianship.

Book Binder spent years touring the United States in a motorhome, bringing acoustic blues to clubs, festivals, and folk gatherings across North America and Europe. His playing carried the spirit of mentors like Gary Davis and Pink Anderson while adding his own sly wit and rhythmic touch. The music rang with warmth and authority, a living thread connecting modern audiences to the roots of American blues.

Roy Book Binder’s legacy lives in every fingerpicked run, every road story, and every musician inspired to keep acoustic blues alive.

Psychedelic Folk-Rock Icon Country Joe McDonald, Voice Behind “I-Feel-Like-I’m-Fixin’-to-Die Rag,” Dies At 84

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Country Joe McDonald, the fearless psychedelic folk-rock voice behind the protest classic “I-Feel-Like-I’m-Fixin’-to-Die Rag,” has died at 84. The singer, songwriter, and cultural lightning rod passed away March 7 in Berkeley, California following complications from Parkinson’s disease. Across six decades of music and activism, McDonald carved a permanent place in rock history as one of the defining voices of the 1960s counterculture.

As the frontman and co-founder of Country Joe and the Fish, McDonald helped shape the San Francisco psychedelic explosion. The group’s 1967 debut ‘Electric Music for the Mind and Body’ became a cornerstone of the era. Their songs blended folk storytelling, acid rock energy, and sharp political commentary, capturing the sound of a generation questioning authority and demanding change.

McDonald’s most enduring composition, “I-Feel-Like-I’m-Fixin’-to-Die Rag,” became one of the most recognizable anti-Vietnam War songs ever written. His legendary Woodstock performance in 1969 turned the track into a defining moment of rock history. Leading hundreds of thousands in the infamous “Fish Cheer,” McDonald delivered a performance that echoed far beyond the festival stage.

After Country Joe and the Fish disbanded in 1971, McDonald continued a prolific solo career, recording more than 30 albums and writing hundreds of songs. His work honored the tradition of Woody Guthrie while expanding into environmental activism, veterans’ advocacy, and protest music that carried the same sharp wit and fearless commentary.

Country Joe McDonald’s voice helped soundtrack one of the most transformative cultural moments of the 20th century. The music remains bold, urgent, and unmistakably alive.

Photo Gallery: Live, Econoline Crush, and Big Wreck at Toronto’s TD Coliseum on March 5, 2026

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All photos by Mini’s Memories. You can contact her through Instagram or X.