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Houston’s Reggie Announces Debut Album ‘UNDRA’ And Drops Soulful New Single “Sometimes”

Eric Alper
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Houston’s Reggie Announces Debut Album ‘UNDRA’ And Drops Soulful New Single “Sometimes”

ouston native singer, songwriter and producer reggie has announced his debut album ‘UNDRA’, out January 23rd, 2026, via RCA Records. ‘UNDRA’ is the self described audition tape and reintroduction to the world of reggie, also known as Reginald Helms Jr. The album title is also his middle name affectionately coined by his aunt as a unique spelling of André and pronounced ON-dray or AHN-dray. A refreshed take on his artistry, ‘UNDRA’ narrates the evolution of reggie as an artist and overall creative.

Out today is the new single “Sometimes”, a relaxed groove that posits a happier facet to reggie’s universe thus far. On the track, reggie leads a choir in a back and forth, contemplating the comforts of being alone versus the community felt amongst loved ones. The single follows the release of “Headstone”, also known as “NEW HEADSTONE need MIX” and “congrats!”, two haunting, soul baring earworms released earlier this year in conjunction with the news of reggie’s signing to RCA Records, where he joins a stable of era defining young artists that includes Steve Lacy, SZA and Blood Orange.

His official audition, or reintroduction, ‘UNDRA’ unspools over the course of a series of rehearsals and trials with 13 tracks that reconfigure soul, hip hop, R&B, funk, gospel and even drum and bass into a sumptuous, slow simmering gumbo. Meanwhile, reggie’s thespian experience, combined with his creative partners, influenced his artistic and intentional visuals and imagery for the album. Overall, ‘UNDRA’ may be framed as an audition to find the self, but along the way, reggie produces a work of compassion and soul searching as a remedy for those in need of spiritual buoyancy.

Houston artist reggie drops new single “Sometimes” and announces debut album ‘UNDRA’ arriving January 23rd on RCA Records. The 13 track album blends soul, hip hop, R&B, funk and gospel into a stunning debut.

Freezing Man 2026 Adds John Rzeznik, Gina Schock And More To Star Studded Madison Winter Benefit

Eric Alper
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Freezing Man 2026 Adds John Rzeznik, Gina Schock And More To Star Studded Madison Winter Benefit

FREEZING MAN 2026— the one-of-a-kind, two-night winter benefit concerts returning January 9–10 to The Sylvee in Madison, Wisconsin — has added several standout performers to its all-star lineup of more than 35 world-renowned artists. The latest slate of musicians is confirmed today by Joey’s Song, the non-profit that created the festival, with all proceeds supporting epilepsy research and programs for children with special needs.

The newly-added performers include: John Rzeznik (Goo Goo Dolls), Gina Schock (The Go-Go’s), Tracy Bonham, Jeremy Tappero and Ryan Smith (Soul Asylum), Broadway lead actor Miguel Cervantes (Hamilton: An American Musical, New York & Chicago), and Jordi Radnoti (from Olivia Rodrigo’s touring band). They join an already powerhouse lineup, including members from Garbage, The Bangles, The Go-Go’s, Belly, Portugal. The Man, Silversun Pickups, Fountains of Wayne, Eve 6, and others. Together, they’ll unite for two unforgettable nights of thrilling collaborations, covers, and spontaneous supergroup jams. The weekend will be emceed by Wisconsin’s own Emmy Award-winning comedian Charlie Berens of “Manitowoc Minute” fame.  All artists are scheduled to perform for both nights.

For the first time in its 15-year history, Joey’s Song will stream one of its musical events live: the “Electric Jam Livestream” for the Saturday, January 10th show at 7:00 PM CT, allowing fans everywhere to experience the full concert online. All livestream proceeds directly benefit Joey’s Song and its mission. Preorder the “Electric Jam Livestream” now for $25 (allowing access for two supporters) at joeyssong.org/livestream. 

Garbage’s Butch Vig – also the legendary producer behind albums by Nirvana, Smashing Pumpkins and Sonic Youth – will return as Freezing Man’s musical director. His group The Know-It-All Boyfriends will once again serve as the house band, and in addition, will face off with the all-female “Know-It-All Girlfriends” for a musical showdown in the fan-favorite “Battle of the Bands.” These unique concerts will feature a rotating lineup of rock and pop icons performing deep cuts, chart hits, favorite songs from the artists themselves and everything in between.

Joey’s Song continues to transform loss into hope – it was founded in memory of Joey Gomoll, who passed away just before his fifth birthday after a lifelong battle with Dravet Syndrome. The organization is now celebrating its 15th year and has raised more than $1.75 million through concerts and events featuring some of the biggest names in rock, alternative, and pop music – from Grammy winners and nominees and Rock and Roll Hall of Fame inductees to Top 40 hitmakers and alternative rock icons. 

“The ‘Electric Jam Livestream’ gives fans all over the world a front-row seat to one of the most unique concert experiences anywhere—every song, every collaboration, every surprise,” said Michael Gomoll, Joey’s father and founder and CEO of Joey’s Song. “Whether you’re in the room or watching online at home, you’re helping make a real difference. It’s more important than ever that we keep supporting epilepsy research to help us get closer to finding a cure, and we hope Freezing Man 2026 will help raise awareness about this much-misunderstood neurological disorder.”

The two-day Freezing Man benefit will consist of:

Friday, January 9 – “Unplugged Night”

An intimate, seated evening of acoustic performances and storytelling from the artists.

Saturday, January 10 – “Electric Night”

The full-blown Freezing Man experience: the Battle of the Bands, surprise mashups, and an epic finale jam. The “Electric Jam Livestream” is available to preorder now on joeyssong.org. 

Tickets are on sale now via JoeysSong.org: general admission tickets are $45 for the Jan. 9th show and $55 for the Jan. 10th show. Showtime for both evenings is 7:00 pm CT. Proceeds from FREEZING MAN 2026 and the livestream benefit CURE Epilepsy, select Epilepsy Foundation affiliates, and Wisconsin Badger Camp. Follow updates and lineup announcements at #FreezingMan and JoeysSong.org. Performers are subject to change.

As in previous years’ festivities, Joey’s Song is hosting in-person and online auctions at JoeysSong.org. From signed sports memorabilia and guitars to one-of-a-kind collectibles from rock legends and top athletes, the auction is packed with can’t-miss items for music lovers, collectors, and sports fans alike. Many auctions are directly connected to Freezing Man 2026, including VIP packages for meet-and-greets and backstage tours with performers to signed guitars, cowbells and drumheads. Other items up for auction include a harmonica signed by Alanis Morissette, autographed guitars by Alice Cooper, Def Leppard and Brad Paisley, and a Rolling Stone issue signed by members of R.E.M.  Bid now for all auctions HERE.

UPDATED FULL ARTIST LINEUP (Friday, January 9 and Saturday, January 10, 2026):

Butch Vig andDuke Erikson (Garbage)

Vicki Peterson (The Bangles)

Jane Wiedlin andGina Schock^ (The Go-Gos)

John Rzeznik (Goo Goo Dolls)

Gail Greenwood (Belly)

Jody Stephens andJon Auer (Big Star)

Kay Hanley and Stacy Jones (Letters to Cleo)

Hugo Burnham^ (Gang of Four)

Max Collins^ (Eve 6)

Tracy Bonham^

Marshall Crenshaw 

Brian Aubert andNikki Monninger (Silversun Pickups)

Steve Porcaro (Toto)

John Cowsill (The Cowsills)

John Gourley (Portugal. The Man)

Miguel Cervantes (Hamilton: An American Musical, New York & Chicago)

Jeremy Tappero andRyan Smith (Soul Asylum)

Chris Collingwood (Fountains of Wayne)

Freedy Johnston

Sierra Swan

Jordi Radnoti^ (drummer, Olivia Rodrigo’s touring band)

Paul Allen^ (Ten Finger Orchestra) 

Marissa Paternoster

Gina Volpe

Featuring house band “The Know-It-All Boyfriends” 

Arkells Drop Infectious New Single “What Good?” As First Taste Of Upcoming 2026 Album

Eric Alper
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Arkells Drop Infectious New Single “What Good?” As First Taste Of Upcoming 2026 Album

9X JUNO Award winners Arkells release their infectious new track, “What Good?” out now via Universal Music Canada and Virgin Music Group. Full of conviction and drive, “What Good?” marks the introduction to Arkells’ forthcoming new album, due in 2026.

Following two weeks of social teasers, and MLB World Series bumpers, Arkells premiered the song live for a select group of fans in a local Toronto garage rehearsal space a mere 48 hours before release. The tone of the event speaks to the spirit of the song, and the up-close and personal experiences it longs for.

“What Good?” aims to ask the blunt questions on the noise of modern day life: What good is the comment section? What good is rage bait disguised as debate? What good is hustle culture if it only rewards grifters and conmen?

“The song doesn’t pretend to have neat answers – but it points toward where meaning might still be found,” says frontman Max Kerman. “The sun, the moon, the neon glow of your neighborhood bar. Things we can share, things that feel real.”

Coinciding with the release, Arkells drop the accompanying music video for “What Good?” directed by Arkells (and their shadows). Further music, album info, and tour dates to come.

Whether they’re rocking stadiums, making a beeline for the discotheque, or gathering around the campfire, the implicit message of Arkells is always the same: everyone is welcome here. Since the beginning, Arkells have never wavered in their mission to be the house band that soundtracks the greatest nights of your life and provides emotional support in your darkest hours. And that communal spirit is reflected in an ever-evolving sound that hits all the perennial pleasure points – fusing the anthemic power of alt-rock, the pulpit-shaking passion of vintage soul, the off-the-cuff intimacy of singer-songwriter music, the urbane edge of 21st-century indie, and the futurist aesthetics of modern R&B. Thanks to that eclectic ethos, Arkells have continued to evolve, while making everyone feel right at home. As one of the most heavily rotated acts on radio, and all-time record holders of the JUNO Award for “Group of the Year,” Arkells have extended their reach beyond borders by infiltrating all corners of pop culture; from global sports telecasts and top-tier video games to the stages of Coachella and Bonnaroo.

But the band’s longevity is ultimately a function of their commitment to never coasting on past glories and to always live completely in the moment. Even through their impressive history together, Arkells still approach every gig as an opportunity to prove themselves to the unconverted; as they’re fond of saying, each time they take the stage, “we understand the assignment.” The first rule of rock ‘n’ roll is to play every show like it’s your last – but as Arkells prove night after night, it’s just as important to hold onto the unbridled energy and enthusiasm of your first.

Philadelphia’s SubSpaceHiWay Blends Shoegaze And Indie Pop On Dreamy New EP ‘Fiendomme’

Eric Alper
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Philadelphia’s SubSpaceHiWay Blends Shoegaze And Indie Pop On Dreamy New EP ‘Fiendomme’

Philadelphia music artist SubSpaceHiWay just dropped their new EP ‘Fiendomme’, a 2-track double side release that explores a mix of shoegaze and indie pop with descriptive storytelling lyrics. The songs are about love, heartbreak and the journey of finding yourself, told from their perspective as a nonbinary artist.

The songs each carry their own weight on the EP. “Cabernet” features upbeat, stabbing piano chords beneath a horn and string section that give it a uniquely lively and full musical feel. Layered vocal work ties it all together. Another new offering on the EP is “A Nonbinary Ballad”, which takes things into a more shoegaze direction. The song starts with jangly electric guitar and mellow, spacey vocals that almost make you drift away, while the layered harmonies give it a dreamy feel unique to SubSpaceHiWay.

SubSpaceHiWay has been making music since they were 10, learning guitar, singing and later teaching themselves how to record and produce. They pull inspiration from a host of different backgrounds to create a sound that’s completely their own. With ‘Fiendomme’, SubSpaceHiWay showcases a mix of fun, heartfelt and creative music that make a strong first impression.

Buffalo Traffic Jam Hit The Road For Debut Headline ‘Take Me Home’ Tour Across US And Canada

Eric Alper
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Buffalo Traffic Jam Hit The Road For Debut Headline ‘Take Me Home’ Tour Across US And Canada

Today, Bozeman’s best, indie folk band Buffalo Traffic Jam announce their debut headline Take Me Home Tour kicking off in Minneapolis on February 24th before making their way across the US and Canada! The tour announce follows support runs for Dylan Gossett, Bayker Blankenship, Allen Stone, Jamey Johnson, Shane Smith & The Saints along with festival slots at Red West Festival and Under the Big Sky. It also follows last month’s release of their EP Take Me Home, which saw the duo cross 1.5 million monthly listeners on Spotify. Tickets for the Take Me Home Tour go on sale this Friday, November 21 at 10am local time.

Most recently, Lowkey Country chose Buffalo Traffic Jam as their October Artist On the Rise while Moose Radio deemed them “The Most Popular Montana Band You’ve Never Heard Of.” Their EP Take Me Home, is both heavy and hopeful, capturing the intense couple of years the pair have had juggling college, music-making, touring and general adulthood paired with a sound that hits like a storm tearing across rain-starved plains. 
 
Fan favorite, “Fool’s Gold,” is a driving tune that finds Frankie in a bad way, chasing cheap relief amid rising cello and crashing guitar that now boasts more than 14 million views on TikTok and over 8 million streams! “Comfort in Misery,”a song about the ruts we fall into when we’re in need of some healing, landed on Spotify’s highly-coveted Fresh Folkplaylist and picked up praise from Melodic Mag, who hailed it, “A compelling combination of heartfelt lyrics and emotive folk.” They recently brought their stop-you-in-your-tracks sound to The Sticks Music’s Bonfire Sessions — watch “Fool’s Gold” here and “Comfort in Misery” here. 
 
Before this season of songs, Buffalo Traffic Jam released a pair of 2025 singles — “Milestone” and “Strangers Now”— which followed their November breakthrough, “Forgot Your Roots,” a heart-wrenching mix of emotional rawness and cinematic grandeur. 2024 saw the release of their self-titled debut EP, a culmination of all that had been brewing since they came together as Montana State University students united by a love for storytelling, the beauty of acoustic sound, and the natural wonder surrounding them in Big Sky Country.
 
Of late, Buffalo Traffic Jam have been bringing their music to wider audiences both at their festival debuts at Under the Big Sky in Whitefish, MT and Salt Lake City’s Red West Festival, as well as support slots on a generation-hopping array of talent including the legendary Steve Earle, Alabama outlaw country artist Jamey Johnson, and Texas red dirt band Shane Smith & The Saints. Their current run with Dylan Gossett wraps up November 16 in Phoenix, AZ ahead of their set at Tortuga Music Festival in April. Catch the fellas on the road and stay tuned for Buffalo Traffic Jam’s next chapter — their story has just begun.
 
Take Me Home Tour 
2/24 – Minneapolis, MN – 7th Street Entry
2/25 – Madison, WI – High Noon Saloon
2/27 – Columbia, MO – The Blue Note
2/28 – Grand Rapids, MI – The Stache
3/3 – St. Louis, MO – Off Broadway
3.5 – Chicago, IL – Schubas Tavern
3/7 – Columbus, OH – A&R Bar
3.8 – Indianapolis, IN – Hifi
3/10 – Nashville, TN – Basement East
3/11 – Atlanta, GA – Eddie’s Attic
3/13 – Charlotte, NC – Evening Muse
3/17 – New York, NY – Mercury Lounge
3/18 – Cambridge, MA – Sinclair
3/20 – Montreal, QC – The Ritz
3/21 – Toronto, ON – Horseshoe
3/22 – Cleveland, OH – Cambridge Room
3/24 – Omaha, NE – Reverb
3/27 – Salt Lake City, UT – Maverick Center* 
3/28 – Boise, ID – Extra Mile Arena*
4/2 – Denver, CO – Globe Hall
4/3 – Fort Collins, CO – Soundbar
4/11 – Tortuga Music Festival
4/16 – Richmond, VA – The Camel
4/17 – Washington, DC – DC9
4/18 – Philadelphia, PA – Milk Boy
 
* Supporting Turnpike Troubadours

Vienna Music Scene Infrastructure for Touring Musicians and Visiting Artists

Eric Alper
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By Mitch Rice

Vienna’s classical heritage is legendary, but the city’s contemporary music scene experiences a quiet renaissance most industry watchers have missed. As touring schedules expand across Central Europe and Vienna cements its position as a regional hub for festivals and album launches, musicians and crews face a familiar logistical puzzle: how to navigate a multi-day residency or festival appearance without dragging luggage everywhere. The solution lies in understanding Vienna’s infrastructure and the emerging support ecosystem for traveling artists.

Emerging Venues Reshaping Vienna’s Touring Circuit

Arena Wien and the Post-Industrial Wave

Arena Wien, housed in a converted slaughterhouse complex, has become a magnet for mid-tier international acts testing European markets. The venue’s flexible capacity (ranging from 400 to 3,000) makes it ideal for artists graduating from club circuits but not yet ready for stadium runs. Recent bookings have included genre-crossing lineups—from post-punk revivalists to electronic collectives—that reflect Vienna’s appetite for boundary-pushing programming.

The surrounding Erdberg district has evolved into a pre- and post-show gathering zone, with rehearsal spaces and gear rental shops clustered within walking distance. For bands arriving with minimal equipment and relying on backline services, the neighborhood offers a logistically efficient base. Options for bag storage Vienna have expanded here, with several independent operators near transit hubs allowing musicians to drop personal items before soundchecks and reclaim them post-gig.

Porgy & Bess and the Jazz-Adjacent Ecosystem

This intimate club in the first district has anchored Vienna’s jazz and improvised music community for over two decades. Its roster leans experimental—expect saxophone quartets deconstructing Balkan folk motifs or turntablists collaborating with chamber ensembles. The venue’s artist hospitality includes partnerships with nearby lockers and storage points, recognizing that many performers arrive directly from airport connections or need to stash gear between afternoon workshops and evening sets.

Festival Infrastructure and Mobility Demands

Vienna’s festival calendar has thickened considerably, with events like Waves Vienna (focused on emerging acts) and Popfest drawing multi-national lineups. These multi-day affairs create specific challenges: artists often perform one night, attend industry panels the next day, then fly out immediately. Carrying a full touring backpack through panel sessions or networking brunches is impractical, driving demand for short-term storage solutions near festival venues and co-working spaces.

Services like Qeepl have integrated into this workflow, offering app-based drop-off at partner locations—cafés, hostels, and shops—that align with artists’ irregular schedules. The model mirrors the gig economy’s flexibility, a natural fit for musicians accustomed to non-traditional hours.

Practical Considerations for Touring Crews

Transport and Timing

Vienna’s public transit network is musician-friendly, with night buses running until 5 a.m. and the U-Bahn resuming early. Venues are typically within two transfers of major accommodation clusters in Neubau and Josefstadt. However, instrument transport complicates matters—double bass cases and synth rigs don’t fit comfortably on trams during rush hour.

Many crews now adopt a split logistics approach: bulky gear travels via venue-coordinated vans, while personal items and day-use essentials are managed separately. This bifurcation has normalized temporary storage as a tour budget line item, especially for acts playing consecutive nights at different venues.

Cost Realities

Accommodation in Vienna runs €70–150 per night for mid-range hotels, with hostel beds starting around €25. Artist budgets often prioritize location over amenities, favoring walkable proximity to venues over breakfast buffets. This calculation extends to baggage: paying €5–8 for daily storage often beats the cost of returning to a distant hostel between commitments.

Recording and Rehearsal Spaces

Vienna’s studio scene serves both local acts and touring bands seeking to capture European dates on tape. Tonzauber and Groove Garden offer hourly rates (€30–60) and have cultivated reputations for accommodating drop-in sessions. Bands arriving with pre-production demos can book mixing time during off-days, turning logistical downtime into creative output.

Rehearsal rooms follow a similar model, with lockout spaces available for €15–25 per hour. The catch: most lack secure storage, so crews either haul gear daily or negotiate overnight parking for vans—a gamble in Vienna’s permit-heavy districts.

Why Vienna Matters for 2025 Touring Routes?

The city sits at the crossroads of Germany’s club circuit, Italy’s summer festivals, and Eastern European markets experiencing rapid growth. Acts routing through Central Europe increasingly anchor Vienna dates as pivot points, using the city’s airport connectivity (direct flights to over 180 destinations) to hopscotch between clusters.

This hub-and-spoke model amplifies the need for flexible baggage solutions. A band might fly Vienna–Berlin for a Wednesday show, return Thursday for a Friday Arena Wien slot, then depart Saturday for a Croatian festival. Storing non-essential luggage in Vienna between legs eliminates the need to drag winter coats to Mediterranean stages or re-check bags unnecessarily.

The Unspoken Infrastructure

Beyond official venues and studios, Vienna’s artist community relies on informal networks—Facebook groups coordinating gear swaps, WhatsApp threads sharing last-minute crash pads, and Instagram stories flagging pop-up jam sessions. This DIY ethos persists even as the city’s music economy professionalizes, creating a hybrid culture where boutique festivals coexist with basement shows.

For outsiders, tapping into these networks requires advance research and local contacts. Publicists and tour managers increasingly budget time for relationship-building, recognizing that Vienna’s tight-knit scene rewards repeat visitors with access and opportunities unavailable to one-off acts.

Gear Rental and Backline Services

Vienna’s backline market has matured, with companies like Stage Rental Vienna stocking everything from vintage Fender amps to modular synth rigs. Pricing is competitive—a full drum kit rents for around €80 per day, while guitar amps start at €30. For international acts, renting locally beats the airline fees and damage risk of hauling personal gear across continents.

This ecosystem also supports hybrid setups: a guitarist might fly with a pedalboard but rent the amplifier, or a DJ brings USB drives while relying on venue-supplied CDJs. The key is advance communication—venue techs appreciate detailed riders specifying exact models and configurations.

Erykah Badu Celebrates 25 Years Of ‘Mama’s Gun’ With Special King’s Theater Livestream On Veeps

Eric Alper
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Erykah Badu Celebrates 25 Years Of ‘Mama’s Gun’ With Special King’s Theater Livestream On Veeps

Veeps will present Erykah Badu: Mama’s Gun | Live from King’s Theater on Saturday, December 6th at 9 pm ET. The livestream captures a special performance celebrating the 25th anniversary of Badu’s seminal album ‘Mama’s Gun’, widely regarded as a defining record in neo-soul. Advance tickets are $19.99, day of show tickets will be $24.99, with free access for Veeps All Access subscribers.

The King’s Theater streaming event on Veeps gives fans worldwide an up-close experience of this iconic set as she performs the album in full. Fans can expect a full performance drawing on the ‘Mama’s Gun’ tracklist, signature Badu arrangements and the intimate storytelling that has defined her live shows.

The stream will be available globally with on-demand replay for ticket holders after the live broadcast, subject to artist and platform terms. Erykah Badu’s ‘Mama’s Gun’ is being celebrated across the live circuit this year with anniversary dates and special appearances, and this livestream offers a unique opportunity for fans everywhere to witness this milestone celebration.

Brooke Moriber Explores Faith And Identity On Stirring New Single “Your Jesus”

Eric Alper
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Brooke Moriber Explores Faith And Identity On Stirring New Single “Your Jesus”

Acclaimed singer-songwriter Brooke Moriber has released her latest single “Your Jesus”, a powerful track that marks a new chapter in her evolution. Combining her Broadway born vocal prowess and intimate storytelling with a fresh pop-country sound, Moriber delivers an incisive and emotionally charged anthem that explores themes of surrender, identity and the complex intersections of faith, love and self-worth.

With vivid lyricism and a soaring chorus, Moriber reflects on what happens when someone else’s idea of salvation becomes your own and whether the real redemption lies in finding your own path rather than accepting someone else’s. The track balances vulnerability and strength through layered instrumentation, rich harmonies and Moriber’s signature clarion voice.

“Your Jesus” showcases the singer-songwriter at her most authentic, crafting a song that invites listeners to question, reflect and ultimately discover their own truth. This release demonstrates Moriber’s continued growth as an artist unafraid to tackle profound subjects with grace and honesty.

Jamie Oliver Teams Up With Leading Health Experts For Audible’s Game Changing New Podcast ‘Reset Your Health’

Eric Alper
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Jamie Oliver Teams Up With Leading Health Experts For Audible’s Game Changing New Podcast ‘Reset Your Health’

Audible, a leading provider of spoken word entertainment, has announced Reset Your Health with Jamie Oliver, launching globally on Thursday, January 8th, 2026. The brand-new Audible Original podcast, created and hosted by chef, author, and child health campaigner, Jamie Oliver, takes listeners on a journey to better understand their health and wellbeing. 

Each episode of the six-part series sees Jamie tackle a new health topic with the help of a leading expert, cutting through the noise of confusing wellness advice. From uncovering the mysteries of the gut with Dr Emily Leeming and the impact that chewing soft foods versus crunchy foods has on our health with Sarah Berry, to exploring why bacon sandwiches are so irresistible with geneticist Professor Giles Yeo and learning how to protect your memory as you age with Professor Rose Anne Kenny – this insightful series is packed with practical hacks and science-backed insights to help listeners live healthier, happier lives. 

Jamie and his expert guests show that improving your health only takes curiosity, small steps and willingness to try new things. Through relatable stories, from sneaking more vegetables into family meals to mastering better sleep routines, they make lasting change feel achievable for everyone.  

Jamie Oliver said: “Our health is the most precious thing we have, but right now, the food environment around us has never been unhealthier. Where we live and where we work, everywhere we go, we’re surrounded by a majority of unhealthy choices. It’s hard to know what to do, which is why I wanted to make this podcast, joined by experts in their field, to unpack what we can all do to make some positive changes.  We don’t have to get it right all the time but making good food choices, getting more sleep, knowing more about our gut, trying some hacks, all of this has the potential to really transform our lives and happiness.”  

 
Aurelie de Troyer, Head of Regional Content, Europe at Audible added: “Jamie has this incredible knack for making complex topics feel like a conversation with your friend. This isn’t your typical wellness podcast – it’s Jamie being genuinely interested about the science behind why our bodies do what they do, and that curiosity is absolutely infectious. Timed perfectly for the new year, we’re excited for our listeners to join Jamie on this journey.” 

Reset Your Health with Jamie Oliver is Jamie’s latest venture in his journey with nutrition. 10 years ago, he studied at St. Mary’s Twickenham University under Professor Ann Kennedy and Gill Horgan for a Royal Society of Public Health Level 4 Award in Nutrition in order to immerse himself in a deeper understanding of our bodies’ relationship with food, how what we eat affects us, and the impact it can have. 

Blending expert advice, storytelling, and Jamie’s trademark warmth, insight and humour, Reset Your Health with Jamie Oliver joins Audible’s extensive roster of critically acclaimed wellness podcasts, including Sleep Sound with Sienna Miller (“Calming”: The Guardian), Hack your Body and Heal your Mind (“This eight-part podcast series may be your next best step”: The Independent) and Derren Brown’s Boot Camp for the Brain (“Highly enjoyable!”: The Observer) 

Reset Your Health with Jamie Oliver, an Audible Original podcast, will be exclusively available from January 8th,  2026 at audible.ca. Available to pre-order now. Membership may be required.  

Peter DiMaggio Soars Into Independence With Cinematic New Single “Fly Away”

Eric Alper
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0
Peter DiMaggio Soars Into Independence With Cinematic New Single “Fly Away”

Actor, composer, and singer-songwriter Peter DiMaggio returns with his powerful new single “Fly Away,” a soaring indie-pop track that blends emotional vulnerability with cinematic production. Channeling the atmospheric textures of The 1975 and the anthemic optimism of Coldplay, DiMaggio offers a deeply personal reflection on breaking free from a toxic cycle — and the hope that endures even in moments of darkness.

“I wrote this song in the wake of a toxic relationship,” says DiMaggio. “Though I eventually found the strength to leave, this song came from the middle of it — that place where, no matter how bad it gets, you keep getting pulled back in. It’s about yearning for the version of yourself that can finally let go.”

“Fly Away” marks a milestone for DiMaggio: it’s his first fully self-written and self-owned release, a poignant coincidence for a song about reclaiming one’s power. The track serves as a bold introduction to his upcoming body of work under his new independent label, Passeri Records, with a larger project planned for release this spring.

“Fly Away” is the true proof of concept for Passeri Records, marking a pivotal moment in Peter DiMaggio’s journey as an artist, filmmaker, and creative producer. The music video exists at the crossroads of his experience in music, film, acting, dance, fight choreography, writing, and production—an all-encompassing showcase of artistic storytelling. Built over months of development, rehearsals, and collaboration, “Fly Away” transforms a deeply personal song into a cinematic experience that merges movement, emotion, and visual narrative.

To bring the vision to life, Peter assembled what he calls his “all-star team”—a group of collaborators he met through years of acting in independent films and creative projects. Directed by Annette Milburn, produced by Jonathan Oliviera, and shot by cinematographer Raphaël Edwards, the video features intricate production design by Grace Roden and Jillian Rosadino, expressive choreography by Monica Gallego, and a 47-second one-take sequence involving more than fifty cast and crew members. Every frame reflects the precision, artistry, and trust shared across departments, proving that independent artists can produce professional-quality work with intention, ingenuity, and heart.

At its core, “Fly Away” is a statement about creative community and empowerment. Through Passeri Records, Peter DiMaggio aims to redefine what independent artistry looks like, fostering an environment where collaboration thrives and artists maintain full creative control. The project stands as both a personal milestone and a collective triumph, celebrating the belief that when passion and purpose align, you don’t just make art—you take flight.

“This release proves that through focused collaboration, independent artists can create industry-quality product free of the constraints of a traditional record deal. Collaboration isn’t just the method; it’s the message. When artists create freely, we all rise together.”

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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