KEXP has released the full studio performance from SHe Said, hosted by Cheryl Waters. The four-song set moves through “Like Lions,” “Over The Marionette,” “The Reins,” and “The Real Thing,” giving the six-piece band room to stretch out and demonstrate exactly why they are worth paying close attention to. Fronted by Jen Ayers on lead vocals and electric piano, with Kathy Moore and R L Heyer on guitars, Richard Davidson on bass, Geoff Reading on drums, and Melissa Montalto on keyboards, SHe Said fills the KEXP studio with a sound that is layered, dynamic, and completely alive.
Danish Jazz-Techno Trio Smag På Dig Selv Delivers Their Most Focused and Fearless Album Yet With ‘This Is Why We Lost’
Smag På Dig Selv have released ‘This Is Why We Lost,’ their highly anticipated second album, out now via Stunt Records. The Danish trio, comprised of saxophonists Oliver Lauridsen and Thorbjørn Øllgaard alongside drummer Albert Holberg, have built one of the most genuinely singular sounds in contemporary music, blending acoustic instrumentation with techno structures, punk energy, and deep references to 90s dance culture. This album is their most confident and focused statement yet.
The core ambition was to create music that functions inside a trance or club setting while carrying a strong melodic and narrative arc. It works completely. Clash Magazine awarded it a 9/10, calling it impossible not to be physically moved by, while Notion described it as balancing “hypnotic, trance-ready propulsion with melodic vulnerability.” Produced by TMI Tammi, the album features the band’s mothers, a nod to minimalist composer Kali Malone, and a Palestinian folk song, different voices finding space together without losing the thread.
Recent singles include the Radio X-championed “Like A Word I Never Knew,” the Dutch Gabber-inspired “Vik’s Rawcore” featuring vibraphonist Viktoria Søndergaard, and the acoustic techno of “Let’s Go!” The album also carries a direct political dimension, confronting the global rise of right-wing politics with the kind of self-examination that goes beyond easy criticism. “As much as the left wing is good at criticizing the right wing, we should also look inwards,” the band explains.
Since forming in 2018, SPDS have performed at major European festivals, SummerStage in Central Park, SXSW, The Great Escape, and Eurosonic. The international touring reputation they have built is formidable, and ‘This Is Why We Lost’ arrives as the record that fully justifies it.
An extensive international tour runs through spring 2026, with dates across Scandinavia, Eastern Europe, the UK, and beyond.
2026 Tour Dates:
April 15 – Pustervik – Göteborg, SE
April 16 – Blaa – Oslo, NO
April 17 – Debaser – Stockholm, SE
April 18 – Plan B – Malmø, SE
April 22 – Lark – Berlin, DE
April 25 – Atelier Café – Cluj, RO
April 26 – Control Club – Bucharest, RO
April 29 – A38 – Budapest, HU
May 6 – Gazarte Ground Stage – Athens, GR
May 7 – Soul Skg – Thessaloniki, GR
May 16 – Rough Trade – London, UK
May 20 – Hug and Pint – Glasgow, UK
May 21 – Voodoo Daddy’s – Norwich, UK
May 22 – Shindig – Charlton Park, UK
May 23 – Bearded Theory – UK
Harry Styles Brings ‘Kiss All the Time. Disco, Occasionally’ to Netflix in a Stunning One-Night Manchester Concert Film
Harry Styles’ One Night in Manchester is now streaming globally on Netflix, capturing the full live performance of his fourth studio album ‘Kiss All the Time. Disco, Occasionally’ filmed at Co-op Live Arena in front of 20,500 fans on the day of the album’s release. Every track from the record is performed in sequence, making this a complete album experience delivered at full concert scale.
The setlist closes with five songs that cement exactly why Styles commands rooms this size. “Golden,” “Watermelon Sugar,” “As It Was,” and “Sign of the Times” close the main set before “Aperture” returns for a second performance as the final note of the night. It is a generous, considered send-off from an artist who clearly understands how to leave an audience.
The one-night-only release show is a tradition Styles has honored for each of his albums, and this Manchester performance is the most ambitious installment yet. It also precedes Together, Together, his record-breaking global residency across seven cities and 67 shows worldwide in 2026, making One Night in Manchester both a celebration of the new album and a preview of what that touring run will deliver at scale.
The film is available now on Netflix for anyone who wants to watch a complete, fully realized concert performance of one of 2026’s most anticipated pop releases.
Setlist:
- Aperture
- American Girls
- Ready, Steady, Go!
- Are You Listening Yet?
- Taste Back
- The Waiting Game
- Season 2 Weight Loss
- Coming Up Roses
- Pop
- Dance No More
- Paint By Numbers
- Carla’s Song
Encore:
- From the Dining Table
- Golden
- Watermelon Sugar
- As It Was
- Sign of the Times
- Aperture (Again)
Irish Composer BK Pepper Confronts a Fractured World on Ambitious New Album ‘Pagan’
Irish composer and producer BK Pepper has released “Common Ground,” the lead single from his forthcoming second album ‘Pagan,’ arriving April 24 via London-based label Bigo & Twigetti. The single is out now, and it announces an album of genuine scale and ambition, recorded with the Czech National Symphony Orchestra, The Glasshouse Ensemble, and acclaimed violinist Viktor Orri Árnason.
“Common Ground” opens ‘Pagan’ with a piece that pairs orchestral sweep with intimate layered vocals and hushed brass textures. It builds deliberately, mirroring the slow work of genuine human understanding. “Common Ground came from a need to believe that connection is still possible,” Pepper shares. “There is so much noise and division in the world, but underneath it all I think we are far more alike than we admit.” The restraint in the arrangement is as powerful as any of its larger moments.
‘Pagan’ follows Pepper’s critically acclaimed 2020 debut ‘Territories’ and widens the lens considerably. Where that album turned inward, this one confronts systems of belief, religious, political, and personal, and what happens when they fracture. “I was drawn to the idea of the pagan as someone outside the dominant narrative, someone questioning, resisting or searching,” Pepper explains. The album moves between cinematic orchestration and stripped-back vulnerability throughout, both collective and deeply personal in equal measure.
Pepper has recorded at Abbey Road Studios and in unconventional spaces including converted swimming pools. His recent score for the 2024 feature film ‘Swing Bout’ is currently streaming on Apple TV. His live performance film ‘From An Empty Castle’ from 2021 demonstrated his ability to merge striking visual environments with immersive sound.
‘Pagan’ is one of the more compelling orchestral releases on the 2026 calendar, arriving April 24 via Bigo & Twigetti.
Michael Stipe and Andrew Watt Deliver a Stunning “I Played The Fool” for HBO’s “Rooster”
WaterTower Music has released “I Played The Fool (Main Title Theme)” from the new HBO Original series Rooster, performed by Michael Stipe and Andrew Watt and available now on all major streaming platforms. The track marks Stipe’s first new song in three years, a return that carries real weight for anyone who grew up with R.E.M. Paired with Watt’s bold contemporary production, the result is cinematic, emotionally immediate, and impossible to shake.
The collaboration brings together two Grammy Award-winning artists for the first time. Watt produced and co-performed the track, with Travis Barker of Blink-182 on drums and Josh Klinghoffer on guitar and piano. Barker’s driving percussion and Klinghoffer’s atmospheric playing give the song a modern rock foundation while leaving full room for Stipe’s unmistakable voice to do what only it can do.
The enthusiasm from everyone involved is genuine and audible. “Michael Stipe is a hero of mine,” Watt says. “He is one of the true great songwriters of this lifetime.” Series co-creator Bill Lawrence describes watching Watt partner with “one of my favorite songwriter/singers of all time” as a career highlight. Co-creator Matt Tarses, a lifelong R.E.M. devotee, put it simply: when he heard the early demo, he cried.
Rooster is a comedy set on a college campus, centered on the complicated relationship between an author played by Steve Carell and his daughter, played by Charly Clive. Co-created by Bill Lawrence and Matt Tarses and executive produced alongside Jonathan Krisel and Steve Carell among others, the series also stars Danielle Deadwyler, Phil Dunster, John C. McGinley, and Lauren Tsai. The 10-episode season debuted March 8 on HBO and streams on HBO Max, with new episodes weekly through May 10.
“I Played The Fool” establishes the tone of Rooster with a blend of raw emotion, modern rock energy, and songwriting that lands hard from the opening seconds. Andrew Watt called it “the best clapping TV theme song since Friends.” That is a bold claim. Listen once and it is difficult to argue.
Alice Cooper Sets the Record Straight in Definitive New Autobiography ‘Devil on My Shoulder’
Alice Cooper is finally telling his own story, on his own terms. ‘Devil on My Shoulder,’ published by Penguin Books on October 8, is the definitive autobiography from the Godfather of Shock Rock, a full accounting of six decades in music, myth, addiction, survival, and faith from one of the most singular figures rock has ever produced. After sixty-plus years of embellishments, elaborations, and outright fabrications circling his name, Cooper is sorting reality from legend himself.
The book covers everything. The slaughtered chickens. The bans and record burnings. The blackout years and the creative process fueled by alcohol, drugs, and round-the-clock television. His feelings of guilt after people got hurt or died. How he stayed married for half a century. And, perhaps most surprisingly, God. “I just want to describe how it is that I found Him dwelling in me,” Cooper writes. That is not a sentence anyone saw coming from Alice Cooper, and that unpredictability is precisely what makes this book essential reading.
The autobiography traces the full arc of a career built on over 50 million albums sold, a star on the Hollywood Walk of Fame, and a 2011 Rock and Roll Hall of Fame induction. His catalog includes platinum landmarks from ‘Killer’ and ‘School’s Out’ through ‘Billion Dollar Babies’ and ‘Trash.’ His collaborators have included Vincent Price, Aerosmith, Guns N’ Roses, Jon Bon Jovi, and Johnny Depp, with whom he co-founded Hollywood Vampires alongside Joe Perry. His 2025 album ‘The Revenge Of Alice Cooper’ reunited the surviving original band members to widespread critical acclaim.
Cooper has been covered by Etta James, The Smashing Pumpkins, and Megadeth. He appeared in Wayne’s World, The Muppets, That 70s Show, and starred alongside John Legend and Sara Bareilles in NBC’s Jesus Christ Superstar Live in Concert. The reach of this man’s career across popular culture is genuinely staggering, and ‘Devil on My Shoulder’ promises to account for all of it.
This is the book rock fans have been waiting decades for, written by the only person qualified to tell it.
The Devil Wears Nada Swings Hard With Explosive New Single “Brat With A Baseball Bat”
The Devil Wears Nada has released “Brat With A Baseball Bat,” the lead single from their upcoming sophomore album ‘In Lust We Thrust,’ arriving July 3, 2026 on CD and limited-edition colored vinyl via Eönian Records. Pre-orders launch in late spring at eonianrecords.com. The single arrives with a lyric video and announces a band operating at full throttle, arena-sized hooks, unapologetic swagger, and a chorus built to ignite rooms.
The track sits squarely in the tradition of classic Scandinavian hard rock, carrying the anthemic grandeur of Europe and the bombastic punch of KISS while sharpening both with modern production. Thematically it moves through confrontation, betrayal, and the surge of reclaiming control, and it does all of that without once losing momentum. “Big melodies, sharp edges, and a heartbeat that feels like it might explode at any second,” says drummer and founder Ludvig Alfvén. “That’s THE DEVIL WEARS NADA in its purest form.”
The band hails from Falköping, Sweden, and draws theatrical energy from Alice Cooper, Ghost, and Lordi while rooting their sound in the melodic hard rock and glam metal of the mid-1980s through early 1990s. Their debut album ‘Postalgia,’ originally released under the name Adecence in a pressing of just 100 CDs, was remastered and reissued under the current name with expanded packaging and two new studio recordings, becoming one of Eönian Records’ best-selling titles.
‘In Lust We Thrust’ features 11 tracks including “Victoria,” which features Evan Stanley as a guest. Guitarist Henrik Westergren frames the band’s creative core directly: “Take the raw pulse of the ’70s and ’80s hard rock and glam metal, and mix it with our fascination for the macabre and the dramatic. That’s where THE DEVIL WEARS NADA lives.” Fans of Nestor, Da Vinci, 220 Volt, and FM will find exactly what they are looking for here, and then some.
This is melodic rock built from genuine passion and delivered without apology. ‘In Lust We Thrust’ is one of the more exciting hard rock releases on the 2026 calendar.
Kurt Deimer Gets Personal and Twangy on Heartfelt New Single “Always There”
Kurt Deimer releases “Always There” today, the latest single from his forthcoming sophomore album ‘A Grog Is Born,’ due May 8 via his own Bald Man Records. The track pulls toward country-rock, a twangy, emotionally grounded departure that sits apart from the harder material in his catalog. It is also, by his own account, his favorite song on the record.
The song draws directly from Deimer’s life. “I went through a lot of trouble in my life. I had addictions when I was younger. I had anxiety when I was younger,” he shares. “But I had those core people, like the best mom and dad, that helped me get through those very bad times. Without giving up hope on me or kind of throwing me to the side, they were always there.” That kind of specificity is what separates a good song from a lasting one.
‘A Grog Is Born’ was produced by five-time GRAMMY-winning producer Chris Lord-Alge, whose credits include Green Day and Breaking Benjamin. The 12-track album spans bruising hard rock, epic balladry, and everything between, while connecting Deimer the singer to Grog, the scene-stealing character he portrays in his horror comedy film ‘Scared To Death.’ The film, starring Lin Shaye and Bill Moseley, hits theaters March 13. The album’s title track doubles as the film’s lead single.
The record features serious guest appearances. Buckcherry frontman Josh Todd appears on “In Deep,” already a Top 40 Active Rock radio single. Queensrÿche legend Geoff Tate joins for a reinvention of “Silent Lucidity.” The album also includes a heavy reimagining of Phil Collins’ “In The Air Tonight,” directed by Paul Boyd, who also wrote and directed the film.
Deimer is operating on multiple creative fronts simultaneously, and pulling it off. ‘A Grog Is Born’ is out May 8.
Progressive Metal Heavyweights ERRA Drop Crushing New Album ‘silence outlives the earth’ as Tour Sells Out Across North America
ERRA has released ‘silence outlives the earth’ via UNFD, and it arrives as one of the most fully realized albums in the band’s catalog. The record includes recent singles “i. the many names of god” and “further eden,” alongside new track “black cloud,” a song built from the ground up in the studio by Dan and Jesse, starting with bass, drums, and melody before guitars were added last. “We just wanted the song’s personality to remain pure and simple,” the band shares. “The result is some of the strongest melodies and lyrics on the record.” That restraint pays off completely.
The album release lands in the middle of a six-week co-headlining North American run with Currents, and the demand has been immediate and overwhelming. Cleveland, New York, Chicago, Denver, and Anaheim are already sold out, with low tickets remaining across the majority of the tour. The tour kicked off March 6 and runs through April 19, hitting major markets from Baltimore to San Antonio with stops in Toronto, Montreal, Seattle, and beyond.
‘silence outlives the earth’ is the kind of record that rewards repeated listening. The band has always operated at the intersection of technical precision and emotional weight, and this album pushes further into both territories without sacrificing accessibility. “black cloud” is a strong entry point, but the album earns its full runtime across every track.
ERRA is operating at a peak creative moment, and the sellouts confirm that their audience knows it. Tickets are moving fast across the remaining dates.
Upcoming Tour Dates:
March 6 – Nevermore – Baltimore, MD (low tickets)
March 7 – The Ritz – Raleigh, NC (low tickets)
March 8 – The Masquerade – Atlanta, GA (low tickets)
March 10 – Ritz Ybor – Tampa, FL (low tickets)
March 12 – Brooklyn Bowl – Nashville, TN (low tickets)
March 13 – House of Blues – Cleveland, OH (sold out)
March 14 – The Fillmore – Philadelphia, PA
March 15 – Town Ballroom – Buffalo, NY (low tickets)
March 17 – History – Toronto, ON (low tickets)
March 18 – Mtelus – Montreal, QC (low tickets)
March 20 – Palladium – Worcester, MA (low tickets)
March 21 – Irving Plaza – New York, NY (sold out)
March 22 – Roxian Theatre – Pittsburgh, PA (low tickets)
March 24 – Bogarts – Cincinnati, OH (low tickets)
March 25 – The Intersection – Grand Rapids, MI
March 27 – St. Andrews Hall – Detroit, MI (low tickets)
March 28 – House of Blues – Chicago, IL (sold out)
March 29 – House of Blues – Chicago, IL
March 31 – The Rave – Milwaukee, WI
April 1 – Uptown Theater – Minneapolis, MN
April 3 – Granada Theater – Lawrence, KS (low tickets)
April 4 – Summit Music Hall – Denver, CO (sold out)
April 5 – The Complex – Salt Lake City, UT (low tickets)
April 7 – The Showbox – Seattle, WA (low tickets)
April 8 – Roseland Theater – Portland, OR
April 10 – Channel 24 – Sacramento, CA (low tickets)
April 11 – House of Blues – Anaheim, CA (sold out)
April 12 – House of Blues – San Diego, CA
April 14 – The Marquee – Tempe, AZ
April 15 – Sunshine Theater – Albuquerque, NM
April 17 – House of Blues – Dallas, TX
April 18 – House of Blues – Houston, TX
April 19 – Vibes Event Center – San Antonio, TX
Wynonna Judd and Melissa Etheridge Team Up for the “Raised On Radio Tour”
Wynonna Judd and Melissa Etheridge are hitting the road together this summer on the “Raised On Radio Tour,” a 27-date co-headlining run across the U.S. that includes stops in San Diego, Atlanta, Seattle, Reno, and a special symphony performance at Red Rocks Amphitheatre with the Colorado Symphony. Artist presales begin March 10 at 10AM local time, with the general on-sale March 13 at 10AM local time. VIP packages are available alongside standard tickets.
Both artists trace their artistic DNA directly back to the radio, and they are not shy about saying so. “That’s where it all started for me,” Judd says. “The radio was my teacher, my comfort, my escape. The songs playing through that radio shaped me as a dreamer and an artist.” Etheridge is equally direct: “I was literally raised on the radio, growing up in Leavenworth I listened to WHB. It helped shape me to become the versatile writer and musician that I am today.” The tour name is not a concept. It is a shared autobiography.
Judd is a five-time Grammy winner, Country Music Hall of Fame member, and one-half of the legendary duo The Judds. Her solo catalog includes chart-topping hits “No One Else on Earth,” “I Saw the Light,” and “She Is His Only Need.” Etheridge is a Rock and Roll Hall of Fame nominee whose confessional songwriting and signature vocal rasp built some of rock’s most enduring anthems, including “Come to My Window” and “Bring Me Some Water.” Her new album ‘Rise’ includes “The Other Side of Blue” with Chris Stapleton.
Every ticket sold generates a direct charitable contribution. One dollar per ticket goes to The Etheridge Foundation, a 501c non-profit focused on opioid use disorder prevention and treatment through plant medicine research. Another dollar per ticket goes to St. Jude’s Children’s Hospital. Two major artists, one tour, two causes that matter.
The “Raised On Radio Tour” runs June through September, covering amphitheatres, casino stages, and festival grounds coast to coast. This is a pairing built on mutual respect, shared roots, and decades of proven stage command.
“Raised On Radio Tour” Dates:
June 24 – Wolf Trap – Vienna, VA
June 25 – Williamsburg Live – Williamsburg, VA
June 27 – Chautauqua Institution – Chautauqua, NY
June 28 – Bethel Woods Center for the Arts – Bethel, NY
June 30 – The Rose Music Center at The Heights – Huber Heights, OH
July 3 – The MILL Amphitheater – Terre Haute, IN
July 6 – Minnesota Discovery Center Amphitheater – Chisholm, MN
July 7 – The Ledge Amphitheater – Waite Park, MN
July 9 – Amphitheater at Las Colonias Park – Grand Junction, CO
July 11 – The Rady Shell at Jacobs Park – San Diego, CA
July 12 – Great Park Live – Irvine, CA
July 17 – Thunder Valley Casino – Lincoln, CA
July 18 – Weill Hall and Lawn at the Green Music Center – Rohnert Park, CA
July 19 – Silver Legacy Downtown Ballroom – Reno, NV
July 21 – The Mountain Winery – Saratoga, CA
July 23 – Hayden Homes Amphitheater – Bend, OR
July 24 – Seattle, WA – TBA
July 25 – BECU Live at Northern Quest – Airway Heights, WA
July 28 – KettleHouse Amphitheater – Bonner, MT
July 30 – Salt Lake City, UT – TBA
August 2 – Red Rocks Amphitheatre with the Colorado Symphony – Morrison, CO
August 4 – Walmart AMP – Rogers, AR
August 5 – Sand Mountain Amphitheater – Albertville, AL
August 7 – Synovus Bank Amphitheater at Chastain Park – Atlanta, GA
August 8 – Beaver Dam Amphitheater – Beaver Dam, KY
August 9 – Wisconsin State Fair Main Stage – West Allis, WI
September 11 – Allegan County Fair – Allegan, MI