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Irish Composer BK Pepper Confronts a Fractured World on Ambitious New Album ‘Pagan’

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Irish composer and producer BK Pepper has released “Common Ground,” the lead single from his forthcoming second album ‘Pagan,’ arriving April 24 via London-based label Bigo & Twigetti. The single is out now, and it announces an album of genuine scale and ambition, recorded with the Czech National Symphony Orchestra, The Glasshouse Ensemble, and acclaimed violinist Viktor Orri Ɓrnason.

“Common Ground” opens ‘Pagan’ with a piece that pairs orchestral sweep with intimate layered vocals and hushed brass textures. It builds deliberately, mirroring the slow work of genuine human understanding. “Common Ground came from a need to believe that connection is still possible,” Pepper shares. “There is so much noise and division in the world, but underneath it all I think we are far more alike than we admit.” The restraint in the arrangement is as powerful as any of its larger moments.

‘Pagan’ follows Pepper’s critically acclaimed 2020 debut ‘Territories’ and widens the lens considerably. Where that album turned inward, this one confronts systems of belief, religious, political, and personal, and what happens when they fracture. “I was drawn to the idea of the pagan as someone outside the dominant narrative, someone questioning, resisting or searching,” Pepper explains. The album moves between cinematic orchestration and stripped-back vulnerability throughout, both collective and deeply personal in equal measure.

Pepper has recorded at Abbey Road Studios and in unconventional spaces including converted swimming pools. His recent score for the 2024 feature film ‘Swing Bout’ is currently streaming on Apple TV. His live performance film ‘From An Empty Castle’ from 2021 demonstrated his ability to merge striking visual environments with immersive sound.

‘Pagan’ is one of the more compelling orchestral releases on the 2026 calendar, arriving April 24 via Bigo & Twigetti.

Michael Stipe and Andrew Watt Deliver a Stunning “I Played The Fool” for HBO’s “Rooster”

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WaterTower Music has released “I Played The Fool (Main Title Theme)” from the new HBO Original series Rooster, performed by Michael Stipe and Andrew Watt and available now on all major streaming platforms. The track marks Stipe’s first new song in three years, a return that carries real weight for anyone who grew up with R.E.M. Paired with Watt’s bold contemporary production, the result is cinematic, emotionally immediate, and impossible to shake.

The collaboration brings together two Grammy Award-winning artists for the first time. Watt produced and co-performed the track, with Travis Barker of Blink-182 on drums and Josh Klinghoffer on guitar and piano. Barker’s driving percussion and Klinghoffer’s atmospheric playing give the song a modern rock foundation while leaving full room for Stipe’s unmistakable voice to do what only it can do.

The enthusiasm from everyone involved is genuine and audible. “Michael Stipe is a hero of mine,” Watt says. “He is one of the true great songwriters of this lifetime.” Series co-creator Bill Lawrence describes watching Watt partner with “one of my favorite songwriter/singers of all time” as a career highlight. Co-creator Matt Tarses, a lifelong R.E.M. devotee, put it simply: when he heard the early demo, he cried.

Rooster is a comedy set on a college campus, centered on the complicated relationship between an author played by Steve Carell and his daughter, played by Charly Clive. Co-created by Bill Lawrence and Matt Tarses and executive produced alongside Jonathan Krisel and Steve Carell among others, the series also stars Danielle Deadwyler, Phil Dunster, John C. McGinley, and Lauren Tsai. The 10-episode season debuted March 8 on HBO and streams on HBO Max, with new episodes weekly through May 10.

“I Played The Fool” establishes the tone of Rooster with a blend of raw emotion, modern rock energy, and songwriting that lands hard from the opening seconds. Andrew Watt called it “the best clapping TV theme song since Friends.” That is a bold claim. Listen once and it is difficult to argue.

Alice Cooper Sets the Record Straight in Definitive New Autobiography ‘Devil on My Shoulder’

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Alice Cooper is finally telling his own story, on his own terms. ‘Devil on My Shoulder,’ published by Penguin Books on October 8, is the definitive autobiography from the Godfather of Shock Rock, a full accounting of six decades in music, myth, addiction, survival, and faith from one of the most singular figures rock has ever produced. After sixty-plus years of embellishments, elaborations, and outright fabrications circling his name, Cooper is sorting reality from legend himself.

The book covers everything. The slaughtered chickens. The bans and record burnings. The blackout years and the creative process fueled by alcohol, drugs, and round-the-clock television. His feelings of guilt after people got hurt or died. How he stayed married for half a century. And, perhaps most surprisingly, God. “I just want to describe how it is that I found Him dwelling in me,” Cooper writes. That is not a sentence anyone saw coming from Alice Cooper, and that unpredictability is precisely what makes this book essential reading.

The autobiography traces the full arc of a career built on over 50 million albums sold, a star on the Hollywood Walk of Fame, and a 2011 Rock and Roll Hall of Fame induction. His catalog includes platinum landmarks from ‘Killer’ and ‘School’s Out’ through ‘Billion Dollar Babies’ and ‘Trash.’ His collaborators have included Vincent Price, Aerosmith, Guns N’ Roses, Jon Bon Jovi, and Johnny Depp, with whom he co-founded Hollywood Vampires alongside Joe Perry. His 2025 album ‘The Revenge Of Alice Cooper’ reunited the surviving original band members to widespread critical acclaim.

Cooper has been covered by Etta James, The Smashing Pumpkins, and Megadeth. He appeared in Wayne’s World, The Muppets, That 70s Show, and starred alongside John Legend and Sara Bareilles in NBC’s Jesus Christ Superstar Live in Concert. The reach of this man’s career across popular culture is genuinely staggering, and ‘Devil on My Shoulder’ promises to account for all of it.

This is the book rock fans have been waiting decades for, written by the only person qualified to tell it.

The Devil Wears Nada Swings Hard With Explosive New Single “Brat With A Baseball Bat”

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The Devil Wears Nada has released “Brat With A Baseball Bat,” the lead single from their upcoming sophomore album ‘In Lust We Thrust,’ arriving July 3, 2026 on CD and limited-edition colored vinyl via Eƶnian Records. Pre-orders launch in late spring at eonianrecords.com. The single arrives with a lyric video and announces a band operating at full throttle, arena-sized hooks, unapologetic swagger, and a chorus built to ignite rooms.

The track sits squarely in the tradition of classic Scandinavian hard rock, carrying the anthemic grandeur of Europe and the bombastic punch of KISS while sharpening both with modern production. Thematically it moves through confrontation, betrayal, and the surge of reclaiming control, and it does all of that without once losing momentum. “Big melodies, sharp edges, and a heartbeat that feels like it might explode at any second,” says drummer and founder Ludvig AlfvĆ©n. “That’s THE DEVIL WEARS NADA in its purest form.”

The band hails from Falkƶping, Sweden, and draws theatrical energy from Alice Cooper, Ghost, and Lordi while rooting their sound in the melodic hard rock and glam metal of the mid-1980s through early 1990s. Their debut album ‘Postalgia,’ originally released under the name Adecence in a pressing of just 100 CDs, was remastered and reissued under the current name with expanded packaging and two new studio recordings, becoming one of Eƶnian Records’ best-selling titles.

‘In Lust We Thrust’ features 11 tracks including “Victoria,” which features Evan Stanley as a guest. Guitarist Henrik Westergren frames the band’s creative core directly: “Take the raw pulse of the ’70s and ’80s hard rock and glam metal, and mix it with our fascination for the macabre and the dramatic. That’s where THE DEVIL WEARS NADA lives.” Fans of Nestor, Da Vinci, 220 Volt, and FM will find exactly what they are looking for here, and then some.

This is melodic rock built from genuine passion and delivered without apology. ‘In Lust We Thrust’ is one of the more exciting hard rock releases on the 2026 calendar.

Kurt Deimer Gets Personal and Twangy on Heartfelt New Single “Always There”

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Kurt Deimer releases “Always There” today, the latest single from his forthcoming sophomore album ‘A Grog Is Born,’ due May 8 via his own Bald Man Records. The track pulls toward country-rock, a twangy, emotionally grounded departure that sits apart from the harder material in his catalog. It is also, by his own account, his favorite song on the record.

The song draws directly from Deimer’s life. “I went through a lot of trouble in my life. I had addictions when I was younger. I had anxiety when I was younger,” he shares. “But I had those core people, like the best mom and dad, that helped me get through those very bad times. Without giving up hope on me or kind of throwing me to the side, they were always there.” That kind of specificity is what separates a good song from a lasting one.

‘A Grog Is Born’ was produced by five-time GRAMMY-winning producer Chris Lord-Alge, whose credits include Green Day and Breaking Benjamin. The 12-track album spans bruising hard rock, epic balladry, and everything between, while connecting Deimer the singer to Grog, the scene-stealing character he portrays in his horror comedy film ‘Scared To Death.’ The film, starring Lin Shaye and Bill Moseley, hits theaters March 13. The album’s title track doubles as the film’s lead single.

The record features serious guest appearances. Buckcherry frontman Josh Todd appears on “In Deep,” already a Top 40 Active Rock radio single. QueensrĆæche legend Geoff Tate joins for a reinvention of “Silent Lucidity.” The album also includes a heavy reimagining of Phil Collins’ “In The Air Tonight,” directed by Paul Boyd, who also wrote and directed the film.

Deimer is operating on multiple creative fronts simultaneously, and pulling it off. ‘A Grog Is Born’ is out May 8.

Progressive Metal Heavyweights ERRA Drop Crushing New Album ‘silence outlives the earth’ as Tour Sells Out Across North America

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ERRA has released ‘silence outlives the earth’ via UNFD, and it arrives as one of the most fully realized albums in the band’s catalog. The record includes recent singles “i. the many names of god” and “further eden,” alongside new track “black cloud,” a song built from the ground up in the studio by Dan and Jesse, starting with bass, drums, and melody before guitars were added last. “We just wanted the song’s personality to remain pure and simple,” the band shares. “The result is some of the strongest melodies and lyrics on the record.” That restraint pays off completely.

The album release lands in the middle of a six-week co-headlining North American run with Currents, and the demand has been immediate and overwhelming. Cleveland, New York, Chicago, Denver, and Anaheim are already sold out, with low tickets remaining across the majority of the tour. The tour kicked off March 6 and runs through April 19, hitting major markets from Baltimore to San Antonio with stops in Toronto, Montreal, Seattle, and beyond.

‘silence outlives the earth’ is the kind of record that rewards repeated listening. The band has always operated at the intersection of technical precision and emotional weight, and this album pushes further into both territories without sacrificing accessibility. “black cloud” is a strong entry point, but the album earns its full runtime across every track.

ERRA is operating at a peak creative moment, and the sellouts confirm that their audience knows it. Tickets are moving fast across the remaining dates.

Upcoming Tour Dates:

March 6 – Nevermore – Baltimore, MD (low tickets)

March 7 – The Ritz – Raleigh, NC (low tickets)

March 8 – The Masquerade – Atlanta, GA (low tickets)

March 10 – Ritz Ybor – Tampa, FL (low tickets)

March 12 – Brooklyn Bowl – Nashville, TN (low tickets)

March 13 – House of Blues – Cleveland, OH (sold out)

March 14 – The Fillmore – Philadelphia, PA

March 15 – Town Ballroom – Buffalo, NY (low tickets)

March 17 – History – Toronto, ON (low tickets)

March 18 – Mtelus – Montreal, QC (low tickets)

March 20 – Palladium – Worcester, MA (low tickets)

March 21 – Irving Plaza – New York, NY (sold out)

March 22 – Roxian Theatre – Pittsburgh, PA (low tickets)

March 24 – Bogarts – Cincinnati, OH (low tickets)

March 25 – The Intersection – Grand Rapids, MI

March 27 – St. Andrews Hall – Detroit, MI (low tickets)

March 28 – House of Blues – Chicago, IL (sold out)

March 29 – House of Blues – Chicago, IL

March 31 – The Rave – Milwaukee, WI

April 1 – Uptown Theater – Minneapolis, MN

April 3 – Granada Theater – Lawrence, KS (low tickets)

April 4 – Summit Music Hall – Denver, CO (sold out)

April 5 – The Complex – Salt Lake City, UT (low tickets)

April 7 – The Showbox – Seattle, WA (low tickets)

April 8 – Roseland Theater – Portland, OR

April 10 – Channel 24 – Sacramento, CA (low tickets)

April 11 – House of Blues – Anaheim, CA (sold out)

April 12 – House of Blues – San Diego, CA

April 14 – The Marquee – Tempe, AZ

April 15 – Sunshine Theater – Albuquerque, NM

April 17 – House of Blues – Dallas, TX

April 18 – House of Blues – Houston, TX

April 19 – Vibes Event Center – San Antonio, TX

Wynonna Judd and Melissa Etheridge Team Up for the “Raised On Radio Tour”

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Wynonna Judd and Melissa Etheridge are hitting the road together this summer on the “Raised On Radio Tour,” a 27-date co-headlining run across the U.S. that includes stops in San Diego, Atlanta, Seattle, Reno, and a special symphony performance at Red Rocks Amphitheatre with the Colorado Symphony. Artist presales begin March 10 at 10AM local time, with the general on-sale March 13 at 10AM local time. VIP packages are available alongside standard tickets.

Both artists trace their artistic DNA directly back to the radio, and they are not shy about saying so. “That’s where it all started for me,” Judd says. “The radio was my teacher, my comfort, my escape. The songs playing through that radio shaped me as a dreamer and an artist.” Etheridge is equally direct: “I was literally raised on the radio, growing up in Leavenworth I listened to WHB. It helped shape me to become the versatile writer and musician that I am today.” The tour name is not a concept. It is a shared autobiography.

Judd is a five-time Grammy winner, Country Music Hall of Fame member, and one-half of the legendary duo The Judds. Her solo catalog includes chart-topping hits “No One Else on Earth,” “I Saw the Light,” and “She Is His Only Need.” Etheridge is a Rock and Roll Hall of Fame nominee whose confessional songwriting and signature vocal rasp built some of rock’s most enduring anthems, including “Come to My Window” and “Bring Me Some Water.” Her new album ‘Rise’ includes “The Other Side of Blue” with Chris Stapleton.

Every ticket sold generates a direct charitable contribution. One dollar per ticket goes to The Etheridge Foundation, a 501c non-profit focused on opioid use disorder prevention and treatment through plant medicine research. Another dollar per ticket goes to St. Jude’s Children’s Hospital. Two major artists, one tour, two causes that matter.

The “Raised On Radio Tour” runs June through September, covering amphitheatres, casino stages, and festival grounds coast to coast. This is a pairing built on mutual respect, shared roots, and decades of proven stage command.

“Raised On Radio Tour” Dates:

June 24 – Wolf Trap – Vienna, VA

June 25 – Williamsburg Live – Williamsburg, VA

June 27 – Chautauqua Institution – Chautauqua, NY

June 28 – Bethel Woods Center for the Arts – Bethel, NY

June 30 – The Rose Music Center at The Heights – Huber Heights, OH

July 3 – The MILL Amphitheater – Terre Haute, IN

July 6 – Minnesota Discovery Center Amphitheater – Chisholm, MN

July 7 – The Ledge Amphitheater – Waite Park, MN

July 9 – Amphitheater at Las Colonias Park – Grand Junction, CO

July 11 – The Rady Shell at Jacobs Park – San Diego, CA

July 12 – Great Park Live – Irvine, CA

July 17 – Thunder Valley Casino – Lincoln, CA

July 18 – Weill Hall and Lawn at the Green Music Center – Rohnert Park, CA

July 19 – Silver Legacy Downtown Ballroom – Reno, NV

July 21 – The Mountain Winery – Saratoga, CA

July 23 – Hayden Homes Amphitheater – Bend, OR

July 24 – Seattle, WA – TBA

July 25 – BECU Live at Northern Quest – Airway Heights, WA

July 28 – KettleHouse Amphitheater – Bonner, MT

July 30 – Salt Lake City, UT – TBA

August 2 – Red Rocks Amphitheatre with the Colorado Symphony – Morrison, CO

August 4 – Walmart AMP – Rogers, AR

August 5 – Sand Mountain Amphitheater – Albertville, AL

August 7 – Synovus Bank Amphitheater at Chastain Park – Atlanta, GA

August 8 – Beaver Dam Amphitheater – Beaver Dam, KY

August 9 – Wisconsin State Fair Main Stage – West Allis, WI

September 11 – Allegan County Fair – Allegan, MI

Grupo Frontera Bring the “Triste Pero Bien C*brón Tour” to U.S. Arenas This Summer

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Grupo Frontera has announced a 27-date U.S. arena run as part of their “Triste Pero Bien C*brón Tour,” the most ambitious touring campaign in the Southern Texas quintet’s history. Promoted by Live Nation, the U.S. leg opens July 16 with a hometown show at Bert Ogden Arena in Edinburg, Texas, and closes September 12 at Kia Center in Orlando. General on-sale tickets are available March 13 at 10AM local time at LiveNation.com, with Citi cardmember presales running March 10 through March 12.

The tour takes its name from “Triste Pero Bien Cabrón,” a collaboration with Myke Towers from the group’s latest album, ‘Lo Que Me Falta Por Llorar.’ The U.S. run follows completed dates across Colombia, Panama, Costa Rica, Honduras, El Salvador, Guatemala, Mexico, Europe, and the United Kingdom, placing this campaign on a genuinely global scale.

The routing hits hard. Austin’s Moody Center, Inglewood’s Intuit Dome, SAP Center in San Jose, Red Rocks Amphitheatre in Morrison, the Allstate Arena in Rosemont, and Prudential Center in Newark are among the marquee stops on a run that covers both coasts and everything between. VIP packages including meet and greet opportunities, preshow lounge access, and exclusive merchandise are available through vipnation.com.

“Triste Pero Bien C*brón Tour” U.S. Dates:

July 16 – Bert Ogden Arena – Edinburg, TX

July 18 – Sames Auto Arena – Laredo, TX

July 19 – Frost Bank Arena – San Antonio, TX

July 22 – Moody Center – Austin, TX

July 23 – Toyota Center – Houston, TX

July 24 – American Airlines Center – Dallas, TX

July 31 – Mortgage Matchup Center – Phoenix, AZ

August 1 – Michelob ULTRA Arena – Las Vegas, NV

August 2 – Toyota Arena – Ontario, CA

August 6 – Viejas Arena – San Diego, CA

August 7 – Intuit Dome – Inglewood, CA

August 8 – Save Mart Center – Fresno, CA

August 9 – SAP Center – San Jose, CA

August 12 – Golden 1 Center – Sacramento, CA

August 13 – J Resort Festival Grounds – Reno, NV

August 15 – Theater of the Clouds – Portland, OR

August 16 – WAMU Theater – Seattle, WA

August 21 – Red Rocks Amphitheatre – Morrison, CO

August 23 – Maverik Center – West Valley City, UT

August 26 – Allstate Arena – Rosemont, IL

August 28 – Prudential Center – Newark, NJ

August 30 – MGM Music Hall at Fenway – Boston, MA

September 4 – EagleBank Arena – Fairfax, VA

September 5 – The Red Hat Amphitheater – Raleigh, NC

September 6 – Gas South Arena – Duluth, GA

September 11 – Yuengling Center – Tampa, FL

September 12 – Kia Center – Orlando, FL

John Fogerty Extends the “Legacy Tour” With Steve Winwood for a 2026 Run

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John Fogerty is taking the “Legacy Tour” into the fall with a string of newly announced dates alongside Steve Winwood, kicking off in Tinley Park in September before moving through Boston, Atlantic City, Charlotte, Miami, and more. Presales begin March 10 at 10AM local time, with the general on-sale March 13 at 10AM local time.

The tour announcement arrives alongside another major milestone. Fogerty will receive the Johnny Mercer Award at the Songwriters Hall of Fame Induction and Awards Gala on June 11 in New York City. It is the organization’s highest honor, reserved for songwriters whose body of work has fundamentally shaped American music. Few careers make a stronger case for that distinction than Fogerty’s.

The past several months alone have included headline sets at JazzFest, Glastonbury, SXSW, and The Hollywood Bowl, induction at the American Music Honors, the BMI Troubadour Award, and sold-out shows at The Beacon Theatre to mark his 80th birthday. Fogerty is not coasting on legacy. He is actively extending it.

Songs including “Proud Mary,” “Fortunate Son,” “Born on the Bayou,” “Bad Moon Rising,” and “Have You Ever Seen the Rain” have sold more than 100 million copies worldwide, with three surpassing one billion streams each. The title track of ‘Centerfield’ remains the only song ever inducted into the Baseball Hall of Fame. This fall’s run with Steve Winwood is another chapter in one of rock’s most enduring and hard-earned stories.

2026 “Legacy Tour” Dates:

March 14 – Festival Vive Latino 2026 – Mexico City, Mexico (already happened)

March 18-21 – Planet Hollywood Resort & Casino – Las Vegas, NV (already happened)

June 26 – Thunder Valley Casino Resort – Lincoln, CA

September 3 – Credit Union 1 Amphitheatre – Tinley Park, IL (with Steve Winwood)

September 5 – Constellation Brands Marvin Sands Performing Arts Center – Canandaigua, NY (with Steve Winwood)

September 6 – Tanglewood Music Center – Lenox, MA (with Steve Winwood)

September 8 – Leader Bank Pavilion – Boston, MA (with Steve Winwood)

September 9 – Hartford Healthcare Amphitheater – Bridgeport, CT (with Steve Winwood)

September 11 – Ocean Casino Resort – Atlantic City, NJ (with Steve Winwood)

September 12 – Northwell Health at Jones Beach Theater – Wantagh, NY (with Steve Winwood)

September 13 – Bethel Woods Event Gallery – Bethel, NY (with Steve Winwood)

September 15 – Wolf Trap National Park for the Performing Arts, Filene Center – Vienna, VA (with Steve Winwood)

September 16 – Skyla Credit Union Amphitheatre – Charlotte, NC (with Steve Winwood)

September 18 – The Saint Augustine Amphitheatre – St. Augustine, FL (with Steve Winwood)

September 19 – Coachman Park, The BayCare Sound – Clearwater, FL (with Steve Winwood)

September 20 – Seminole Hard Rock Hotel & Casino – Hollywood, FL (with Steve Winwood)

October 2 – WinStar World Casino & Resort, Lucas Oil Live – Thackerville, OK

South Carolina Trumpeter Matt White Reimagines the Dolly Parton Songbook Through Jazz, Gospel, and Southern Folk

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Matt White is doing something genuinely uncommon. The South Carolina-based trumpeter, composer, and arranger has built a full album around the early songwriting of Dolly Parton, approaching her catalog not as tribute or novelty but as serious cultural excavation. Matt White’s Dolly arrives May 15 in digital and CD formats, self-produced and deeply considered from the first note to the last.

The ensemble White assembled reflects the seriousness of the undertaking. Vocalist Liz Kelley, guitarist Tim Fischer, organist Demetrius Doctor, and drummer Colleen Clark join White on cornet, working through arrangements that preserve the original melodies, lyrics, keys, and modulations while reshaping the surrounding musical language entirely. The result sits at the intersection of Southern sacred tradition, chamber arranging, and open improvisation, and it earns every inch of that space.

The project traces back to a late-night moment during the recording of White’s previous album Lowcountry, when a young Dolly Parton performing “The Bridge” appeared on his screen. White immediately recognized the 3-3-2 rhythmic pattern at the heart of the song, the same pattern embedded in ring-shout traditions present in Gullah communities he had studied for years. A new album came into focus right there. “She’s the greatest living American,” White says of Parton, “because she embodies the things we hope this country can be.”

Lowcountry, co-produced with Quentin E. Baxter of Grammy-winning South Carolina ensemble Ranky Tanky, drew national attention and serious critical praise. The Wall Street Journal and DownBeat both took note of White’s gift for connecting living traditions to contemporary practice without reducing either. Matt White’s Dolly extends that commitment into one of the most iconic bodies of American songwriting ever written.

White currently serves as Professor, Chair of Jazz Studies, and Director of the Center for Southern African American Music at the University of South Carolina School of Music. His research runs deep, and this album shows exactly what that depth sounds like when it meets a great song.

Tracklisting:

  1. Down from Dover
  2. My Blue Tears
  3. 9 to 5 (1)
  4. The Bridge
  5. 9 to 5 (2)
  6. The Carroll County Accident
  7. 9 to 5 (3)
  8. Jolene
  9. Little Bird