Ryan Reynolds and Hugh Jackman are the stars of Deadpool & Wolverine, perhaps 2024’s most anticipated film. Bringing together these iconic characters and rivals has been years in the making, but the wait is finally over as “Deadpool & Wolverine” opens in theaters nationwide on July 26th. But how are they with spicy food?
Before The Doors: Jim Morrison’s Early Role in 1964 Florida State University Promo Film. Wait…What?
In a 1964 promotional film for Florida State University, a young and clean-cut Jim Morrison portrayed a student who didn’t make the cut for the prestigious school. Just one year later, in 1965, this same unassuming figure would transform into the wildly creative and enigmatic lead singer of The Doors. The film offers a fascinating glimpse into Morrison’s early life, before he became the iconic rock legend known for his deep, poetic lyrics and electrifying stage presence.
And here’s the full-length version:
Postmodern Jukebox and Ray Moore Jr. Deliver Soulful Rendition of Soundgarden’s “Black Hole Sun”
During their 10th Anniversary Tour, Postmodern Jukebox joined forces with the velvet-voiced Ray Moore Jr. of The Get Down Band to deliver a stunning and soulful interpretation of Soundgarden’s classic hit “Black Hole Sun.” Moore’s rich vocals, paired with PMJ’s signature vintage twist, transformed the grunge anthem into a mesmerizing blend of soul and jazz, offering a fresh and captivating take on the timeless song.
40 Fingers Guitar Quartet Delivers Stunning Medley of Iconic Star Wars Themes
The exceptionally skilled guitarists of 40 Fingers captivated audiences with a lush and dynamic medley that combined two of the most iconic pieces from the Star Wars universe: the triumphant “Star Wars Theme” and the ominous “Imperial March.” Their intricate arrangement showcased the versatility and depth of the quartet, breathing new life into these beloved compositions while demonstrating their remarkable musicianship. This performance is a must-hear for both Star Wars fans and music lovers alike.
Drummer Carl Olaison Explores Rhythmic Lag with Layered Drum Fills at Slightly Different Tempos
Drummer Carl Olaison conducted an intriguing rhythmic experiment by recording himself playing three separate drum fills at slightly different tempos—99 BPM, 100 BPM, and 101 BPM—and layering them over each other. Initially, the recordings started in sync, but the slight tempo differences soon caused the fills to drift apart, creating a unique and gradually widening rhythmic lag. This experiment highlights the subtle yet powerful impact that even minor tempo variations can have on the overall sound, offering a fascinating glimpse into the intricacies of rhythm and timing in music.
SOCAN Foundation and CBC Announce Inaugural Indigenous Music Residency
The SOCAN Foundation and CBC today announced the CBC Indigenous Music Residency, an immersive program designed to foster the creativity and growth of six music creators identifying with First Nations, Inuit, and Métis communities.
The four-week immersive program will connect participants with local Indigenous community members and industry experts, provide access to CBC resources, including music and video production facilities, and offer invaluable mentorship. The residency will cover travel costs to access CBC’s facilities in Toronto.
“The SOCAN Foundation is committed to expanding opportunities to empower Indigenous music creators, ensuring they have access to the resources necessary for fostering musical creativity and advancing their careers. Our partnership with CBC enables the Indigenous Music Residency program to provide these artists with time, space, state-of-the-art facilities, resources, and guidance to support their artistic development,” said Charlie Wall-Andrews, Executive Director of the SOCAN Foundation.
The Indigenous Music Residency marks the inaugural partnership between the Foundation and the CBC. For many years, the Foundation has collaborated with partners across Canada, offering programs such as the Indigenous Songwriting Award and Indigenous Song Camp.
“CBC continues to prioritize programs and partnerships that support the growth and success of Indigenous storytellers, and launching the Indigenous Music Residency with SOCAN Foundation is an important addition to our commitment,” said Tara Mora, Senior Director, Radio, Talk and Music Programming for Unscripted Content, CBC. “By providing access to CBC mentorship and resources through this vital new program, we look forward to opening our doors to more Indigenous artists and helping lift their voices and music to the forefront.”
To successfully complete the residency, participants will be commissioned to write two original songs. Their residency will culminate in a showcase event, where they will perform their compositions, presented by the CBC. Indigenous music creators are encouraged to apply by August 29, 2024 at 11:59 PM ET.
For more information on eligibility, the application process and further details, interested music creators identifying with First Nations, Inuit, and Métis communities should visit: https://www.socanfoundation.ca/programs/cbc-indigenous-residency/
McDonald’s Breakfast Radio: The 1986 Audio Cassette That Served Up Morning Nostalgia
In 1986, McDonald’s tapped into the morning routine of its customers with a unique promotional item: the McDonald’s Breakfast Radio audio cassette. This nostalgic gem featured a mix of catchy tunes, lighthearted skits, and upbeat jingles, all designed to enhance the breakfast experience. The cassette became a quirky collector’s item, representing a time when fast-food giants like McDonald’s extended their brand into the everyday lives of their customers in creative and unexpected ways.
1960s Sitcom “Karen” Captures SoCal Vibes with Beach Boys Theme Song
In 1965, the sitcom Karen hit the airwaves, offering a fresh take on the life of an independent Southern California teenager navigating the vibrant culture of the era. With its sunny setting and youthful spirit, the show quickly became a fan favorite, further bolstered by the Beach Boys, who lent their iconic surf sound to the catchy theme song. Karen not only reflected the carefree lifestyle of the 1960s but also became a memorable part of pop culture, thanks in part to the musical contributions of one of the decade’s most beloved bands.
Wale Announces 2024 “Every Blue Moon Tour”
Today, Wale announces his 2024 Every Blue Moon Tour. Produced by Live Nation, the 32-city tour kicks off on September 19 at Revolution Live in Fort Lauderdale, making stops in Atlanta, New York, Chicago, and more before wrapping up in Birmingham at Iron City on November 7. Alongside covering the classics from his catalog, Wale will perform new music from his upcoming as yet to be announced 8th album, due out on Def Jam Recordings this fall. 2024 also marks the 15th anniversary of his debut album Attention Deficit (2009), which spawned his breakout of music’s most exciting new stars.
Tickets will be available starting with artist presales beginning Tuesday, August 13th. Additional presales will run throughout the week ahead of the general onsale beginning Friday, August 16th at 10am local time at LiveNation.com.
Few rap artists have been as versatile for as long as Wale. Since unloading his breakout project, 2008’s A Mixtape About Nothing, the DC rhymer has helped permanently collapse the worlds of backpack rap and the Billboard Hot 100, packaging spurts of striking social commentary with braggadocious bars, Seinfeld-indebted irony, and anthemic tales of romance and aspiration. In the process, he earned Platinum and Gold plaques while establishing himself as the one of most accomplished MCs the DMV’s ever produced. And he’s still pushing forward with his newest album, Folarin II, a sequel to 2012’s fan-favorite mixtape Folarin. With its kaleidoscopic blend of fly-guy theme songs, infectious R&B collaborations, and genuine soul-searching, the record reaffirms his status as one of rap’s most innovative, exciting, and enduring curators. Before he had a legacy to contemplate, Wale was born and raised Olubowale Victor Akintimehin to Nigerian immigrant parents in Washington, D.C. After graduating from Quince Orchard High School in 2002, he attended Robert Morris University and Virginia State University on football scholarships before transferring to Bowie State University. Soon enough, though, he dropped out to pursue a rap career, with “Dig Dug (Shake It)”—a playfully confident introductory tune inspired by his hometown’s go-go movement—becoming his first local hit immediately upon its release in 2006. That same year, he was featured in The Source’s Unsigned Hype Column.
After a trio of mixtapes—Paint a Picture, Hate Is the New Love, 100 Miles & Running—Wale consummated his rise with 2008’s A Mixtape About Nothing, a project inspired by his favorite TV series, Seinfeld. For that project, the then-ascendant rhymer spit over go-go-inspired beats as he tackled subjects like fashion, the rap game, everyday racism, and domestic abuse with his now-signature blend of nuance, critical thought, and machismo. In an era where rap subgenres were debated and more obviously stratified, Wale’s style was disruptively inclusive. Naturally, compromising his subject matter was never an option. “My goal was just to be successful and stay true to what I want to do,” he says. Wale has made good on that for a decade and a half.By the time he released his major-label debut album, 2009’s Attention Deficit, Wale was named a member of XXL’s prestigious Freshman Class, and his status as one of hip-hop’s premier rising artists had crystallized. In the intervening years, he transitioned from a promising up-and-comer to a venerable rap star. After aligning with Rick Ross and Maybach Music Group in 2011, Wale released Ambition, a sophomore LP coated in reflective rhymes and bars meant to inspire. It also includes the glittering ballad, “Lotus Flower Bomb,” a track that’s since been certified Platinum. Between 2012 and 2020, he continued fortifying his catalog with albums like The Gifted (2013), The Album About Nothing (2015), Shine (2017), and Wow…That’s Crazy (2019). During this period, he collected a Platinum plaque for “My P.Y.T.”; Gold for Ambition and The Gifted, and his Rick Ross and Jeremih-assisted single “That Way;” and more accolades. His last album, Folarin II (2019), spawned hits like “Poke It Out” with J Cole before he left Warner Records and took some time away from music.
He re-emerged in 2023 with a new deal at Def Jam, a feature on Odumodublvck’s “Blood On The Dance Floor” which went #1 in Nigeria for 8 weeks, a headline show at the Kennedy Center in DC for the first time to celebrate the 10th year anniversary of his album The Gifted, and his first Diamond record for the legendary Waka Flocka collaboration “No Hands . In 2024, he’s been putting the finishing touches on his 8th album, and readying fans old and new for his next chapter as one of hip hop’s greatest writers.
EVERY BLUE MOON TOUR 2024 DATES:
Thu Sep 19 – Fort Lauderdale, FL – Revolution Live
Fri Sep 20 – St. Petersburg, FL – Jannus Live
Mon Sep 23 – Charleston, SC – Charleston Music Hall
Wed Sep 25 – Nashville, TN – Marathon Music Works
Fri Sep 27 – Atlanta, GA – Tabernacle
Sat Sep 28 – Raleigh, NC – The Ritz
Sun Sep 29 – Charlotte, NC – The Fillmore Charlotte
Tue Oct 01 – Pittsburgh, PA – Roxian Theatre
Thu Oct 03 – Philadelphia, PA – Theatre of Living Arts
Fri Oct 04 – Boston, MA – Paradise Rock Club
Sat Oct 05 – New York, NY – Irving Plaza
Mon Oct 07 – Cleveland, OH – House of Blues Cleveland
Tue Oct 08 – Toronto, ON – Danforth Music Hall
Thu Oct 10 – Detroit, MI – Saint Andrew’s Hall
Fri Oct 11 – Chicago, IL – House of Blues Chicago
Sat Oct 12 – Minneapolis, MN – Uptown Theater
Mon Oct 14 – Denver, CO – Summit
Tue Oct 15 – Salt Lake City, UT – The Depot
Fri Oct 18 – Vancouver, BC – Commodore Ballroom
Sat Oct 19 – Seattle Washington – Neptune Theatre
Sun Oct 20 – Portland, OR – Roseland Theater
Wed Oct 23 – San Francisco, CA – The Fillmore
Fri Oct 25 – Los Angeles, CA – The Wiltern
Sat Oct 26 – San Diego, CA – The Observatory North Park
Sun Oct 27 – Phoenix, AZ – The Van Buren
Tue Oct 29 – San Antonio, TX – Aztec Theatre
Thu Oct 31 – Dallas, TX – House of Blues Dallas
Fri Nov 01 – Austin, TX – Emo’s Austin
Sat Nov 02 – Houston, TX – House of Blues Houston
Tue Nov 05 – New Orleans, LA – House of Blues New Orleans
Wed Nov 06 – Mobile, AL – Soul Kitchen Music Hall
Thu Nov 07 – Birmingham, AL – Iron City

