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Def Leppard Release Powerful New Single “Rejoice”

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Def Leppard didn’t ease into 2026. The British rock legends release “Rejoice” via UMe, a hard-driving new single that arrives with the kind of weight and momentum the band hasn’t leaned into for some time. It’s out now.

The song came together through a direct creative exchange between singer Joe Elliott and guitarist Phil Collen. “I said to Phil one day, ‘I’ve got this idea for a lyric where the narrator is at absolute rock bottom and wants to rise up to a higher level,'” Elliott explains. “Do you have a musical piece that might match with that?” Collen had exactly that, building a tribal drum loop around an existing riff before handing it back to Elliott, who sang straight over it in one pass.

“It all started gelling and just sounded like a powerful chant,” Collen says. “It’s hard rock for us. It’s got a bit more of an ‘oomph’ than stuff we’ve been doing for a while. It’s kind of magical.” Ronan McHugh contributed additional drum loop work that helped lock the final arrangement into place. The result is one of the most immediate tracks the band has released in years.

Martin Miller Session Band Perform Ultimate Movie Soundtrack Medley

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Hailing from Germany, the Martin Miller Session Band delivers a powerful pop rock medley of unforgettable movie themes. The performance includes “Gonna Fly Now” from Rocky, “The Power of Love” from Back to the Future, “Ghostbusters,” “Born to Be Wild” from Easy Rider, “Danger Zone” from Top Gun, “Training Montage” from Rocky IV, and “The Sound of Silence” from The Graduate.

Reunited UK Indie Favorites The Cribs Bring ‘Selling a Vibe’ to North America This Spring

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The Cribs are back and they’re not wasting any time. Following their reunion late last year and the release of ‘Selling a Vibe’ earlier this month, the Wakefield indie rock trio announces a North American tour kicking off April 23 in Santa Ana. Tickets are on sale now.

The run follows a European and UK stretch and hits 12 cities across the U.S. and Canada, with stops at Los Angeles’ Echoplex, Empty Bottle in Chicago, Warsaw in Brooklyn, The Sinclair in Cambridge, and Lee’s Palace in Toronto on May 7 as the lone Canadian date. These are the right-sized rooms for a band whose music has always punched above its weight, and the intimacy suits them.

The Cribs 2026 North American Tour Dates:

April 23: Constellation Room, Santa Ana, CA

April 24: Echoplex, Los Angeles, CA

April 25: Popscene @ Brick & Mortar, San Francisco, CA

April 28: Mississippi Studios, Portland, OR

April 29: Sunset, Seattle, WA

May 2: 7th Street Entry, Minneapolis, MN

May 3: Cactus Club, Milwaukee, WI

May 5: Empty Bottle, Chicago, IL

May 6: El Club, Detroit, MI

May 7: Lee’s Palace, Toronto, ON

May 9: Warsaw, Brooklyn, NY

May 10: The Sinclair, Cambridge, MA

Country Legends The Bellamy Brothers Return to the Ryman Auditorium for the First Time in 50 Years

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Half a century is a long time between Ryman shows. ACM and CMA celebrated duo The Bellamy Brothers headline the Ryman Auditorium on June 25th, their first appearance at the Mother Church of Country Music in 50 years. Tickets are on sale now.

The show lands in a milestone year for David and Howard Bellamy. On January 3, 1976, they released “Let Your Love Flow,” which climbed to No. 1 on the U.S. charts during the week of May 1, 1976, becoming one of the most enduring hits of the era and launching the duo onto the international stage. The Ryman performance celebrates that legacy across a career that has spanned genres, decades, and generations of fans.

Beyond the Ryman, The Bellamy Brothers are touring throughout the year in celebration of the anniversary, while continuing to expand their presence across multiple ventures. Now in its fifth season, their reality series Honky Tonk Ranch streams on American Country Network and YouTube, offering a behind-the-scenes look at life on the road and on their Florida ranch. The duo also operates Old Hippie Stash, their medical marijuana brand in partnership with Trulieve, featuring fan-favorite strains Rattler and Blue Rodeo in selected states.

Two-Time Grammy Winners Old Crow Medicine Show Head Back to Their Roots on New Intimate World Tour

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Twenty-two years of string-band credibility, and Old Crow Medicine Show is going back to where it started. The two-time Grammy-winning roots outfit announces The O.C.M.S. Big Iron World Tour: Back to the Roots, a series of intimate shows performing their first two albums, ‘O.C.M.S.’ and ‘Big Iron World’, in stripped-down configurations at venues that reflect the spirit of the recordings themselves. The tour kicks off March 18th at Nashville’s historic Station Inn. Tickets are on sale now.

“It’s hard to believe it’s been 22 years since the launch of our O.C.M.S. album and 20 years since our second studio record, Big Iron World,” says frontman Ketch Secor. “Working with David Rawlings, plus the presence of Gillian Welch, is what really made the magic on these albums.” The tour takes those songs back to smaller rooms, leaning into the intimacy that made them resonate in the first place, with stops at the Tennessee Theatre in Knoxville, The Orange Peel in Asheville, Variety Playhouse in Atlanta, and MerleFest in Wilkesboro among the highlights.

The announcement comes on the heels of a busy stretch for the band. Their first-ever holiday album ‘OCMS XMAS’ arrived in December, following their 2023 Grammy-nominated anniversary record ‘Jubilee’. Secor also released his debut solo album ‘Story The Crow Told Me’ last summer and took over as host of the long-running Tennessee Crossroads travel and culture series.

The O.C.M.S. Big Iron World Tour: Back to the Roots Dates:

March 18: Station Inn, Nashville, TN

March 19: Appalachian Theatre, Boone, NC

March 20: Tennessee Theatre, Knoxville, TN

March 21: Neighbourhood Theatre, Charlotte, NC

March 22: The Orange Peel, Asheville, NC

March 31: Greenfield Lake Amphitheatre, Wilmington, NC

April 1: Charleston Gaillard Center, Charleston, SC

April 2: Georgia Theatre, Athens, GA

April 3: Lucas Theatre for the Arts, Savannah, GA

April 4: Variety Playhouse, Atlanta, GA

April 24-25: MerleFest, Wilkesboro, NC

Sublime Takes the Party Offshore With the Reef Madness Cruise This November

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Sublime’s 30th anniversary celebration is heading to international waters. The Long Beach ska-punk legends announce the Sublime Reef Madness Cruise, sailing November 15-19 from Miami to Great Stirrup Cay, Bahamas aboard Norwegian Jewel, produced in partnership with Sixthman. Tickets are on sale now.

The centerpiece is two headline sets from Sublime on the pool deck: a front-to-back performance of their iconic self-titled album and a full greatest hits set. The surrounding lineup is stacked, featuring Yelawolf, The Elovaters, Common Kings, Amigo The Devil, Long Beach Dub Allstars, DJ Muggs of Cypress Hill, Codefendants, Jakobs Castle, Strange Case, and more. Stand-up comedy from Jason Ellis, Daryl Wright, and Eric Freedman rounds out the programming. Exclusive onboard experiences include a band Q&A, a curated art showcase with rare memorabilia, and a photo opportunity with Sublime for the first 500 cabins booked.

The Norwegian Jewel delivers on the amenities side with world-class dining, multiple hot tubs, a casino, spa, and fitness center, plus a shore excursion to Norwegian’s private island at Great Stirrup Cay for snorkeling and swimming. The public sale is open now.

Los Angeles’ Biggest Electronic Music Event Hard Summer Returns to Hollywood Park August 1-2

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Hollywood Park has a date. Hard Summer Music Festival returns to the 300-acre Inglewood entertainment complex adjacent to SoFi Stadium on August 1-2, and the 2026 edition arrives with a refreshed layout designed to improve flow between stages and an expanded Green Stage area giving attendees more room to move.

Since relocating to Hollywood Park in 2024, Hard Summer has grown into the largest electronic music event in Los Angeles, drawing a genre-spanning crowd that reflects the city’s layered musical identity. The festival’s curatorial reach consistently pulls from electronic, Latin, hip-hop, and underground scenes simultaneously, and that broad programming approach has cemented its place as one of the West Coast’s most influential mid-year events. Last year’s headliners included Dom Dolla, Feid, Gesaffelstein, and Kaytranada, a lineup that covered serious ground across styles and regions.

The 2026 lineup has not yet been announced, but two-day GA, GA+, and VIP passes are on sale now. Hard Summer also continues its Hard Pre-Game initiative, which has partnered with more than 17 Greater Los Angeles businesses since 2023, including four Inglewood-based establishments in 2025, reinforcing the festival’s commitment to its home community.

3 Smart 3-Month Release Plans Every Independent Artist Can Use to Build Momentum

Releasing music today is very different from how artists launched albums even a decade ago. Streaming platforms reward consistency, storytelling, and regular releases that keep listeners engaged. Instead of disappearing for a year and dropping an album all at once, many successful artists now work in short cycles that maintain visibility and give every song its moment.

Below are three simple three month release strategies that artists are using today to build momentum, grow streaming numbers, and keep fans engaged. Each one is designed around the current discovery cycle on platforms like Spotify, Apple Music, YouTube, and social media.


Plan 1: Lead Single, Album Release, Follow Up Single

This approach works well for artists who already have a full album ready and want to create excitement before the release while continuing momentum afterward.

Month 1: Lead Single and Campaign Launch

Week 1
Announce the upcoming project and begin teasing the new era. Update artist photos, bios, and press materials. Start posting about the inspiration behind the record.

Week 2
Release the first single. Submit the track to Spotify editorial at least seven days before release. Share lyric videos, studio clips, and short performance content.

Week 3
Begin media outreach. Pitch blogs, music journalists, campus radio, and playlists. Share behind the scenes content about the song.

Week 4
Engage fans with livestreams, acoustic clips, or songwriting discussions. Encourage pre-saves for the album.

Month 2: Album Release

Week 5
Release the album and highlight a focus track. Premiere an official music video or visualizer.

Week 6
Push media coverage. Share interviews, reviews, and playlist placements across social platforms.

Week 7
Announce live shows, tour dates, or release week performances.

Week 8
Continue storytelling about the album with studio stories, songwriting breakdowns, and fan reactions.

Month 3: Follow Up Single

Week 9
Release a second single from the album.

Week 10
Launch a performance video, acoustic version, or alternate mix.

Week 11
Focus on radio promotion and playlist pitching.

Week 12
Release a remix, collaboration version, or live performance.

This strategy builds anticipation before the album while extending the life of the project after release.


Plan 2: Two Singles Before the Album or EP

This strategy is increasingly popular because multiple singles help train streaming algorithms and introduce listeners to the artist before the full project arrives.

Month 1: First Single

Week 1
Announce that new music is coming and begin teasing the first single.

Week 2
Release the first single with a visualizer or lyric video.

Week 3
Pitch playlists, blogs, and radio shows. Begin building media interest.

Week 4
Share fan reactions, performance clips, and social content built around the song.

Month 2: Second Single

Week 5
Release the second single.

Week 6
Premiere a full music video or creative visual.

Week 7
Reveal the album or EP title and tracklist.

Week 8
Launch a pre-save campaign and begin album promotion.

Month 3: Album or EP Release

Week 9
Release the full project.

Week 10
Highlight a focus track with a video or visualizer.

Week 11
Share acoustic performances or live studio versions.

Week 12
Release a remix, collaboration version, or alternate take.

This strategy allows listeners to discover the artist gradually while building anticipation for the full release.


Plan 3: Consistent Monthly Singles

This approach works especially well for independent artists who want to grow streaming numbers and stay active in algorithm feeds.

Month 1: Single One

Week 1
Start teasing new music across social platforms.

Week 2
Release the first single.

Week 3
Pitch playlists, radio shows, and media outlets.

Week 4
Release alternate content such as a live version or stripped down performance.

Month 2: Single Two

Week 5
Release the second single.

Week 6
Share a performance video or visualizer.

Week 7
Appear on podcasts, radio interviews, or livestream sessions.

Week 8
Encourage fan engagement with Q and A sessions or song breakdown posts.

Month 3: Single Three

Week 9
Release the third single.

Week 10
Launch a music video or creative visual.

Week 11
Release a remix or alternate version.

Week 12
Announce an upcoming EP, album, or tour.

This approach keeps artists appearing in release feeds every month and steadily builds audience discovery.


Best Practices for Modern Music Releases

Release new music every four to six weeks when possible. Streaming platforms reward consistent activity.

Always submit songs to Spotify editorial at least seven days before release.

Use pre-save campaigns to boost first week streaming.

Create multiple pieces of content from every song including music videos, lyric videos, visualizers, and acoustic performances.

Plan at least five to ten short form videos for each release across TikTok, Instagram Reels, and YouTube Shorts.

Reach out to media outlets, playlists, and radio stations early to build coverage around each release.

Most importantly, think of every release as part of a story. Fans connect with artists who invite them into the creative process and share the journey behind the music.

Talking Heads Unlock Their Origin Story With Sprawling New Collection ‘Tentative Decisions: Demos & Live’

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Before Sire Records, before Jerry Harrison, before any of it, there were three art school kids in New York City trying to figure out what they sounded like. ‘Tentative Decisions: Demos & Live’, out now from Talking Heads and Rhino, answers that question in full, collecting 15 previously unreleased CBS demos from September 1975 alongside more than a dozen unreleased live recordings from the band’s first two years, all presented across three CDs.

The collection traces the original trio of David Byrne, Chris Frantz, and Tina Weymouth from their earliest apartment recordings through two pivotal live shows: an October 1976 night at Max’s Kansas City in New York, recorded just weeks before they signed to Sire Records, and a January 1977 set at The Jabberwocky Club in Syracuse, one of the last performances before Jerry Harrison joined the band in March. The CBS demo session, recorded at Mark Spector’s request, preserved early versions of songs that would anchor the band’s first two albums, including “Don’t Worry About The Government,” “The Book I Read,” and “Stay Hungry.”

The collection also reaches back to The Artistics, the band Frantz and Byrne formed at the Rhode Island School of Design, where the earliest known recordings of “Psycho Killer” and “Warning Sign” were captured in 1974 at Frantz’s apartment on Benefit Street in Providence. A black-vinyl edition is also available now, including a 7-inch single featuring The Artistics’ 1974 recordings of both songs.

‘Tentative Decisions: Demos & Live’ Tracklist:

CD 1:

  1. Psycho Killer (September 1975 Demo)
  2. Tentative Decisions (September 1975 Demo)
  3. No Compassion (September 1975 Demo)
  4. Warning Sign (September 1975 Demo)
  5. I’m Not in Love (1976 Demo)
  6. Thank You For Sending Me An Angel (1976 Demo)
  7. The Book I Read (1976 Demo)
  8. I Wish You Wouldn’t Say That (1976 Demo)
  9. Love Goes To A Building On Fire (1976 Demo)
  10. Happy Day (1976 Demo)
  11. Artists Only (Live at the Lower Manhattan Ocean Club, New York, NY, 8/17/76)
  12. Psycho Killer – The Artistics
  13. Warning Sign – The Artistics

CD 2: CBS Demos (September 1975) [Previously Unreleased]

  1. Psycho Killer
  2. Sugar On My Tongue
  3. Thank You For Sending Me An Angel
  4. I Want To Live
  5. I Wish You Wouldn’t Say That
  6. The Girls Want To Be With The Girls
  7. Who Is It?
  8. With Our Love
  9. Stay Hungry
  10. Tentative Decisions
  11. Warning Sign
  12. I’m Not In Love
  13. The Book I Read
  14. Love Goes To A Building On Fire
  15. No Compassion

CD 3: Previously Unreleased Live Tracks

Take Me To The River [Live at the Lower Manhattan Ocean Club, New York, NY (8/17/76)]

Artists Only [Live at Max’s Kansas City, New York, NY (10/9/76)]

1, 2, 3 Red Light [Live at Max’s Kansas City, New York, NY (10/9/76)]

Happy Day [Live at Max’s Kansas City, New York, NY (10/9/76)]

Don’t Worry About The Government [Live at Max’s Kansas City, New York, NY (10/9/76)]

Psycho Killer [Live at Max’s Kansas City, New York, NY (10/9/76)]

Love Goes To A Building On Fire [Live at Max’s Kansas City, New York, NY (10/9/76)]

Thank You For Sending Me An Angel [Live at Max’s Kansas City, New York, NY (10/9/76)]

With Our Love [Live at Max’s Kansas City, New York, NY (10/9/76)]

Pablo Picasso [Live at Max’s Kansas City, New York, NY (10/9/76)]

I’m Not In Love [Live at Max’s Kansas City, New York, NY (10/9/76)]

No Compassion [Live at the Jabberwocky Club, Syracuse, NY (1/26/77)]

New Feeling [Live at the Jabberwocky Club, Syracuse, NY (1/26/77)]

Psycho Killer [Live at the Jabberwocky Club, Syracuse, NY (1/26/77)]

A Clean Break (Let’s Work) [Live at the Jabberwocky Club, Syracuse, NY (1/26/77)]

Sugar On My Tongue [Live at the Jabberwocky Club, Syracuse, NY (1/26/77)]

I Wish You Wouldn’t Say That [Live at the Lower Manhattan Ocean Club, New York, NY (8/17/76)]

NSYNC and Slipknot Collide in Wild Pop Metal Mashup by Bill McClintock

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Mashup wizard Bill McClintock collides NSYNC and Slipknot in one gloriously chaotic track that blends boy band power pop with crushing groove metal. The result sounds like a Dear John letter to the underworld, complete with unexpected hooks and riffs that somehow fit together perfectly. There is even a little Mötley Crüe mixed in, turning this wild experiment into a mashup that should not work, but absolutely does.