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Queer Pop Artist Jennarie’s Jazzy Self-Love Anthem With ‘Stop (you can let it go)’

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Montreal-born, Toronto-raised queer pop artist Jennarie’s sophomore luscious jazz single “Stop (you can let it go),” is a vibey and motivational track and anchored by luscious vocals and a splash of jazz harmonies reminiscent of Yebba and Amy Winehouse.

Jennarie first cut her teeth in the Toronto music scene, where she gained a powerful stage presence by performing regular live shows all over town. She’s continued to make waves and build a strong name for herself in the years since, with renowned Canadian print and online magazine The WholeNote recently hailing her for her “big voice, fearless delivery, ebullient sense of rhythm, and bubbles of humor.”

She enlisted producer Nick Tateishi for the project, who recently provided production to singer and songwriter Francois Klark’s JUNO Award-nominated 2022 sophomore album, Adventure Book, and is known for his work with the likes of Clerel, HILLARI, and Kiki Rowe, to name a few.

“I’ve learned to detect the subtle yet potent presence of resentment in my body—a tightening in my chest, a tendency to ruminate on others’ choices or actions (or lack thereof). Recognizing this, I redirect my focus inward,” Jennarie explains on the track. “The opening line, “When you point your finger at another, you are pointing at the mirror,” speaks to the process of healing people-pleasing tendencies and transforming resentment into self-empowerment and love.”

“Stop (you can let it go),” is a vibey R&B and pop track featuring lush vocal stacks and a splash of jazz harmony that inspires listeners to choose compassion and self-love. “I aim for “Stop (you can let it go)” to serve as a beacon of empowerment for those grappling with comparison, judgment, and gossip,” Jennarie said. “Drawing from my DBT practice, I hope the song’s themes offer both instruction and comfort to those in need.”

Typhur Dome Air Fryer Review: A Culinary Innovation Worth Exploring

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By Mitch Rice

The quest for healthier cooking methods has brought many innovations to the forefront of kitchen technology, with air fryers leading the charge.

Among the myriad of options available, the Typhur Dome Air Fryer stands out with its unique design and promising features. This article delves into the air fryer’s capabilities, from unboxing and setup to daily usage and comparative analysis, determining whether it truly deserves the title of the best air fryer.

Unboxing the Typhur Dome Air Fryer

Upon receiving the Typhur Dome Air Fryer, the first thing that strikes you is the impeccable packaging. Everything is securely packed to avoid damage during transit, signaling a good start. The box contains the air fryer itself, a quick start guide, a comprehensive manual, and multiple accessories including a removable non-stick basket, and power cord. The initial setup is straightforward, guided by clear instructions that ease you into your first use without any hitches.

Unboxing the Typhur Dome air fryer video

 

Typhur Dome Design and Features

The Typhur Dome Air Fryer boasts a futuristic look with its dome-shaped lid and sleek finish, making it a visually appealing addition to any kitchen. Beyond aesthetics, the design enhances the appliance’s functionality. The dome shape facilitates an even distribution of hot air around the food, which is crucial for consistent cooking and crispiness.

Key features of Typhur Dome air fryer include

  • #1 in Cooking Speed: Typhur’s lab has proven that the Dome can cook the same amount of chicken wings significantly faster compared to conventional air fryers.
  • Self-cleaning mode: Typhur Dome can accelerate the high-temperature decomposition of grease and grime from the top cavity. By minimizing the health risks associated with oxidized and rancid grease.
  • Digital Touchscreen Interface: Intuitive and responsive, the touchscreen allows for easy control over cooking times and temperature settings.
  • Adjustable Temperature Control: Ranging from 105°F to 450°F, this feature lets you fine-tune the cooking process to suit different recipes.
  • Pre-set Cooking Programs: Multiple presets simplify the cooking process for common dishes such as fries, meats, and even baked goods.
  • Safety Features: The air fryer is equipped with automatic shut-off and overheat protection, making it safe for homes with children.
  • Capacity: With a cooking capacity suitable for family-sized portions, it’s ideal for preparing meals for gatherings.

Performance and User Experience

To evaluate its performance, I tested the Typhur Dome Air Fryer with several recipes ranging from quick snacks to full meals. The results were consistently impressive:

  • French Fries: The fries were crispy on the outside and tender inside, with only a fraction of the oil used in traditional frying.
  • Chicken Wings: They came out evenly cooked with a deliciously crispy skin, devoid of excess grease.
  • Vegetables: Even vegetables like brussels sprouts and broccoli benefited, emerging crispy and flavorful, a testament to the appliance’s versatility.
  • Baking: Surprisingly, it handled baking well. A batch of cupcakes turned out light and fluffy, indicating even air circulation and temperature control.

Feedback from other users corroborates these findings, with many praising the appliance for its efficiency and the health benefits of using minimal oil. The noise level is comparable to that of a microwave, and cleaning up is notably easy, thanks to the non-stick surfaces.

Comparisons and Market Position

Comparing the Typhur Dome Air Fryer to its competitors, several factors highlight its superiority. The design and capacity make it more versatile than many models, suitable for a variety of cooking tasks beyond just frying. Its user-friendly interface and safety features also stand out in a crowded market.

When juxtaposed with popular brands like Ninja and Philips, the Typhur holds its own, particularly in terms of value for money. While these brands offer similar features, the Typhur’s unique design and additional cooking presets provide a slight edge, particularly for those who value aesthetics and functionality equally.

Sustainability and Brand Value

Typhur as a brand emphasizes sustainability, which resonates well in our increasingly eco-conscious world. The energy efficiency of the Dome Air Fryer aligns with this philosophy, consuming less electricity compared to conventional ovens and deep fryers.

User Testimonials and Community Feedback

The online community’s response to the Typhur Dome Air Fryer is overwhelmingly positive. Users frequently mention the ease of use and the excellent customer service provided by Typhur. From busy parents who need to whip up quick, healthy meals, to culinary enthusiasts exploring new recipes, the feedback is varied and validates the product’s broad appeal.

Final Thoughts and Recommendation

After a comprehensive review, it’s clear that the Typhur Dome Air Fryer is a robust appliance that stands up to the demands of modern kitchens. It excels not only in frying but also in baking and roasting, offering a versatile tool for anyone looking to prepare healthier meals efficiently.

Whether you are a novice looking to simplify your cooking process or a seasoned chef aiming to experiment with healthier recipes, the Typhur Dome Air Fryer is a commendable choice.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

Country Blues Guitarist GLEN FOSTER Releases “White Funeral” From ‘Unnatural Tendencies’ Album

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After four decades in the music business, Glen Foster has earned the right to break any rule he wants. And this happy iconoclast shows no signs of compromise on “White Funeral,” a whimsically morbid country-blues number that appears on his latest album, the trend-bucking Unnatural Tendencies.

Like a winking eulogy to a vanishing era, the song finds Foster chronicling the impending demise of one Old Snake, a “hardened old metaphoric character” who gets stranded in the desert just as it’s starting to snow.

It’s a sure sign of winter, the geese are flying south
A sure sign of winter, when you see that harvest moon full out
A sure sign of winter, it don’t leave much room for doubt
It’s going to be a White Funeral if Old Snake don’t make it out

Snake’s truck isn’t the only thing that’s breaking down here: It’s his life itself, as Foster’s plaintive yet sardonic vocal makes painfully apparent. All the while, the singer-songwriter-instrumentalist’s Dobro curlicues circle like hungry buzzards over the tasteful burial plot of a backing track laid down by his bandmates in the Glen Foster Group: Marg Foster (harmony vocals, percussion) Marty Steele (keyboards, harmony vocals), Colin Stevenson (bass guitar, harmony vocals) and James McRae (drums).

Playful elegia is just one of the many moods to be discovered on Unnatural Tendencies, a nonconformist manifesto of a record that plays like a defiant response to the winnowed attention spans and fixation on salability that are setting the direction of today’s musical culture. Few marketing consultants, after all, would encourage an artist to begin his album with a title track that’s nearly 17 minutes long and moves fluidly through three different songs, each in a different key but with the same chord progression and tempo. Nor would an A&R executive be turning cartwheels if said artist chose to include another number that incorporated a rapped intro, heavy guitar riffs, a satirical sitar hook, an accordion solo set to a polka beat, a bluegrass banjo break, and a highland bagpipe solo—oh, and a disco finale, complete with walking bass and falsetto vocals. Throw in some lyrical references to the plight of First Nations peoples and the pitfalls of religious obsession, and whammo! Instant anathema to the TikTok generation.

And Foster couldn’t be happier about it. This far into his career, he’s still willing to risk it all to remain genuine.

“Natural tendencies are what we tend to gravitate towards in life,” he says. “My concept of Unnatural Tendencies includes thinking outside the box and attempting things that we would normally shy away from. It involves taking risks and trying different things that could be glorious or disastrous.”

But then, it’s been that way for the Nanaimo-based rock/folk maverick since he burst onto the scene in the ’70s with his original band, Falcon, whose 1980 single “Los Angeles” won a talent contest on CKOC Radio Hamilton. Since then, Foster has worked with the likes of Daniel Lanois and Ray Materick (“Linda Put The Coffee On”) and has taught more than 20 years’ worth of students in his side gig as a professional music teacher, receiving two silver medals from the Royal Conservatory of Music in the process. But the biggest feather in his cap has been his stellar run as a solo artist, which encompasses 10 albums of music in a breathtaking diversity of styles—from the “Rockabilly Fever” of 2020’s Not Far Away to the seasonal side he explored on The Spirit of Christmas the very next year.

Now he takes another bold step into the great unknown with Unnatural Tendencies, which he co-produced with Rick Salt (The Irish Rovers, Kerplunks, Jack Connolly, Gerry Barnum, Phil Dwyer) at Nanaimo’s Mountainview Studio. It’s seeing release on Foster’s own Rescue Records label, which is part of the reason he felt the freedom to stretch out in multiple directions at once.

“This is my tenth album (which prompted the word ‘Tendencies’ in the title), and I’m making it fit for me,” he says. “It’s the way I like to hear music, in album form the way I believe my fans do. These are some of my best songs ever; I’m singing and playing guitar better than I ever have, and I brought in the best musicians I could find, rather than use synthesizers and samples.”

So even though the devil-may-care approach he took to composition this time might not have been devised expressly with the stage in mind, he and his band still have all the ammo they need to further their reputation for killer live work when they do take the new material on the road. Venues across Canada have witnessed the little miracle Glen is live, both on his own and sharing the bill with the likes of Lighthouse, Sammy Hagar, Dr. Hook, Jose Feliciano, Valdy, Jesse Winchester and Stan Rogers. With the new album done, look for them at a showroom, festival, park concert or pub near you. Anything else would be … well, unnatural.

SiriusXM to Present at the 52nd Annual J.P. Morgan Global Technology, Media and Communications Conference

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SiriusXM is pleased to announce that Jennifer Witz, Chief Executive Officer, will represent the company at the 52nd Annual JP Morgan Global Technology, Media and Communications Conference. The event is scheduled for Tuesday, May 21 at 10:50 am ET and will be held at The Westin Boston Seaport District Hotel, Boston, MA.

Interested parties can access a live webcast of the presentation via the Investor Relations section of the SiriusXM website at https://investor.siriusxm.com. A replay of the webcast will also be available on the website shortly after the event’s conclusion.

SiriusXM is the leading audio entertainment company in North America with a portfolio of audio businesses including its flagship subscription entertainment service SiriusXM; the ad-supported and premium music streaming services of Pandora; an expansive podcast network; and a suite of business and advertising solutions. Reaching a combined monthly audience of approximately 150 million listeners, SiriusXM offers a broad range of content for listeners everywhere they tune in with a diverse mix of live, on-demand, and curated programming across music, talk, news, and sports. For more about SiriusXM, please go to: www.siriusxm.com.

Bryce Dessner Signs Extensive Partnership With Sony Music Masterworks For Soundtracks

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Sony Music Masterworks announces today a unique far-reaching partnership with versatile composer, sought-after musical collaborator and guitarist Bryce Dessner, who is also a founding member of Grammy Award-winning rock band The National. The newly inked partnership will see Dessner’s classical compositions released on Sony Classical, while sister label Milan Records will continue to be a home for some of his celebrated soundtracks. This innovative tailored approach will give Dessner maximum artistic freedom to pursue these two essential strands of his creative output.

Dessner will make his Sony Classical début on August 23, 2024 with Solos, a collection featuring a series of unaccompanied instrumental works written by the composer over the past few years. Selected from both his classical and soundtrack worlds, the works showcase not only Dessner’s compositional flair but also the immense talent of his acclaimed collaborators, many of whom work regularly with him and are his friends. Featured soloists include cellist Anastasia Kobekina; violinist Pekka Kuusisto; pianist Katia Labèque; harpist Lavinia Meijer; violist Nadia Sirota; percussionist Colin Currie; and Bryce Dessner himself on guitar. Accompanying today’s announcement and album pre-order is the first single from Solos – “Lullaby for Jacques et Brune” – a lullaby for piano, written by Bryce Dessner for his godchildren.

Says Dessner of these pieces: “Writing a solo piece for me is always a great challenge and joy, as you have all the personality and talent of the player plus the physicality and resonance of the solo instrument, a bit like a Shakespearean monologue. These solo pieces for violin, viola, cello, harp, percussion, guitar and piano represent many years of my compositional process. When I began composing, I mainly wrote solo pieces for myself to play and I have always loved unaccompanied instrumental music – including the solo Bach lute and cello suites and the Renaissance lute fantasies of John Dowland, which I used to play myself on the classical guitar. These pieces of mine are often written like poems, where the musical language itself dictates the form and evolution of the piece, and were often opportunities for me to explore more deeply my relationship to the instruments they were composed for. They also represent in each case close collaborative relationships and friendships I have been very lucky to develop with the incredible musicians who play them. Katia, Pekka, Anastasia, Nadia, Lavinia and Colin are all exceptional artists who brought so much of their amazing talent to these recordings.”

Dessner is a prolific classical composer, whose output has garnered him a Grammy Award and ranges from intimate chamber pieces and scaled-down works for solo instrumentalists to full orchestral scores and concertos.

In addition to his role as one of eight San Francisco Symphony Collaborative Partners, Bryce Dessner is currently Creative Chair of the Tonhalle-Orchester Zürich, and Artist-in-Residence at London’s Southbank Centre and with the Frankfurt Radio Symphony Orchestra. Major new works include a Piano Concerto premièred by Alice Sara Ott and the Tonhalle-Orchester Zürich in January 2024 and now being performed internationally; a Concerto for Two Pianos premièred by Katia & Marielle Labèque and the London Philharmonic Orchestra; and a Violin Concerto premièred and performed internationally by Pekka Kuusisto. Dessner’s in-demand compositions have been performed by leading orchestras around the world, including the Los Angeles Philharmonic, New York Philharmonic, The Cleveland Orchestra, Orchestre Philharmonique de Radio France, Philharmonia Orchestra of London and San Francisco Symphony Orchestra.

He has co-founded several new-music festivals, including the Cincinnati-based MusicNOW Festival in 2006, Copenhagen’s Haven Festival and the Cork-based Sounds from a Safe Harbour.

Bryce Dessner’s musical career has been rich and eclectic. Born into a musical family based in Cincinnati, he started out learning the flute as a child before switching to classical guitar in his teenage years, graduating from Yale University with a Masters in Music before finding fame as a founder member, guitarist, arranger and writer for alternative rock band The National.

Alongside his classical compositions, Dessner is also much sought after as a film composer, with recent and upcoming releases including the film Sing Sing starring Colman Domingo (due for release by A24 in summer 2024), limited series Manhunt (released in March 2024 on Apple TV), and John Crowley’s We Live in Time (due for release 2024 on A24). Over the years he has garnered great acclaim for his work on films such as Alejandro González Iñárritu’s The Revenant with the late Ryuichi Sakamoto and for his music to Netflix’s Fernando Meirelles’s The Two Popes. Dessner’s many musical collaborations include working with Philip GlassJohnny Greenwood, Bon Iver, Steve ReichPaul SimonBruce Springsteen, Sufjan Stevens, Taylor Swift and Thom Yorke.

Extraordinarily gifted, collaborative, secure in his own musical language and brimming with ideas, Bryce Dessner is a singular talent whose addition to the roster is warmly welcomed as he expands the repertoire with his new music, bringing with him his trademark original deep thinking, enthusiasm for all types of music and forward-thinking creative partnerships.

On this new arrangement with Sony Music, Bryce Dessner commented: “I am very much looking forward to an ongoing collaboration with Sony Music Masterworks and their wonderful team on several upcoming projects around my compositional work.”

Per Hauber, President, Sony Classical added: “As Bryce Dessner embarks on this exciting new chapter with Sony Classical, we look forward to showcasing his extraordinary talent and pushing boundaries of classical music together. We believe Sony Music Masterworks is the ideal new home for his releases and we warmly welcome him!”

Alexander Buhr, SVP International A&R adds: “Bryce is a uniquely gifted composer and musician, and a very important voice in contemporary music. With his broad range of influences and inspirations he crafts music that is daring and ambitious, while making instant emotional connection with the audience. All this is introduced perfectly on Solos. We are very happy to welcome Bryce to the Sony family.”

BRYCE DESSNER – SOLOS 
TRACKLIST: 

  1. Lullaby for Jacques et Brune
    Katia Labèque piano
  2. Francis
    Bryce Dessner guitar
  3. Tuusula
    Anastasia Kobekina cello
  4. Song for Octave
    Katia Labèque piano
  5. Tromp Miniature
    Colin Currie percussion
  6. Ornament and Crime I
  7. Ornament and Crime II
  8. Ornament and Crime III
    Pekka Kuusisto violin
  9. A Good Person
    Katia Labèque piano
  10. On a Wire
    Lavinia Meijer harp
  11. Walls
    Bryce Dessner guitar
  12. Delphica I
  13. Delphica II
    Nadia Sirota viola
  14. Ornament III Piano
    Katia Labèque piano
  15. Song for Ainola
    Anastasia Kobekina cello

Bose Introduces The Soundlink Max

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Today, Bose is turning up the volume on its acclaimed SoundLink Bluetooth speaker line with the introduction of the SoundLink Max Portable Speaker. This all-new portable speaker has lasting power, rugged durability, and delivers incredible sound for its size. Now you can set the vibe with your favorite playlist no matter where you go.

The SoundLink Max will be available on May 16th for $399 and can be pre-ordered starting today on Bose.com.

 

The SoundLink Max leverages decades of Bose research in acoustics to deliver incredible performance for your music that will help get the party started and keep it going. The system leverages a Bose Articulated Array with three transducers across the front of the speaker to deliver a spacious stereo experience that goes beyond the speaker itself. Two custom-designed passive radiators are responsible for providing a level of bass performance that also defies the speaker size. Using technology found in Bose soundbars and proprietary digital signal processing that dramatically minimizes distortion, the speaker reproduces full, natural sound regardless of what you’re listening to. The result is a system that allows you to hear every instrument, clear vocals, and the beat of your music, no matter where you’re listening or where the speaker is placed.

For added audio personalization, you can also adjust your listening experience with Adjustable EQ settings available in the Bose app, including bass, mid-range, and treble.

The SoundLink Max has a refined design with a powder-coated, silicone-wrapped steel enclosure for a premium look. Built to withstand bumps, drops, and bangs, it won’t peel or flake, and is resistant to corrosion and UV light. An IP67 rating protects against water, dust, rust, and shocks, so you don’t have to worry about where you take it or use it — by the pool, on the boat, at the beach or park, the SoundLink Max is ready to be put through the paces.

Measuring 10.42″ wide, 4.73″ high, and 4.13″ deep and weighing just under five pounds, the SoundLink Max has an integrated, removable rope handle so it’s easy to pick up and take with you. An optional rope carrying strap is also available if you want to throw the speaker over your shoulder for hands-free transport, as well as four optional color handle accessories so you can customize your speaker’s look.

The SoundLink Max can keep the music going from day to night with up to 20 hours of battery life, and if your phone battery starts to run low, the USB-C port lets you charge your mobile device, so you don’t lose your tunes.

The SoundLink Max comes in Black or Blue Dusk. It uses Bluetooth 5.3 and supports SBC and AAC codec standards for compatibility with nearly all Bluetooth devices. For high-definition audio, it uses Snapdragon Sound™ with the latest Qualcomm aptX Adaptive codec, which automatically adapts up to lossless quality. Snapdragon Sound technology allows for more seamless and robust connectivity with premium Android devices. The SoundLink Max also offers Google Fast Pair for added ease-of-use when pairing Android devices

For added convenience, an AUX input lets you enjoy tunes by connecting an audio jack to wired playback sources such as turntables and MP3 or CD players. A shortcut button on the speaker can be used for AUX switching or customized to enable Spotify Tap.

Bose is world renowned for its premium audio solutions for the home, on the go, and in the car. Since its founding in 1964 by Dr. Amar Bose, the company has been dedicated to delivering amazing sound experiences through innovation. And its passionate employees — engineers, researchers, music fanatics, and dreamers — have remained committed to the belief that sound is the most powerful force on earth; its ability to transform, transport, and make us feel alive. For 60 years, this belief has driven us to create products that have become iconic, changing the way people listen to music.

Country Music Hall Of Fame And Museum To Release Expanded Box Set ‘From Where I Stand: The Black Experience In Country Music’

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The Country Music Hall of Fame and Museum in collaboration with Warner Music Nashville is releasing an expanded version of the box set From Where I Stand: The Black Experience in Country Music. Originally released in 1998 by the museum and Warner, the updated CD collection spans a century of music and traces the many ways Black Americans have created, contributed to, and been influenced by country music. The set will be released on Friday, May 31, accompanied by a free-to-access online experience via the museum’s website.

Released more than 25 years ago, the original set’s creation was inspired and urged by Black country recording artist Cleve Francis and American Baptist College executive Nelson Wilson, who saw a disturbing gap in music history. “It’s a part of our history that’s been hidden from us,” Francis told the Washington Post upon the set’s release.

Now, the museum and Warner Music Nashville have once again collaborated to expand, redesign and update the box set. The new collection encompasses 82 tracks, with a fourth disc titled “Reclaiming the Heritage” that presents a fresh wave of Black artists in country and Americana who emerged through 2020. New essays by recording artists Rhiannon Giddens and Rissi Palmer join the original essays by distinguished music scholars and journalists.

Giddens states in her essay, “The most beautiful thing to me about the Black country renaissance is that its stars, who are finally starting to get the recognition they deserve, are truly using country music the way that, to me, it was born to be used. Their music reflects and highlights a cul­tural viewpoint that has been traditionally suppressed, shows the best of the American nar­rative, and, in the end, tells the important stories of now, for the generations of tomorrow.”

The CD set is packaged in a hard-bound booklet and illustrated with traditional quilt designs created years ago by the women of the Gee’s Bend community of Alabama, with cover type by visual artist and designer David Jon Walker. Each era of music is represented with a quilt from roughly the same time period as the music. The set is now available for preorder on the museum’s website.

The Country Music Hall of Fame and Museum collects, preserves and interprets country music and its history for the education and entertainment of diverse audiences. In exhibitions, publications, digital media and educational programs, the museum explores the cultural importance and enduring beauty of the art form. The museum is operated by the Country Music Foundation, a not-for-profit 501(c)(3) educational organization chartered by the state of Tennessee in 1964. The museum is accredited by the American Alliance of Museums, and is among the most-visited history museums in the U.S. The Country Music Foundation operates Historic RCA Studio B, Hatch Show Print poster shop, CMF Records, the Frist Library and Archive and CMF Press. Museum programs are supported in part by Metropolitan Nashville Arts Commission and Tennessee Arts Commission. More information about the Country Music Hall of Fame and Museum is available at www.countrymusichalloffame.org or by calling (615) 416-2001.

Beginning May 31, all the music in the box set can be heard on the museum’s website via From Where I Stand: The Online Experience. The online experience is a free, educational resource containing all the incisive essays, archival photographs and video, and historical track notes for each selection. In addition, supplemental resources from the museum’s archive and resources for educators will be available.

The online experience will also include music that was unable to be licensed for the physical box set release, including Beyoncé and the Chicks’ collaboration on “Daddy Lessons,” Lil Nas X’s “Old Town Road,” and Al Green’s version of “For the Good Times.”

On Tuesday evening, June 18, a variety of artists represented in the box set will celebrate the release of the project in a one-time-only concert in the museum’s CMA Theater. From Where I Stand: The Concert Celebration, presented by Amazon and Riverview Foundation, will be led by co-producers Rissi Palmer and Shannon Sanders. Artists performing in the concert include Blanco Brown, Cowboy Troy, Tony Jackson, Hubby Jenkins, Miko MarksWendy MotenRissi PalmerDarius Rucker, The War And Treaty and Barrence Whitfield.

Tickets to the free concert can be reserved beginning May 31 at 10 a.m. CT on the museum’s website, based on availability. The concert will be filmed and released on the museum’s website this fall.

Track listing for the box set:

Disc 1 – The Stringband Era

1. DeFord Bailey – “Pan American Blues”
2. DeFord Bailey – “Muscle Shoals Blues”
3. Taylor’s Kentucky Boys – “Gray Eagle
4. Georgia Yellow Hammers – “G Rag”
5. Andrew & Jim Baxter – “K. C. Railroad Blues”
6. The Dallas String Band – “Dallas Rag”
7. James Cole String Band – “Bill Cheatem
8. Peg Leg Howell & Eddie Anthony – “Turkey Buzzard Blues”
9. Charlie McCoy & Bo Chatmon – “Corrine Corrina
10. Mississippi Sheiks – “Sitting on Top of the World”
11. Mississippi Sheiks – “Yodeling Fiddling Blues”
12. Memphis Sheiks – “He’s in the Jailhouse Now”
13. Mississippi Mud Steppers – “Morning Glory Waltz”
14. Lead Belly – “The Midnight Special”
15. Lead Belly – “Rock Island Line”
16. Nathan Frazier & Frank Patterson – “Eighth of January”
17. Murph GribbleJohn Lusk & Albert York – “Apple Blossom”
18. DeFord Bailey – “Fox Chase”

Disc 2 – Soul Country

1. Wynonie Harris – “Bloodshot Eyes”
2. The Orioles – “Crying in the Chapel”
3. Big Al Downing – “Down on the Farm”
4. Ivory Joe Hunter – “City Lights”
5. Ray Charles – “I’m Movin’ On”
6. Ray Charles – “I Can’t Stop Loving You”
7. Bobby Hebb – “Night Train to Memphis
8. Solomon Burke – “Just Out of Reach”
9. Fats Domino – “You Win Again”
10. Esther Phillips – “Release Me”
11. Joe Hinton – “Funny How Time Slips Away”
12. Arthur Alexander – “Detroit City”
13. The Supremes – “It Makes No Difference Now”
14. Bobby Hebb – “A Satisfied Mind”
15. The Staple Singers – “Will the Circle Be Unbroken”
16. Joe Tex – “Half a Mind”
17. Etta James – “Almost Persuaded”
18. Joe Simon – “The Chokin’ Kind”
19. Ivory Joe Hunter – “He’ll Never Love You”
20. Dorothy Moore – “Misty Blue

Disc 3 – Forward with Pride

1. Charley Pride – “The Snakes Crawl at Night”
2. Charley Pride – “Is Anybody Goin’ to San Antone”
3. Charley Pride – “Kiss an Angel Good Mornin‘”
4. Linda Martell – “Color Him Father”
5. Otis Williams & the Midnight Cowboys – “How I Got to Memphis
6. La Melle Prince – “The Man That Made a Woman Out of Me”
7. Stoney Edwards – “She’s My Rock
8. Stoney Edwards – “Hank and Lefty Raised My Country Soul”
9. Stoney Edwards – “Pickin’ Wildflowers”
10. O. B. McClinton – “Don’t Let the Green Grass Fool You”
11. Jo Ann Sweeney – “I’ll Take It”
12. The Pointer Sisters – “Fairytale”
13. Ruby Falls – “Show Me Where”
14. Lenora Ross – “Lonely Together”
15. Big Al Downing – “Touch Me (I’ll Be Your Fool Once More)”
16. Professor Longhair – “Jambalaya (On the Bayou)”
17. Dobie Gray – “From Where I Stand”
18. Cleve Francis – “Love Light
19. Aaron Neville – “The Grand Tour”
20. Barrence Whitfield – “Irma Jackson
21. Ted Hawkins – “There Stands the Glass”
22. Herb Jeffries – “I’m a Happy Cowboy”

Disc 4 – Reclaiming the Heritage

1. Carolina Chocolate Drops – “Ruby, Are You Mad at Your Man?”
2. Rhiannon Giddens – “At the Purchaser’s Option”
3. Darius Rucker – “Wagon Wheel”
4. Darius Rucker – “Don’t Think I Don’t Think About It”
5. Valerie June – “Workin’ Woman Blues”
6. Our Native Daughters – “Black Myself”
7. Mavis Staples – “Touch My Heart”
8. Tony Jackson – “I Didn’t Wake Up This Morning”
9. Rissi Palmer – “Country Girl”
10. Miko Marks – “It Feels Good”
11. Kane Brown – “Heaven”
12. Kane Brown – “Worldwide Beautiful”
13. Yola – “Ride Out in the Country”
14. Allison Russell – “Nightflyer”
15. Wendy Moten – “‘Til I Get It Right”
16. Cowboy Troy – “I Play Chicken with the Train”
17. Blanco Brown – “The Git Up”
18. BRELAND – “Cross Country”
19. Brittney Spencer – “Bigger Than the Song”
20. Mickey Guyton – “Black Like Me”
21. Keb’ Mo’ – “Loving Arms”
22. The War And Treaty – “A Lesson in Leavin'”

Universal Music Group and TikTok Announce New Licensing Agreement

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Universal Music Group, the world-leader in music-based entertainment and TikTok today announce a new multi-dimensional licensing agreement that will deliver significant industry-leading benefits for UMG’s global family of artists, songwriters and labels and will return their music to TikTok’s billion-plus global community.

The joint agreement marks a new era of strategic collaboration between the two organizations, built on a shared commitment to help UMG’s artists and songwriters achieve their creative and commercial potential. By harnessing TikTok’s best-in-class technology, marketing and promotional capabilities, UMG and TikTok will deliver improved remuneration for UMG’s songwriters and artists, new promotional and engagement opportunities for their recordings and songs and industry-leading protections with respect to generative AI.

Sir Lucian Grainge, Chairman and CEO, Universal Music Group, said: “This new chapter in our relationship with TikTok focuses on the value of music, the primacy of human artistry and the welfare of the creative community. We look forward to collaborating with the team at TikTok to further the interests of our artists and songwriters and drive innovation in fan engagement while advancing social music monetization.”

Shou Chew, CEO of TikTok, said: “Music is an integral part of the TikTok ecosystem and we are pleased to have found a path forward with Universal Music Group. We are committed to working together to drive value, discovery and promotion for all of UMG’s amazing artists and songwriters, and deepen their ability to grow, connect and engage with the TikTok community.”

Fans on TikTok can look forward to the return of UMG’s recorded music and publishing catalogs and once again enjoy creating videos using music from some of the world’s biggest artists and songwriters as well as exciting emerging talent.

As part of the agreement, both organizations will work together to realize new monetization opportunities utilizing TikTok’s growing e-commerce capabilities and will work together on campaigns supporting UMG’s artists across genres and territories globally.

TikTok will continue to invest significant resources into building artist-centric tools that will help UMG artists realize their potential on the growing platform. Tools including “Add to Music App”, enhanced data and analytics, and integrated ticketing capabilities will benefit artists, both financially and in building their global fanbases using TikTok’s scale and engaged community, while strengthening online safety protections for artists and their fans.

In addition, TikTok and UMG will work together to ensure AI development across the music industry will protect human artistry and the economics that flow to those artists and songwriters. TikTok is also committed to working with UMG to remove unauthorized AI-generated music from the platform, as well as tools to improve artist and songwriter attribution.

Ole Obermann, TikTok’s Global Head of Music Business Development, said: “We are delighted to welcome UMG and UMPG back to TikTok. We look forward to working together to forge a path that creates deeper connections between artists, creators, and fans. In particular, we will work together to make sure that AI tools are developed responsibly to enable a new era of musical creativity and fan engagement while protecting human creativity”. 

Michael Nash, Chief Digital Officer and EVP, Universal Music Group said: “Developing transformational partnerships with important innovators is critical to UMG’s commitment to promoting an environment in which artists and songwriters prosper. We’re gratified to renew our relationship with TikTok predicated on significant advancements in commercial and marketing opportunities as well as protections provided to our industry-leading roster on their platform. With the constantly evolving ways that social interaction, fan engagement, music discovery and artistic ingenuity converge on TikTok, we see great potential in our collaboration going forward.”

UMG and TikTok are now working expeditiously to return music by artists represented by Universal Music Group and songwriters represented by Universal Music Publishing Group to TikTok in due course.

Guitar Center Inducts Guitarist Gary Clark Jr. Into RockWalk

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Today, Guitar Center announced the induction of four-time Grammy® winning guitarist Gary Clark Jr. into the retailer’s iconic RockWalk. The private ceremony took place at Guitar Center’s Hollywood location on Sunset Boulevard. Following the ceremony, Gary Clark Jr. performed at Guitar Center’s flagship – his first concert in Los Angeles since releasing his newest album, “JPEG RAW”.

“We are thrilled to welcome Gary Clark Jr. into the esteemed ranks of Guitar Center’s RockWalk inductees. His extraordinary talent and contributions to music make him a perfect fit for this honor,” said Gabe Dalporto, CEO of Guitar Center. “Gary’s induction is a testament to his incredible impact on the world of music, and we were pleased to celebrate his achievements at this year’s ceremony. His handprints are a prestigious addition to Guitar Center’s RockWalk, alongside the legends who have shaped the industry.”

The RockWalk ceremony made a return to the city of Los Angeles after six years. Renowned Los Angeles broadcast music journalist Nic Harcourt hosted the memorable evening and presented Gary Clark Jr. with the prestigious recognition.

“I am honored to be the latest inductee into Guitar Center’s RockWalk,” stated Gary Clark Jr., the celebrated musician and newest RockWalk honoree. “This recognition holds immense significance for me, as it not only reflects my unwavering dedication and love for music but also acknowledges the respect and admiration of my peers and fellow musicians, who I also equally love and admire.”

Guitar Center’s RockWalk is dedicated to honoring those artists who have made a significant impact and lasting contribution to the growth and evolution of Rock ‘n’ Roll, Blues and R&B. As the newest RockWalk inductee, Gary Clark Jr.’s handprints now reside alongside the handprints, signatures, and faces of other equally accomplished musicians and innovators such as Eric ClaptonGeorge MartinJimmy PageOzzy OsbourneCarlos SantanaJohnny CashVan Halen, AC/DC, Aerosmith, Marvin GayeJames Brown, B.B. King, Stevie Wonder, Run-D.M.C., Maná, Linkin Park, and Queen, among numerous others.

Crossfire Hurricane Rum by The Rolling Stones Launches 2024 Limited Edition Hackney Diamonds Gift Set

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Crossfire Hurricane Rum is thrilled to unveil a special limited-edition bottle gift set, commemorating The Rolling Stones’ highly anticipated Hackney Diamonds U.S. Tour, which kicked off on April 28 at NRG Stadium in Houston. Designed specifically for the tour in partnership with The Rolling Stones, the memorable box set embodies the spirit of rock and roll while paying homage to the band’s iconic journey.

“This commemorative box set of Crossfire Hurricane Rum is not just a celebration of our US tour, but a toast to the incredible journey we’ve shared with our fans,” said The Rolling Stones.

With a suggested retail price of $125, the limited-edition collection features a deluxe box set including the Hackney Diamonds bottle—a sleek black gloss glass container with a striking gold top—adorned with the iconic Rolling Stones tongue logo, and a flagship bottle of Crossfire Hurricane Rum, all encased in a keepsake box.

This celebratory set will be available at select retailers across the country and will be introduced gradually, aligning with The Rolling Stones’ tour schedule as they embark on each city through summer 2024. Additionally, concertgoers in the United States can purchase the gift set via in-stadium digital billboards and have it delivered directly to their homes via ReserveBar, offering fans a chance to own a piece of rock and roll history and enjoy the exquisite taste of barrel-aged, blended Caribbean rum.

Crossfire Hurricane Rum invites fans to ‘take your tongue for a ride’ as they host concert post-show parties in select cities. The brand is also offering rock and roll fans a chance to win two VIP tickets to see The Rolling Stones at the tour’s show in Santa Clara, California on July 17, 2024. The sweepstakes is now open and runs through June 15, 2024. For official rules, how to enter, and prize descriptions visit www.crossfirehurricane.com/tour-rules.

Iconic rock band, The Rolling Stones bring to you a remarkable rum that works to redefine your palate and elevate your cocktail experience. Crossfire Hurricane Rum is the very first product owned by the Stones, giving fans the chance to enjoy a taste of rock & roll. This thoughtfully blended rum contains rums perfectly aged in carefully selected oak barrels, the liquid boasts flavors of caramelized bananas followed by a gentle hint of tropical fruit. This venture is the culmination of a pioneering partnership with Universal Music Group and Socio Ventures. Crossfire Hurricane is available for purchase at crossfirehurricane.com via ReserveBar at the MSRP of $37.00 USD. For additional information and up-to-date news please follow on social media @crossfirerum.

When The Rolling Stones began playing gigs around London in 1962, the notion that a rock and roll band would last five years, let alone six decades, was an absurdity. Times and attitudes quickly changed, and The Rolling Stones took on the world and won. The band are among the most important reasons for the dramatic breakthroughs and transformations that have taken place in music over the last six decades. It is impossible to overestimate their importance in rock and roll history. Only a handful of musicians in any genre have achieved their stature. They exist in a pantheon of the most rarefied kind with recorded music sales of over 200 million, making them one of the best-selling music artists of all time.