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Video: Lou Reed Delivers a Masterful “Sweet Jane” in This Stunning 1974 Paris Performance

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1974 Lou Reed in Paris, and “Sweet Jane” has never sounded quite like this. Captured in high definition, this live performance finds Reed at a particular peak, loose and confident, the song stretching out with a raw, unhurried energy that studio versions simply can’t replicate.

Lou Reed Shuts Down a Reporter Cold in This Newly Resurfaced 2003 Interview Clip

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A 2003 interview clip of Lou Reed is making the rounds again, and it’s a reminder of exactly who he was. When a journalist pushes him on 9/11 and the Iraq War, Reed doesn’t flinch, doesn’t deflect, and doesn’t entertain the line of questioning for a single second. He shuts it down flat, with the kind of controlled, unbothered authority that defined everything he did. It’s a brief moment, but it’s pure Lou Reed, direct, uncompromising, and completely on his own terms right to the end.

Dennis Rush, the Freckle-Faced Child Actor Who Charmed James Cagney and Found a Home in Mayberry, Has Died at 74

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There is a particular kind of magic in being chosen by James Cagney. Not auditioned, not called in through an agent, not discovered through the usual machinery of Hollywood – but tapped on the shoulder at a lunch counter by one of the greatest screen actors who ever lived, who looked at a five-year-old boy sitting with his father and said, simply, “Trust me.” That was how Dennis Rush’s career began, and it set the tone for a life in entertainment that was warm, unpretentious, and genuinely beloved by everyone who crossed his path. Rush died on May 9, 2026, en route to a hospital in the San Diego area, having been diagnosed with leukemia just weeks earlier. He was 74 years old.

Rush was born in Philadelphia on June 10, 1951, and moved with his family to Los Angeles when he was just one year old, after his father Jack took a job as a film archivist at Universal Studios. It was at the Universal commissary that fate arrived in the form of Cagney, who was searching without success for a young boy to play the four-year-old version of Creighton Chaney – son of silent film legend Lon Chaney – in the 1957 biopic ‘Man of a Thousand Faces.’ When Rush’s father explained that Dennis wasn’t an actor and needed to go to school, Cagney’s response was characteristically direct. “Trust me.” The screen test involved riding a tricycle around a Christmas tree. Rush spent six months on the film, sharing scenes with Dorothy Malone and Jim Backus, and learning what it meant to truly act from one of Hollywood’s finest. Cagney taught him how to cry for a pivotal scene by quietly describing what it felt like to never see your family again, never have another Christmas, never go home. It worked in five minutes. Rush said he never forgot it, and the two exchanged Christmas cards every year until Cagney’s death in 1986.

The years that followed brought a string of classic television appearances that read like a roll call of the golden age of American broadcasting. Alfred Hitchcock Presents. Perry Mason. Gunsmoke. Wagon Train – one episode directed by John Ford himself. The Lucy Show. My Favorite Martian. The Magical World of Disney. Rush moved through these worlds with the easy comfort of a child who genuinely loved the work, showing up, doing the job, and leaving people smiling. His most enduring television role came between 1963 and 1965, when he appeared across eight episodes of ‘The Andy Griffith Show’ as Howie Pruitt, one of young Opie Taylor’s circle of friends. He later described those years as “the best of the best,” recalling lunchtime basketball with Ron Howard, guitar singalongs with Andy Griffith and the cast, and a general atmosphere of warmth and fun that came through so clearly on screen. On one episode, he ad-libbed a line during rehearsal that made it into the final cut – something that happens to child actors even less often than it happens to adults.

After outgrowing his child roles, Rush served in the United States Marines, and returned home to discover that his parents had spent the money he had earned as an actor – he had made as much as $500 a week at the height of his career. He rebuilt quietly, graduating from San Diego State in 1977 and building a life in the hotel and restaurant industry, working as a maitre d’ and bartender with the same ease and warmth he had brought to every set. He never seemed bitter about any of it. In his later years, he became a beloved fixture at Mayberry Days in Mount Airy, North Carolina, and at the Mayberry-I Love Lucy Festival in Granville, Tennessee, meeting fans with patience and generosity, sharing stories, posing for photos, and clearly enjoying every moment of it. He was there just last month. The Mayberry Days website remembered him simply: one of the sweetest men you could ever meet.

His friend and former castmate Keith Thibodeaux – Little Ricky from ‘I Love Lucy,’ Johnny Paul Jason on ‘The Andy Griffith Show’ – shared the news of his passing on social media with the kind of words that only a decades-long friendship can produce. “I just got word that my old buddy Dennis Rush, a fine actor and a great friend, passed away. What a shock.” He added that he was glad to have been able to pray with Rush just weeks earlier at one of the festivals, when the leukemia diagnosis first came through. Lucie Arnaz responded with the warmth you would expect: “He will save a nice place for you where he’s going, I’m sure.” That feels exactly right. Dennis Rush is survived by his siblings Sally, Monica, Patrick and Megan. He was predeceased by his brother Jack, who died in February. Mayberry has lost a great citizen.

Britpop Originals Dodgy Release ‘Hello Beautiful’ and Hit the Road for a Year of UK Shows and Anniversary Celebrations

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30 years in, Dodgy are back with new music, a packed touring schedule, and a milestone anniversary worth celebrating properly. ‘Hello Beautiful’, the band’s 6th studio album and first full release since 2016’s ‘What Are We Fighting For’, is out now on Flip Flop Records.

The album arrives on the strength of real momentum. Comeback single “Hello Beautiful” delivered the band’s first Top 40 chart appearance in over a decade, and new single “It’s Not The End” confirms the album’s range, melancholic and uplifting in equal measure, classic Dodgy melody wrapped in a more reflective tone.

Singer Nigel Clark laid out the creative process plainly: “‘It’s Not The End’ was arranged really quickly in the studio during the sessions for the new album. It started with a simple lyric that felt really direct and honest, and the song just seemed to guide us where it wanted to go. Reviews have said it sounds like an older, wiser, deeper Dodgy, which is exactly how I’d want us to sound in 2026.”

Drummer Mathew Priest added: “It feels like the right time for the band. The reaction to the new music has been brilliant and we’re really looking forward to taking these songs out around the country. Independent venues are where we started and they’re still the lifeblood of live music.”

Recorded by original members Clark, Priest, and Andy Miller alongside long-time collaborators Stu Thoy and Graham Mann, ‘Hello Beautiful’ reconnects with the melodic optimism that made Dodgy one of Britain’s most loved guitar bands, while carrying the weight of 3 decades of shared history.

The ‘Hello Beautiful’ UK tour continues this week, with remaining dates running through late May. Later in 2026, Dodgy celebrate the 30th anniversary of ‘Free Peace Sweet’ with a series of special shows featuring guests The Icicle Works. Originally released in 1996, ‘Free Peace Sweet’ delivered some of the band’s biggest songs including “Good Enough”, “In A Room”, “If You’re Thinking Of Me”, and “Found You”, and remains one of the defining British guitar albums of the era.

Nigel summed up 2026 for the band: “The new album feels like a fresh start, and celebrating Free Peace Sweet at the same time makes 2026 feel pretty special for us.”

Tickets are available now at dodgyology.com.

‘Hello Beautiful’ UK Tour Dates:

May 16 — An Seomar, Inverness

May 17 — King Tut’s Wah Wah Hut, Glasgow

May 21 — The Forum, Tunbridge Wells

May 22 — Papillon, Southampton

May 23 — Quarters, Brighton

‘Free Peace Sweet’ 30th Anniversary Shows:

September 26 — O2 Shepherds Bush Empire, London

October 1 — O2 Academy, Bristol

October 2 — O2 Institute, Birmingham

October 3 — O2 Ritz, Manchester

October 9 — O2 Academy, Liverpool

Garth Brooks, Ed Sheeran, Post Malone, Jelly Roll, and Muse Lead a Monster Summerfest 2026 Lineup in Milwaukee

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Summerfest 2026 is stacked from top to bottom. Milwaukee’s legendary festival celebrates its 58th anniversary this summer with one of the most genre-spanning lineups it has ever assembled, running across 3 weekends, 12 stages, and 75 acres of permanent festival grounds along Lake Michigan.

Garth Brooks kicks things off with 2 nights at the 23,000-seat American Family Insurance Amphitheatre on June 16 and 17, setting the tone for a summer run that pulls from country, rock, hip-hop, pop, and everything in between. The festival proper runs June 18-20, June 25-27, and July 2-4.

The amphitheater lineup reads like a greatest hits of 2026’s biggest names. Ed Sheeran brings Myles Smith and Arron Rowe. Post Malone brings Carter Faith. Jelly Roll brings Tyler Hubbard. Cody Johnson brings Jessie Murph. Don Toliver arrives with SahBabii, Che, SoFayGo, sosocamo, Chase B, and Lelo. Megan Moroney, Carín León, Muse, and Alex Warren round out the main stage bookings.

Across the other 11 stages, the depth is remarkable. Megadeth, Halestorm, Wolfmother, Echo & The Bunnymen, Styx, and Gene Simmons Band cover the rock spectrum. The Roots, Buju Banton, Sean Paul, Jeremih, and Rev Run of Run DMC bring hip-hop and reggae firepower. Father John Misty, Spoon, The Mountain Goats, flipturn, Hot Mulligan, and The Beths give indie fans plenty to work with.

Also on the bill: Louis Tomlinson, Tash Sultana, All Time Low, Third Eye Blind, Passion Pit, Grouplove, KALEO, Whiskey Myers, Marcus King Band, The Revivalists, Amyl and The Sniffers, Subtronics, Elderbrook, BØRNS, Goldfinger, Candlebox, Christopher Cross, Charlie Wilson, Ella Mai, Flo Rida, and dozens more.

Sarah Pancheri, President and CEO of Milwaukee World Festival, put it directly: “We are thrilled to deliver this one-of-a-kind lineup that features an incredible mix of genres and artists.”

Single-day, general admission, and T-Mobile Three-Day Passes are on sale now. VIP experiences include the Miller Lite Oasis Level Up deck, with stage views, a private bar, seating, TVs, restrooms, same-day festival admission, and 2 beverages included.

2026 Festival Dates:

June 16-17 — American Family Insurance Amphitheatre pre-festival shows, Milwaukee, WI

June 18-20 — Summerfest, Milwaukee, WI

June 25-27 — Summerfest, Milwaukee, WI

July 2-4 — Summerfest, Milwaukee, WI

Japanese Pop-Punk Icons Shonen Knife Hit North America This Summer With Men At Work and Toad the Wet Sprocket

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40 years deep and still running on pure punk energy, Shonen Knife are back on North American soil this summer for a tour that pairs them with 2 of the most beloved acts of the era. Men At Work and Toad the Wet Sprocket join the Osaka pop-punk legends across 20 dates kicking off July 16 at Pompano Beach Amphitheater in Florida.

The routing covers the continent from Florida to Los Angeles, with stops in Atlanta, Nashville, Detroit, Bangor, Council Bluffs, Salina, and more. The trek also features 2 special “Osaka Ramones” shows, Shonen Knife headlining sets built entirely around their love of punk icons The Ramones, at New York City’s Le Poisson Rouge on July 31 and Indianapolis’ Hi-Fi on August 4.

Since forming in Osaka in the early 1980s, Shonen Knife have released over 20 albums and earned the admiration of Nirvana, Redd Kross, The Ramones, and Sonic Youth. Their blend of punk rock and pop, loaded with humor and the textures of everyday life, has kept them one of the most distinctive acts in the game for 4 decades.

Founding member and lead vocalist Naoko didn’t hold back her excitement: “I’m very excited to tour with rock legends. This tour will be gorgeous and I hope you enjoy the chemical reaction of these 3 bands!”

She also spoke directly about her tourmates: “I really respect Colin Hay and love the songs of Men At Work. I always sing their songs at karaoke because the melody lines are so fantastic. Toad The Wet Sprocket is also a very cool band. Their music touches my heart.”

The tour also gives fans a chance to pick up the reissued debut cassette, Minna Tanoshiku, available exclusively at the merch table at Shonen Knife’s concerts. Originally released in 1982 with only 70 copies pressed, it’s one of the rarest artifacts in the band’s catalog. Last year the group also released an expanded vinyl edition of 2023’s ‘Our Best Place’, featuring new cover art and 4 new songs.

Tickets are on sale now.

2026 Tour Dates:

July 16 — Pompano Beach Amphitheater, Pompano Beach, FL

July 17 — The St. Augustine Amphitheatre, St. Augustine, FL

July 18 — The BayCare Sound, Clearwater, FL

July 21 — Cobb Energy Performing Arts Centre, Atlanta, GA

July 22 — BankPlus Amphitheater at Snowden Grove, Southaven, MS

July 23 — The Pinnacle, Nashville, TN

July 24 — Masonic Temple, Detroit, MI

July 26 — The Music Circus, Cohasset, MA

July 28 — The Whittemore Center, Durham, NH

July 29 — Maine Savings Amphitheater, Bangor, ME

July 31 — Le Poisson Rouge, New York, NY (Osaka Ramones)

Aug 1 — Delaware State Fair, Harrington, DE

Aug 4 — Hi-Fi, Indianapolis, IN (Osaka Ramones)

Aug 6 — Grossinger Motors Arena, Bloomington, IL

Aug 7 — Performing Arts Pavilion at The Commons, New Lenox, IL

Aug 8 — Stir Cove at Harrah’s Casino, Council Bluffs, IA

Aug 10 — Stiefel Theatre, Salina, KS

Aug 14 — Remlinger Farms, Carnation, WA

Aug 18 — Silver Legacy Resort Casino, Reno, NV

Aug 20 — The United Theater on Broadway, Los Angeles, CA

Drone Metal Architects Sunn O))) Bring Their New Self-Titled Album to Europe and the UK This Summer

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Sunn O))) are heading to Europe and the UK this summer, and they’re bringing a new album with them. The Seattle drone metal architects released their self-titled record on April 3, and the upcoming run gives European audiences their first chance to hear that material live.

The 12-date run kicks off June 23 at Rote Fabrik in Zurich and works its way through Antwerp, Amsterdam, Cologne, and across the UK before landing in Berlin for a 2-night stand at Silent Green Betonhalle on July 6 and 7. UK stops include Bristol, Brighton, Liverpool, Leeds, Birmingham, and London’s Troxy.

The new self-titled album is available now, with LP preorders through Sub Pop Mega Mart. The European and UK run follows a completed North American trek that hit Los Angeles, San Francisco, Austin, Philadelphia, Toronto, New York, and more.

Sunn O))) are repped by United Talent Agency in North America and booked by Odyssey Booking and Wasserman Music across Europe and the UK. Tickets for the summer dates are on sale now.

2026 UK/EU Tour Dates:

June 23 — Rote Fabrik, Zurich, CH

June 24 — Trix, Antwerp, BE

June 25 — Paradiso, Amsterdam, NL

June 26 — Essigfabrik, Cologne, DE

June 28 — Prospect Building, Bristol, UK

June 29 — Corn Exchange, Brighton, UK

June 30 — The Dome, Liverpool, UK

July 1 — Project House Leeds, Leeds, UK

July 2 — O2 Institute, Birmingham, UK

July 3 — Troxy, London, UK

July 6 — Silent Green Betonhalle, Berlin, DE

July 7 — Silent Green Betonhalle, Berlin, DE

Blues, Soul, and Fireworks: Waterfront Blues Festival Returns to Portland With a Global 2026 Lineup

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Nearly 4 decades in, Waterfront Blues Festival keeps finding new ways to prove the blues never stays in one place. The 2026 edition returns to Tom McCall Waterfront Park in Downtown Portland, July 2-4, with a lineup spanning 5 continents and 6 decades of music rooted in the blues and branching into everything it’s touched.

The Revivalists, Durand Jones & The Indications, Tank and The Bangas, Cymande, Hailu Mergia, Don Was and the Pan-Detroit Ensemble, and Seratones lead a bill that pulls from Louisiana soul-rock, Ethiopian jazz, London funk, Peruvian cumbia, and Portland’s own underground. 3 days, 3 stages, dozens of acts.

This year marks a new programming partnership with True West, one of the Pacific Northwest’s leading independent concert producers and the team behind PDX LIVE, co-curating the lineup alongside longtime Festival Artistic Director Peter Dammann. The collaboration brought in Latin artists like The Point, Fernando Viciconte, and Orquestra Pacífico Tropical alongside blues institution Don Was, a booking the festival had been pursuing for years.

Senior Talent Buyer at True West, Lori Hughes Killen, framed the approach directly: “This lineup isn’t about preservation. These are artists who don’t stick to the script. They collaborate, they take risks, they see where the moment takes them.”

The festival delivers on multiple fronts beyond the music. Kids 12 and under get in free thanks to Buick GMC of Beaverton, local food and drink fill the Blues Bites food court, and the July 4th fireworks show, launched from a barge on the Willamette River and choreographed to a live musical soundtrack, ranks among the best in the country.

Since 1988, Waterfront Blues Festival has raised over $10 million for community organizations. The 2026 benefiting partners are Meals on Wheels People and The Jeremy Wilson Foundation Musician Health & Service Program.

1-Day Tickets start at $45 and 3-Day Passes start at $99, with GA and VIP tiers available now at early bird pricing at waterfrontbluesfest.com/tickets.

2026 Festival Dates:

July 2-4 — Tom McCall Waterfront Park, Portland, OR

Drum Legend Carmine Appice and Cactus Recruit an All-Star Army for ‘Temple Of Blues II’

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Carmine Appice isn’t done raiding the rock and roll hall of fame. The drum legend and his reformed Cactus are back with ‘Temple Of Blues II – All Stars’, the follow-up to 2024’s ‘Temple Of Blues: Influences And Friends’, and the guest list reads like a summit of heavy music royalty.

Returning from volume one are Ted Nugent, Billy Sheehan, Bumblefoot, Dee Snider, and Pat Travers. Joining them this time around are Deep Purple’s Steve Morse, Rainbow and Deep Purple’s Joe Lynn Turner, Ozzy Osbourne and Quiet Riot’s Rudy Sarzo, Testament’s Alex Skolnick, and many more across an 11-track lineup of thunderous blues rock.

The lead single is a 2-part “Back Door Man” featuring Sheehan, Eric Gales, and Artie Dillon. Appice put it plainly: “When we finished ‘Back Door Man’ and listened to the whole mix, it blew me away. Billy and Eric are amazing together on top of my drums.” That enthusiasm comes through in the recording, a savage, locked-in performance from 3 players operating at full force.

The album digs deep into blues rock’s backbone, with Dee Snider and Tracii Guns tearing through “The Little Red Rooster,” Pat Travers returning for “Moanin’ At Midnight,” and Ted Nugent and Bob Daisley delivering an astonishing take on “Spoonful.” Joe Lynn Turner joins Morse, Tony Franklin, and Dream Theater’s Derek Sherinian for “Bad Stuff,” one of the album’s most layered moments.

The tracklist also carries real historical weight. “Purple Haze” reunites Cactus with Melanie, recalling the summer of 1970 when both acts performed at the Isle of Wight Festival alongside Jimi Hendrix, the original headliner. Oft-described as America’s Led Zeppelin, Cactus debuted that same year with an immediate impact on the live circuit, and ‘Temple Of Blues II’ ties directly back to those roots.

Tracklist:

  1. Back Door Man Pt. 1 & 2 featuring Eric Gales & Billy Sheehan
  2. 300 Pounds Of Joy featuring Ty Tabor
  3. Moanin’ At Midnight featuring Pat Travers
  4. Down In The Bottom featuring Dug Pinnick
  5. Token Chokin’ featuring Bumblefoot
  6. Bad Stuff featuring Steve Morse, Joe Lynn Turner, Derek Sherinian & Tony Franklin
  7. Tail Dragger featuring Rudy Sarzo & Alex Skolnick
  8. The Little Red Rooster featuring Dee Snider, Tracii Guns, Jimmy Haslip
  9. Purple Haze featuring Melanie
  10. Spoonful featuring Ted Nugent & Bob Daisley
  11. Feel So Good featuring Billy Sheehan & Britt Lightning (CD Bonus Track)

Poison The Well Drop “Everything Hurts” Video Ahead of First Album in 16 Years

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16 years between albums is a long time to sit with an audience’s expectations. Poison The Well have answered with ‘Peace in Place’, out now via SharpTone Records, and the new single “Everything Hurts” makes a strong case for why the wait was worth it.

The track locks into PTW’s signature quiet/loud dynamics with real precision. Moody and metallic in equal measure, it builds tension steadily from the opening notes and doesn’t let go. It’s the kind of song that reminds you exactly what made this band essential.

The accompanying video follows singer Jeffrey Moreira in an almost voyeuristic style. The tension mirrors the music, escalating deliberately, and there are easter eggs scattered throughout for fans paying close attention.

Moreira was direct about the lyrical core: “‘Everything Hurts’ is about the patience and effort it takes to keep relationships alive. I care deeply about the people in my life, but even the people you love can be frustrating sometimes. And it’s important to remember that we can be just as frustrating to them. The ones that stick around are the ones you have a unique connection with.”

PTW are also out on a spring 2026 headlining tour with support from Converge, Balmora, SPY, The Armed, and The Barbarians of California appearing on different segments. ‘Peace in Place’ is out now on SharpTone Records.