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Joni Mitchell Archives, Vol. 4: The Asylum Years (1976-1980) Out October 4, 2024 On 6CD / Digital & 4LP Highlights Version

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Throughout the latter half of the seventies, Joni Mitchell continued to creatively break ground with her fearless and fluid exploration of jazz. Rather than tread the same path, she challenged and reinvented her style with a folk fusion like no other. Ascending to an unrivaled sonic peak, this innovative sound took shape across the gold-certified Hejira [1976], the gold-certified double-LP Don Juan’s Reckless Daughter [1977], her collaboration with Charles Mingus entitled Mingus [1979], and live album Shadows and Light [1980]. Channeling the thrill and excitement of these records, she delves even further into this season on Joni Mitchell Archives, Vol. 4: The Asylum Years (1976-1980), releasing on October 4, 2024 via Rhino Records. Pre-orders are available HERE.

Listen to “Intro To Coyote / Coyote” The Forum, Montreal, QC, Canada, Dec. 4, 1975 Today HERE.

It stands out as the 12th release by the Joni Mitchell Archives and extends Rhino’s ongoing, GRAMMY-winning series exploring the vast untapped archives of rare Joni Mitchell recordings — a project guided intimately by Mitchell’s own vision and personal touch.

Joni Mitchell Archives, Vol. 4: The Asylum Years (1976-1980) arrives in multiple configurations. It will be available as either a 6CD / digital version or a 4LP version, Joni Mitchell Archives – Volume 4 Highlights: The Asylum Years (1976-1980). The 4LP set also specifically consists of Joni’s personal favorites from the 6CD version. Each version includes a book with never-before-seen photos and liner notes comprising a deep dive discussion between Mitchell and longtime friend Cameron Crowe. As part of their candid conversation, she shares intimate anecdotes, memories, and stories from that five-year creative run.

This comprehensive and essential set spans one of the most prolific periods of her storied career. It boasts powerful live tracks from her time in Bob Dylan’s Rolling Thunder Revue during 1975 and 1976 Tour of the United States. It pulls back the curtain on the music by showcasing early recordings and alternate takes from the respective sessions for Hejira, Don Juan’s Reckless Daughter, and Mingus. It covers the Bread & Roses Festival as well as the Anti-Nuclear Rally. Finally, Vol. 4 chronicles her 1979 tour, even showcasing two tracks from that year’s Tour Rehearsals. Not to mention, it showcases her versatility and adaptability, housing collaborations with everyone from Herbie Hancock and Jaco Pastorious to Wayne Shorter and Pat Metheny.

Vol. 4 culls the previously-unissued material from original stereo reels, cassette tapes, CD-Rs, and even a radio broadcast. Newly mixed tracks came from multi-track tapes, while a handful of hi-res digital tracks have been sourced from the Bob Dylan Archives.

Last year, she shared Joni Mitchell Archives – Vol. 3: The Asylum Years (1972–1975). Garnering critical acclaim, Pitchfork dubbed it “excellent” in a positive “8.6-out-of-10.0” review, going on to note, “The box set—which also includes the exhilarating live album Miles of Aisles and the impressionistic The Hissing of Summer Lawns—covers a period of Mitchell’s career that already resists linear narrativizing.” In addition to features from Rolling Stone and more, Folk Alley raved, “Every track on this Joni Mitchell Archives, Vol. 3: The Asylum Years (1972-1975) reveals more and more of Mitchell’s magic ways with a song.” No Depression mused, “it is, in many ways, the most vital and interesting of the three collections so far,” and FLOOD attested, “this third volume is worth digging into as the best of Rhino’s Archives collections. I’m already excited for Vol. 4.”

It followed 2022’s Vol. 2: The Reprise Years (1968-1971). She began this journey with Vol. 1: The Early Years (1963-1967), earning a 2022 GRAMMY Award for Best Historical Album.

Last fall, Mitchell appeared at the Hollywood Bowl to perform three songs with Brandi Carlile. Earlier this year, she impressively made her debut on the GRAMMY Awards stage with a historic rendition of “Both Sides Now” alongside Carlile, Allison Russell, Lucius, Jacob Collier, Blake Mills, and SistaStrings. She also accepted a GRAMMY in the category of “Best Folk Album” for Joni Mitchell At Newport [Live] during the ceremony.

This October 19 and 20, Mitchell will be headlining her own ‘Joni Jam’ at the Hollywood Bowl featuring special ‘Joni Jam’ guests. Be on the lookout for more news and announcements from Joni Mitchell soon.

Joni Mitchell Archives, Vol. 4: The Asylum Years (1976-1980):

01 Jericho (Live at Convention Center, Niagara Falls, NY, 11/15/1975)
02 Introduction (Live at Harvard Square Theater, Cambridge, MA, 11/20/1975)
03 Edith and the Kingpin (Live at Harvard Square Theater, Cambridge, MA, 11/20/1975)
04 Don’t Interrupt the Sorrow (Live at Harvard Square Theater, Cambridge, MA, 11/20/1975)
05 Introduction (Live at Music Hall, Boston, MA, 11/21/1975)
06 Harry’s House (Live at Music Hall, Boston, MA, 11/21/1975)
07 A Case of You (Live in Bangor, ME, 11/27/1975)
08 Woman of Heart and Mind (Live at Gordon Lightfoot’s House, Quebec City, Canada, 11/30/1975)
09 Introduction (Live at the Forum, Montreal, QC, Canada, 12/4/1975)
10 Intro to Coyote (Live at the Forum, Montreal, QC, Canada, 12/4/1975)
11 Coyote (Live at the Forum, Montreal, QC, Canada, 12/4/1975)
12 Help Me (Live at Dane County Coliseum, Madison, WI, 2/29/1976)
13 Love or Money (Live at Music Hall, Boston, MA, 2/19/1976)
14 Free Man in Paris (Live at Music Hall, Boston, MA, 2/19/1976)
15 For the Roses (Live at Music Hall, Boston, MA, 2/19/1976)
16 Cold Blue Steel and Sweet Fire (Live at Music Hall, Boston, MA, 2/19/1976)
17 Big Yellow Taxi (Live at Music Hall, Boston, MA, 2/19/1976)
18 Shades of Scarlett Conquering (Live at Music Hall, Boston, MA, 2/19/1976)
19 For Free (Live at Nassau Coliseum, Uniondale, NY, 2/20/1976)

01 Intro to Coyote/Don Juan’s Reckless Daughter (Live at Music Hall, Boston, MA, 2/19/1976)
02 Coyote/Don Juan’s Reckless Daughter (Live at Music Hall, Boston, MA, 2/19/1976)
03 Just Like This Train (Live at Dane County Coliseum, Madison, WI, 2/29/1976)
04 Shadows and Light (Live at Music Hall, Boston, MA, 2/19/1976)
05 In France They Kiss on Main Street (Live at Music Hall, Boston, MA, 2/19/1976)
06 Traveling (Hejira) (Live at Cameron Stadium, Duke Universit, Durham, NC, 2/7/1976)
Edith and the Kingpin (Live at Music Hall, Boston, MA, 2/19/1976)
08 Talk to Me 09 Harry’s House/Centerpiece (Live at Music Hall, Boston, MA, 2/19/1976)
10 Intro to Furry Sings the Blues (Live at Music Hall, Boston, MA, 2/19/1976)
11 Furry Sings the Blues (Live at Music Hall, Boston, MA, 2/19/1976)
12 Trouble Child (Live at Music Hall, Boston, MA, 2/19/1976)
13 Rainy Night House (Live at Music Hall, Boston, MA, 2/19/1976)
14 Don’t Interrupt the Sorrow (Live at Cameron Stadium, Duke Universit, Durham, NC, 2/7/1976)
15 Raised on Robbery (Live at Music Hall, Boston, MA, 2/19/1976)
16 The Jungle Line (Live at Music Hall, Boston, MA, 2/19/1976)
17 Twisted (Live at Music Hall, Boston, MA, 2/19/1976)

01 Furry Sings the Blues (Demo)
02 Traveling (Hejira) (Demo)
03 Dreamland (Demo)
04 Talk to Me (Demo)
05 Coyote/Don Juan’s Reckless Daughter (Demo)
06 Black Crow (Demo)
07 Amelia (Demo)
08 Blue Motel Room (Demo)
09 A Strange Boy (Demo)
10 Black Crow (Live at Tarrant County Convention Center, Fort Worth, TX, 5/16/1976)
11 Intro to Song for Sharon (Live at Tarrant County Convention Center, Fort Worth, TX, 5/16/1976)
12 Song for Sharon (Live at Tarrant County Convention Center, Fort Worth, TX, 5/16/1976)
13 Refuge of the Roads (Early Mix With Horns)
14 Don Juan’s Reckless Daughter (Early Rough Mix)

01 Save Magic (Paprika Plains Embryonic Version)
02 Otis and Marlena (Early Rough Mix)
03 Sweet Sucker Dance (Vocals & Drums Version, Take 5)
04 A Chair in the Sky (Early Alternate Version, Take 6)
05 Sweet Sucker Dance (Early Alternate Version)
06 Introduction (Live at Bread & Roses Festival, Greek Theatre, Berkeley, CA, 9/2-3/1978)
07 The Dry Cleaner From Des Moines (Live at Bread & Roses Festival, Greek Theatre, Berkeley, CA, 9/2-3/1978)
08 Intro to a Chair in the Sky (Live at Bread & Roses Festival, Greek Theatre, Berkeley, CA, 9/2-3/1978)
09 A Chair in the Sky (Live at Bread & Roses Festival, Greek Theatre, Berkeley, CA, 9/2-3/1978)
10 Intro to Goodbye Pork Pie Hat (Live at Bread & Roses Festival, Greek Theatre, Berkeley, CA, 9/2-3/1978)
11 Goodbye Pork Pie Hat (Live at Bread & Roses Festival, Greek Theatre, Berkeley, CA, 9/2-3/1978)
12 Intro to the Wolf That Lives in Lindsey (Live at Bread & Roses Festival, Greek Theatre, Berkeley, CA, 9/2-3/1978)
13 The Wolf That Lives in Lindsey (Live at Bread & Roses Festival, Greek Theatre, Berkeley, CA, 9/2-3/1978)
14 A Good Suit and a Good Haircut (Mingus Early Alternate Version)
15 God Must Be a Boogie Man (Mingus Early Alternate Version)
16 Solo for Old Fat Girl’s Soul (Mingus Early Alternate Version)
17 The Dry Cleaner From Des Moines (Mingus Early Alternate Version)

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01 Sue and the Holy River (Mingus Early Alternate Version)
02 The Wolf That Lives in Lindsey (Mingus Session Outtake)
03 Introduction (Live at May 6 Coalition Rally Against Nuclear Power, National Mall, Washington, DC, 5/6/1979)
04 Big Yellow Taxi (Live at May 6 Coalition Rally Against Nuclear Power, National Mall, Washington, DC, 5/6/1979)
05 Jericho (Live at SIR Rehearsal Studios, Los Angeles, CA, 7/20/1979)
06 Help Me (Live at SIR Rehearsal Studios, Los Angeles, CA, 7/28/1979)
07 Big Yellow Taxi (Live at Forest Hills Tennis Stadium, Queens, NY, 8/25/1979)
08 Just Like This Train (Live at Forest Hills Tennis Stadium, Queens, NY, 8/25/1979)
09 In France They Kiss on Main Street (Live at Forest Hills Tennis Stadium, Queens, NY, 8/25/1979)
10 Coyote (Live at Forest Hills Tennis Stadium, Queens, NY, 8/25/1979)
11 Edith and the Kingpin (Live at Forest Hills Tennis Stadium, Queens, NY, 8/25/1979)
12 Free Man in Paris (Live at Forest Hills Tennis Stadium, Queens, NY, 8/25/1979)
13 Goodbye Pork Pie Hat (Live at Forest Hills Tennis Stadium, Queens, NY, 8/25/1979)
14 Jaco’s Solo/Third Stone From the Sun (Live at Forest Hills Tennis Stadium, Queens, NY, 8/25/1979)
15 The Dry Cleaner From Des Moines (Live at Forest Hills Tennis Stadium, Queens, NY, 8/25/1979)

01 Amelia (Live at Forest Hills Tennis Stadium, Queens, NY, 8/25/1979)
02 Pat’s Solo (Live at Forest Hills Tennis Stadium, Queens, NY, 8/25/1979)
03 Hejira (Live at Forest Hills Tennis Stadium, Queens, NY, 8/25/1979)
04 Don’s Solo (Live at Forest Hills Tennis Stadium, Queens, NY, 8/25/1979)
05 Dreamland (Live at Forest Hills Tennis Stadium, Queens, NY, 8/25/1979)
06 Black Crow (Live at Forest Hills Tennis Stadium, Queens, NY, 8/25/1979)
07 Furry Sings the Blues (Live at Forest Hills Tennis Stadium, Queens, NY, 8/25/1979)
08 Intro to God Must Be a Boogie Man (Live at Forest Hills Tennis Stadium, Queens, NY, 8/25/1979)
09 God Must Be a Boogie Man (Live at Forest Hills Tennis Stadium, Queens, NY, 8/25/1979)
10 Raised on Robbery (Live at Forest Hills Tennis Stadium, Queens, NY, 8/25/1979)
11 Shadows and Light (Live at Forest Hills Tennis Stadium, Queens, NY, 8/25/1979)
12 The Last Time I Saw Richard (Live at Forest Hills Tennis Stadium, Queens, NY, 8/25/1979)
13 Why Do Fools Fall in Love (Live at Forest Hills Tennis Stadium, Queens, NY, 8/25/1979)
14 Woodstock (Live at Robin Hood Dell West, Philadelphia, PA, 8/28/1979)
15 Intro to a Chair in the Sky (Live at Greek Theatre, Los Angeles, CA, 9/13/1979)
16 A Chair in the Sky (Live at Greek Theatre, Los Angeles, CA, 9/13/1979)

Michael Bublé Announces Brand New Greatest Hits Album – The Best Of Bublé – Out September 27

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Taking stock of a historic career so far, Michael Bublé proudly presents his brand new greatest hits album, The Best Of Bublé, arriving September 27, 2024 at all DSPs and on CD via Reprise Records. Pre-order HERE. Perfect for long-time fans and newcomers alike, the album will also be available on Standard Black 2LP Vinyl on November 22, with exclusive 2LP color vinyl available on the Michael Buble Official Store (Clear), Barnes and Noble (Olive Green) and Amazon (White). Pre-order HERE.

To herald the release, the GRAMMY® Award-winning, multi-platinum superstar entertainer shares a previously unreleased song entitled “Don’t Blame It On Me” today. Listen HERE. The track takes flight as a signature Bublé anthem. Handclaps, stand-up bass, and bright acoustic guitar set the tempo as he teases, “Don’t blame it on me for falling in love with you, anybody could see there was nothing I could do!” The momentum crescendos boosted by a boisterous horn section, big screen-ready strings, and an instantly chantable chorus. With its lovestruck spirit and uncontainable energy, it has all the makings of a future staple.

The Best Of Bublé notably boasts 21 essential tracks from across his catalog. It spans seminal smashes such as “Haven’t Met You Yet,” “Feeling Good,” “Sway,” “Everything,” and “It’s A Beautiful Day.” Among the unreleased material, it also includes a second new song “Quizas, Quizas, Quizas.”

In other big news, Bublé has joined the powerhouse coaching panel on The Voice, alongside Snoop Dogg, Gwen Stefani, and Reba McEntire. Season 26 premieres in September on NBC.

Last year, he impressively took home his fifth GRAMMY® Award. At the 2023 ceremony, his acclaimed LP, Higher, earned the trophy for “Best Traditional Pop Vocal Album.” He has scored 12 total nominations to date.

With its procession of hits and new unreleased gems, The Best Of Bublé doubles as an expansive overview of Bublé’s musical journey so far, while hinting at much more to come…

Michael Bublé has sold more than 75 million albums worldwide over the course of his extraordinary career and has enjoyed enormous success as one of the top touring artists of all time. With a career that includes 5 GRAMMYs, 15 JUNO Awards, a star on the Hollywood Walk of Fame and Canada’s Walk of Fame, 6 multi-platinum albums, and over 14 billion global streams, Michael has spent the past two decades deeply committed to not only keep the flames of the Great American Songbook alive and well – to not only breathe new life into them – but to bring his singular style, vocal power, and passion to timeless tunes that he loves. He released his self-titled debut album on Reprise Records in 2003, followed by a series of multi-platinum, #1 albums including Call Me Irresponsible (2007), Crazy Love (2009), To Be Loved (2013), Love (2018), and Christmas (2011). Michael’s 11th studio album HIGHER (2022) marked his 9th Top 10 on Billboard’s Top Album Sales Chart and 7th consecutive studio album to debut in the Top 3. Known for his world-class showmanship and spectacular concert production, he has performed sold out shows in over 30 countries. With unstoppable talent, energy and a voice that is equally at home singing standards, pop, swing, jazz, R&B, and comedy, Michael takes his audiences on a special journey every night – singing his heart out, serenading them with beautiful love songs, making them laugh, cry, and dance – to give them an evening they will never forget.

Tracklisting:
1. Feeling Good
2. Haven’t Met You Yet
3. Sway
4. Everything
5. Me and Mrs. Jones
6. Home
7. L.O.V.E
8. Cry Me A River
9. Don’t Blame It On Me*
10. Baby (You’ve Got What It Takes)
11. Fever
12. Quando, Quando, Quando
13. Save The Last Dance for Me
14. Bring It On Home To Me
15. Moondance
16. Spider-Man
17. It’s A Beautiful Day
18. Hold On
19. Quizas, Quizas, Quizas*
20. Higher
21. You & I
*PREVIOUSLY UNRELEASED

Great Songs For Kids And Adults

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Creating music that appeals to both adults and kids can be a rewarding challenge. Here are some qualities in adult songs that kids can enjoy, along with reasons why they might find these qualities appealing:

1. Catchy Melodies

  • Why: Kids are drawn to memorable and simple tunes that are easy to sing along with. Catchy melodies can grab their attention and keep them engaged.

2. Rhythmic Beats

  • Why: Energetic and rhythmic beats encourage movement and dancing, which kids love. Songs with strong, danceable rhythms can be a hit with younger listeners.

3. Simple, Repetitive Lyrics

  • Why: Repetition makes it easier for kids to remember and sing along. Lyrics that are straightforward and repetitive can help kids connect with the song more quickly.

4. Positive, Uplifting Themes

  • Why: Songs with themes of happiness, love, friendship, and adventure resonate well with children. Positive messages can make kids feel good and more likely to enjoy the song.

5. Humor and Playfulness

  • Why: Songs that incorporate humor, funny sounds, or playful language can be very appealing to kids. These elements can make the listening experience more fun and entertaining.

6. Imaginative and Storytelling Elements

  • Why: Songs that tell stories or paint vivid pictures can captivate kids’ imaginations. Narratives about adventures, animals, or fantastical places can be especially engaging.

7. Interactive Elements

  • Why: Songs that include call-and-response sections, clapping, or other interactive parts encourage participation. Kids enjoy being actively involved in the music.

8. Relatable Topics

  • Why: Songs that touch on experiences or feelings that kids understand, like playing, family, or school, can help them relate to the music on a personal level.

9. Instruments with Unique Sounds

  • Why: Instruments that produce interesting or unusual sounds can intrigue kids. Instruments like the ukulele, xylophone, or synthesizer can add a playful touch that appeals to younger ears.

10. Clear and Expressive Vocals

  • Why: Clear enunciation and expressive singing can make it easier for kids to follow and enjoy the lyrics. Vocal performances that are dynamic and engaging can hold their attention.

11. Choruses with Strong Hooks

  • Why: A powerful, memorable chorus can make a song stick in a child’s mind. Strong hooks in the chorus can be particularly enjoyable for kids to sing along with.

12. Incorporation of Familiar Elements

  • Why: Including elements from children’s songs or familiar tunes can create a sense of familiarity and comfort. This can make the transition to enjoying more complex music smoother for kids.

Examples of Songs with These Qualities:

  • Sway by Michael Buble

    Yellow Submarine by The Beatles

    In the Jungle by The Tokens

    Three Little Birds by Bob Marley

    Twist and Shout by The Beatles

    What I Like About You by The Romantics

    Love Shack” by The B-52s

    Blitzkrieg Bop by The Ramones

    We’re Going to Be Friends by The White Stripes

    Wouldn’t It Be Nice by The Beach Boys

    Bed Bed Bed by They Might Be Giants

    How Many Planets? by They Might Be Giants

By incorporating these qualities, adult songs can become accessible and enjoyable for kids, fostering a shared musical experience that appeals to listeners of all ages.

Concert Safety Tips for Parents and Teens: Rock Out Responsibly

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Whether you’re a seasoned concert-goer or preparing for your first live show, safety should always be your top priority, especially with the news of what happened with the Taylor Swift shows and alleged terrorist attacks. As a music enthusiast who’s been around the block (that means I’m old), I’ve seen it all— from the unforgettable moments of pure euphoria to the occasional hiccups that can turn a great night sour. So, let’s dive into some essential tips to ensure both parents and teenagers can enjoy their concert experiences to the fullest, without compromising on safety.

1. Plan Ahead and Communicate

Parents:

  • Know the Venue: Familiarize yourself with the venue’s layout. Knowing where the exits, restrooms, and medical stations are located can be a lifesaver.
  • Emergency Contacts: Ensure your teen has emergency contact numbers saved in their phone. It’s a good idea to have a meeting point in case you get separated.

Teens:

  • Stay Connected: Keep your phone charged and check in with your parents periodically. A quick text can go a long way in easing their worries.
  • Buddy System: Never attend a concert alone. Stick with friends, and look out for each other throughout the event.

2. Dress Smart and Comfortable

Parents:

  • Dress for the Occasion: Concerts can be crowded and hot, so dress in layers and wear comfortable shoes. Avoid bringing valuable items that can be easily lost or stolen.

Teens:

  • Rock the Right Gear: Wear something that makes you feel good but is also practical. Closed-toe shoes are a must to protect your feet from accidental stomps in the crowd.

3. Hydrate and Eat Well

Parents:

  • Pack Snacks and Water: Many venues have food and drink restrictions, so check ahead. However, if allowed, bring sealed water bottles and healthy snacks to keep everyone energized.

Teens:

  • Stay Hydrated: Dancing and singing along can be exhausting. Drink plenty of water, but avoid sugary and caffeinated beverages that can dehydrate you faster.

4. Respect Personal Space

Parents:

  • Set Boundaries: Discuss personal space and respecting others with your teens before the concert. It’s important to be mindful of the people around you.

Teens:

  • Be Aware: Enjoy the show, but don’t push or shove your way through the crowd. If you’re feeling uncomfortable or crowded, move to a less packed area.

5. Listen to Your Body

Parents:

  • Recognize the Signs: Keep an eye on your teen for signs of exhaustion or dehydration. If they seem overly tired or unwell, take a break.

Teens:

  • Know Your Limits: It’s okay to take a step back and rest if you’re feeling overwhelmed. Find a quiet spot to regroup and rehydrate.

6. Follow the Rules

Parents and Teens:

  • Obey Venue Policies: Every concert venue has its own set of rules regarding what you can and cannot bring. Familiarize yourself with these policies to avoid any last-minute surprises.

7. Trust Your Instincts

Parents:

  • Stay Vigilant: Keep an eye on your teen, but also trust their ability to handle themselves. Encourage open communication and trust your instincts if something feels off.

Teens:

  • Speak Up: If something doesn’t feel right, don’t hesitate to reach out to security or a staff member. Your safety is the most important thing.

8. Enjoy the Moment

Finally, remember that concerts are about enjoying the music and making memories. By taking a few simple precautions, both parents and teenagers can have a fun, unforgettable, and safe concert experience.

Rock on and stay safe out there!

Walter White vs. Dwight Schrute: Bryan Cranston & Rainn Wilson’s Epic Act-Off

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Bryan Cranston (Breaking Bad, Your Honor) and Rainn Wilson (The Office) face off in an epic acting challenge! Both stars take on the role of a baker named Otto, delivering a darkly comedic monologue with lines inspired by Cranston’s iconic character, Walter White. Watch as they each pull out a poisoned baguette from the oven and decide who gives the more compelling performance.

RIIZE FAN-CON TOUR ‘RIIZING DAY’ FINALE IN CINEMAS Trailer Is Here

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RIIZE have unveiled the official trailer for the highly anticipated RIIZE FAN-CON TOUR ‘RIIZING DAY’ FINALE IN CINEMAS as tickets go on sale now HERE.

The live broadcast of RIIZE FAN-CON TOUR ‘RIIZING DAY’ FINALE IN CINEMAS gives fans worldwide the opportunity to witness the electrifying grand finale of RIIZE’s first world tour on the big screen. Following a captivating journey across Seoul, Tokyo, Mexico City, L.A., Hong Kong, Taipei, Manila, Singapore, Bangkok, and Jakarta in 2024, the first day of the FINALE IN SEOUL is now set to ignite cinema screens globally. Cinemagoers will experience the undeniable magic of the RIIZE FAN-CON TOUR ‘RIIZING DAY’ FINALE IN CINEMAS, featuring spectacular performances, including celebrated hits from their debut mini album, RIIZING.

The concert film features RIIZE’s SHOTARO, EUNSEOK, SUNGCHAN, WONBIN, SOHEE, ANTON; directed by KIM KYUNGCHAN; produced by SM Ent.; and distributed by Trafalgar Releasing (globally, except Korea and Japan), CJ 4DPLEX (Korea), and TBC (Japan).

RIIZE FAN-CON TOUR ‘RIIZING DAY’ FINALE IN CINEMAS will be broadcast live from Seoul, South Korea on Friday, September 13 and tape-delayed in select markets.

The event will screen in the U.S. at 8pm PDT / 7pm CDT / 6pm MDT / 5pm EDT; in the UK at 7pm BST; in Germany, Spain, and selected European territories at 8pm CEST. In Asia, the event is taking place at 6:45 pm KST, which is 4:45pm UTC +7 (Indonesia, Thailand) / 5:45pm UTC +8 (Philippines, Taiwan, Hong Kong, Singapore, Malaysia).

For a full list of showtimes, visit www.riizeincinemas.com

RIIZE is the freshest K-Pop group taking the industry by storm. The group name RIIZE combines two words – “rise,” symbolizing growth, and “realize,” representing achievements – which together encapsulate the idea of a team that grows as one while achieving their dreams. Focusing on authenticity and relatability, RIIZE forges a deep connection with their ever-growing fanbase, BRIIZE (pronounced “breeze”), by sharing their down-to-earth personalities and humble moments at the start of their new journey. RIIZE has proven their high popularity not only in the music industry but also in the advertising and fashion industries. Their first single “Get A Guitar” achieved over one million physical pre-orders, and they announced their signing to RCA Records before their official debut – a rare occurrence for most K-Pop groups. Before their debut, they set the record for the fastest-growing K-Pop group on Instagram, reaching 1 million followers just four days after opening their account. Most recently, RIIZE was also appointed as house ambassadors for Louis Vuitton only three months after their debut.

Cast Announced for Canadian Premiere of Life of Pi

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Lolita Chakrabarti’s multi Olivier and Tony Award-winning stage adaptation of Life of Pi, based on Canadian author Yann Martel’s best-selling and Man Booker Prize-winning novel, will make its Canadian Premiere in only 4 weeks. Life of Pi will play the CAA Ed Mirvish Theatre beginning performances on September 3 through October 6, 2024. Toronto is the only Canadian city where theatregoers can experience this extraordinary show.

Tickets are available now at mirvish.com or by calling 1.800.461.3333.

The production that will play Toronto comes from the UK and features some of the Olivier-Award-winning actors who starred in the play’s original London West End production. The cast, many of whom are of South Asian descent, includes veteran actors with credits across the spectrum of UK theatre, from small companies to the National and the RSC; to actors just beginning their careers.

Starring in the title role is Divesh Subaskaran. A recent graduate of the Royal Academy of Dramatic Arts, this is his professional debut.

Also starring are:  Kazeem Tosin Amore (Cook), Antony Antunes (Tiger Hind/Cook/Father Martin), Bhawna Bhawsar (Leela Chen/Mrs Biology Kumar), Ameet Chana (Father), Fred Davis (Tiger Head), Daisy Franks (Tiger Heart/Hind), Akash Heer (Tiger Head), Katie Kennedy-Rose (Tiger Heart/Hind), Aizah Khan (Tiger Heart/Hind), Chand Martinez (Mamaji/Pandit-Ji/Admiral Balbir Singh), Mohit Mathur (Ensemble), Mark Matthews (Tiger Hind), Goldy Notay (Amma), Riya Rajeev (Rani), Kate Rowsell (Tiger Heart/Hind), Lilian Tsang (Mrs Okamoto/Mrs Khan/Ship’s Captain), Peter Twose (Tiger Head/Cook/Father Martin), and Vinesh Veerasami (Russian Sailor).

About the Production

Martel’s extraordinary story of family, resilience and survival and the natural world was made into an Oscar-winning film in 2012. This breath-taking theatrical adaptation is a natural evolution for the source, as it utilizes the communal power of live storytelling and imagination, two of the other central themes of the original novel.

After a cargo ship sinks in the middle of the vast Pacific Ocean, there are five survivors stranded on a single lifeboat – a hyena, a zebra, an orangutan, a sixteen-year-old boy and a 450-pound Royal Bengal tiger. Time is against them, nature is harsh, who will survive?

The production is directed by Max Webster, Set and Costume Designer is Tim Hatley, the Puppet Designers are Nick Barnes and Finn Caldwell, the Puppet and Movement Director is Finn Caldwell, the Video Designer is Andrzej Goulding, the Lighting Designer is Tim Lutkin, the Sound Designer is Carolyn Downing, the Composer is Andrew T Mackay, Dramaturgy is by Jack Bradley, the Casting Director is Polly Jerrold, the Associate Director is Leigh Toney, the Associate Puppetry and Movement Director is Scarlet Wilderink, the Associate Set Designer is Ross Edwards, the Associate Puppet Designer is Caroline Bowman,  the Costume Supervisor is Sabrina Cuniberto and the Props Supervisor is Ryan O’Conner. 

Life of Pi is presented in Toronto by David Mirvish and produced by Simon Friend in association with Playing Field and Tulchin/Bartner. 

Teenage Engineering Has Created A Medieval Sampler

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Teenage Engineering hath unveiled their EP-133 KO II, now reborn as the EP-1320, a wondrous sampler laden with instruments of yore: bagpipes, bowed harp, and the clattering hooves of coconut horses. Moreover, it doth possess a trove of sound effects, including the clashing of swords, the chatter of peasants, the cackling of witches, and the roar of a fearsome dragon.

The Continental Drifters Chronicled in Biography ‘White Noise & Lightning’

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What happens when a group of music business refugees decide to take a different route and play music for the love of it?

They form a band called the Continental Drifters, establish a dive-bar residency in Hollywood, and eventually are joined by more biz survivors who adapt their laissez faire approach to the art form that initially drew them into their professions – rock and roll.

From Los Angeles to New Orleans, White Noise & Lightning covers the trials, tribulations, joy, love, heartbreak, and surprising revival of an unlikely “super group” comprised of members of The Cowsills, The Bangles, R.E.M., The Dream Syndicate, Hootie & the Blowfish, The dB’s, and more as they navigate the difficult world of band life while juggling ambition, ambivalence, romance, addiction, and family.

Sean Kelly’s authorized biography of the Drifters tells the band’s story through extensive interviews with all ten of the musicians who were full-time members at various times, as well as a myriad of their colorful friends and cohorts, leaving no stone unturned in researching this rather extraordinary group of people and their quest for musical family during a journey one member likened to a “locomotive going down a hill.”

Sean Kelly is a musician, producer, and writer who spent nearly 20 years as the co-songwriter and singer of the band A Fragile Tomorrow. With his band, Sean toured internationally with the likes of Indigo Girls, Matthew Sweet, The Bangles, K’s Choice, and Toad the Wet Sprocket, and released seven albums. He currently serves as co-founding editor of The Savanahian, a nonprofit digital news publication in Savannah, Georgia, and composes music for independent films. He lives in Savannah with his wife, Kennedy, and their two children.

Pre-order White Noise & Lightning: The Continental Drifters Story (book) and We Are All Drifters: A Tribute to the Continental Drifters (album) here.

We’re All Drifters: A Tribute to the Continental Drifters

Double CD • 25 Songs
We’re All Drifters: A Tribute to the Continental Drifters
Proceeds from Tribute CD sales will go to benefit the Wild Honey Foundation.
Disc 1
Don Dixon – The Mississippi
Rob Laufer – The Rain Song
Marshall Crenshaw – Darlin Darlin
Rosie Flores & the Talismen – Christopher Columbus Transcontinental Highway
Annette Zilinskas – Dallas
The Iguanas – Side Steppin’ the Fire
Tara Austin & Lyn Bertles – Tomorrow’s Gonna Be
Jolene – Spring Day in Ohio
Robbie Rist – Invisible Boyfriend
Candace Maché – Heart, Home
Equation – Don’t Do What I Did
Debbi Peterson & The Minus 5 – Who We Are

Disc 2
Annie Clements & the Auxiliary Drifters – Drifters
Danny McGough, Alex McMurray, and Glenn Hartman – Mezzanine
George Porter Jr. & Runnin’ Pardners – Peaceful Waking
Martha Gehman – Here I Am
Caitlin Cary – I Want To Learn To Waltz With You
Derrick Anderson – No One Cares
John Cowsill – Watermark
Kim Richey + Kettle of Hawks Snow
Steve Wynn – Green
Danielle Howle & Mark Bryan – Meet Me In The Middle
Dayna Kurtz & Robert Mache – Long While
Garrison Starr – Mixed Messages
Bobby Houck – Anything

Chani Nattan, Inderpal Moga & AR Paisley Bring Punjabi-English Hip-Hop To Viral Hip Hop Platform On The Radar

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Chani Nattan, Inderpal Moga, and AR Paisley blaze a trail as the first Canadian South Asian trio to showcase Punjabi hip-hop on the viral platform On The Radar.

Shot in New York City, the trio delivered a dynamic freestyle performance on the platform ahead of their upcoming joint EP available on all platforms Friday, August 9th. PRE-SAVE the upcoming album here.

On The Radar, which has boasted performances from the likes of Drake & Central Cee, Lil Baby, Lil Yachty and more amongst other notable rap talents marks AR Paisley’s second freestyle on the platform. Watch Paisley’s first On The Radar freestyle HERE.

The trio will also appear on the infamous NYC based hip-hop platform From The Block, for an exclusive performance of ‘Block Boys,’ a track from their upcoming joint EP East to West. Their performance of “Block Boys” releasing Monday, August 12th, was shot outside the authentic Punjabi Deli and Grocery store, a location that speaks to both the cultural connection and relevance of the upcoming project and its theme of bridging the gap between Eastern and Western Culture.

The recorded live performances lead into the release of their highly anticipated joint EP East To West  via 91 North Records. East to West, a timeless 7 track tape will give listeners an authentic fusion of authentic western hip hop sounds inspired by early 2000s rap and South Asian melodies.

Born and raised in Surrey, B.C., Chani Nattan is a lyrical alchemist transforming the music industry with his innovative approach. Nurtured by 2000s hip hop and Punjabi artists like Jazzy B, Chani’s unique storytelling ability seamlessly blends genres, fusing his cultural heritage with contemporary sounds. His partnership with singer/songwriter Inderpal Moga epitomizes his belief that “lyrics only go so far until you have a voice for them,” creating a symphony of talents that merges writing, lyricism, and composition. Their breakthrough came in 2021 with “Daku,” amassing 1 billion Spotify streams in India and 200 million YouTube views. This success catapulted Chani into collaborations with artists like Diljit Dosanjh and Sukha, showcasing his versatility in crafting hits across genres. Recently signed to 91 North Records, a joint venture between Warner Music Canada and India, Chani and Inderpal continue to make waves with viral hits like the debut release with 91 North Records,“FaceTime.” Chani’s music, a kaleidoscope of sounds appealing to a global audience, reflects his journey as an artist. Viewing 91 North as “the only bridge between North America and India,” Chani remains creatively motivated by like-minded individuals. His story of dedication, innovation, and collaboration motivates aspiring artists to stay true to their visions, solidifying Chani’s place as a pillar of the evolving genre.

Canada’s rising South Asian hip hop maverick, AR Paisley, conveys raw vulnerability through his explosive verses that has earned him 100+ million streams across all DSPs and 60+ million views on YouTube. As XXL Magazine observed in 2019, “the Mississauga rapper has already become a mainstay on Spotify’s curated playlist and it’s only a matter of time until the rest of the world catches up.” What followed was recognition as Hip Hop/Rap Artist of the Year at Canadian Music Week (2023) and his On The Radar freestyle, a testament to his lyrical prowess, further solidifying his position as a true luminary in the genre. AR Paisley’s influence extends far beyond Canadian borders, leaving an indelible mark on international markets through electrifying tours alongside AP Dhillon and Sidhu Moose Wala. His captivating stage presence and undeniable talent culminated in a sold-out Toronto date during his own headlining Canadian tour. In tandem with his musical conquests, AR Paisley’s ‘Paisley’ fashion line has cultivated a devoted and independent following, fueled by its limited-edition designs that transcend mere apparel, encapsulating a lifestyle and culture uniquely his own.