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From Ashes To New Announce Headlining U.S. Tour “The Blackout Tour Pt. 2”

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Alt-metal vanguards FROM ASHES TO NEW today, February 27, announce a headlining U.S. tour this spring with direct support from California-based rockers Point North in addition to special guests including heart-hop rapper Ekoh, emo rapper Phix, and hip-hop/rock artist elijah. Produced by Live Nation, “The Blackout Tour Pt. 2” will kick off Tuesday, April 30 in Albany, NY and run through Thursday, June 13 in Lincoln, NE.

“We are beyond excited to unveil our highly anticipated Blackout Tour Part 2,” says vocalist DANNY CASE. “The response to Part 1 was so overwhelmingly positive that we knew we had to bring our most exciting show yet to new cities that missed out on the first round. Once again, we are pulling all the stops and bringing along our brothers in Point North, Ekoh, Phix, and Elijah to make each show a night to remember. Lastly, this tour is not just about music; it’s about creating unforgettable experiences and connecting with fans old and new. Get ready to join us on this incredible journey!”

“We are stoked to get out there this spring with From Ashes To New,” shares POINT NORTH vocalist Jon Lundin. “We can’t wait to perform some new songs from our new album, as well as a few old favorites for our long time Point North fans. This will be unforgettable, and we look forward to hearing everyone singing along!”

FROM ASHES TO NEW’s blend of hard rock, hip-hop, electronic, and alternative music has built them a diverse and dedicated fanbase across the globe. “There’s an exciting immediacy to their sound that recalls the music renaissance of the late 90s and early 2000s… It’s that sweet spot of mass appeal where there’s a little something for everyone, be it From Ashes to New’s hip-hop side, their heavier metallic side, or their arena-sized choruses.” (KNOTFEST)

2023 saw FROM ASHES TO NEW achieve their fifth-ever Top 10-charting rock radio single with “Hate Me Too”—one of “The Most-Played Songs On Rock Radio in 2023” via Loudwire— taken from their critically acclaimed #1-charting concept album BLACKOUT released earlier that year via Better Noise Music. Find BLACKOUT on digital download, CD, vinyl or cassette at https://fatn.ffm.to/blackoutalbum. The group ended the monumental year with album track “Nightmare” peaking at #5 and the completion of a successful U.S. headlining tour with The Word Alive, Catch Your Breath, and Ekoh which concluded with two sold-out shows at their hometown venue, Harrisburg Midtown Arts Center, in Harrisburg, PA.

FROM ASHES TO NEW – “THE BLACKOUT TOUR PT. 2”
with Point North, Ekoh, Phix and elijah
4/30 Albany, NY – Empire Live
5/1 Huntington, NY – The Paramount
5/2 Baltimore, MD – Baltimore Soundstage
5/4 New Haven, CT – Toad’s Place
5/5 Philadelphia, PA – TLA
5/6 New York, NY – The Gramercy Theatre
5/8 Myrtle Beach, SC – House of Blues
5/9 Orlando, FL – House of Blues *
5/10 Mobile, AL – Soul Kitchen
5/12 Atlanta, GA – Buckhead Theatre
5/13 Chattanooga, TN – The Signal
5/15 Jacksonville, NC – Hooligans
5/16 Greensboro, NC – Hangar 1819
5/18 Rochester, NY – Water St. Music Hall
5/19 Bethlehem, PA – Wind Creek Event Center
5/20 Cleveland, OH – House of Blues
5/21 Madison, WI – The Sylvee
5/23 Kansas City, MO – Uptown Theatre
5/24 Des Moines, IA – Val Air Ballroom
5/25 Davenport, IA – Capitol Theatre
5/27 Houston, TX – House of Blues
5/28 Austin, TX – Emo’s
5/29 Dallas, TX – The Echo Lounge & Music Hall *
5/30 San Antonio, TX – The Aztec Theater
6/2 Wichita, KS – Cotillion Ballroom
6/3 Springfield, MO – Gillioz ~
6/5 Phoenix, AZ – The Van Buren
6/6 San Diego, CA – House of Blues
6/7 Las Vegas, NV – House of Blues
6/8 Santa Ana, CA – Observatory OC
6/11 Salt Lake City, UT – The Depot
6/12 Denver, CO – Summit
6/13 Lincoln, NE – Bourbon Theatre
7/19 Caddott, WI – Rock Fest ^
7/20 Grand Rapids, MI – Upheaval Fest ^
7/21 Mansfield, OH – Inkcarceration ^
9/27 Louisville, KY – Louder Than Life ^
^ festival appearance (FATN only)
* no Point North

Alexander Stewart Announces ‘The Bleeding Hearts’ Tour

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Today, Alexander Stewart announced the bleeding hearts tour. Produced by Live Nation, the 19-city tour kicks off on May 7 at House of Blues Bronze Peacock in Houston making stops across North America in Toronto, New York, Seattle and more before wrapping up in San Francisco at Cafe Du Nord on June 9.

Fans attending the bleeding hearts tour will get to see Alexander perform his recently announced single “broken by you,” due out March 8, as well as tracks from his latest EP if you only knew. Previously, Alexander has toured with artists including Charlie Puth, Benson Boone, Eric Nam and for his international headlining Blame’s On Me Tour.

Last December, Alexander released if you only knew, receiving praise from the likes of Rolling Stone who named the title track one of their “Songs You Need To Know.” The EP also features his massive hit “i wish you cheated,” which launched with a viral TikTok campaign that saw over 45 million views and led to his late-night TV debut performance on The Tonight Show Starring Jimmy Fallon. Following his performance, the single became a Top 20 radio hit and broke into Billboard’s Hot 100 chart in Canada.

With over half a billion streams to his name, Alexander Stewart’s skyscraping pop sound and heartbreaking anthems have cut an impressive figure, making him one of Spotify’s Pop Rising Artists to Watch in 2024 and the second most viewed artist on TikTok in Canada last year. The Toronto-born singer-songwriter’s new EP if you only knew features his breakout hit “i wish you cheated,” which has gained over 50 million global streams, become a Top 20 radio hit in Canada and launched with a viral TikTok campaign that has amassed over 45 million views. Alexander made his late-night TV debut performing the track on The Tonight Show Starring Jimmy Fallon, and recently performed “if you only knew,” which was named one of Rolling Stone’s Songs You Need To Know, on Late Night With Seth Meyers. Last year, Alexander toured across North America with Charlie Puth, Benson Boone, Eric Nam and for his international headlining Blame’s On Me Tour, performing in front of his rapidly growing fan base that has expanded to over 500 million global streams, 300 million views on YouTube and 125 million likes on TikTok.

the bleeding hearts tour DATES:
Tue May 07 – Houston, TX – House of Blues Bronze Peacock
Wed May 08 – Dallas, TX – The Echo Lounge & Music Hall
Sat May 11 – Nashville, TN – Exit/In
Sun May 12 – Atlanta, GA – Vinyl
Mon May 13 – Charlotte, NC – The Underground
Thu May 16 – Washington, DC – The Atlantis
Fri May 17 – Toronto, ON – The Opera House
Sat May 18 – Montreal, QC – Théâtre Beanfield
Tue May 21 – New York, NY – Bowery Ballroom
Wed May 22 – Somerville, MA – Crystal Ballroom at Somerville Theatre
Tue May 28 – Chicago, IL – Schubas Tavern
Wed May 29 – Minneapolis, MN – 7th Street Entry
Fri May 31 – Denver, CO – Marquis Theater
Sat Jun 01 – Salt Lake City, UT – Kilby Court
Mon Jun 03 – Calgary, AB – Commonwealth Bar & Stage
Wed Jun 05 – Vancouver, BC – Fortune Sound Club
Thu Jun 06 – Seattle, WA – Barboza
Sat Jun 08 – Los Angeles, CA – Echoplex
Sun Jun 09 – San Francisco, CA – Cafe Du Nord

ABOUT ALEXANDER STEWART

Will The City To Airport Rail Link Kill Car Parking Businesses At Tullamarine Airport ?

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By Mitch Rice

Last year, the Deputy Premier of Victoria spoke at length about the issue of car parking at Melbourne’s Tullamarine Airport. There have been inordinate delays in the project, and the situation hasn’t been made easier by the dispute between the airport and the federal government. The tussle over  the airport rail link has reached a stalemate with the airport authorities pushing for a below ground solution while the government prefers what it sees as a more feasible option above ground. 

This is the main bone of contention that has delayed the project for years. 

What’s Better: Above or Below Ground? 

The $10 billion project that’s slated to be completed in 2029 involves several factors. The land that the airport stands on is owned by the Commonwealth and any structural plans that are proposed by the airport authorities have to be first vetted and cleared by the minister for federal infrastructure. 

Some sources report that the airport authorities may be deliberately creating a stalemate so that they can rake in the humongous profits generated by airport car parking on the premises. 

Airport spokespersons opine that there are several issues that make an above ground project not viable, including technical problems, safety issues, the need for complete weather-proofing, and difficulties in passenger access.

The government’s contention is that an above ground solution is much cheaper and faster to complete. Tunnel boring machines are already in use on other rail links nearby and it would be convenient to shift them, saving time and money. This is being countered by the Tulla authorities who say it is ugly and it would inconvenience passengers who have to traverse the windswept Tullamarine Airport grounds to reach their respective terminals. 

Successive governments have put the project on the back burner, recommending that it wait till there is adequate passenger demand. Currently, the return on investment is not enough to justify such a major expense. 

On the other hand, Tullamarine is now the second busiest airport in the country.  Perth, Sydney and Brisbane have their own rail links similar to other big cities across the world. In opposition, it must be noted that Victoria currently faces a massive debt problem, and this may not be the right time for big ticket infrastructure projects. Construction prices are at an all time high and it makes more economic sense to pull back on big spending right now till prices become more stable. 

Benefits of Rail Link

As Melbourne continues to expand and push existing boundaries, planning for the future is crucial. Sunshine station is proposed to be the transport hub that links other important rail, metro and regional train services. 

Enhanced station facilities, better connectivity with bus and road services, improved pavements, improvement in road and pedestrian access, open spaces for future developments and more are among the big benefits that are pegged to the city to airport rail link project.  

Travel time from the Central Business District in Melbourne can be reduced to under 30 minutes with no change of trains required midway. Connectivity across Melbourne will also be enhanced. Less cars will be used to get to the airport, resulting in less traffic congestion and vehicular pollution. 

The project could boost employment in the local area (an estimated 8000 jobs during construction) and offer more opportunities for commercial and residential real estate development. 

Airport Rail Link and Car Parking Businesses

It’s the car parking businesses that kept many airports functional and profitable during the Covid 19 pandemic. With aviation operations coming to an almost complete halt, car parking fees were one of the few sources of income for major airports across the country.

Airport parking has always been more attractive to travelers, especially international ones. Negotiating public transport with heavy luggage, children and seniors, or persons who use wheelchairs is not easy. Driving straight to the airport in the comfort of your own car, pre-booking your parking, and leaving your vehicle there in safe custody makes the travel experience hassle free and pleasant. 

Many off-site parking facilities around Tullamarine offer attractive rates and advanced security facilities. They also provide loyalty programs for frequent use of the parking and this helps to save money that you can use elsewhere on your travels. 

One of the sticking points in the project is the potential demise of the airport car parking business. Recent estimates show that the airport collects between $400,000 to $1 million a day from car parking fees. This figure far outstrips collections from any other airport in the country. 

Melbourne’s Tullamarine airport is the only international airport that does not have rail link services. There is widespread speculation that originally there was a master plan to include rail link infrastructure when the airport was first constructed. This information remains unconfirmed. 

Unfortunately, the rail link issue has turned into a political tinderbox over the decades, and no political party wants to take a firm stand on it. 

Advocates of the rail link cite reasons of the enormous reduction in vehicular pollution when the link becomes operational. However, they forget that a massive project such as this would create its own environmental pollution hazards. The cost of running such a major electrical network would also be huge, both in financial and economic terms. 

Many experts opine that the cost of the rail link may outweigh the benefits. Travelers may use it only a few times in a year, and this would make the whole exercise unviable. 

Currently thousands of car parks may be out of operation while a major road project begins this year and will be completed only in 2026. A large number of them will be re-purposed for pick up and drop off, while some would be removed from the value parking zone while construction is underway. 

As things stand, the rail link project could impact the car parking businesses at Tullamarine Airport like https://www.unitedairportparking.com.au, but it remains to be seen how much of a hit this will be. Rail links the world over have proved beneficial for some travelers but not all. If your flight timings don’t sync with the train timings, you would prefer to drive into the airport and park rather than risk missing your flight. Rail services usually have several stops en route, and that could increase travel time. The rail link service should be designed so that the coaches have adequate luggage stowing areas. The design must service multiple terminals to ensure quick and efficient movement of passengers. 

Melbourne’s rail network is not among the most efficient of public transportation services. Regional services are given higher priority than metropolitan ones, and this creates blocks that could increase your stress as you race to catch your flight at the airport. 

The car parking business is a mature and well-organized sector, but it will have to modify and evolve to face the undoubted impact if and when the airport rail link becomes a reality. 

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

How Has the Nigerian Sports Betting Scene Evolved, and What Factors Drive Its Popularity?

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By Mitch Rice

The gaming and gambling scenario has changed drastically over the years in many countries across the globe. Now, you can bet from anywhere in the world, and Nigeria is a perfect example of this.

Nigeria has become a central part of online sports betting, which has transformed the country’s gambling and gaming industry. This growth is primarily influenced by the widespread access to the internet and phones along with Nigeria’s long and old love for sports.

1.   The Evolution of the Sports Betting Scene in Nigeria: Top Factors Driving the Sports Betting Scene

Today, we will determine and review the main factors that have changed the sports scene in Nigeria and how it has changed the gaming sector of this country.

1.1) Widespread Access to the Internet and Phones

As I have already mentioned, access to the internet and smartphones was the crucial accessory in revolutionizing the betting scene in Nigeria. While all the factors that we will review today have their own perks and impacts, the internet is the key here.

After all, if we are being honest, without the internet and smartphones, the whole concept of online betting has no existence. The surge in the market for affordable mobile phones and Internet coverage has allowed many Nigerians to enter the world of online sports betting. By understanding this concept, many betting organizations have launched mobile sites and apps to grow their consumers.

1.2) Love for Sports in the Country

The love for sports can be seen in many countries worldwide. However, some nations take it to another level in their genuine enthusiasm – Nigeria is undoubtedly such a place.

Nigeria’s true passion and love for sports, most noticeably football, plays a massive part in the growth of online sports gambling. The country’s enthusiasm for football knows no bounds, which you can certainly see in local as well as global matches. This demand for more and more games has expanded the gaming market to a great extent.

1.3) Rise in Job Opportunities and Employment in the Industry

For every industry, there is a job market, and online betting has also created a considerable vacancy in many departments.

Mobile sports gaming in Nigeria has undoubtedly given the country’s people a way for entertainment, but more importantly, it has also created many work opportunities. Many people have found jobs in different sectors of the industry – be it in marketing, tech, or advertising.

1.4) Efficient Marketing Strategies

The right marketing strategies can differentiate between a failed and a successful company. Gambling sites in Nigeria employ ingenious marketing strategies to attract users and ensure they stay.

Advertisements, promotions, rewards, and subscription offers for all players significantly drive the online betting industry to more profits and success.

The future of gaming and eSports is growing in the global market, and Nigerian betting sites are also developing side by side.

Online sports gambling in Nigeria appears to have a bright and promising future. As the industry grows, teamwork among owners, supervisors, and tech teams will ensure further advancement of eSports and online casino games in Nigeria.

 

16-Year-Old Dave Grohl Playing The Drums Shows Why He Was Born To Be A Rock And Roll Star

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In 1985, one of Dave Grohl’s earliest musical ventures, a band named Mission Impossible, took to the stage for a performance that would eventually find its place in the annals of punk history. As the band unleashed their raw energy and rebellious spirit on the audience, little did they know that their performance would be captured for posterity. Fast forward to the present day, and footage from that electrifying show has found its way into the DC Punk Archive, a testament to Grohl’s roots in the vibrant punk scene of Washington D.C. This archival footage serves as a time capsule, immortalizing a pivotal moment in Grohl’s journey from underground punk rocker to global rock icon.

Winners Announced for the 2024 JUNO Opening Night Awards

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The Canadian Academy of Recording Arts and Sciences (CARAS) celebrated the artists and industry veterans at the top of Canada’s music scene this evening at the 2024 JUNO Opening Night Awards Presented by Music Canada, at the Halifax Convention Centre. The exclusive industry event was co-hosted by Aba Amuquandoh and Damhnait Doyle, featuring electric performances from five Canadian artists and the presentation of 40+ JUNO Awards including the prestigious Walt Grealis Special Achievement Award, awarded to Chip Sutherland.

Canadian pop sensation Tate McRae took home her first JUNO Award for Artist of the Year Presented by SiriusXM Canada and Single of the Year Presented by YouTube for her hit “greedy.” She’s also been nominated for TikTok JUNO Fan Choice Award which will be announced during tonight’s Broadcast Awards.

Chip Sutherland, Halifax’s own esteemed industry veteran, entertainment lawyer and artist manager, was awarded the prestigious Walt Grealis Special Achievement Award for his amazing work supporting the success and development of countless Canadian musicians.

The JUNO Opening Night Awards Presented by Music Canada put a spotlight not only on Canadian music veterans, but also its rising stars with 17 awards going to first-time winners: The Beaches (Rock Album of the Year), Tate McRae (Artist of the Year Presented by SiriusXM Canada, Single of the Year Presented by YouTube), New West (Breakthrough Group of the Year Presented by FACTOR, The Government of Canada and Canada’s Private Radio Broadcasters), Aysanabee, Co-Songwriters: Ali Willa Milner, Charlie McLean, Derek Hoffman, Sean Sroka, (Songwriter of the Year Presented by SOCAN, Alternative Album of the Year), Colin Stetson (Instrumental Album of the Year), Les Cowboys Fringants & l’Orchestre symphonique de Montréal (Francophone Album of the Year), Orchestre classique de Montréal, conducted by/dirigé par Jacques Lacombe (Classical Album of the Year). Constantinople (Classical Album of the Year (Small Ensemble)), Nicole Lizée (Classical Composition of the Year), Blue Moon Marquee (Blues Album of the Year), K-Anthony (Contemporary Christian/Gospel Album of the Year), Bambii (Electronic Album of the Year Presented by Nissan), Crypotopsy (Metal/Hard Music Album of the Year), Amanda Marshall (Adult Contemporary Album of the Year), Kyle Brownrigg (Comedy Album of the Year Presented by SiriusXM Canada), Aqyila (Traditional R&B/Soul Recording of the Year), BLOND:ISH (Underground Dance Single of the Year), Joel Wood (Traditional Indigenous Artist Or Group of the Year)

Nova Scotia-born Feist took home her fourteenth JUNO Award, Adult Alternative Album of the Year Presented by Long & Mcquade Musical Instruments with fellow east coasters The Swinging Belles winning Children’s Album of the Year.

Five electric performances elevated the evening from 2024 Traditional R&B/Soul Recording of the Year Winner Aqyila, 2024 Adult Alternative Album of the Year Presented by Long & McQuade Musical Instruments nominee Begonia, Nova Scotian and 2024 Reggae Recording of the Year nominee Jah’Mila, multi-hyphenated creator Lili-Ann De Francesco and LU KALA, 2024 Single of the Year Presented by YouTube and Breakthrough Artist of the Year Presented by FACTOR, The Government of Canada and Canada’s Private Radio nominee.

The 2024 JUNO Opening Night Awards Presented by Music Canada are available to rewatch on-demand on CBC Gem or CBCMusic.ca/junos.

 

Toronto’s Arturo Rojas Strikes a Chord With “Te Diré” (Live) Release, a Journey of Emotion and Artistry

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In 2023, Toronto’s Arturo Rojas gifted our ears with great music with the release of the success “Te Diré” (Song of the Week on Toronto’s Voces Latinas CHHA 1610 AM), and his last release, “Entre Mi Fuego y Sangre”, a harmonious fusion of artistry and emotion.

Written by Rojas, his latest release is a personal artistic expression of positivity, after experiencing a near-death situation. “It made me wonder about life”, the singer shares. “What comes after we die? Where are we going after death? Is there a place waiting for us after we pass away? But in the end, we need to learn to give…”

Despite drawing inspiration from a challenging life moment, Rojas skillfully channels his emotions into a captivating ballad, effortlessly blending Latin, pop, and jazz influences.

After unveiling his debut album, Rojas engaged in a conversation with his producer and guitarist, Jimy Smallbach. Together, they made the decision to offer the world a glimpse into the band’s raw sound, akin to the atmosphere of live shows and rehearsals, before unveiling the full melody for uninterrupted enjoyment.

“I loved the idea. I wanted to catch the energy, the dynamic, and what comes out spontaneously from our hearts and instruments when we play live. To me, playing a show is a celebration of the musicians and the songs. It is so special to see and hear what the musicians bring into the song, and how they add their own sound, tone, and feeling”, unveils Arturo.
The Latin Rock musician, born in Peru and now based in Toronto, also emphasizes that sometimes a song on a record may feel “petrified,” but it springs back to life when performed for live fans and listeners.

In their pursuit of authenticity, Rojas and his band opted for the familiar surroundings of Ratspace Studios—a beloved rehearsal spot with a welcoming ambiance and excellent sound quality. With Robin Easton, a skilled sound engineer, at the helm, the recording process felt effortless and enjoyable, evoking a sense of comfort akin to being at home.

Choosing to present a live rendition of “Te Diré,” the group aimed to forge a deeper connection with their audience. The song’s unique blend of rock, pop, and bossa nova has captured the hearts of listeners, drawing them in with its mesmerizing rhythm.

Yet, beyond its musical appeal, “Te Diré” conveys a meaningful message—one of embracing human imperfection and extending forgiveness for past mistakes. “Its message of embracing our humanness and forgiving ourselves for our past mistakes had touched people’s hearts,” says Rojas.

This message has struck a chord with audiences, resonating deeply and prompting reflection. “I think we all wish we could make it up for our past failures and mistakes, that it’s important to learn from them, and that learning process makes us better human beings,” he completes.

‘Oh, si pudiera
Cambiar algunas escenas,
Como quisiera
Borrar aquellas escenas
Cuando no era yo el que actuaba
Y te hacía llorar

Pero no llores tanto,
Levántate
Te necesito para poder seguir
Recorrer cantando,
Seguir cantando(…)’

Translated into English:
“Oh if I could
Change some scenes,
How I wish I could
Delete those scenes
When I wasn’t myself
And I made you cry

“But don’t cry so much
Get up
I need you to be able to continue rolling
To go around singing,
Keep singing(…)”

Rooted in Spanish influences evident in the song’s entirety being sung in his native tongue, the track transcends mere cultural boundaries. Throughout, Rojas’s vocals occasionally take on a punk-infused edge, while the instrumental arrangement draws from a diverse range of genres including pop, folklore, jazz, and salsa.

Connect live with Arturo Rojas on the guitar and vocals, Alex Sarrín on the drums, Hugo Bravo on the percussion, Enderson Herencia on the bass, Jimmy Smallbach on the guitars (and production), and Pepe Céspedes on the keys.

Use Your Allusion: Funky Reference-Happy Rapper K.O. Strat Raises The Arcane On Debut Album ‘Glass Sandwich”

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Good hip-hop lives and dies on the cleverness of its wordplay. But when it comes to witty namechecks, rapper K.O. Strat is playing in a different league entirely. On his debut album, Glass Sandwich—and its spotlight track, “The Moleskine”—he’s dropping pop-cultural nods so deep they might have stumped even Dennis Miller in his prime.

A short but sweet peek into a restless creative mind, “The Moleskine” packs its 2-minute running time with references to The Legend of Sleepy Hollow, The Flintstones, Tekken, Metallica’s first album and the Space Shuttle Challenger. Even the title is an IP: It’s the brand name of the notebook in which Strat used to jot down his lyrical ideas and other bursts of inspiration.

“My close friend had gotten me a grossly overpriced but undeniably nice Moleskine notebook as a gift. If he hadn’t, the song might be called ‘The Hilroy,’” he muses.

All of those lyrical footnotes are in the service of an unabashedly boastful paean to the skill with which Strat hits on his ideas and brings them to the mic. As with most of his material, the aim of “The Moleskine” is to combine an almost free-associating stream of self-promotion with geekisms that are delivered with such flow and rhyming technique that you almost don’t notice how nerdy they are. “Sleight-of-hand rap,” he calls it.

On a musical level, the song basically qualifies as an extended callback of its own. It’s a breezy, finger-snapping little ditty with a sampled acoustic bassline and melodic layers that create what Strat calls “almost a cheat code to appeal to fans of A Tribe Called Quest, Digable Planets, and other early-’90s jazz-sample-heavy artists.”

A host of such pleasures await on the album proper, a self-produced compilation bookended by two new tracks but otherwise made up of singles the artist has released over the past 4 years. That was when this Thornhill, Ontario native—formerly a breakdancer and audio engineer—was still getting serious about making music of his own. Now that he’s entered what he’s calling Phase II of his career, the time seemed ripe to issue a musical refresher course that could sum up Phase I while clearing the decks for a deluge of new material he says is coming.

In the meantime, prepare to be dazzled and confounded by plenty of that aforementioned sleight of hand. Glass Sandwich is loaded with brain-teasing mentions, namedropping everything from Canadian rock band Max Webster, Cloris Leachman’s Frau Blücher character from the movie Young Frankenstein and blues great Howlin’ Wolf to professional wrestling, Italian horror movies, the Led Zeppelin concert flick The Song Remains The Same and what Strat calls “more things that only a limited number of people would understand – and how many of them would listen to hip-hop?

“One of the hallmarks of my music is that I don’t care in the slightest if someone understands what I’m talking about,” he shrugs.

Consider yourself one of the enlightened few if you recognize the album title as being inspired by a Primus song, and the cover art as a mashup of Frank Zappa’s Weasels Ripped My Flesh and the silent classic Nosferatu.

A product of Toronto’s Nekkrak hip-hop collective, Strat classifies his output as “wide-ranging hip hop music made by someone just being themself.” He says to expect more of the same but better in the wake of Glass Sandwich, promising even greater emphasis on the eclectic in everything from samples to style. And if you don’t catch all the references at first, don’t worry: That’s what Google is for.

Squalor My World: Punk Purists G.F.U. Toast Life Among The “Rats”

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It’s a proud tradition for punk bands to pay tribute to the absolute disaster area they live in. Fear did it with “I Love Livin’ in the City,” and Manitoba’s Wild Kingdom followed suit with “New York, New York.” To that list, add the York Region, Ontario, quartet G.F.U., who immortalize their life of filth on “Rats,” the latest track pulled from their 2023 four–song debut ep, Grand Slam.

Over a classic amphetamine rhythm and guitar riffs Cheetah Chrome might envy, the band peel off an anthem to a neighborhood where the garbage is piled as high as your knees and “the stink is rising high.” (It probably has something to do with those “fishbones in the trash can.”) And of course, there’s that titular infestation they chant about on the chorus, with all the nihilistic bravado of a young Black Flag:

Rats in the streets
We got rats in the streets

Bassist/vocalist Thomas “Tommy Boy” Miliband wrote the song about some living conditions he had to endure back when he was a member of a group called Tomcats. But a chance meeting at a rehearsal revealed the true destiny of the song—and of its author too. One room over from where Tomcats were woodshedding, guitarist/singer Matt “Mad Matty” Bergman was producing some tracks for the singer Jeremy “Jayboe” Cibirka. In the veritable wink of an eye, the latter two had conscripted Millband to form a new group with them—one they knew could deliver the authenticity they were missing in today’s punk.

Christening themselves G.F.U. (you get three guesses what the name stands for, one for each initial), they embarked on a frenzied burst of pandemic-era activity. They recorded Grand Slam at The Hive Studios in York Region, relying on the production expertise Bergman had built up working with the likes of the award-winning surf-punk band King Beez and the Grammy-nominated Green Jelly. He even played drums on the record, their first choice of Dan Felushko being initially unavailable. In their first year as a group, they not only released the record but played more than 60 live shows, including high-profile gigs with legends like Forgotten Rebels, Ripcordz, Chris Murray and Random Killing. (Friend of the band Billy Briggs filled in on drums until Felushko could finally take his rightful spot.)

G.F.U.’s high-impact playing style and novel three-vocalist format have since won them plenty of fans of their own, a rabid cult following that call themselves The Wrecking Crew. The band are proud of their combined weight of over 1,000 pounds and their collective height of more than 25 feet tall, which they feel give them the look of pro wrestlers working a side hustle. But they can show a sensitive side too, reveling in the diversity of having an Indigenous guitarist/producer and an autistic lead singer.

In spring 2024, the band is embarking on a big cross-Ontario tour that’ll include a March 23 appearance with Forgotten Rebels and Random Killing at Lee’s Palace in Toronto. Dates are as follows:

March 16: Newmarket – The Lion
March 17: Newmarket – The OV (covers show)
March 23: Toronto – Lee’s Palace
March 28: Hamilton – Casbah
April 5: Barrie – CW Coops
April 6: Meaford – Ted’s Diner
April 12: Toronto – Seescape
April 13: Newmarket – The OV (covers show)
April 19: Windsor – Villains
April 20: London – Palasad Socialbowl
April 27: Richmond Hill – Archibalds
May 3: Oshawa – Simcoe Restrobar
May 4: Guelph – Red Papaya
May 10: Waterloo – Dive Bar
May 11: Niagara Falls – Taps Brewery
May 24: Barrie – CW Coops
May 31: Newmarket – The Lion
June 1: Toronto – Bovine Sex Club
June 22: Barrie – CW Coops
June 29: Newmarket – The OV (covers show)

In the midst of all that live activity, G.F.U. will be releasing another three-song EP in April. And they promise that plenty more shows are coming in the summer and fall, including the second annual Punk Rock BBQ and the third annual West Queen West Punk Fest, both to be held in Toronto with some legendary bands TBA at the top of the bill. Knee-high garbage and fishbone stink for everybody!

Bif Naked Secures Prestigious Screen Award Nomination From The Academy Of Canadian Cinema & Television

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Bif Naked has garnered a coveted nomination for the prestigious Screen Award for Best Supporting Performance, Web Program or Series by The Academy of Canadian Cinema & Television. This esteemed recognition is in tribute to her outstanding portrayal in the captivating new CBC Gem original series, ‘I Hate People, People Hate Me’.

‘I Hate People, People Hate Me’ has picked up 4 Canadian Screen Award nominations.

Bif Naked’s unparalleled talent, dedication, and enduring impact continue to captivate audiences worldwide. As she embarks on this remarkable journey, the celebration of her illustrious career and the anticipation surrounding her latest accolades reach new heights.

Bif Naked, a dynamic force in music, TV, film, and dance, boasts a storied career as a multi-platinum and gold singer-songwriter. Celebrated and notorious in equal measure, her journey reads like a whirlwind—a gripping saga of resilience, rebellion, and unwavering advocacy.
Orphaned in India, she found solace and liberation in punk rock, her indomitable spirit only growing stronger through the trials that followed. Empowered by her triumph over

breast cancer, kidney failure, heart surgery, divorce, and the relentless challenges of navigating the cutthroat Entertainment Industry as a Woman, Bif emerges as an undeniable icon, her legacy marked by multi-platinum-selling records, best-selling books, and an irrepressible entrepreneurial spirit.

Yet, Bif’s impact extends far beyond her own success. As a mentor and manager, she generously imparts her wisdom to fellow artists, leaving an indelible mark on the creative landscape. A tireless advocate for animal rights and human rights alike, Bif stands as an unstoppable force, defying every obstacle in her path.

In a world where conformity reigns supreme, Bif Naked transcends expectations, emerging as one of the 21st Century’s most distinctive, recognizable, and cherished icons—a living testament to the enduring power of resilience, passion, and unwavering commitment.

As a trailblazing figure in the realms of music, television, film, and dance, Bif Naked stands poised at the pinnacle of her illustrious career marking a significant milestone, as she proudly commemorates the 25th Anniversary of her multi-platinum album, “I, Bificus XXXV,” released under her private label, HerRoyalMajestys.com, in Canada.