Huey Lewis talks about the new musical based on his body of work “The Heart of Rock & Roll” opening on Broadway, being part of the new Netflix documentary “The Greatest Night in Pop” about the making of We Are the World, being informed at the last minute about having to sing a solo, never recording a song that Bob Dylan wrote specifically for him and sent to him, what made him start playing harmonica, and his music inspirations.
Verve/UMe’s Audiophile Vinyl Reissue Series ‘Acoustic Sounds’ To Feature Billie Holiday, Chet Baker, Diana Krall and Much More
Since launching in 2020, Verve/UMe’s Acoustic Sounds series has delivered best-in-class, all-analog, audiophile-grade pressings of some of the most legendary jazz records from their extensive and eclectic catalog, each mastered from the original tapes and produced with the utmost care. The slate of releases for 2024 is no exception, with a slew of classic records from the likes of Ben Webster, Billie Holiday, Chet Baker, Diana Krall, Ella Fitzgerald, Nina Simone, Sonny Rollins, Stan Getz & Bill Evans and many more. The full release schedule is below.
As with all Acoustic Sounds series titles, the LPs will be mastered from the original analog tapes pressed on 180-gram vinyl, and packaged in high-quality tip-on gatefold jackets, replicating the original packaging. The majority of the albums will be mastered by Ryan K. Smith at Sterling Sound while Bernie Grundman at Bernie Grundman Mastering will master the Diana Krall titles and a number of others. As always, all releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world’s largest source for audiophile recordings, and will utilize the unsurpassed production craft of Quality Record Pressings.
Throughout the year, the Acoustic Sounds series will feature one to three new releases monthly from the Verve Label Group’s vaunted catalog, including records originally released on Verve, Impulse!, Philips, EmArcy and Limelight. The 2024 series kicked off in January with Ben Webster’s mighty 1957 Norman Granz-produced album, Soulville, featuring the great tenor saxophonist at his peak leading a stellar combo of Oscar Peterson on piano, Ray Brown on bass, Herb Ellis on guitar and Stan Levey on drums through a program of mostly vintage pop tunes, including inspired takes on “Where Are You?” and “Makin’ Whoopee,” and his sublime original title number. Soulville is quintessential Webster: intimate, tender and endlessly expressive. Several additional Webster albums will be released throughout the year including two acclaimed 1960 platters, Gerry Mulligan Meets Ben Webster (July 26) and Ben Webster Meets Oscar Peterson (November 1), and 1964’s See You At The Fair (November 15).
Stan Getz’s and Bill Evans’ one and only studio collaboration, recorded in 1964 but not released until 1973 as the understatedly titled Previously Unreleased Recordings, was released February 23. Evans and Getz are about as close as musicians can get in terms of artistry, musical philosophy and technique and these sessions, recorded in 1964 with drummer Elvin Jones and bassists Ron Carter (day one, side one) and Richard Davis (day two, side two), are a perfect blending of their strong individual styles and collaborative sensibilities—with both artists at the peak of their creative powers. Despite the more than compelling results, it’s likely this album was shelved after Getz soared to global popularity on the bossa nova wave fueled by his monumental Getz/Gilberto album released earlier that same year as this is a departure from the smooth samba jazz he helped pioneer.
Ella Fitzgerald’s 1961 album, Clap Hands, Here Comes Charlie!, will arrive March 29th and follows several other of her albums that have received the Acoustic Sounds treatment. In contrast to her classic Songbook albums for Verve, this LP captures the essence of Fitzgerald as most people got to see her live—with a swinging quartet. The program is made up mostly of repertoire from the Swing and early Bebop periods with Fitzgerald mixing soulful ballads and hard-driving swingers.
April 26th will see the release of baritone saxophonist Gerry Mulligan’s 1963 soothing nocturnal delight, Night Lights, with Kenny Burrell’s 1965 Grammy-nominated jazz-guitar, Gil Evans-arranged and conducted classic, Guitar Forms, May 10th. Duke Ellington & Johnny Hodges’ swinging and sumptuous 1959 instrumental sojourn, Back To Back: Duke Ellington and Johnny Hodges Play The Blues, releases May 24th.
As part of the Acoustic Sounds series, three of Diana Krall’s most beloved albums will be reissued on vinyl throughout the year, with the first, her dazzling Grammy-winning 2001 album, The Look of Love, to bow May 31st. The record boasts such standouts as “S’ Wonderful,” “Cry Me A River,” and her bewitching take on the Burt Bacharach-penned title track. Krall’s 1999 album, When I Look In Your Eyes, will follow July 5th with her 1996 LP, All For You: A Dedication To The Nat King Cole Trio, to come September 27th. The two-time Grammy-winning album, which was also nominated for Album of the Year, When I Look In Your Eyes, features Krall and her excellent ensemble performing a sultry set of updated standards, including highlights like “Let’s Fall In Love,” “I’ve Got You Under My Skin” and “Let’s Face The Music and Dance.” All For You: A Dedication To The Nat King Cole Trio is a superb salute to the mighty Nat King Cole Trio with Krall putting her unique spin on 12 of Cole’s classic cuts like “Frim Fram Sauce,” “Boulevard of Broken Dreams,” “You Call It Madness” and “Hit That Jive Jack.” The albums will be mastered by Bernie Grundman from the original tapes and pressed on 2LP black vinyl.
The second half of the year will include Billie Holiday’s timeless 1957 album, Body and Soul, June 14th, a second Johnny Hodges record in 1958’s beautiful and brokenhearted Blues A-Plenty June 28th, Sonny Stitt’s excellent 1960 bop and blues outing, Blows The Blues, July 12th and Gerry Mulligan and Ben Webster’s 1960 astonishing yet understated Gerry Mulligan Meets Ben Webster July 26th. Sonny Rollin’s 1967 free jazz experimentation of East Broadway Run Down will hit August 16th with Stan Getz’s 1967 superlative and soulful Sweet Rain August 30th.
The fall slate of releases will kick off with two of jazz’s most important and influential women: Nina Simone, and her immortal 1964 live album, In Concert, September 6th, and Sarah Vaughan, with her sensational 1956 LP, Sassy, September 20th. Chet Baker’s exquisite 1965 showcase of Billie Holiday tunes, Baker’s Holiday will debut October 11th followed by Mel Tormé’s 1958 Verve debut, Tormé, October 25th. The series will culminate with a pair of releases each from Ben Webster and Jimmy Smith, with Webster’s 1960 standout, Ben Webster Meets Oscar Peterson, November 1st and his final American recording, 1964’s See You At The Fair, November 15th, and Smith’s 1964 joyful, Hammond B3-filled The Cat December 6th and 1972’s vital live album, Root Down, December 13th.
The Acoustic Sounds series has been celebrated by music fans and the press alike for exceeding expectations. Of the Nina Simone LPs, vinyl authority Analog Planet exclaimed, “The sound of both of these records is the best that’s been produced from these tapes and both records are well worth owning.” Paste meanwhile declared, “the mastering engineers at AS have achieved some astonishing results. The Armstrong/Peterson collaboration is spotless, with a presence that makes it feel like drummer Louis Bellson is playing in the same room, and a clarity that lets little details and noises from these 60+ year old sessions float to the surface. The groundbreaking collaboration between saxophonist Stan Getz and Brazilian guitarist/vocalist João Gilberto is perhaps even better. The spell that this album of cool bossa nova casts feels as heady and intoxicating as ever, with guest vocalist Astrud Gilberto popping up throughout to curl around every note like a rich green vine. These are, without question, the definitive pressings of these albums.” Of the Cannonball Adderley Quintet’s In Chicago reissue, Paste remarked, ‘this album sounds as alive as it did nearly 70 years ago,” adding, “it’s just as wonderful to hear in crystalline clarity, thanks to the work of engineer Ryan Smith, just how the rhythm section reacts in turn. Pianist Wynton Kelly shines perhaps the brightest only due to his melodic attack and smooth right hand.”
ACOUSTIC SOUNDS RELEASE SCHEDULE
January 26 – Ben Webster – Soulville (Verve, 1957)
February 23 – Stan Getz & Bill Evans – Previously Unreleased Recordings (Verve, 1973)
March 29 – Ella Fitzgerald – Clap Hands, Here Comes Charlie! (Verve, 1961)
April 26 – Gerry Mulligan – Night Lights (Philips, 1963)
May 10 – Kenny Burrell – Guitar Forms (Verve, 1965)
May 24 – Duke Ellington & Johnny Hodges – Back to Back: Duke Ellington and Johnny Hodges Play The Blues (Verve, 1959)
May 31 – Diana Krall – The Look of Love (Verve, 2001)
June 14 – Billie Holiday – Body and Soul (Verve, 1957)
June 28 – Johnny Hodges – Blues A Plenty (Verve, 1958)
July 5 – Diana Krall – When I Look In Your Eyes (Verve, 1999)
July 12 – Sonny Stitt – Blows The Blues (Verve, 1960)
July 26 – Gerry Mulligan & Ben Webster – Gerry Mulligan Meets Ben Webster (Verve, 1960)
August 16 – Sonny Rollins – East Broadway Run Down (Impulse, 1967)
August 30 – Stan Getz – Sweet Rain (Verve, 1967)
September 6 – Nina Simone – In Concert (Philips, 1964)
September 20 – Sarah Vaughan – Sassy (EmArcy, 1956)
September 27 – Diana Krall – All For You: A Dedication To The Nat King Cole Trio (Impulse!, 1996)
October 11 – Chet Baker – Baker’s Holiday (Limelight, 1965)
October 25 – Mel Tormé – Tormé (Verve, 1958)
November 1 – Ben Webster – Ben Webster Meets Oscar Peterson (Verve, 1960)
November 15 – Ben Webster – See You At The Fair (Impulse, 1964)
December 6 – Jimmy Smith – The Cat (Verve, 1964)
December 13 – Jimmy Smith – Root Down (Verve, 1972)
My Next Read: “How to Disappear: A Portrait of Radiohead” By Colin Greenwood
A collection of never-before-seen photographs of RADIOHEAD by their bassist Colin Greenwood, with a ten-thousand-word essay by him about the band that has been his life since they formed at school.
‘For years now, I’ve been taking fugitive snaps of my band, Radiohead. I’ve tried to catch out my friends with my small black Yashica T4 Super. They are so lost in their own moment of performance that they don’t see me with the camera.’ Colin Greenwood
How to Disappear is bassist Colin Greenwood’s stunning portrait of Radiohead in his own photographs. Two decades in the making, he takes us on a journey into the heart of the 21st-century’s most influential band, a maverick collective who have vastly broadened our musical landscape while they dominate and distort it. On stage, backstage, in the rehearsal room, behind the scenes, on tour, at work and at play, Colin’s photographs, and the stories and memories they evoke for him in his accompanying text, form an intimate portrait of the musical and cultural iconoclasts as they travel through ‘our middle years: all the joy and doubt and confidence and uncertainty we would oscillate between’.
Colin Greenwood is from Oxford and has played bass in Radiohead since their formation in 1985. He’s also recorded and toured with Tamino, Nick Cave and Warren Ellis and has written for publications including the Guardian and the Spectator.
Please can you advise as to likely order requirement for the special ed? This will be firm sale as usual for specials, but should look terrific and be a must for big Radiohead fanatics everywhere!
Genesis’ ‘Turn It On Again: The Hits’ To Be Released On Vinyl For The First Time
To celebrate the 25th anniversary of its original release in October 1999, Genesis’ multi-platinum selling ‘Turn It On Again: The Hits’ is being made available on vinyl for the first time.
To be released on May 3, it will come as a double-LP set on black vinyl, a special edition double LP set in “Invisible Touch” clear vinyl available exclusively through here, as well as on CD. The album contains 18 tracks that span the band’s whole career. From their earliest period with tracks such as ‘I Know What I Like (In Your Wardrobe)’ and a version of ‘The Carpet Crawlers’ on to their early 80’s global smash hits such as ‘Turn It On Again’ and ‘Mama’ and their massive hits later that decade and into early nineties with ‘Invisible Touch’ and ‘I Can’t Dance’.
The album’s artwork remains loyal to the original with the lettering of GENESIS pulled from various album covers of the band and the iconic ‘I Can’t Dance’ silhouette of Tony Banks, Phil Collins and Mike Rutherford taken from the song’s video.
All formats are available to pre-order now from here. The special edition double LP set in “Invisible Touch” clear vinyl is available exclusively through here.
For more than a half-century, Rock and Roll Hall of Famers Genesis have defied the odds, rising to become one of the world’s best-selling bands, amid personnel shake-ups, shifting styles, and changing times. Formed in 1967 by four classmates in Surrey, England (vocalist Peter Gabriel, keyboardist Tony Banks, lead guitarist Anthony Phillips, and bassist/rhythm guitarist Mike Rutherford), Genesis established themselves as one of prog-rock’s most innovative acts. The band developed their sound with 1970’s Trespass and solidified their line-up with drummer/backing vocalist Phil Collins and guitarist Steve Hackett, going on to release critically-acclaimed albums like Selling England by the Pound (1973), and The Lamb Lies Down on Broadway (1974). With the departure of Gabriel in 1975, drummer Phil Collins took over as frontman, leading the group into an era of unprecedented success, beginning with 1976’s A Trick of the Tail and Wind & the Wuthering. By the turn of the decade, Genesis had transformed into a tightly-knit trio, embracing a pop aesthetic with the albums …And Then There Were Three…(1978) and Duke (1980), as well as in hits like “Follow You Follow Me” and “Misunderstanding.”
The ‘80s found each band member embarking on successful solo careers – a fact that only solidified their collective songwriting prowess. With their expansive, synth-based hooks and reverb-heavy drums, Genesis set the tone for the decade, dominating global charts with Abacab (1981), Genesis (1983), and Invisible Touch (1986), and conquering the Billboard charts with a string of hits, including “That’s All,” “Tonight, Tonight, Tonight,” “Land of Confusion” and the US No.1, “Invisible Touch.” In 1991, We Can’t Dance (featuring “No Son of Mine,” “Hold on My Heart,” and the GRAMMY®-nominated “I Can’t Dance”) marked Collins’ final studio album with the band. While Banks and Rutherford announced the band’s retirement from the stage and studio in 2000, all three members continued to reunite sporadically – most recently for 2021’s The Last Domino? Tour.
Today, Genesis’ generation-spanning catalogue includes 15 studio albums, six live LPs, and dozens of charting singles. In addition to their 2010 induction into the Rock and Roll Hall of Fame, the band has received a coveted Ivor Novello Award, a GRAMMY, an American Music Award, and the inaugural Lifetime Achievement Award at Britain’s Progressive Music Awards.
Turn It On Again: The Hits – Tracklist
2-LP
Side A
“Turn It On Again”
“Invisible Touch”
“Mama”
“Land of Confusion”
“I Can’t Dance”
Side B
“Follow You Follow Me”
“Hold On My Heart”
“Abacab”
“I Know What I Like (In Your Wardrobe)”
Side C
“No Son of Mine”
“Tonight, Tonight, Tonight”
“In Too Deep”
“Congo”
Side D
“Jesus He Knows Me”
“That’s All”
“Misunderstanding”
“Throwing It All Away”
“The Carpet Crawlers 1999”
CD
“Turn It On Again”
“Invisible Touch”
“Mama”
“Land of Confusion”
“I Can’t Dance”
“Follow You Follow Me”
“Hold On my Heart”
“Abacab”
“I Know What I Like (In Your Wardrobe)”
“No Son of Mine”
“Tonight, Tonight, Tonight”
“In Too Deep”
“Congo”
“Jesus He Knows Me”
“That’s All”
“Misunderstanding”
“Throwing It All Away”
“The Carpet Crawlers 1999”
David Bowie’s “Rock ‘n’ Roll Star!” Box Coming In June
Parlophone Records proudly announces DAVID BOWIE ROCK ‘N’ ROLL STAR!, a 5CD and 1 Blu-Ray Audio set that explores David Bowie’s journey from February 1971 through the creation of the Ziggy Stardust character, the recording of the iconic THE RISE AND FALL OF ZIGGY STARDUST AND THE SPIDERS FROM MARS album, and captures the international mania that surrounded the Ziggy phenomenon in the form of UK radio sessions and TV performances, as well as live tracks from Ziggy and the Spiders’ 1st October 1972 show at the Boston Music Hall.
ROCK ‘N’ ROLL STAR!, containing 29 unreleased tracks, covers early songwriting demos, recordings from David’s studio creation, The Arnold Corns, rehearsals at Bowie’s then-home, Haddon Hall, BBC sessions, singles, live performances, plus outtakes and alternative versions from the original album recording sessions, which have been newly mixed by original album producer, Ken Scott.
Unreleased highlights include an alternative version of ‘Lady Stardust’, a version of the deep-cut classic ‘Shadow Man’ and an up-tempo take of The Who’s ‘I Can’t Explain’, which he would later slow down and cover for the PIN UPS album.
The audio-only Blu-Ray disc features the definitive 2012 remaster of the original Ziggy Stardust album in 96kHz/24bit PCM stereo, plus the album and additional mixes from 2003 in DTS-HD Master Audio 5.1 as well as the singles, outtakes and alternative versions in 96kHz/24 bit PCM stereo.
The Blu-Ray also includes a version of the ZIGGY STARDUST album called WAITING IN THE SKY (BEFORE THE STARMAN CAME TO EARTH) taken from Trident Studio tapes dated 15th December 1971, which features an alternative running order and four songs that didn’t make the final album. This will also be available as a limited vinyl LP on 20th April, 2024 for Record Store Day. In addition, there is a 1-LP version of ROCK ‘N’ ROLL STAR! compiling the alternative takes and mixes.
ROCK ‘N’ ROLL STAR! also contains two books. The first is an extensive 112-page book with detailed liner notes, memorabilia, contemporary reviews and articles, rare photographs from Barrie Wentzel, Michael Putland, Mick Rock, Sukita and Alec Byrne, as well as brand-new notes and interviews with Ken Scott, Mark Carr Pritchett and David’s plugger from the time, Anya Wilson. Accompanying the main book is a 36-page compiled reproduction of David’s personal Ziggy Stardust era notebooks.
The first track taken from ROCK ‘N’ ROLL STAR! is ‘ZIGGY STARDUST’ (DEMO)’ recorded by Bowie on vocal and acoustic guitar in 1971 at Haddon Hall in Beckenham.
David Bowie Rock ‘n’ Roll Star! Tracklist
Disc 1
So Long 60s (San Francisco Hotel recording) *
Hang On To Yourself (early demo) *
Lady Stardust (demo)
Ziggy Stardust (demo)
Star (Aka Stars) (demo) *
Soul Love (demo and DB spoken notes) *
Starman (demo 1 excerpt) *
Starman (demo 2) *
Moonage Daydream (The Arnold Corns version)
Hang On To Yourself (The Arnold Corns version)
Looking For A Friend (The Arnold Corns version – rough mix) *
Haddon Hall Rehearsals Segue: Ziggy Stardust / Holy Holy / Soul Love *
Star (Aka Stars) (Haddon Hall rehearsal) *
Sweet Head (Haddon Hall rehearsal) *
Disc 2
Sounds Of The 70s: John Peel
Session recorded on 11th January, 1972 and broadcast on 28th January, 1972
Ziggy Stardust *
Queen Bitch *
Waiting For The Man *
Lady Stardust *
Sounds Of The 70s: Bob Harris
Session recorded on 18th January, 1972 and broadcast on 7th February, 1972
Hang On To Yourself
Ziggy Stardust
Queen Bitch
Waiting For The Man
Five Years
Old Grey Whistle Test Performance
Filmed on 7th February, 1972 and broadcast on 8th February, 1972
except ‘Oh! You Pretty Things’ which was not broadcast until 1982.
Oh! You Pretty Things (take 1)
Queen Bitch
Five Years
Disc 3
Sounds Of The 70s: John Peel
Session recorded on 16th May, 1972 and broadcast on 23rd May, 1972
White Light/White Heat
Moonage Daydream
Hang On To Yourself
Suffragette City
Ziggy Stardust
Johnnie Walker Lunchtime Show
Session recorded on 22nd May, 1972 and broadcast from 5th – 9th June, 1972
Starman
Space Oddity
Changes
Oh! You Pretty Things
Sounds Of The 70s: Bob Harris
Session recorded on 23rd May, 1972 and broadcast On 19th June, 1972
Andy Warhol
Lady Stardust
White Light/White Heat
Rock ‘N’ Roll Suicide
Top Of The Pops Performance
Filmed on 5th July, 1972 and broadcast on 6th July, 1972
Starman
Disc 4
Round And Round
The Supermen (Ziggy session version)
Holy Holy (Ziggy session version)
Velvet Goldmine (Ziggy session outtake)
Starman (original single mix)
John, I’m Only Dancing (original single version)
Recorded Live At The Music Hall, Boston
Recorded on 1st October, 1972
The Supermen
Changes
Life On Mars?
My Death *
John, I’m Only Dancing
Disc 5
Looking For A Friend (The Arnold Corns version 2022 mix) *
Hang On To Yourself (early Ziggy session take) *
Star (take 5 alternative version) *
Lady Stardust (take 1 alternative version) *
Shadow Man (Ziggy session version) *
The Supermen (Ziggy session version 2023 Mix) *
Holy Holy (Ziggy session version alternative mix) *
Round And Round (alternative mix)
It’s Gonna Rain Again (Ziggy session outtake) *
Looking For A Friend (Ziggy session version) *
Velvet Goldmine (Ziggy sessions outtake 2022 mix) *
Sweet Head (Ziggy sessions outtake 2022 mix) *
Starman (Top Of The Pops version 2022 mix)
John, I’m Only Dancing (alternative Trident Studios version) *
I Can’t Explain (Trident Studios version) *
Bonus Mix
Moonage Daydream (2003 instrumental mix)
*Previously Unreleased
Blu Ray Audio
The Rise And Fall Of Ziggy Stardust And The Spiders From Mars
Original album mix (96khz/24bit Stereo)
The Rise And Fall Of Ziggy Stardust And The Spiders From Mars And Extras
2003 5.1 Mixes (DTS-HD Master Audio 5.1 – 96khz/24bit)
Waiting In The Sky (Before The Starman Came To Earth)
Early Ziggy Stardust album tracklisting – December 1971 (96khz/24bit PCM stereo)
The Singles
(96khz/24bit PCM stereo)
Outtakes And Alternative Versions
(96khz/24bit PCM stereo)
The Biggest Takeaways From Spotify’s Annual Music Economics Report – More Money Given To More Artists
Spotify believes that artists deserve clarity when it comes to the economics of music streaming—that’s why they publish data showing our impact on the industry every year. That information lives on Loud & Clear, our resource for artists and industry professionals that breaks down the global streaming economy, the players, and the process.
Today, they unveiled new and updated information and data on Loud & Clear, including figures from 2023 that show further meaningful progress toward a more diverse and level music industry. The big picture? Streaming has continued to create more room for more artists to find success, demonstrating real change across the business.
The latest data shows that the industry is less top-heavy than ever, with more artists having a true seat at the table and the ability to make money from their art. Last year Spotify raised the bar, recording the highest annual payment to the music industry from any single retailer. And for the first year ever, the catalog of DIY artists and artists signed to independent record labels accounted for about half of what the entire industry generated on Spotify in 2023.
Here are the highlights from our annual music economics report.
Spotify’s Record Payouts
These payouts have resulted in record revenues and growth for rights holders on behalf of artists and songwriters.
More Money at Every Level
Spotify royalties are powering artists’ careers at all stages. And these figures only represent revenue generated from Spotify. Artists likely generated 4x this revenue from recorded music sources overall, plus additional revenue from concert tickets and merch.
A Record Year for Indies 
In fact, this is the highest amount indies have ever generated from a single retailer in one year and represents a 4x increase since 2017.
The Unexpected Millionaires
In the streaming era, the charts aren’t big enough to showcase all the artists who are finding success. Fans’ tastes are more diverse, and a bigger royalty pool means more revenue for a wider range of artists.
Artist Career Growth
For more of our top findings, as well as context from the industry at large, additional reports, and FAQs, head to Loud & Clear.
Sustainable Style: Eco-Friendly Print on Demand Choices
By Mitch Rice
In today’s world, where the environmental impact of industries is a growing concern, sustainable practices are no longer just a trend but a necessity. When it comes to the fashion industry, finding eco-friendly options becomes even more crucial due to its significant contribution to pollution and waste. One approach that has gained popularity in recent years is print on demand (POD), which allows for personalized products without excessive inventory.
In this blog, we will explore the concept of sustainable style and highlight the advantages of choosing green on demand printing services for businesses and individuals alike.
The Importance of Sustainable Style
Fashion has long been associated with overconsumption, wasteful practices, and questionable working conditions. However, the rise of sustainable fashion brands has slowly been changing this perception. Sustainable style focuses on clothing that considers the environment, as well as labor and social aspects in its production.
By embracing sustainable style choices, businesses can align themselves with consumers’ increasing demand for socially responsible products. Furthermore, practicing sustainability offers a chance to reduce waste and work towards a better future for our planet.
Print on Demand: An Eco-Friendly Alternative
Print on demand (POD) offers an ethical alternative to traditional manufacturing processes in the fashion industry. With POD, items like clothing and accessories are only produced after customers have purchased them. This eliminates the excessive production of garments that may never be sold or discarded due to changes in trends or customer preferences.
1. Elevated Sustainability
One major advantage of print on demand is that it significantly reduces textile waste. Traditional manufacturing often leads to overproduction, where excess inventory ends up unused and eventually discarded. By minimizing premature garment creation through POD practices, businesses help mitigate their ecological footprint by only creating what’s demanded.
2. A Greener Supply Chain
The traditional fashion supply chain involves multiple stages from sourcing raw materials to manufacturing and distribution – each with environmental impacts. In contrast, print on demand companies typically employ shorter supply chains. By eliminating the need for massive stock inventories and storage facilities, they minimize both packaging and transport-related emissions.
3. Consumer-Centric Approach
Another advantage of print on demand is its customer-centric approach. With POD platforms, customers can choose from a variety of designs and styles. This flexibility promotes responsible consumption because clothes are produced only when they are needed. Customers feel more engaged in the production process by selecting items that truly resonate with their individual tastes, leading to reduced impulse buys and overall waste.
4. Eco-Friendly Inks and Materials
Responsible print on demand companies implement eco-friendly practices by using non-toxic, water-based inks that meet stringent environmental standards. Additionally, alternative materials like organically sourced textiles or recycled materials are preferred.
Choosing the Right Print on Demand Provider
When opting for a print on demand service, it is essential to select a provider that shares your commitment to sustainable practices. Consider the following factors before making your choice:
- Print Quality: Ensure that the company offers high-quality printing capabilities on various surfaces, such as clothing, accessories, or home decor items.
- Sustainable Materials: Look for companies that prioritize organic or recycled materials in their product offerings.
- Green Certifications: Check if the platform or provider holds any sustainability certifications or adheres to recognized industry standards.
- Eco-friendly Packaging: Find out how the company manages packaging and whether they use recyclable or biodegradable materials whenever possible.
- Volume Flexibility: Assess if the provider allows you to start small, catering to individual needs rather than forcing bulk orders upon customers.
Conclusion
As fashion evolves towards sustainability, choosing eco-friendly options like print on demand becomes instrumental not only for businesses but also for individuals seeking personalized products responsibly. Through POD services’ reduced textile waste, greener supply chains, customer-centric approaches, and conscious material choices, we have an opportunity to transform the fashion industry into a beacon of sustainable style.
By carefully selecting a print on demand provider that aligns with these principles, we can all contribute to making our planet healthier and more fashionable, one eco-friendly print at a time.
Data and information are provided for informational purposes only, and are not intended for investment or other purposes.
4 Ideas to Create Your Ideal Outdoor Kitchen
By Mitch Rice
Having an outdoor kitchen is a dream many people share, and the good news is it can be your reality for far less money than you think. Outdoor kitchens are fully customizable and modular units make it possible to pick and choose what you want so you’re never stuck buying something you won’t use.
If you want to crunch the numbers to get an idea of what you’d spend, RTA Outdoor Living published an article that breaks down the various costs associated with different types of outdoor kitchens based on whether you want to hire a contractor or install a premade unit.
Once you’ve decided to get an outdoor kitchen, you’ll need to figure out what components you want and what design style you prefer for your outdoor space.
Here are some ideas to get started.
- Safety first – keep it outside
It’s very tempting to enclose an outdoor kitchen inside a room or a fully enclosed gazebo, but that could be asking for trouble in case of a fire. Outdoor kitchens require a large amount of ventilation and the more you enclose them, the less ventilation you get. That means heat will stay trapped inside the room and if it gets hot enough to start a fire, you could be in trouble.
The best way to design your outdoor kitchen is to keep it outside in the open air. It’s perfectly okay to cover your kitchen with a gazebo that has at least one or two open walls to keep it dry and shaded. As long as you have some airflow and your grills aren’t touching flammable materials like wood or cloth, that’s what matters.
- Use an outdoor kitchen as an extension of your main kitchen
Thousands of people opt for remodeling their kitchen every year simply because it doesn’t meet their needs. It’s hard to find the perfect home as-is, and it’s normal to settle for a kitchen that isn’t ideal. However, it’s only a matter of time before you start running out of space or get frustrated with the layout when you have guests over or try to host meals on holidays.
If that’s how you feel, getting a small outdoor kitchen would be a great way to extend your main kitchen. If you’re like most people, you might want a kitchen island big enough to also serve as a dining table, and that’s easy with an outdoor kitchen.
Maybe you don’t want a full-size outdoor kitchen and just want to be able to accommodate extra people for holidays and get-togethers. Then all you need is perhaps a grill and an island outside. Combined with a comfortable patio table and chairs, your guests will feel well taken care of at your next gathering.
- Don’t forget the ice machine
Ice is usually consumed as much (or more) than actual food during barbecues and cookouts. People love ice in their soft drinks, water, iced tea, lemonade, and cocktails. The first time you host a party with your new outdoor kitchen, you’ll be thankful you opted for the ice machine.
You can buy party ice from the grocery store, but there’s no guarantee it will be in stock. Plus, you’ll need a place to put it where it won’t melt. That can be tricky unless you have a spare, empty freezer lying around. The convenient solution is to get an ice maker for your outdoor kitchen. They’re easy to use, and it will blend right in with all your other appliances. You can still buy extra ice just in case you run out, but you won’t ever have to rush to the store at the last minute because you forgot to get ice for your party.
- Get the appliances you really want
Forget about the cost for a minute. Think about what appliances you really want to have in your outdoor kitchen. If you’re going to spend the money anyway, you may as well get what you want. Don’t waste your time and energy creating an outdoor kitchen you’ll only be slightly excited to use. Go all out and splurge to get exactly what you want. You’ll use it more and it will make you happier!
Make your backyard an amazing space
Spending time in your backyard should be fun. With an outdoor kitchen, you’ll have a cozy space for enjoying home-cooked meals with friends and family, whether it’s a holiday or for no reason other than you just want to spend quality time with people you love.
Data and information are provided for informational purposes only, and are not intended for investment or other purposes.
Understanding How Live Casinos in Singapore Work: A Complete Guide
By Mitch Rice
Playing with a Live dealer in Singapore’s online casinos can be both exciting and immersive. Individuals who have a thing for traditional casinos really enjoy playing in these Live dealer casinos. However, to win big, it is important to understand the workings of live casinos.
These platforms deliver an authentic gaming atmosphere by live-streaming gameplay from dedicated studios, complete with professional dealers and interactive features. Players engage with dealers and fellow gamers through chat interfaces, fostering social connections.
The transparency and reliability inherent in live casinos, coupled with their convenience and accessibility, make them a compelling choice for those seeking an immersive and interactive gambling experience. So, without any delay, let us know more about Live Casinos, their working mechanisms, and other relevant information.
What are Live Casinos?
Live casinos are a unique combination of traditional land-based casinos and online gambling platforms, providing an engaging and interactive gaming experience. Unlike standard online casinos, where players interact with computer-generated games that are controlled by algorithms, live casinos feature real-life dealers who operate table games in real time.
This is made possible through advanced streaming technology that enables players to participate from a remote location while still enjoying the atmosphere and thrill of a physical casino.
Live casinos are powered by carefully trained dealers who run games like blackjack, roulette, baccarat, and poker. These dealers work from specially designed studios that offer the same atmosphere as land-based casinos. Using high-definition video streaming technology, players can witness the dealer’s actions and communicate with them through a chat interface. This interaction contributes to the social aspect of online gambling, creating a connection between the virtual and physical worlds.
Live casinos provide a greater level of transparency and trustworthiness compared to typical online casinos. This is because players can observe every card shuffle, wheel spin, or dice roll in real time. This transparency enhances the authenticity and fairness of the gaming experience, making players feel more secure about the games’ integrity.
How Do Live Casinos Work In Singapore?
Live Casinos in Singapore work similarly to traditional online casinos. Let us segregate each step and understand them one by one.
- Setting Up the Studio: Live casinos have dedicated studio spaces equipped with gaming tables, professional dealers, and high-definition cameras. These studios are designed to replicate the ambiance of a physical casino.
- Connecting Players: Players access the live casino games through an online platform provided by the casino operator. They log in to their accounts and choose from a selection of live games available.
- Live Streaming: Once players select a game, the live stream from the studio begins. Multiple cameras capture different angles of the gaming table and the dealer, ensuring players have a clear view of the action.
- Placing Bets: Players use the interface provided by the live casino to place their bets. They can select their desired chip value and place bets on various outcomes depending on the game being played.
- Interacting with the Dealer: Players can interact with the dealer in real-time through a chat interface. They can ask questions, make comments, or engage in casual conversation, enhancing the social aspect of the gaming experience.
- Gameplay: The dealer conducts the game according to the rules of the particular game being played. For example, in blackjack, the dealer deals cards to the players and themselves, while in roulette, they spin the wheel and announce the winning number.
- Outcome: The outcome of the game is determined then and there. For games like blackjack and roulette, the outcome depends on the cards dealt or the position of the ball on the roulette wheel. Players are informed of the results through the live stream.
- Payouts and Winnings: If players win, their winnings are automatically credited to their accounts. The amount won depends on the bets placed and the outcome of the game.
Benefits of Live Casinos
Live casinos provide players with an immersive and interactive gambling experience. From real-time gameplay to professional dealers, live casinos offer a range of benefits that set them apart from standard online casinos.
- Authentic Casino Atmosphere:
One of the primary benefits of live casinos is the authentic casino atmosphere they provide. With professionally trained dealers operating real gaming tables in studio settings designed to replicate the ambiance of a physical casino, players can enjoy the thrill of gambling from the comfort of their own homes.
- Real-Time Interaction:
Live casinos offer players the opportunity to interact with dealers and fellow participants. Through chat interfaces, players can ask questions, make comments, and engage in casual conversation, enhancing the social aspect of the gaming experience.
- Transparency and Trust:
Unlike standard online casinos where gameplay is controlled by algorithms, live casinos offer transparency and trust by allowing players to witness every card shuffle, wheel spin, or dice roll in real-time. This transparency contributes to the authenticity and fairness of the gaming experience, reassuring players of the integrity of the games.
- Convenience and Accessibility:
Live casinos provide players with the convenience and accessibility of online gambling, allowing them to enjoy their favorite casino games without the need to travel to a physical casino. With games available 24/7 and accessible from desktop and mobile devices, live casinos offer flexibility for players to indulge in their gaming preferences whenever and wherever they choose.
Final Words: How Live Casinos Work
In conclusion, understanding the inner workings of live casinos sheds light on their captivating blend of traditional casinos and cutting-edge online technology.
These casinos are operated in a studio that has various cameras to capture each and every move of the Live dealer while the game is on. Players can easily choose their favorite game to play with the live dealer and also interact with fellow players.
Furthermore, players can select their chip value and bet accordingly. The convenience and accessibility of these platforms make them an attractive choice for gaming enthusiasts looking to indulge in their favorite pastime from the comfort of their homes.
Data and information are provided for informational purposes only, and are not intended for investment or other purposes.
The importance of quality effects on videos and how to make them
By Mitch Rice
The diversity of content in any social network is achieved not only by the topics of the videos that the blogger shoots, but also by the presence of entertaining videos with different splices and effects. To develop in TikTok, you need to create as diverse videos as possible and make quality effects to make everything look visually beautiful. To do this, you’ll need a visual effects app, and we’ll discuss why you need to create content with effects and splices next.
Why do viewers like this type of video?
There are several reasons why videos with effects overlays gain a large number of views on TikTok. Here are the main ones:
- Visual pleasure. For viewers, smooth transitions can simply be visually appealing and pleasing. They can add interest to content and make it more engaging.
- Entertainment and distraction. Watching videos with beautiful additions can be a good way to relax and take your mind off your everyday life. It’s like a little pause from reality.
- Increasing interest in the content. Transitions can help emphasize certain points or ideas in a video, making it more appealing to the viewer.
- Psychological effect. A variety of additions can evoke different emotional reactions in viewers and help them delve deeper into the content.
- Creativity and technical prowess. Some viewers may appreciate the creativity and technical prowess displayed in a video, including the choice and use of effects.
Using the TikTok editing app, you can create a video that has all of these effects, and therefore bring additional traffic to your profile. Among all the best TikTok editing app is VJump, which will offer a lot of interesting options for video design.
How are such videos useful for a blogger?
If you learn how to edit TikTok videos using additional tools, you can achieve this result:
- Professional look. Using different transitions can give the impression that the video is made by a professional. This can increase the authority and credibility of the content.
- Content structuring. Proper editing can help organize content and provide a smooth transition between different scenes or elements of the video. This makes the video easier to see and understand.
- Attracting attention. Smooth and impactful transitions can help grab viewers’ attention and keep it on the content. This is especially important in an era of information oversaturation, when viewers have many options for entertainment and information.
The best results will be achieved if you use TikTok video editor with a large number of presets. Beginning bloggers will especially like it because they don’t have to come up with ideas from scratch – they can choose an already existing interesting video.
Data and information are provided for informational purposes only, and are not intended for investment or other purposes.