When Taiwanese-born pianistĀ Jo-Yu Chen moved to New York to study at Juilliard, she had every intention of continuing on the classical career path sheād followed as a student of both piano and oboe. It wasnāt long, however, before she detoured into the world of jazz, continuing her studies at the New School and falling under the influence of adventurous pianists like Jason Moran, Sam Yahel and Kevin Hays.
Within a few years Chen embarked on an ambitious series of collaborations, recording dazzling jazz albums with such modern greats as drummer Tyshawn Sorey (her 2009 debut, Obsession), guitarist Kurt Rosenwinkel (Stranger, 2014) and saxophonist Mark Turner (Savage Beauty, 2019) ā all on Sony Music, making Chen the first and only Taiwanese jazz artists signed to a major label.
Returning to her native Taiwan while the pandemic raged brought Chen full circle in other ways as well. She found herself reconnecting with fellow classical musicians, many of them also recently returned Juilliard alumni. But she had no intention of leaving her newfound passion for jazz behind.
The result is a deeply personal hybrid of classical and jazz traditions. Chenās first full-length excursion into this distinctive fusion is Rendezvous: Jazz Meets Beethoven, Tchaikovsky & More. Out May 2, 2025 via Sony Music, Rendezvous is just that ā an intimate meeting, two individual styles converging on common ground. The album features reimagined works by five iconic composers, including pieces from three ballet masterpieces. As she has been on every one of her releases to date, Chen ā who also produced the album ā is joined by the outstanding New York-based rhythm section of bassist Chris Tordini and drummer Tommy Crane.
Two teaser tracks from the album ā the trioās interpretations of the Tchaikovsky classics āThe Nutcracker Suite, Opus 71: Dance of the Reed Flutesā and āSwan Lakeā ā are available now on all digital streaming platforms.
Chen resists the term ācrossoverā to describe her music, implying as it does the encroachment of one style into another. Having spent significant portions of her musical life immersed in both the classical and jazz realms, finding a meeting point for the two comes naturally to the pianist. āI disconnected from the classical world when I moved to New York, but the sound always stayed inside me,ā she explains. āI felt it was about time to integrate them.ā
She made her first foray into that integration in 2023, composing a piece called āWalking Through Fearā for piano and string quartet, releasing the new work as a single. Driven by striking contrapuntal writing for string quartet and bold, electrifying piano improvisation, the piece earned a nomination for Best Instrumental Composer at Taiwanās 35th Golden Melody Awards. āIt reminded me how much fun it is to work with top-notch string musicians,ā Chen says.
She followed that effort by taking on two of classical musicās most iconic composers through a jazz lens with the 2024 EP Schubert & Mozart: āRound Midnight. The four-track release grew out of an invitation to perform at the National Kaohsiung Center for the Artsā 2022 24-Hour Schubert Festival. Chenās trio was slated for the midnight hour.
āI was worried that people wouldnāt come out because it was so late,ā she recalled. āBut the concert hall was full of people. Itās a unique opportunity ā could you imagine having the chance to sleep over in Carnegie Hall?ā
Chen returned the following year, when the composer of choice was Mozart, after which she put four of her arrangements together for the āRound Midnight EP. In 2024 the marathon was dedicated to Beethoven, and again Chen returned and was inspired.
Rendezvous begins with a mash-up of two Beethoven classics: āSymphony No. 5ā and the āMoonlight Sonata.ā Together they meet on a grand, increasingly intense scale that supports Chenās contention that the composer was āa rock star in his era, with his powerful sonics and rebelliousness.ā On the opposite end of the spectrum is Chenās solo rendition of the second movement of āSonata No. 8,ā the āPathĆ©tique,ā sounding spacious and hushed. The unaccompanied turn spotlights the pianistās ability to delve deep into the emotional core of a piece of music, wringing profound feeling from the piece in a way that bridges the centuries since its writing and reframes it in a moving and captivating form.
Looking for some respite from this oppressive Germanic thunder, Chen turned for contrast to the Russian canon. Throughout the albumās first half, Beethoven alternates with Tchaikovsky, beginning with the āDance of the Reed Flutesā from āThe Nutcracker Suite,ā built on the foundation of Tordiniās insistent pulse. The bassist also states the indelible melody of āSwan Lakeā in Chenās graceful arrangement.
Continuing with the Russian oeuvre, Chen also arranged a pair of pieces by Sergei Prokofiev, transforming āPiano Concerto No. 2ā into a sensual tango and adding a dose of swing feel to the āDance of the Knightsā from āRomeo & Juliet.ā āThe Old Castle,ā from Modest Mussorgskyās oft-reinterpreted āPictures at an Exhibition,ā is offered as an Old World counterpart to the contemporary feel of Chenās own āCastle,ā recorded with Kurt Rosenwinkel on Stranger.
The final selection is āPavane Pour Une Infante DĆ©funte,ā in honor of the 150th anniversary or composer Maurice Ravelās birth on March 7. Chen had originally planned the piece as another solo piano outing, but Tordini urged her to try it with the trio. The elegant take on Rendezvous is a testament to the trioās deep chemistry, achieving stunning effect on the spur of the moment, drawing to a whispered close with the rattle of Craneās brushes.
Innovation ultimately becomes tradition, only to be challenged anew by innovation. Jo-Yu Chen exemplifies that cycle brilliantly on Rendezvous: Jazz Meets Beethoven, Tchaikovsky & More, interweaving two stellar traditions in heartfelt and innovative fashion to create something uniquely her own.
Rendezvous: Jazz Meets Beethoven, Tchaikovsky & More
1. Beethoven – Symphony No. 5 / Piano Sonata Moonlight
2. Tchaikovsky – The Nutcracker: Dance of the Reed Flutes
3. Beethoven – Sonata No. 8, PathĆ©tique 2nd Movement
4. Tchaikovsky – Swan Lake
5. Prokofiev – Romeo and Juliet: Dance of the Knights
6. Mussorgsky – Pictures at an Exhibition: The Old Castle
7. Prokofiev – Piano Concerto #2
8. Ravel – Pavane Pour Une Infante Defunte






















