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11 Songs That Turn a Bad Day Around

The alarm is too early, the weather’s wrong, the commute’s worse, and the small annoyances start stacking up like badly filed paperwork. By mid-afternoon you’re convinced the universe has decided to run a small experiment at your expense.

This is where music comes in. Not the heavy, contemplative kind. What you need is a sonic reset. A song that lifts the mood, shakes the dust out of your brain, and reminds you that three or four minutes of sound can change the chemistry of a day.

Here’s a short recovery playlist. Different decades, different styles, but all capable of nudging things back in the right direction.

“All the Small Things” — Blink-182
Three minutes of pop-punk sugar rush. The guitars are bright, the chorus is massive, and the whole thing feels like a reminder not to take anything too seriously.

“Best Day of My Life” — American Authors
This song runs on pure optimism. Big stomping drums and shout-along vocals make it sound like the soundtrack to a small personal victory.

“Dreams” — Fleetwood Mac
It floats instead of pushes. Stevie Nicks’ voice and that smooth groove create a calm emotional reset when everything else feels chaotic.

“Float On” — Modest Mouse
One of the great lyrical shrugs in modern rock. No matter how bad things get, the song keeps repeating the same idea: somehow, we’ll float on.

“Good as Hell” — Lizzo
A confidence injection disguised as a pop anthem. Lizzo turns self-doubt into swagger and makes it feel contagious.

“Island in the Sun” — Weezer
Warm guitars, relaxed tempo, and a melody that feels like a quiet vacation. It’s the musical equivalent of stepping outside for fresh air.

“Lovely Day” — Bill Withers
Few voices carry reassurance like Bill Withers. The groove is gentle but steady, and that famously long note near the end feels like a deep breath.

“Put Your Records On” — Corinne Bailey Rae
Soft, breezy, and comforting. It doesn’t try to overpower a bad mood. It simply nudges it aside.

“Shiny Happy People” — R.E.M.
Bright guitars, playful energy, and a chorus that practically grins. Sometimes cheerful absurdity is exactly what a rough day needs.

“Take It Easy” — Eagles
Laid-back country-rock wisdom. The message is simple: relax, breathe, and stop carrying more weight than you need to.

“Unwritten” — Natasha Bedingfield
An uplifting reminder that the story isn’t finished yet. The chorus opens up like a window, and suddenly the day feels a little less boxed in.

Arctic Monkeys Lead an All-Star Cast on ‘HELP(2),’ a Landmark Charity Album for War Child UK

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Arctic Monkeys have released “Opening Night,” their contribution to ‘HELP(2),’ the new collaborative charity album in support of War Child UK. The album is out now, arriving as one of the most ambitious and purposeful multi-artist records assembled in decades. The band put it simply: “We are proud to support the invaluable work War Child do and hope the record will make a positive difference to the lives of children affected by war.”

‘HELP(2)’ was inspired by the landmark 1995 charity album ‘HELP,’ originally led by Brian Eno and featuring Oasis, Blur, Radiohead, Massive Attack, Portishead, and more. That record raised over £1.2 million for children affected by the Bosnian conflict, sold over 70,000 copies on its first day, and reached number one on the UK compilation charts. Nearly three decades later, the need is even greater. When ‘HELP’ was first released, around 10% of the world’s children were affected by conflict. Today that figure has nearly doubled to almost 1 in 5, representing 520 million children worldwide.

The new album was recorded predominantly across one extraordinary week in November 2025 at London’s Abbey Road Studios, under the stewardship of producer James Ford. The contributor list is staggering: Anna Calvi, Arlo Parks, Arooj Aftab, Bat For Lashes, Beabadoobee, Beck, Beth Gibbons, Big Thief, Black Country New Road, Damon Albarn, Depeche Mode, Ezra Collective, Foals, Fontaines D.C., Graham Coxon, Grian Chatten, Kae Tempest, King Krule, Olivia Rodrigo, Pulp, Sampha, The Last Dinner Party, Wet Leg, Young Fathers, and more.

The sessions produced genuinely extraordinary moments. Damon Albarn, Grian Chatten, and Kae Tempest’s supergroup was joined by Johnny Marr, Dave Okumu, Portishead’s Adrian Utley on guitar, Gorillaz’ Seye Adelekan on bass, Femi Koleoso on drums, and an all-star choir including Jarvis Cocker, Carl Barat, and Declan McKenna. Graham Coxon ended up playing guitar on Olivia Rodrigo’s cover of The Magnetic Fields’ “The Book of Love.” Wolf Alice’s Ellie Rowsell received an invitation to join Anna Calvi, Nilufer Yanya, and Dove Ellis on “Sunday Light” on the day of recording itself.

Academy Award-winning filmmaker Jonathan Glazer served as Creative Director, working with Academy Films to oversee the visual component of the project. His concept, “By Children, For Children,” handed cameras directly to children, inviting them into the studios to film the artists without restriction. Glazer’s team also worked with fixers and filmmakers in Ukraine, Gaza, Yemen, and Sudan to gather footage filmed by children on the ground in conflict zones. The result connects the music directly to the children it exists to help.

Producer James Ford reflects on the experience with clarity: “The experience of making the album itself has been very powerful, and dare I say life affirming for me personally, against the backdrop of a very difficult year. I’m extremely proud of the results and of the efforts made by all involved.” That feeling carries through every track on the record.

War Child UK has spent 30 years delivering immediate aid, education, specialist mental health support, and protection to children affected by conflict. The organization currently operates in 14 countries including Sudan, Gaza, Ukraine, and Syria, working daily in communities and refugee camps to create safe spaces for children to play, learn, and access psychological support. With conflicts escalating and funding cuts hitting hard, the need for this record could not be more urgent.

‘HELP(2)’ is out now. It is a powerful, sprawling, and deeply necessary record, one that channels an extraordinary collection of musical talent toward something that genuinely matters. Every purchase counts.

‘HELP(2)’ Tracklisting:

Arctic Monkeys – “Opening Night”

Damon Albarn, Grian Chatten & Kae Tempest – “Flags”

Black Country, New Road – “Strangers”

The Last Dinner Party – “Let’s do it again!”

Beth Gibbons – “Sunday Morning”

Arooj Aftab & Beck – “Lilac Wine”

King Krule – “The 343 Loop”

Depeche Mode – “Universal Soldier”

Ezra Collective & Greentea Peng – “Helicopters”

Arlo Parks – “Nothing I Could Hide”

English Teacher & Graham Coxon – “Parasite”

Beabadoobee – “Say Yes”

Big Thief – “Relive, Redie”

Fontaines D.C. – “Black Boys on Mopeds”

Cameron Winter – “Warning”

Young Fathers – “Don’t Fight the Young”

Pulp – “Begging for Change”

Sampha – “Naboo”

Wet Leg – “Obvious”

Foals – “When the War is Finally Done”

Bat For Lashes – “Carried my girl”

Anna Calvi, Ellie Rowsell, Nilufer Yanya & Dove Ellis – “Sunday Light”

Olivia Rodrigo – “The Book of Love”

OneRepublic’s Gold-Certified Debut ‘Dreaming Out Loud’ Hits Vinyl for the Very First Time

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OneRepublic’s Gold-Certified Debut ‘Dreaming Out Loud’ Hits Vinyl for the Very First Time


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OneRepublic’s debut album ‘Dreaming Out Loud’ is coming to vinyl for the first time ever on March 20, 2026. Nineteen years after it introduced the band to the world, the Gold-certified record gets the format it always deserved, in two configurations: a standard 2LP Black Vinyl available at brick-and-mortar retailers and online, and a limited-edition 2LP Blue Galaxy Color Vinyl with a new alternate cover, available exclusively through the band’s official store, uDiscover, and Sound of Vinyl.

Originally released November 20, 2007, ‘Dreaming Out Loud’ was co-produced by frontman and songwriter Ryan Tedder alongside Greg Wells and executive producer Timbaland. The record launched on the strength of “Apologize” (with Timbaland), which peaked at No. 2 on the Billboard Hot 100, earned a 4x-Platinum RIAA certification, and received a GRAMMY nomination for Best Pop Performance by a Duo or Group with Vocal. It has since accumulated nearly 1 billion Spotify streams and 862 million YouTube views. That is not nostalgia. That is staying power.

The album holds up across its full thirteen tracks. “Stop and Stare” reached No. 12 on the Hot 100, while “Come Home,” “Say (All I Need),” and “Goodbye, Apathy” round out a debut that announced a band with genuine range and songwriting instincts to match. Diamond-certified and GRAMMY-nominated, OneRepublic built their entire trajectory on this foundation, and it remains a remarkably strong listen.

‘Dreaming Out Loud’ on vinyl is a milestone release for one of pop rock’s most enduring acts. The Blue Galaxy pressing is limited, and given the album’s legacy, it will not last long.

Tracklisting:

  1. Say (All I Need)
  2. Mercy
  3. Stop And Stare
  4. Apologize
  5. Goodbye, Apathy
  6. All Fall Down
  7. Tyrant
  8. Prodigal
  9. Won’t Stop
  10. All We Are
  11. Someone To Save You
  12. Come Home
  13. Apologize (with Timbaland)

Don Toliver Drops Fifth Album ‘OCTANE,’ Out Now on Cactus Jack/Atlantic

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Don Toliver’s fifth studio album, ‘OCTANE,’ is out now via Cactus Jack/Donway & Co/Atlantic Records. The project arrives as one of hip-hop and R&B’s most distinctive voices operating at full creative speed, and the album makes that energy impossible to miss. Toliver describes it simply: “It’s not in the future, it’s not in the past, it’s right now.”

‘OCTANE’ is rooted in Toliver’s signature melodic, psychedelic trap-R&B, built on lush cinematic production and unexpected samples. The album was recorded across multiple settings including his European tour, Carmel-by-the-Sea, Los Angeles, and Mount Wilson. Rally racing culture and the freedom of motion run through the album’s imagery and spirit, giving the project a kinetic, continuous momentum that holds from start to finish.

The record follows a celebrated run that includes ‘Heaven or Hell’ (2020), ‘Life of DON’ (2021), ‘Love Sick’ (2023), and ‘HARDSTONE PSYCHO’ (2024), the latter of which earned Toliver his first No. 1 on the Billboard Top R&B/Hip-Hop Albums chart. Multi-platinum cuts like “No Idea,” “After Party,” “Lemonade,” and “Private Landing” featuring Justin Bieber have already cemented his catalog as essential listening.

With ‘OCTANE,’ Toliver delivers his most present-tense record yet: immersive, cinematic, and built for full-speed consumption. It is the sound of an artist who knows exactly where he is and has no interest in slowing down.

Pop Evil Drop New Single “The Decay” and Announce ‘What Remains (Midnight Edition)’

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Pop Evil are marking the one-year anniversary of their acclaimed album ‘What Remains’ with a new edition of the record. ‘What Remains (Midnight Edition)’ arrives March 27, 2026, expanding on the original with new material that pushes the album’s emotional and sonic weight even further.

Leading the announcement is “The Decay,” out now after premiering on SiriusXM Octane. It is a riff-forward modern rock track with real melodic depth and the kind of staying power that holds up well beyond a first listen. The band puts it plainly: “This song is raw, uncomfortable, and honest, an invitation to face the darkness, accept responsibility, and choose to make a difference while you still have time.” That directness is exactly what makes it hit.

The visualizer for “The Decay,” directed by Sam Shapiro and produced by the CGI team at VSRL Company, is available now. In a deliberate creative statement, Pop Evil chose to forgo any use of AI in its production. The result reinforces the song’s core message: what we choose to create and support matters.

‘What Remains (Midnight Edition)’ adds “The Decay” alongside a studio-refined reimagining of the classic ’80s anthem “Don’t You (Forget About Me),” run through Pop Evil’s unmistakable modern-rock lens. The original ‘What Remains’ was the band’s most uncompromising and emotionally exposed record to date, heavier and more direct than anything in their catalog. Frontman Leigh Kakaty laid bare the truths and battles that shaped both his life and the band’s evolution. The Midnight Edition completes that arc.

Robert Plant Opens Up About Saving Grace on NPR’s “World Cafe”

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Robert Plant joined NPR’s World Cafe host Raina Douris to talk about Saving Grace, the band and the album that carries the same name. Plant and the band also performed three tracks live during the session: “It’s a Beautiful Day Today,” “As I Roved Out,” and “Everybody’s Song.” The episode is available to hear now, and it is an intimate look at a project that clearly means a great deal to him.

Plant describes ‘Saving Grace’ as “a song book of the lost and found.” The album took shape during lockdown, when Plant connected with a tight-knit group of musicians in the English countryside: vocalist Suzi Dian, drummer Oli Jefferson, guitarist Tony Kelsey, banjo and string player Matt Worley, and cellist Barney Morse-Brown. Produced by Plant and the band, it was recorded over six years in the Cotswolds and on the Welsh Borders.

The source material is as eclectic as the setting. ‘Saving Grace’ draws on songs by Memphis Minnie, Blind Willie Johnson, Bob Mosley of Moby Grape, The Low Anthem, Martha Scanlan, Sarah Siskind, and Low. It is a record rooted in folk tradition but shaped entirely by the people who made it, and it lands with warmth and genuine depth.

GRAMMY Winner Molly Tuttle Brings “That’s Gonna Leave a Mark” to ‘Jimmy Kimmel Live!’

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Molly Tuttle and her band took the stage on Jimmy Kimmel Live! to perform “That’s Gonna Leave a Mark,” a GRAMMY-nominated track from her GRAMMY-nominated album ‘So Long Little Miss Sunshine.’ The performance is available to watch now, and it is a strong reminder of what Tuttle brings to a live setting: precision, presence, and genuine command of the room.

‘So Long Little Miss Sunshine’ was recorded in Nashville with producer Jay Joyce. The eleven originals and one cover (Icona Pop and Charli XCX’s “I Love It”) pull from pop, country, rock, and flat-picking, with a murder ballad thrown in for good measure. Tuttle’s guitar work is more front and center here than on any previous record, and she introduces banjo playing into two tracks for the first time. The album is nominated for Best Americana Album at the GRAMMYs, with “That’s Gonna Leave a Mark” up for Best Americana Performance.

The record is a genuinely bold move, expanding Tuttle’s sonic range without losing the virtuosity that made her a standout in the first place. It earns every one of those nominations.

Avant-Garde Icon Laurie Anderson Gets Her Hands Dirty on NTS Podcast “Digging with Flo”

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Avant-Garde Icon Laurie Anderson Gets Her Hands Dirty on NTS Podcast “Digging with Flo”


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Laurie Anderson sat down with Flo Dill for the latest episode of NTS’s “Digging with Flo,” recorded in a greenhouse, with gardening involved. The conversation covers Anderson’s expansive career and creative life. Dill introduces her guest as “a polymathic, pioneering multimedia artist,” and the episode lives up to that billing. It is available to watch and hear now.

Anderson’s latest album, ‘Amelia,’ is out now on Nonesuch Records. The twenty-two-track record explores the final flight of aviator Amelia Earhart, with music and lyrics written entirely by Anderson. She is joined on the record by Filharmonie Brno, conducted by Dennis Russell Davies, alongside Anohni, Marc Ribot, Martha Mooke, Nadia Sirota, and Kenny Wollesen, among others. It is the kind of album that expands what the format can do.

Coming up, Anderson heads to Knoxville at the end of March for the Big Ears Festival, then returns to Europe for a tour of her new piece “Republic of Love” with jazz band Sexmob starting in April. On top of that, Anderson and Sexmob’s live album ‘Let X=X’ arrives May 8 on Nonesuch Records, a triple-LP and double-CD set recorded during their 2023 tour together.

‘Let X=X’ spans twenty-three songs drawn from across Anderson’s career, performed in new arrangements, including a version of “Junior Dad” by Lou Reed and Metallica. Nonesuch Store orders include an exclusive autographed print from Anderson, while supplies last.

Red Hot Chili Peppers Bassist Flea Steps Out Solo With Jazz Debut ‘Honora’

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Flea is releasing his debut solo album, ‘Honora,’ on March 27, 2026, via Nonesuch Records. Nearly five decades into a career that redefined what a rock bassist could be, he is returning to his first musical loves: jazz and the trumpet. The album is named for a beloved family member, and it carries that personal weight in every decision made around it.

The record features an extraordinary supporting cast. Producer and saxophonist Josh Johnson, guitarist Jeff Parker, bassist Anna Butterss, and drummer Deantoni Parks form the core band. Vocalists include Thom Yorke and Nick Cave. Mauro Refosco and Nate Walcott also appear. The album spans six originals alongside interpretations of tunes by George Clinton and Eddie Hazel, Jimmy Webb, Frank Ocean and Shea Taylor, and Ann Ronell. That is a serious range, and ‘Honora’ handles it.

The lead track, “Traffic Lights,” is out now. Co-written with Thom Yorke and Josh Johnson, it features Yorke on vocals, piano, and synth. Flea describes sending Yorke an early version instinctively, knowing the rhythm and sensibility would connect. He was right. A visualizer, directed and animated by nespy5euro, is available now.

To make this record, Flea practiced trumpet every day for two years, through a stadium tour with Red Hot Chili Peppers, a new marriage, and a newborn at home. That commitment produced something genuinely moving: a jazz album that sounds like a musician finally doing what he always knew he was meant to do.

Flea and the Honora Band hit intimate venues across North America and Europe this May, with stops in Chicago, Toronto, Montreal, New York, Washington, Los Angeles, Berlin, Amsterdam, London, and Paris.

Flea and the Honora Band Tour Dates:

May 7 — Thalia Hall, Chicago, IL

May 9 — Opera House, Toronto, ON

May 10 — Théâtre Beanfield, Montreal, QC

May 12 — Webster Hall, New York, NY

May 13 — Black Cat, Washington, DC

May 16 — Fonda Theater, Los Angeles, CA

May 21 — Heimathafen, Berlin, Germany

May 22 — Paradiso, Amsterdam, Netherlands

May 26 — Koko, London, UK

May 28 — Alhambra, Paris, France

Emmylou Harris Opens Up About Her Career and European Farewell Tour

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Emmylou Harris is making the rounds, and the conversation is worth paying attention to. The legendary singer sat down with BBC Radio 4’s Front Row, hosted by Kate Molleson, for a wide-ranging discussion about her life and career. Molleson introduced her as someone who “brought together the worlds of folk, rock and country music” and “took harmony singing to new heights.” That framing is accurate, and Harris delivered.

Harris also spoke with the Guardian’s Fiona Sturges, and the interview is a reminder of what makes her singular. On the subject of retirement, Harris is characteristically direct: “I don’t really know what winding down is. I think when you’re an artist, you don’t ever really retire.” That clarity of purpose, still intact after decades, says everything about where she stands.

The BBC Radio 4 Front Row episode is available now on Spotify and Apple Podcasts. It also features Sir Ian McKellen and Sir Wayne McGregor, who choreographed Thomas Adès’ Dante, making it a rich listen well beyond the Harris conversation alone.

Harris is currently on her European Farewell Tour, which opened at Celtic Connections in Glasgow and 3Arena in Dublin. For tickets to remaining dates, visit nonesuch.com/on-tour.