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Ben Folds Brings Intimate Piano Magic to Australia for February/March 2026 Tour

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Ben Folds brings his intimate Ben Folds & A Piano tour to Australia next February and March, and it’s going to be something special. The Emmy-nominated singer-songwriter and New York Times Best Selling author will perform past and current hits while sharing stories from over three decades as a platinum-selling artist and former Ben Folds Five frontman. Folds served eight years as Artistic Advisor to the National Symphony Orchestra at the Kennedy Center before stepping down when Donald Trump announced his takeover, recording two sold-out farewell performances that topped the Billboard classical charts. He recently composed original music for an animated Peanuts special on Apple TV and launched Keys For Kids in North Carolina, providing keyboards to economically disadvantaged children.

Ben Folds & A Piano 2026 Australian Tour Dates:
Feb 18 – Brisbane, QLD @ The Fortitude Music Hall
Feb 20 – Sydney, NSW @ State Theatre
Feb 21 – Thirroul, NSW @ Anita’s Theatre
Feb 22 – Canberra, NSW @ Canberra Theatre Centre
Feb 25 – Adelaide, SA @ Thebarton Theatre
Feb 26 – Melbourne, VIC @ Palais Theatre
Feb 27 – Bendigo, VIC @ Ulumbarra Theatre
Mar 1 – Perth, WA @ Riverside Theatre

Trivium Unleash Cathartic “Bury Me With My Screams” from New EP ‘Struck Dead’

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Trivium just dropped “Bury Me With My Screams” and detailed their upcoming three-song EP ‘Struck Dead,’ out now via Roadrunner Records. The Grammy-nominated heavyweights turned their newly built Hangar Studios in Orlando into a full production facility with designer Roger D’Arcy, and the results pack a powerhouse punch. What started as one single during their Poisoned Ascendancy Tour celebrating the 20th anniversary of ‘Ascendancy’ grew into three tracks as the band kept writing during the studio build. Matt Hefy poured personal struggles into the music while the energy of revisiting ‘Ascendancy’ bled into these new songs, creating a cathartic release the band is incredibly proud of. Trivium kicks off The Ascend Above the Ashes tour October 31st in Myrtle Beach, running through December 14th with special guests Jinjer and support from Heriot.

‘Struck Dead’ Track Listing:

  1. Bury Me With My Screams
  2. Struck Dead (Pain Is Easier To Remember)
  3. Six Walls Surround Me

Love Letters in Liner Notes: When Musicians Sing Each Other’s Praises

In a world where diss tracks dominate headlines and beefs sell records, there’s something beautifully refreshing about musicians who use their art to celebrate each other. These aren’t just polite nods or obligatory shout-outs—these are full-blown love letters pressed into vinyl, honest tributes that remind us music is still about community, inspiration, and mutual respect.

From punk rockers celebrating their heroes to jazz legends name-checking their influences, these songs prove that sometimes the most powerful statement you can make is simply: “You’re amazing, and the world should know it.”

Here are some of the finest examples of musicians tipping their hats to their peers:

‘Alex Chilton’ – The Replacements
A heartfelt tribute to the Big Star frontman that captures the bittersweet reality of being a musician’s musician—loved by those who know, but not always by the masses.

‘Almost (Sweet Music)’ – Hozier
References multiple jazz musicians throughout, celebrating the genre’s rich history with Hozier’s signature soulful touch.

‘Angel of Harlem’ – U2
U2’s tribute to being influenced by the incomparable Billie Holiday, wrapped in their signature rock sound.

‘Ask Anyone’ – Aesop Rock & Homeboy Sandman
A heartfelt homage to the late, great MF DOOM, whose influence on underground hip-hop remains unmatched.

‘Ave Cesaria’ – Stromae
Written in honor of the “Barefoot Diva” Cesária Évora, celebrating her unique contribution to world music.

‘Banana Clipper’ – Run The Jewels
Features Killer Mike dropping bars like “Producer gave me a beat said it’s the beat of the year, I said ‘EL-P didn’t do it so get the fuck out of here.'”

‘Bird Song’ – Grateful Dead
The Dead’s tribute to Janis Joplin, capturing the spirit of a fellow traveler on the psychedelic highway.

‘Black Velvet’ – Alannah Myles
A sultry tribute to Elvis Presley, with the title referencing the velvet paintings that often featured The King.

‘Bowie’ – Flight of the Conchords
The comedy duo’s loving (and hilarious) ode to the Thin White Duke himself.

‘Brimful of Asha’ – Cornershop
A love letter to Asha Bhosle and the broader world of playback singers in South Asian film music culture.

‘Chelsea Hotel #2’ – Leonard Cohen
Cohen’s intimate recollection of an encounter with Janis Joplin, complete with his characteristically honest and poetic lyrics.

‘Come Original’ – 311
Shouts out Black Eyed Peas, NOFX, Roni Size, and Mr. Vegas in a celebration of musical diversity and originality.

‘Daft Punk Is Playing At My House’ – LCD Soundsystem
James Murphy’s gleeful fantasy about the French robots showing up for an impromptu house party.

‘Genius of Love’ – Tom Tom Club
Name-checks James Brown, Sly and Robbie, Bootsy Collins, Bohannon, and more in this funky celebration of influences.

‘Giorgio by Moroder’ – Daft Punk
Features the electronic music pioneer himself telling his story over Daft Punk’s production—a masterclass in paying respect.

‘Hats Off to Roy Harper’ – Led Zeppelin
Zeppelin’s instrumental tribute to the British folk singer, showcasing their respect for the genre.

‘I Am Damo Suzuki’ – The Fall
Mark E. Smith’s tribute to the legendary Can vocalist, connecting punk to krautrock lineage.

‘I Am Mark E Smith’ – Fat White Family
A tribute to The Fall’s cantankerous genius, proving his influence extends to the next generation of British post-punk.

‘I Don’t Wanna Grow Up’ – Ramones
The Ramones covering Tom Waits, bridging punk and theatrical rock with mutual respect.

‘In Walked Bud’ – Thelonious Monk
The vocal version references numerous jazz greats, creating a who’s-who of the genre’s innovators.

‘KRS One’ – Sublime
Bradley Nowell’s recognition of the hip-hop legend’s influence, complete with the memorable line “And I know because of KRS-One.”

‘Lady Day and John Coltrane’ – Gil Scott-Heron
Celebrating Billie Holiday and John Coltrane as sources of solace and inspiration during difficult times.

‘Lady Stardust’ – David Bowie
Bowie’s tribute to his friend and glam rock contemporary Marc Bolan of T. Rex.

‘Let There Be Rock’ – Drive-By Truckers
Salutes Blue Oyster Cult, AC/DC, Molly Hatchet, and Thin Lizzy—all the bands that weren’t Skynyrd but still rocked the South.

‘Losing My Edge’ – LCD Soundsystem
Framed as an insufferable know-it-all’s rant, but the name-drops are genuinely great—a celebration of underground music history.

‘Midnite Cruiser’ – Steely Dan
References Thelonious Monk, showing the Dan’s deep jazz roots and influences.

‘The Moment I Feared’ – Slick Rick
Features one of hip-hop’s best nods: “Boogie Down was performin’; hey, they ain’t no joke.”

‘Nina Cried Power’ – Hozier ft. Mavis Staples
Celebrates Nina Simone and other musicians who used their art for protest and political movements—with Mavis Staples herself lending vocals.

‘Nightshift’ – Commodores
A beautiful tribute to Marvin Gaye and Jackie Wilson, mourning their passing while celebrating their legacy.

‘Parker’s Band’ – Steely Dan
Another jazz tribute from the Dan, this time honoring Charlie Parker and the bebop revolution.

‘A Praise Chorus’ – Jimmy Eat World
Name-checks various punk and alternative bands that influenced the emo pioneers.

‘Punky Reggae Party’ – Bob Marley
Marley celebrating The Clash, The Damned, The Jam, and others from the punk scene—plus his buddies Toots and the Maytals.

‘R.A.M.O.N.E.S.’ – Motörhead
Lemmy and company’s tribute to their friends The Ramones. Poignantly, all seven original members of both bands have now passed.

‘The Return of Jackie and Judy’ – Tom Waits
Waits’ tribute to The Ramones, connecting his theatrical storytelling to their punk energy.

‘Sir Duke’ – Stevie Wonder
A mini jazz history lesson celebrating Duke Ellington and the swing era, with one of the funkiest horn sections ever recorded.

‘Song for Bob Dylan’ – David Bowie
From “Hunky Dory,” Bowie’s tribute to Dylan’s unique voice and impact on music.

‘Story of Bo Diddley’ – The Animals
The British Invasion rockers paying tribute to one of rock and roll’s founding fathers and his signature beat.

‘Sweet Soul Music’ – Arthur Conley
Gives props to Lou Rawls, Sam & Dave, Wilson Pickett, Otis Redding, and James Brown—a who’s-who of soul royalty.

‘Teachers’ – Daft Punk
A list of the French duo’s influences and heroes, essentially a syllabus for electronic music education.

‘The Big Man’ – Dropkick Murphys
A punk rock tribute to Fletcher Dragge from Pennywise, celebrating cross-scene respect.

‘Tower of Song’ – Leonard Cohen
Features Cohen imagining a conversation with Hank Williams “a hundred floors above me in the tower of song.”

‘Velvet Underground’ – Jonathan Richman
Richman’s ode to the band whose manager’s couch he crashed on, capturing the VU’s profound influence on his music.

‘The Way That He Sings’ – My Morning Jacket
Inspired by the distinctive voices of Neil Young and Roy Orbison, celebrating vocal uniqueness.

‘We’re The Replacements’ – They Might Be Giants
TMBG’s tribute to the Replacements, connecting alternative rock generations.

‘When Smokey Sings’ – ABC
A new wave tribute to Smokey Robinson, proving his influence extends far beyond Motown.

‘With David Bowie’ – Veruca Salt
An alt-rock love song to Bowie, capturing the feeling of being completely enamored with an artist.

Wesley Willis deserves special mention—about half his songs are named after bands, and each one is an unfiltered celebration of rock music. “Rock over London, Rock on Chicago.”

So next time you’re tired of the negativity and beef, spin one of these tracks. Because sometimes the coolest thing you can do is tell someone else how cool they are.

Mad Sneaks Unleash Visceral “Dirty Blood” Single That Refuses to Play Nice

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Mad Sneaks just released “Dirty Blood” and it’s a raw, uncompromising dive into intimate chaos. The Brazilian band known for their dense, introspective sound inspired by ’90s rock crafted something that invades and unsettles while paradoxically offering comfort. The lyrics unfold as fragmented outpourings without linear narrative or easy solutions, intensifying emotional delivery through thoughts teetering on the edge of collapse. The song explores decay as a necessary precursor to growth, using the metaphor of a seed breaking down before it can germinate. Mad Sneaks redefine the black sheep as a symbol of authenticity rather than rejection, creating a manifesto against masks and manufactured speeches. This isn’t music made to please. It provokes, challenges, and invites reflection for anyone who understands there’s beauty in discomfort and truth in exhaustion.

https://open.spotify.com/track/6LJuc4eWi9ibZ9wzdyoexw?si=U0g-doPfTliODsbQZrQ-wg

                

Victony Teams with Terry G for Electrifying Cross-Generational Banger “Tanko”

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Victony just dropped “Tanko” featuring legendary Nigerian rapper Terry G, and it’s a dancefloor-ready anthem that bridges generations with style. The rising Afropop sensation contrasts his soft vocals against Terry’s high-energy tone, creating something genuinely electric. The title borrows from street football slang but becomes a powerful metaphor for duality: dreams and discipline, temptation and tenacity, the come-up and the constant. Victony delivers an unapologetic hook about hustling and shuffling before handing the mic to the “Akpako Master” himself, whose verse brings back the frenetic madness that defined an era with hits like “Free Madness” and “Run Mad.” The track arrives two months after the one-year anniversary of Victony’s acclaimed debut album ‘Stubborn,’ which featured standout collaborations with Teezo Touchdown, Asake, Saint Jhn, Shallipopi, and more.


                

Bootie Brown Breaks Reality with Opera-Infused “UnAwake” Single

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Bootie Brown just unleashed “UnAwake” and it’s a mind-bending fusion of opera, soul, funk, and experimental hip-hop that defies every expectation. The Pharcyde founding member who helped shape West Coast alternative rap with classics like “Passin’ Me By” and “Drop” created his own genre called UltraHipFunkWave for this track, and it’s as visionary as it sounds. Brown enlisted an opera singer and live violinist to build cinematic drama into Fabrice Grassin’s production, while Chicago soul singer Peven Everett adds pulsing, danceable energy that grounds the ethereal arrangements. The song explores the power of undisturbed dreams and pushing past those who say you can’t achieve the impossible. True to his multidisciplinary spirit, Brown delivers a soundtrack to a dream-state revolution that proves he’s not just a golden era voice but a sonic explorer charting new territory.


                

Chase McDaniel Confronts Generational Demons in Raw “My Side Of The Family” Video

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Chase McDaniel just dropped “My Side Of The Family” with a Robby Stevens-directed video, and it’s one of the most brutally honest tracks you’ll hear. The Big Machine Records artist tackles the fear of passing down generational trauma, wrestling with whether he’ll repeat the patterns of addiction that shaped his childhood. McDaniel wrote the song for anyone who grew up with addicts for parents and worries about becoming them, even those who avoid having kids entirely because of that fear. Producer Lindsay Rimes offsets the heavy subject matter with a beautifully light arrangement of plucked banjo, acoustic guitar, and fiddle that lets McDaniel’s dynamic delivery shine. The track appears on his autobiographical debut album ‘Lost Ones,’ out now, a 12-track introduction co-written entirely by McDaniel that shares his struggles with depression and losing his father to addiction.


                

Ho99o9 Drop Politically Charged “Incline” Banger from ‘Tomorrow We Escape’ Album

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Ho99o9 just unleashed “Incline” featuring Nova Twins, Pink Siifu, and Yung Skrrt, and it’s a fashion-forward, politically charged explosion produced by Dave Sitek. The Los Angeles by way of New Jersey outlaws detailed their third album ‘Tomorrow We Escape,’ out now with an incredible roster of features. This new track follows the neck-snapping first single “Upside Down” and showcases the band’s complete sonic arsenal: experimental hip-hop, digital hardcore, future-facing punk, metal, jarring industrial, and off-kilter electronics. The band took a more personal route this time, focusing on emotion over politics while exploring themes of struggle and triumph. The result is their most emotionally charged offering yet, driven by the goal of finding motivation for preservation.

‘Tomorrow We Escape’ Track Listing:

Godflesh

I Miss Home (feat. MoRuf)

Escape

Target Practice

OK, I’m Reloaded

Psychic Jumper

Incline (feat. Nova Twins, Pink Siifu & Yung Skrrt)

Upside Down

Tapeworm (feat. Greg Puciato)

Immortal (feat. Chelsea Wolfe)

LA Riots

The Prize Finally Unleash Debut Album ‘In The Red’ with Blazing New Single “From The Night”

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Melbourne’s three-guitar rock’n’roll powerhouse The Prize finally drops their debut album ‘In The Red’ and out now via Anti Fade Records in Australia and Goner Records in the USA, and the wait has been worth it. The new single “From The Night” showcases everything that makes this band special: powerful three-guitar attack, melodic twin leads, and the dynamic vocal partnership between drummer Nadine Muller and guitarist Carey Paterson. Recording sessions spanned multiple years and studios, working with Paul Maybury at A Secret Location, Matt Blach at Gizz Studios, and Robin Mukerjee, with new bass player Ethan Stahl joining after international tours with King Gizzard and The Chats. The album blends punk, classic hard rock, power pop, and new wave into something genuinely thrilling.

‘In The Red’ Track Listing:

Silver Bullet

Connie

Static Love Affair

Don’t Need ‘Em

From The Night

Had It Made

First Sight

Down The Street

Looking For A Reason

Say You’re Mine

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Royal Republic Unleash Glitter-Drenched Madness with “I’m So Excited” Cover

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Royal Republic just dropped their riotous take on “I’m So Excited” and it’s absolutely unhinged in the best possible way. The Swedish rock’n’roll powerhouses continue their wild “The Blastbeaters” saga, a four-part musical journey where they transform into a fictional Black Metal band complete with corpse paint, spikes, and a beat-up Volvo 140 aimed at world domination. Following their explosive cover of “Venus,” this second chapter cranks everything up with sparkles, glitter, saxophone solos, and the kind of high-octane energy that only Royal Republic can deliver. The band’s dedication to this absurd concept makes it brilliantly entertaining, blending their signature rock sound with pure theatrical chaos. Whether the world wants their glitter-drenched domination or not, Royal Republic is serving it up with style.