Sometimes, music doesn’t need words to say everything. Jamie Dupuis sitting alone in the woods with his harp guitar, pouring emotion into Pearl Jam’s “Black,” is one of those rare moments where nature, melody, and feeling align.
Bob Weir Reflects on Grateful Dead’s Pioneering Taper Section Strategy
Before viral videos or streaming, there were tape decks and Deadheads. Bob Weir’s story about giving tapers their own section at shows is a reminder that when you trust your fans, they become your greatest promoters. The Grateful Dead didn’t just allow recording—they embraced it, creating a ripple effect of community and creativity that still echoes through music culture today.
Joe Porter Covers Weezer’s “Buddy Holly” Using Wild Range of Instruments
Joe Porter’s take on “Buddy Holly” isn’t just a tribute—it’s a celebration of curiosity. When you see someone play a Weezer riff on a Verrophone or Wrenchaphone, you’re reminded that music doesn’t need rules, just joy. It’s about exploring sound with the wonder of a kid in a music store, and Joe’s version hits that sweet spot where talent meets total playfulness.
Tom Morello and Grandson Unite for “One Last Dance” in Venom: The Last Dance
There’s something powerful about watching a father and son make music together—especially when that father is Tom Morello and the moment happens in a Marvel movie. In “One Last Dance,” Roman Morello doesn’t just share the stage with his legendary dad—he proves that the torch is being passed with pride, volume, and heart. It’s a reminder that music is legacy, and sometimes the most unforgettable solos are the ones played side by side.
Matt Berry Reads Matt Stone’s Legendary MPAA Memo at Royal Albert Hall
Before you release your work into the world, remember Matt Stone’s memo: sometimes, you have to fight for your voice, even if it’s messy. Matt Berry reading Matt Stone’s no-holds-barred letter reminds us—true creativity isn’t always polished, but it’s always fearless. The biggest laughs come when someone dares to say what everyone else is thinking. Thank you, Matt Stone and Matt Berry, for keeping it real. Some moments aren’t just funny—they’re a reminder that art is worth standing up for, no matter what the rating says.
\\https://www.youtube.com/watch?v=cXn_24Wb3q0
Testament and Obituary Announce ‘Thrash Of The Titans’ Co-Headline Tour
San Francisco Bay Area thrash metal veterans TESTAMENT will return to Europe this fall for a full-fledged co-headline tour, dubbed “Thrash Of The Titans”, with Florida death metal trailblazers OBITUARY.
After an extensive 2024 summer festival run and a highly successful tour supporting their peers KREATOR and ANTHRAX at the end of last year, this October will see the mighty TESTAMENT lay waste to some of Europe’s most renowned venues. Rounding off this killer tour will be none other than German thrash metal pioneers DESTRUCTION and black/death metal juggernaut GOATWHORE from New Orleans.
TESTAMENT’s Eric Peterson (guitar) commented: “All right! We are super excited to announce the beginning of our ‘Thrash Of The Titans’ campaign event! Coming to Europe this October with co-headliners OBITUARY and very special guests DESTRUCTION and GOATWHORE!
“We will have a special deep-cut set along with classics and, of course, some new songs!
“OBITUARY will be doing a special set as well doing their classic ‘Cause Of Death’ material and DESTRUCTION also will have new record out as well!
“Looking forward to see you all again out there!
“Long live thrash! Long live metal!”
Later this month, TESTAMENT will launch the “An Evening With Testament” tour celebrating the 35th anniversary of the band’s third album, “Practice What You Preach”.
In support of the “Practice What You Preach” reissues via Nuclear Blast, TESTAMENT wanted to do something special and intimate for the fans, performing deep cuts and some classic ballads for the first time ever.
OBITUARY is currently celebrating the 35th anniversary of its second album, “Cause Of Death”, on a North American tour this spring. Support on the trek is coming from NAILS, TERROR, SPIRITWORLD and PEST CONTROL.
OBITUARY’s latest studio album, “Dying Of Everything”, came out in January 2023 via Relapse Records.
In 2022, Decibel Books released “Turned Inside Out: The Official Story Of Obituary”, the fully authorized biography of OBITUARY. The book was written by David E. Gehlke, author of “Damn The Machine: The Story Of Noise Records” and “No Celebration: The Official Story Of Paradise Lost”.
TESTAMENT and OBITUARY with special guests DESTRUCTION and GOATWHORE tour dates:
Oct. 05 – DE – Hannover @ Capitol
Oct. 07 – UK – Bristol @ Beacon
Oct. 08 – UK – Birmingham @ O2 Academy Birmingham
Oct. 09 – IE – Dublin @ Olympia Theatre
Oct. 10 – UK – Manchester @ Manchester Academy
Oct. 11 – UK – London @ O2 Forum Kentish Town
Oct. 12 – BE – Antwerp @ Trix
Oct. 13 – DE – Stuttgart @ LKA Longhorn
Oct. 14 – DE – Hamburg @ Große Freiheit 36
Oct. 16 – CH – Pratteln @ Z7 Konzertfabrik
Oct. 17 – DE – Wiesbaden @ Schlachthof
Oct. 18 – IT – Milan @ Live Club
Oct. 19 – DE – Saarbruecken @ Garage
Oct. 21 – SI – Ljubljana @ Media Center
Oct. 22 – AT – Vienna @ Arena
Oct. 23 – PL – Wroclaw @ A2
Oct. 24 – DE – Munich @ TonHalle
Oct. 25 – DE – Oberhausen @ Turbinenhalle
Oct. 26 – NL – Utrecht @ Tivoli Vredenburg – Ronda
Bury Tomorrow Release “Forever The Night” From Upcoming Album ‘Will You Haunt Me, With That Same Patience’
Following the release of dynamic and sonically splintering new singles (“Let Go,” “What If I Burn,” and “Villain Arc”), Bury Tomorrow have today released “Forever The Night” with an accompanying visualizer.
The song explores the intoxicating allure of escapism – how euphoria can blind us to the truth, even when something isn’t good for us. The track captures the emotional tension of clinging to fleeting highs to avoid facing reality, underscoring the inevitability of change and the end of all things.
For Bury Tomorrow, the last two years have been about trying to fill the space where they knew something was missing. From the depths of uncertainty, through line-up changes and COVID-inspired road blocks, the arrival of guitarist Ed Hartwell and keyboardist/vocalist Tom Prendergast and the creation of 2023’s The Seventh Sun has allowed them to lay out a whole new path of possibilities that felt unavailable before. Now, with an invigorated belief and fresh outlook on what the band can encompass, they present Will You Haunt Me, With That Same Patience, their most fantastically visceral offering to date.
Crafted more intimately and intricately than ever before by internalizing every aspect of the writing process, with Carl Bown [Sleep Token, Bullet For My Valentine, While She Sleeps] manning production duties for the first time, the result is a profoundly personal, extraordinarily expansive and punishingly grand display of cathartic craftsmanship.
Born from a shared sense of frustration in feeling an ever-shifting disconnect from the state of modern society, the band have created an earnest, heart-wrenching and definitive look at the overlapping effects of brutal self-sabotage, crippling anxiety, fierce despondency and the never-ending search for peace and clarity in a world so full of noise. It is a record about division as much as togetherness, an outpouring of personal devastation but a hopeful reminder that we are all navigating it together.
“To haunt is to revisit or recur persistently to the consciousness of someone or something,” explains guitarist, Kristan Dawson. “There’s beauty in that commitment somewhat. In a world full of distraction, discourse, instancy and demand, patience seems hard to attain. In patience there is peace, one thing society is short of. The title serves as a call of reflection, relying on the present moment, remembering what truly matters. I think the notion of patience being haunting is quite a contrast and that’s certainly reflective of the album musically.”
Within such deep sonic exploration and shared emotional understanding, and despite its bleak outlook on things, Will You Haunt Me With That Same Patience’ still strives to represent that lingering presence, that hope, that reminds us that this isn’t the be-all and end-all of this existence. That things can change for the better, just like we can change for the better with it, and persevering through such separation will bring us back around eventually. We just have to weather the storm and trust in that feeling to pull us through.
To have allowed themselves the time and space to reach this point of comfort and confidence now feels like a starting point for everything that the band will do in the future. Expanding their empire in all corners of the world and delivering their biggest statement of intent to date is the beginning of a whole new chapter in the story of one of the most devastating and dedicated assets to British heavy music.

