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Guitar Market To Grow By USD 1.9 Billion From 2022 To 2027

Eric Alper
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Guitar Market To Grow By USD 1.9 Billion From 2022 To 2027

The guitar market is estimated to grow by USD 1.9 billion from 2022 to 2027, growing at a CAGR of 7.75%.

By Geography, the market is classified as North America, Europe, APAC, South America, and Middle East and Africa. North America will have the largest share of the market.

North America accounts for 43% of the growth of the global market during the forecast period. The US is one of the main countries that is significantly contributing to the growth of the global guitar market in North America due to several factors such as the launch of innovative products, the increasing use of online platforms to shop for guitars, and the rising demand for designer guitars. In addition, the increasing demand for eco-friendly guitars is expected to positively impact the market growth in the region. Furthermore, the main aspect of the eco-friendly guitar is that is made from wood types that are not specified under the Convention on International Trade in Endangered Species (CITES) such as ebony, koa, poplar, basswood, khaya, and ovangkol. In addition, other factors that are fuelling the market growth in the region include the growing number of rapidly emerging musicians, the increasing number of educational institutions offering music as a subject, and the rising adoption of music as a hobby among the population in North America. Hence, such factors drive the market growth in the region.

The market share growth of the acoustic segment is significant during the forecast period. The increasing adoption of acoustic guitars in developing countries is signficantly contributing to the growth of this segment. The main feature of the segment is that it is designed in such a way that it does not need any electric amplification for modulation or the projection of sound. There is a growing adoption of this segment across various developing countries including India and Brazil due to factors such as high affordability and availability, along with their low cost and low initial investment requirement when compared to electric guitars. Hence, such factors are fuelling the growth of this segment which in turn will drive the market growth during the forecast period.

U.S. Postal Service Reveals Stamps for 2024 With Tribute To Bluegrass Music

Eric Alper
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U.S. Postal Service Reveals Stamps for 2024 With Tribute To Bluegrass Music

The U.S. Postal Service today announced many of the stamps it will issue in 2024.

“As always, our stamp program features a broad array of subjects and designs. Stamps are miniature works of art and often tell a story that highlights our American culture, our people or an important point in our history,” said Lisa Bobb-Semple, acting Stamp Services director for USPS. “Stamps also allow us to show what’s important to us as we carefully select which stamp adorns our mailpieces. The 2024 stamps were designed to offer the American public a broad array of choices for those looking to collect stamps or send a special message.”

In March, they will put the spotlight on bluegrass music.

Born in the mid-20th century, bluegrass defies time, drawing inspiration from the past while also openly embracing innovation. At once rural and urban, emotional and highly technical, this singular American music style remains unconstrained by geography, attracting fans worldwide who all share the same passion for what they affectionately call the “high lonesome sound.”

Inspired by vintage bluegrass concert posters, the stamp art features four acoustic string instruments typical of bluegrass bands: guitar, five-string banjo, fiddle, and mandolin. Text at the top of the stamp reads “High Lonesome Sound,” the title of a 1963 documentary about Appalachian folk music and a familiar nickname for bluegrass.

The five-string banjo dominates the sound of bluegrass and, along with guitar, mandolin, and bass, sets the rhythmic foundation of this often fast-paced music. Fiddle, mandolin, banjo, and guitar evoke a range of melodic flavors and emotions in their solos and backup. Instrumental dexterity, combined with tight vocal harmonies and heartfelt, sometimes mournful lyrics, creates an electrifying and emotional experience for both performers and listeners.

Music historians generally agree that bluegrass as we know it originated with Bill Monroe (1911–1996), who drew on old-time fiddle and church music as well as gospel, blues, and jazz to fashion a style of music that was both brand-new and achingly familiar. By 1945, Monroe and his band, the Blue Grass Boys, had solidified the key components of bluegrass: refined vocal harmonies, driving tempos, and outstanding musicianship.

Once viewed as a type of country music, bluegrass—which musicologist Alan Lomax famously described as “folk music with overdrive”—emerged as its own distinct genre in the 1950s. Soon the music could be found just about everywhere, from college campuses and large urban areas to television shows and movies. Outdoor festivals became a mainstay of bluegrass in the 1970s, a period when the music took off in new directions as bands eagerly incorporated influences from rock and pop.

Today, although bluegrass enjoys relatively little radio exposure, the music continues to thrive. The nonprofit International Bluegrass Music Association was founded in 1985, a bluegrass category was added to the Grammy Awards in 1989, and the Bluegrass Music Hall of Fame was founded in Owensboro, Kentucky, in 1991. Billboard launched its bluegrass albums chart in 2002, two years after the wildly popular soundtrack to the film O Brother, Where Art Thou? introduced bluegrass to yet another generation of fans. Today, bluegrass festivals held around the world, like the Telluride Bluegrass Festival in Colorado and Bluegrass Live! in North Carolina, draw thousands of fans every year.

Art director Antonio Alcalá worked with designer and illustrator Heather Moulder to produce the stamp art.

 

Global Vinyl Record Market on a Resurgence, Expected to Reach $2.8 Billion by 2028

Eric Alper
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Global Vinyl Record Market on a Resurgence, Expected to Reach $2.8 Billion by 2028

The global vinyl record market, which reached a size of US$1.7 billion in 2022, is poised for substantial growth in the coming years according to ResearchAndMarkets.com’s offering, with an anticipated market size of US$2.8 billion by 2028. This growth is expected to be characterized by a robust compound annual growth rate (CAGR) of 9.4% during the forecast period spanning from 2023 to 2028.

A vinyl record, also known as a phonograph record, is an analog sound storage device made of polyvinyl chloride (PVC) plastic. These discs may have a core composed of metal, resin, cardboard, or glass, and they contain grooves with modulated sound information. Vinyl records are experiencing a resurgence in popularity among both music collectors and contemporary artists, making them a cherished medium for music production.

Several key factors are contributing to the growth of the global vinyl record market:

  1. Rapid Urbanization: Urbanization is on the rise globally, and vendors are adopting omnichannel retailing practices to expand their consumer base.
  2. Music Enthusiasts and Collectors: Music collectors, audiophiles, and DJs value vinyl records as prized possessions, using them for concerts, shows, and music recordings. Vinyl records also hold significant cultural and historical value in the world of music.
  3. Music Label Promotion: Popular music labels are organizing events and offering deluxe or limited-edition albums to promote vinyl records.
  4. Technological Advancements: Manufacturers are integrating technological advancements into vinyl records to enhance their capacity, maintain high-definition (HD) audio quality, and reduce production costs.
  5. Celebrity Promotion: Celebrities and music personalities are actively promoting vinyl records, contributing to their growing demand.
  6. Increasing Consumer Spending: The rising disposable incomes of consumers are driving the demand for vinyl records.

HarbourView Equity Partners Acquires Select Recorded Music and Publishing Assets of Rock Icons Pat Benatar and Neil Giraldo

Eric Alper
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HarbourView Equity Partners Acquires Select Recorded Music and Publishing Assets of Rock Icons Pat Benatar and Neil Giraldo

Global alternative asset management company HarbourView Equity Partners (HarbourView) announced today it has agreed to purchase a share of multi-Grammy winning artist Pat Benatar and Neil Giraldo’s recorded music and publishing assets.

Pat Benatar and Neil Giraldo are among the most formidable power couples in rock history. Together, they created a sound that deeply impacted the sonic landscape of the 1980s.

Pat Benatar’s staggering vocals and take-no-prisoners attitude, along with Neil Giraldo’s trailblazing artistry as a guitarist, producer and songwriter forged the undeniable chemistry and unique sound that created some of rocks most memorable hits including “We Belong,” “Invincible,” “Love is a Battlefield,” “Promises In The Dark,” “We Live For Love,” “Heartbreaker” and “Hell Is For Children.”

Together, Pat Benatar and Neil Giraldo have created two multi-platinum, five platinum and three gold albums, as well as nineteen Top 40 hits. They have sold over thirty million records worldwide and have won an unprecedented four consecutive Grammy awards. Their rock and roll love affair has endured for more than three and a half decades. Pat and Neil continue to tour, selling out concerts everywhere.

“We are overjoyed to welcome into our repertoire the iconic catalog of Pat and Neil. The works are cross generational, inspirational and a perfect complement to our portfolio. The music spans generations and has seen us through moments of hope and healing. We are grateful to be stewards of this canon of work and look forward to partnering with Pat and Neil.”

HarbourView is a multi-strategy, global investment firm focused on investment opportunities in the entertainment and media space. The firm’s distinctly diverse portfolio features thousands of titles spanning numerous genres, eras, and artists, amounting to a diversified catalog of ~24,000+ songs across both master recordings and publishing income streams.

First “Blush” Of Spring: Neo-Goth Rockers VAZUM Welcome The Coming Thaw

Eric Alper
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First “Blush” Of Spring: Neo-Goth Rockers VAZUM Welcome The Coming Thaw

A Detroit deathgaze duo are the last folks you’d expect to suffer from Seasonal Affective Disorder, but Vazum wants to make it clear winter can be a bummer for anybody. Their new single, “Blush,” is a hopeful and timely reminder that milder days lie ahead – a message to cling to, whether your personal tastes normally run toward daffodils or funeral lilies.

Appropriately enough, it all came out of their love of gardening. Last year, musical partners Zach Pilska (vocals, guitar and drums) and Emily Sturm (vocals, bass and synyhesizers) bought a church in Jackson, Michigan, to serve as their living space and personal studio. One of the first things they did was to turn the parking lot out front into an oasis of native pollinators and flowers. Watching that garden flourish as spring turned to summer planted the literal seed of a new song: a hymn of renewal to be repeated like an affirmation in times when all seems frozen and hopeless.

“Every Winter is a struggle to survive the cold, dark, bleak days and nights,” the band says. “Seasonal depression hits us all in different ways. We look forward to the Spring with much excitement, as the sun breathes new life to the flowers and trees.”

The song renders that phenomenon as a neatly repeating two-act drama. Over a driving beat and some angular, ominously chiming guitar, Sturm’s vocal places us in the middle of a winter “so cold and bitter” that its virtues are hard to spot:

Maybe it looks nice on paper
We’re always falling down

The chords and melody turn brighter, though, for the wholly redemptive chorus:

Sunny days coming soon
For your lover
Mellow, softly
Lifting you up

And so it goes, back and forth and on again and off again, for five reassuring minutes that embody the eternal process of quietus and rebirth.

It’s uplifting stuff indeed for an act that traditionally trades in deathgaze – a hybrid of deathrock, post-punk and shoegaze. The accompanying music video is a study in contrasts too, transitioning from foreboding shots of wintry skies to images of wildflowers filmed in that Jackson garden and projected onto the band members’ bodies as they play. The duo have even departed from their traditional jet-black duds, donning cheerier metallic and iridescent costumes for “a glimmer of hope.”

Vazum has seen plenty of seasons pass since Pilska began recording and performing under that name in 2017. He released three albums before meeting Sturm; as a duo, they’ve generated multiple singles, an EP and four albums, including last year’s V-, a compilation of re-recorded greatest hits. With “Blush” out January 5, they’re about to embark on a tour of the Southern U.S. Spring, as they say, has sprung.

Yamaha Unveils Next Generation MONTAGE M Synthesizer

Eric Alper
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0
Yamaha Unveils Next Generation MONTAGE M Synthesizer

Today, Yamaha announced the new MONTAGE M synthesizer, combining next-level amazing sound, new control dimensions for dynamic expression and seamless workflow integration between stage and studio. The new flagship product lineup – consisting of the 61-key MONTAGE M6 for synthesists, 76-key MONTAGE M7 for keyboardists, and 88-key with polyphonic aftertouch MONTAGE M8x for pianists – features the brand’s latest cutting-edge technologies to elevate expression.

Uniquely crafted to provide highly realistic, imitative and creative sound, MONTAGE M features a new AN-X Analog Engine and improved AWM2 Engine that, combined with the FM-X Engine, give a total of 400 notes total polyphony. Musicians can also achieve optimal workflow integration through its USB MIDI and audio interface, Expanded Softsynth Plug-in (ESP…coming in 2024) and faster and easier navigation.

The new MONTAGE M product lineup delivers innovative control dimensions for unique music-making, including new performance controls and a dedicated keyboard and scene control. The MONTAGE M8x includes these capabilities and adds polyphonic aftertouch, providing superior expressive capabilities.

Other notable features include 9.97 GB preset waveROM, 16 libraries (640 performances per library), 3.8 GB user flash memory, VCM Rotary Speaker and more.

PRICING & AVAILABILITY:

The MONTAGE M will be available for pre-order starting October 9, 2023, at the following pricing:

  • MONTAGE M6: $3,499.99
  • MONTAGE M7: $3,999.99
  • MONTAGE M8x: $4,499.99

To learn more about the MONTAGE M synthesizers, please visit Yamaha.io/MONTAGEM.

Starmus announces Jean-Michel Jarre and The Offspring as new star signings for Starmus VII

Eric Alper
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Starmus announces Jean-Michel Jarre and The Offspring as new star signings for Starmus VII

Jean-Michel Jarre and The Offspring will headline the seventh edition of the Starmus Festival – focused on the future of our home planet. They will be joined by Tony Hadley, former lead singer of the British pop icon from the 80s Spandau Ballet. Brainchild of Garik Israelian and Queen guitarist Sir Brian May, the festival of science communication will be brought to global audiences thanks to a partnership with cybersecurity giant ESET on  12-17 May 2024 in Bratislava, Slovakia. The event promises to deliver an extraordinary lineup of world-class speakers, discussions and music performances. Throughout the multi-day event, festival goers will have the opportunity to enjoy numerous talks, delving into diverse topics such as astrophysics, computer science, neuroscience, microbiology, and biochemistry.

The astronaut and engineer Chris Hadfield, the scientist and leading voice in AI Gary Marcus; the Cambridge DeepMind Professor of Machine Learning Neil Lawrence; the SLAM Oxford Professor Philip Torr; the computer scientist and co-founder and CEO of Plumerai Roeland Nusselder; the popular British multi-talented comedian, broadcaster and author Robin Ince; the Ukranian climate scientist Svitlana Krakovska and the legendary oceanographer and chairman of Mission Blue/Sylvia Earle Alliance Dr. Sylvia Earle are the latest talents joining Starmus VII unique panel of speakers (access full list here).

The Astrophotography School, organised by former senior editor of Astronomy Magazine, Michael E. Bakich, is a traditional side-event of the Starmus festival. Led by three of the world’s best astroimagers: Damian A. Peach, Chris Schur and Martin Ratcliffe, 2024 edition will offer a unique occasion for astrophotography enthusiasts to take pictures of celestial objects and enjoy a once in a lifetime experience.

At its core, the Starmus festival embodies ESET’s unwavering dedication to safeguarding the progress that technology enables. With over 30 years of experience in cyber-threats and digital security, ESET has firmly established itself as a research-first company. At home, ESET demonstrates its dedication to science through the ESET Science Award, an annual celebration that recognizes outstanding achievements in Slovak science. Joining forces with the Starmus Festival therefore represents the company’s natural ambition to promote the power of science among local and global audiences.

“We are thrilled to partner with Starmus, a celebration where science and music harmonize to inspire innovation and curiosity. ESET stands at the intersection of research and security, working to joining them and ensure that the digital landscape remains both trustworthy and protected,” said Richard Marko, CEO at ESET. “In our ever-evolving digital landscape, it is crucial to not only protect technology but also to foster a deep appreciation for the scientific achievements that drive progress. This festival serves as a platform to celebrate these accomplishments and inspire future leaders in both fields.”

Garik Israelian, astrophysicist and Starmus founding director, explained, “Science is a pathway to curiosity, a bridge to understanding, and a beacon of endless possibilities. Embracing science means embracing the future—it nurtures critical thinking and fuels innovation. In a rapidly evolving world, scientific knowledge empowers us to make informed decisions, question the unknown, and shape a brighter tomorrow. With the Starmus Festival, we aim to inspire people to explore, discover, and believe in the extraordinary potential that lies within the realms of science.”

System Of A Down To Headline ‘Sick New World 2024’ With Slipknot And Bring Me The Horizon Joining The Juggernaut Lineup

Eric Alper
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System Of A Down To Headline ‘Sick New World 2024’ With Slipknot And Bring Me The Horizon Joining The Juggernaut Lineup

Following a meteorically successful inaugural year, Sick New World is set to return to the Las Vegas Festival Grounds April 27, 2024 with an enormous collection of the world’s biggest hard rock, alternative, and up and coming artists. With a closing performance from returning headliner System Of A Down, this colossal lineup features over 65 artists across five stages, including Slipknot, Bring Me The Horizon, A Perfect Circle, Alice In Chains, Danny Elfman, Bad Omens, Sleep Token, Knocked Loose, and many more.

Fans can sign up now for the festival SMS list at SickNewWorldFest.com to receive an access code for the presale that will begin Friday, October 13 at 10AM PT. Any remaining tickets following the presale will go on sale to the general public on Friday, October 13 at 2PM PT. GA, GA+, VIP, and VIP Cabana Tickets will be available, with layaway payment plans starting at $19.99 down.

VIP packages include preferred viewing areas, charging stations, a dedicated entry lane at the festival entrance, air-conditioned restrooms, and more. VIP Cabanas are available with exclusive viewing areas, featuring VIP service including food vouchers and select complimentary beverages, expedited entry and more. Sick New World has partnered with Jampack to offer hotel and ticket packages with exclusive amenities, including discount rates on select Las Vegas hotels. For the full list of available tickets, packages, and the amenities included in each, please visit SickNewWorldFest.com.

Scotty McCreery Announces Upcoming ‘Cab In A Solo Tour’

Eric Alper
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Scotty McCreery Announces Upcoming ‘Cab In A Solo Tour’

With another recent RIAA certification under his belt, the most first-week adds at country radio (120) of his career for latest single “Cab in a Solo,” and on the heels of celebrating a milestone 30th birthday yesterday, Triple Tigers recording artist Scotty McCreery is ready to kick 2024 off with a bang.

Having spent almost half his life in the spotlight making country music, the North Carolina native continues to push himself creatively as well as personally and is set to launch the next chapter in his career with his headlining Cab in a Solo Tour. Named after his current single of the same name, McCreery will be joined by Anne Wilson as direct support as well as Greylan James and Noah Hicks on select dates. The tour, produced by Live Nation, will kick-off at Hobart Arena in Troy, OH on Jan. 26, 2024, and trek across the U.S. with stops in Atlanta, Philadelphia, Boston and more.

“I’m on the road year ‘round, but I always love putting together specific tours and I think next year’s Cab in a Solo Touris gonna be one of my favorites,” said McCreery. “Happy to have Anne Wilson join us on the road – she’s a great singer. Depending on the city, either Greylan James or Noah Hicks will be opening up the show and they’re both fantastic performers. And who knows, maybe I’ll share a few songs from my upcoming new album! I’m looking forward to it!”

Written by McCreery, Frank Rogers and Brent Anderson and produced by Rogers, Derek Wells, and Aaron Eshuis, “Cab in a Solo” offers the first taste of new music from McCreery since the release of his 2021 album Same Truck. Stream “Cab in a Solo” HERE.

Upon its release, Taste of Country declared “McCreery’s country roots shine.” With a hint of neotraditional country and dash of 90’s country nostalgia, the heartbreak track finds the happily married father in unfamiliar territory – lamenting a failed relationship.

“Cab in a Solo” follows the recent success of “It Matters to Her” the fastest climbing single of McCreery’s career. The singer/songwriter has earned five consecutive No. 1 hits in the last few years including RIAA Platinum-certified No. 1 “Damn Strait” and RIAA Gold-certified No. 1 “You Time,” all found on Same Truck: The Deluxe Album.

Earlier this summer McCreery joined the Brooks & Dunn REBOOT Tour 2023. He is currently out on the road for his own headlining tour with 25+ dates through the fall.

Cab in a Solo Tour Dates:
1/26/2024 Troy OH Hobart Arena +^
1/27/2024 Shipshewana IN Blue Gate Performing Arts Center*^
2/1/2024 Durham NC Durham Performing Arts Center +^
2/2/2024 Atlanta GA Coca-Cola Roxy+^
2/3/2024 Chattanooga TN Soldiers and Sailors Auditorium +^
2/8/2024 Brookings SD Dacotah Bank Center +^
2/9/2024 Des Moines IA Vibrant Music Hall+^
2/10/2024 Omaha NE Steelhouse +^
2/22/2024 Independence MO Cable Dahmer Arena +#
2/23/2024 Norman OK Riverwind Casino
2/29/2024 Philadelphia PA The Met +#
3/1/2024 Boston MA MGM Music Hall at Fenway +#
3/2/2024 Syracuse NY Landmark Theatre +#~
3/14/2024 Johnstown PA 1st Summit Arena +#
3/15/2024 Wallingford CT Toyota Oakdale Theatre +#~
3/16/2024 Schenectady NY Proctors Theatre +#~
+ Anne Wilson
^Greylan James
#Noah Hicks

Madison Beer Announces Global ‘The Spinnin Tour’

Eric Alper
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Madison Beer Announces Global ‘The Spinnin Tour’

Today, platinum-selling recording artist, songwriter and producer Madison Beer announced her 2024 global ‘The Spinnin Tour’ across Europe and North America. Presented by Live Nation, the 52-date global outing kicks off on Saturday, February 24 in Stockholm, Sweden at Fryshuset Arenan, with stops across Europe in Oslo, Amsterdam, Prague, Milan, Barcelona, and more before wrapping up on Monday, March 25 in London, UK at Eventim Apollo.

The North American leg kicks off on Wednesday, April 24 in Minneapolis, MN at The Fillmore before heading to Chicago, Nashville, Montreal, Toronto, New York, Atlanta, San Diego, and more ahead of wrapping up on Thursday, June 13 in Los Angeles with a show at the iconic Greek Theatre.

With over 2.4 billion streams earned worldwide, Madison is a dynamic and versatile artist whose sound blends pop, R&B, and soul influences with her powerful, emotive vocals. A creative force and visionary, Madison’s stage performances are meticulously crafted, offering an experience that transports audiences into her imaginative world through her keen eye for aesthetics. Most recently, Madison released her acclaimed second studio album Silence Between Songs, on which she wrote and co-produced all songs. With her exceptional talent for storytelling and emotional depth, Madison explored themes of growth, reflection, and introspection, while delivering a fresh sonic experience and infusing the album’s visual aesthetics with her distinctive artistic vision.

Madison Beer is a songwriter, platinum-selling recording artist, producer and author. Since making her music debut at the age of 12, Madison has evolved into a dynamic and versatile artist whose sound blends pop, R&B, and soul influences, with powerful, emotive vocals that convey a raw and honest portrayal of the human experience. With over 2.4 billion streams earned worldwide, Madison has developed a dedicated fanbase and garnered critical acclaim for her unique blend of soulful melodies, her powerful vocal range, and introspective lyrics that explore the complexities of love, heartbreak, and self-discovery. A creative force and visionary, Madison’s music videos and stage performances are meticulously crafted, offering an experience that transports audiences into her imaginative world through her keen eye for aesthetics.

As an independent artist, Madison released her debut EP As She Pleases, demonstrating self-assured conviction on the project’s standout track “Home with You” which reached number #22 on the Billboard Mainstream Top 40 chart and positioned her as the only independent female solo artist on the chart. Madison’s major label debut studio album, Life Support, was released in February 2021 and opened to critical acclaim. Life Support became Madison’s highest entry to date on the Billboard 200 and has since earned over one billion streams, while the album’s lead single “Selfish” went on to be certified RIAA platinum.

Most recently, Madison released her acclaimed second studio album Silence Between Songs, on which she wrote and co-produced all songs. Described as “psychedelic rock-inspired dream pop” (Variety) featuring “sweeping, heartfelt ballads” (NPR), the album includes singles such as the fan-favorite “Reckless,” which has garnered over 400 million worldwide streams, the summer anthem “Home To Another One,” and the cinematic “Spinnin”. With her exceptional talent for storytelling and emotional depth, Madison explored themes of growth, reflection, and introspection, while delivering a fresh sonic experience and infusing the album’s visual aesthetics with her distinctive artistic vision. The album was lauded as “her most stylish and mature work yet” (Vogue) as well as “masterful exploration of her artistic growth and her profound connection with listeners” (A Book Of), all the while “her vocals are as gorgeous as ever” (NYLON).

THE SPINNIN TOUR EUROPE TOUR 2024 DATES:
Sat Feb 24 – Stockholm, Sweden – Fryshuset Arenan
Sun Feb 25 – Oslo, Norway – Rockefeller
Wed Feb 28 – Brussels, Belgium – Ancienne Belgique
Thu Feb 29 – Amsterdam, Netherlands – AFAS Live
Fri Mar 01 – Luxembourg, Luxembourg – den Atelier
Sun Mar 03 – Cologne, Germany – Palladium
Tue Mar 05 – Warsaw, Poland – Progresja
Thu Mar 07 – Munich, Germany – Tonhalle
Sat Mar 09 – Vienna, Austria – Gasometer
Sun Mar 10 – Prague, Czech Republic – Sasazu
Tue Mar 12 – Zurich, Switzerland – X-Tra
Wed Mar 13 – Milan, Italy – Fabrique
Sat Mar 16 – Barcelona, Spain – Razzmatazz
Sun Mar 17 – Madrid, Spain – Palacio Vistalegre
Wed Mar 20 – Paris, France – Zenith
Fri Mar 22 – Manchester, UK – O2 Victoria Warehouse
Sat Mar 23 – Birmingham, UK – O2 Academy
Sun Mar 24 – Glasgow, UK – O2 Academy
Mon Mar 25 – London, UK – Eventim Apollo

THE SPINNIN TOUR NORTH AMERICA 2024 DATES:
Wed Apr 24 – Minneapolis, MN – The Fillmore Minneapolis
Fri Apr 26 – Chicago, IL – Riviera Theatre
Sat Apr 27 – St. Louis, MO – The Pageant
Sun Apr 28 – Nashville, TN – Ryman Auditorium
Tue Apr 30 – Cincinnati, OH – The Andrew J Brady Music Center
Wed May 01 – Indianapolis, IN – Egyptian Room at Old National Centre
Fri May 03 – Detroit, MI – The Fillmore Detroit
Sat May 04 – McKees Rocks, PA – Roxian Theatre
Tue May 07 – Charlotte, NC – The Fillmore Charlotte
Wed May 08 – Raleigh, NC – The Ritz
Fri May 10 – Washington, DC – Echostage
Sat May 11 – Boston, MA – MGM Music Hall at Fenway
Tue May 14 – Montreal, QC – MTELUS
Wed May 15 – Toronto, ON – HISTORY
Fri May 17 – Philadelphia, PA – The Fillmore Philadelphia
Sat May 18 – New York, NY – Radio City Music Hall
Mon May 20 – Atlanta, GA – Tabernacle
Wed May 22 – St. Petersburg, FL – Jannus Live
Thu May 23 – Hollywood, FL – Hard Rock Live
Sat May 25 – New Orleans, LA – Fillmore New Orleans
Sun May 26 – Houston, TX – Bayou Music Center
Tue May 28 – Austin, TX – Stubb’s Waller Creek Amphitheater
Wed May 29 – Dallas, TX – South Side Ballroom
Fri May 31 – Phoenix, AZ – The Van Buren
Sun Jun 02 – Denver, CO – Fillmore Auditorium
Tue Jun 04 – Salt Lake City, UT – The Complex
Wed Jun 05 – Las Vegas, NV – Brooklyn Bowl Las Vegas
Fri Jun 07 – Portland, OR – McMenamins Crystal Ballroom
Sat Jun 08 – Seattle, WA – Moore Theatre
Sun Jun 09 – Vancouver, BC – Commodore Ballroom
Tue Jun 11 – San Francisco, CA – The Masonic
Wed Jun 12 – San Diego, CA – SOMA
Thu Jun 13 – Los Angeles, CA – The Greek Theatre

ABOUT MADISON BEER

About Live Nation Entertainment

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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