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Easycomment: Follow & Export Instagram Data Fast

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By Mitch Rice

The contemporary digital realm is a social one, and a brand, influencer, or marketer should know how users engage with Instagram profiles. 

These solutions make the retrieval of data easier, optimize the analytics processes, and provide credible insights at the touch of a few clicks. This paper discusses the features and functionality of Easycomment, as well as why it is an important tool in the hands of any individual who wants to take their Instagram analysis to the next level.

Growing importance of Instagram Insights 

Instagram is among the most powerful social media in the world, and the number of interactions between users and companies is in millions every day. The trends of growth, audience behavior, and content reaction can define the success of a marketing campaign or general brand strategy. 

Easycomment is one that will help in converting these activities that were previously time consuming manual activities to fast and convenient procedures.

Track Instant Instagram Followers with Easycomment

Easycomment has one of the best tools in the form of its instagram follower tracker.This is a characteristic where users can see the latest people to follow any Instagram account in clear chronological sequence. 

You can use the tool to follow up on your account or analyze your competitors as you can immediately access new insights about your followers. It displays the most recent followers to an account, puts them in a chronological order with an update that shows users the latest viewer activity.

The follower tracker is very simple to use. All you have to do is to access the follower viewer page, paste in the Instagram account URL or account ID, and press the View button. Easycomment is able to find the latest followers within seconds and displays them in a well-organized list. No technical set up, API integration, or account login is required. It is all computerized, user-friendly and effective.

Fast Instagram Comment Downloader by Easycomment

The other highlight of Easy comment is that Easycomment has an instagram comment downloader.

Such a tool will enable one to save the comments of any post on Instagram using merely the URL of the post. It is needed by people who require clean and structured commentary data to carry out their research, sentiment analysis, content evaluation, or engagement reporting. 

The tool can effectively retrieve all the comments, categorize them into downloadable formats and ready them to be used in spreadsheets, analytics platforms or reports.

The comment downloader is also as easy to use as the follower viewer. First, you open the comment export page, type in the URL of the post that you want to analyze on Instagram and then press the key Export. The link is then processed by Easycomment which downloads all the comments available. This will save time on scrolling after scrolling long comment pages or copying them line by line.

Who should use Easycomment?

The tools that Easycomment provides will be beneficial to a large audience. The advantage lies in social media managers knowing the growth of followers and studying the audience interest without searching the Instagram application. 

Influencers and creators are able to know the number of new followers received due to the collaboration, and gather the comments to be used in brand partnerships. Companies and brands track the response of the customers and follow the interest in product releases or advertising campaigns. 

Why is Easycomment Better than Tools?

The unique feature of Easycomment is that it does not demand any technical installation, has slow and correct data retrieval, and an uncluttered and easy to use interface. It facilitates various Instagram data requirements, provides real time insights and can be used by both beginner and professional. 

Most of the tools have to log in to Instagram, integrate API or use a complex dashboard, whereas Easycomment doesn’t add any complexity to its services. The user is able to obtain the information that he or she requires without moving through the irrelevant features and systems.

Final Thoughts:

You can track the activity of your followers or watch the responses of the audiences to the Instagram content; in any case, Easycomment suggests all the required information in a simple and time-saving manner. 

These tools will be ideal in case you want to get the data that is quick, dependable, and you do not want all of the side effects. Allow Easycomment to manage the data–to be able to concentrate on strategy, creativity, and growth.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.

Rock Mystics Mirador Release Their Debut Album And First Single “Feels Like Gold”

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Mirador, the new band co-founded by GRAMMY Award-winning Greta Van Fleet co-founder Jake Kiszka and Ida Mae’s Chris Turpin, announce their debut album, the self-titled Mirador.

“Mirador comes from a deep passion for rock ‘n’ roll, early folk, and country blues as well as folklore,” says Turpin.

“Our world lives in those traditions,” Kiszka adds. “There’s an unspoken mysticism. You can trace it back to the stories of meeting the devil at the crossroads, selling your soul, and losing your mind to the wind. Mirador definitely inhabits a lot of that. We’re hyper aware of our lineage, so we can build our own future as a band. It’s two guitar players from notable groups coming together to create a new mythology. As soon as we were in uncharted territory, we knew we were doing something right.”

Mirador also share their first single, ‘Feels Like Gold’, the first song the band has ever released. The band shares about the new single, “‘Feels Like Gold’ is set against the backdrop of conquest and imperialism, in an era marked by global friction and war. The song weaves together themes of cultural collision, the relentless pursuit of riches, and the complexities of history. Yet, amidst the darkness of war and dogged determination for expansion, it offers a message of hope for a unified world and an understanding beyond violence.”

Mirador has the uncanny ability to conjure sky-shaking and boundary-bursting rock ‘n’ roll by invoking spirits of ancient myth, traditional folklore, and Delta-born blues in one concentrated musical incantation. Greta Van Fleet’s Jake Kiszka not only shares vocal and guitar duties with critically acclaimed co-vocalist and guitarist Chris Turpin of Ida Mae, but he also shines as a producer and songwriter, stepping out on his own. The group, filled out by Mikey Sorbello on drums and Nick Pini on bass & keys, stretches the limits of rock ‘n’ roll and showcases the band’s myriad influences and uncompromising vision.

Kiszka and Turpin met in 2018 when Ida Mae opened for Greta Van Fleet during a sold-out three-night stand at the Fox Theatre in Detroit, MI. On the road, Kiszka and Turpin cemented their friendship by way of late-night jam sessions fuelled by wine and a shared passion for everyone from Charley Patton, Muddy Waters, and Lightnin’ Hopkins to Martin Carthy, Bert Jansch, and Fairport Convention.

“We were like long lost brothers,” says Kiszka. “After we wrote those songs, I realized we had a chemistry I’d never had with anybody but my own brothers. It was obvious we needed to do this.” The world got to know Mirador when they spent a month opening up Greta Van Fleet’s Starcatcher World Tour in arenas coast-to-coast throughout 2024. Galvanized by this nightly trial-by-fire, the band rolled right into a Savannah, GA studio with GRAMMY® Award-winning producer Dave Cobb [Brandi Carlile, Chris Stapleton], and they cut Mirador live in barely two weeks.

“After four weeks on our first tour, we went to the studio,” says Turpin. “By the time we got there, Dave harnessed a lot of the intensity and frenetic energy from the road.” Kiszka adds, “if we didn’t cut our teeth in the most intense circumstances, I don’t think the record would have the same spirit.”

‘Feels Like Gold’ introduces the album with rumbling guitars breaking like a wave against its towering chorus, “and it feels like gold.” On ‘Fortune’s Fate’ a turbulent guitar groove tosses and turns before spilling over into an emotional crescendo, “there goes my shadow to the one I love.”

Elsewhere, ‘Heels Of The Hunt’ launches forward on a rapid-fire drum roll, while wild riffs chase goosebump-inducing vocals through a bluesy haze. The finale ‘Skyway Drifter’ opens with finger-picked accents before breaking open into a cathartic breakdown.

“For me, it would be beautiful if this is all-consuming for listeners—like when you see a movie at the cinema,” Kiszka concludes. “We’re trying to immerse people in the world of MIRADOR and where we’re coming from. There’s so much duality in the album: the humanity, the soul, the adventure, the tyranny, and the journey. It’s a very important record for us, but also in terms of what has gone down in the world of rock ‘n’ roll today. We hope you feel like you belong to this place as much as we do.”

UK Blues Rock Collective Hollow Souls Release New Single “Bad Things” Featuring Chris Tapp

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UK blues rock collective Hollow Souls release their third single “Bad Things”, joining forces with Chris Tapp of The Cold Stares for a gritty, swamp tinged collaboration out now on all streaming platforms. Following previous singles “Borderline” featuring Jared James Nichols and “Shotgun” featuring Jon Marv Harvey from Monster Truck, Kris Barras expands the group’s collaborative vision once again. Tapp, known for his work on video game soundtracks and TV placements, co wrote and recorded the song remotely from his Evansville home studio, adding his cool vocal delivery to Phoebe Jane’s punchy choruses. Barras says, “I have admired Chris and the work of Cold Stares for a long while and I’ve sort of been waiting for the right track to work on together to drop out of my head. I knew instantly he would take this song up ten notches. He did, and I’m so grateful to have him involved.”

The partnership grew naturally from a long standing friendship between Barras and Tapp, first sparked on Joe Bonamassa’s Keeping the Blues Alive at Sea cruise. For this track, Barras and Josiah J Manning built the initial structure before inviting Tapp to shape the verses freely, creating a seamless duet with Phoebe Jane. Barras explains, “It’s important for me to have the guests bring their own flavour to the songs and put their own stamp on things. We loved what he came back with and turned it into a duet with Hollow Souls’ main singer Phoebe Jane.” With its upbeat swagger and rich southern edge, “Bad Things” continues Hollow Souls’ run of dynamic, collaborative blues rock storytelling.

Blues Rock Firestarter Tyler Bryant Releases His New Solo Single “Falling Up”

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Tyler Bryant releases his explosive solo single “Falling Up” out now, marking the beginning of a bold new era built on instinct, grit and raw spontaneity. Known as a two time Grammy winning producer, engineer and songwriter, Bryant steps into unfiltered territory with a track created on his own terms alongside Graham Whitford, Diego Navaira and Emilio Navaira. Born from a loose jam inspired by Freddie King’s “Going Down”, “Falling Up” came together in one live take, under two minutes, one verse and nothing but fire. Bryant says, “Man, I’ve been wanting to release some music about where I come from for so long. I swore that it would not be loud rock and roll and that there would be no over the top guitar solos… I lied.” The result is a reckless moment captured on tape, the sound of amps roaring and chemistry crackling.

As Bryant continues producing Grammy winning projects for others, “Falling Up” reconnects him with the spark that first made him pick up a guitar. He shares how the song reflects the feeling of stumbling upward through life and music, finding himself on stages with heroes and landing a signature Fender guitar without ever chasing it. Preparing to welcome his first child, he revisits the childlike enthusiasm that shaped him, embracing imperfection and letting intuition lead. “Why not start the song with a filthy guitar solo and try to make it sound like the speakers are gonna explode?” he says. “For me, “Falling Up” feels like the beginning of an exploration. Be less precious, capture what feels exciting, give it away and move on.”

Blues Rock Trio Canyon Lights Release New Single “Drivin’ Me” From Their Album ‘Breathe Easy’

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Blues rock trio Canyon Lights release their newest single “Drivin’ Me” from their debut album ‘Breathe Easy’ out now. Drummer Tim Carman shares, “Although the lyrics came together quickly, the exact feel of the song took a while to reveal itself. While in the studio, with the help of co producer Dylan Brown, we settled on the driving snare drum/tambourine groove with a Beatle inspired guitar part. It quickly became one of our favorite tracks on the album.” Featuring slide guitarist Johnny Stachela, the track nods to the warm southern rock spirit of the 1970s while showcasing Canyon Lights’ blend of throwback rock n roll, swampy Americana and heavy blues.

Fronted by Pat Faherty and Carman, both formerly of the three time #1 Billboard blues band GA 20, Canyon Lights formed after years spent touring globally and sharing a deep love of 70s rock. In early 2024 the pair flew to Denver to record with Dylan Brown, sparking a new creative era built on personal songwriting and wide open inspiration. “The songs on this album are among the most personal we’ve ever written and recorded,” they share. “Spending 200 days a year on the road, struggling with separation and loss, the thrill and loneliness of living out of a suitcase… a lot of blood, sweat and tears went into this album.” To complete the lineup they added bassist Heather Gillis after an instant musical connection in Nashville, where the trio recorded a live version of their original song “Seventh Son”.

Singer Songwriter Nathan O’Regan Releases Rollicking New Single “Crazy For You” From His Album ‘Olive Branch’

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Rising singer songwriter Nathan O’Regan releases his vibrant new single “Crazy For You”, lifted from his upcoming debut album ‘Olive Branch’, out now on Zenith Cafe Records. Recorded at Attica Studios in Donegal with Gareth Dunlop and Michael Keeney, the album captures O’Regan’s warm storytelling and sharp melodic instincts. He says, “Crazy For You came about when I brought a guitar riff to Gareth one morning over a coffee. It came together really quickly, we just seem to have a natural chemistry as writers. The song itself is the excitement of a new love interest, and being unsure of how to make a good first impression but wanting to make sure that they know you’re definitely interested!”

O’Regan’s journey has taken him from Cork to Belfast, through early major label challenges, constant gigging and a renewed creative evolution surrounded by a thriving community of musicians. ‘Olive Branch’ expands that story with tracks co written with Dunlop, including “Better Days” and “Killer”, and two songs written at the legendary Fame Studios in Muscle Shoals with Brian Maher and James LeBlanc. Signed to Belfast’s Zenith Cafe label, O’Regan describes this chapter as a fresh start years in the making, accompanied by artwork from acclaimed Belfast painter Glenn Kennedy. With “Crazy For You”, he opens the door to an album full of heart, craft and lived experience.

Olive Branch Tracklisting:
01 Killer
02 Crazy For You
03 Missing Out
04 Good Day To Be Me
05 Better Days
06 Hey Man
07 Family No.2
08 Help Myself
09 Baby Steps
10 Get Down To It
11 Put These Hands To Work
12 Poetry In Motion

Cyber Metal Force LEVELS Release High-Voltage New Single And Video ‘Covert One’

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Central Arkansas quartet Levels release their new single and video ‘Covert One’, a glitchy, skittish, riff heavy blast shaped by shrieks, hooks and industrial intensity. The band says, “‘Covert One’ drags you through the wreckage of a love that masquerades as safety; a seven-stage descent into manipulation, delusion, and defiance. It’s about surviving the kind of bond that is meant to break you.” Known for blending metal with pop, electronic and drum and bass since 2016, Levels continue to build a fierce catalog fueled by diverse influences and a singular cyber driven identity.


Industrial Rock Icons KMFDM Announce 2026 European Return With Friends Jesus On Extasy

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KMFDM releases details for their long awaited 2026 European tour as the Ultra Heavy Beat returns for 16 shows across the continent with friends Jesus On Extasy joining selected dates. Following their 40th anniversary year, a North American tour, their album ‘Let Go’ and Lucia Cifarelli’s solo release ‘No God Here’, the band continues their momentum with the remixed edition ‘HAU RUCK 2025’. Fans across Europe can now prepare for their powerful live return out now.

Tour Dates:
21.02.26 Oberhausen (DE) Kulttempel
22.02.26 Eindhoven (NL) De Effenaar
24.02.26 Paris (FR) Petit Bain
25.02.26 Lausanne (CH) Les Docks
26.02.26 Winterthur (CH) Gaswerk
27.02.26 Milan (IT) Legend Club
01.03.26 Budapest (HU) A38
03.03.26 Bratislava (SI) Majestic Club
04.03.26 Prague (CZ) Palac Akropolis
05.03.26 Krakow (PL) Hype Park
06.03.26 Berlin (DE) Gretchen
07.03.26 Warsaw (PL) Proxima
08.03.26 Leipzig (DE) Moritzbastei
10.03.26 Gothenburg (SE) Pustervik
11.03.26 Stockholm (SE) Slaktkyrkan
12.03.26 Copenhagen (DK) Venue TBC

31 Songs With Long Outros That Keep You Floating

There is something magical about a long outro, the kind that unravels slowly, looping a line or stretching a groove until it becomes its own little universe. Here are the standouts.

“Biko” – Peter Gabriel
A slow building chant carries the song into a powerful, prolonged communal outro.

“Can’t You Hear Me Knocking” – The Rolling Stones
The second half transforms into a loose, smoky jam driven by saxophone and percussion.

“Fool’s Gold” – The Stone Roses
The beat rides on for minutes, turning the groove into a full hypnotic stretch.

“Free Bird” – Lynyrd Skynyrd
The famous multi minute guitar section turns into one of rock’s most iconic extended endings.

“Helter Skelter” – The Beatles
The chaotic close down spirals into raw, noisy energy that feels almost uncontained.

“Hey Jude” – The Beatles
The na na na coda repeats endlessly and becomes a communal call along.

“I Am the Resurrection” – The Stone Roses
The final four minutes explode into an instrumental celebration.

“I Want You (She’s So Heavy)” – The Beatles
A long, swirling vamp builds intensity until its sudden cutoff.

“July Morning” – Uriah Heep
The organ driven outro stretches the song into a dramatic finale.

“Lazy Eye” – Silversun Pickups
After the peak, the song drifts into a hazy, drawn out instrumental fade.

“Layla” – Derek and the Dominos
The piano coda shifts the song into a gentle, famously long second movement.

“Moonlight Mile” – The Rolling Stones
The dreamy closing section glides softly as strings and guitars expand the atmosphere.

“Mr Blue Sky” – Electric Light Orchestra
The final orchestral tag blossoms into its own extended, cinematic segment.

“November Rain” – Guns N’ Roses
Multiple guitar solos and orchestral layers stretch the ending into a massive finale.

“On Every Street” – Dire Straits
The lingering guitar lines slow the song into a reflective, spacious outro.

“Purple Rain” – Prince
The guitar solo rides out for minutes and becomes one of Prince’s most emotional moments.

“Romeo and Juliet” – Dire Straits
The tender outro lets the guitar gently unwind the song’s final mood.

“Saucy Sailor” – Steeleye Span
The arrangement stretches into a lengthy folk rock instrumental close.

“Shine On You Crazy Diamond” – Pink Floyd
The sprawling sections drift through long, atmospheric passages.

“Sky Blue” – Peter Gabriel
Its soft, layered ending gently expands into an extended ambient wash.

“Starship Trooper” – Yes
The final section known as Wurm turns into a driving, escalating jam.

“Stone in Love” – Journey
The guitars soar through a warm, melodic extended close.

“Sultans of Swing” (unedited version) – Dire Straits
The outro guitar work stretches out with clean, expressive phrasing.

“Sway” – The Rolling Stones
The song eases out with a bluesy, emotional guitar run.

“Telegraph Road” – Dire Straits
The closing build surges through one of the band’s most dramatic outros.

“The Chain” – Fleetwood Mac
The bass driven final section powers into a legendary dramatic finish.

“Time Waits for No One” – The Rolling Stones
Mick Taylor’s guitar solo extends beautifully through the fade.

“Tunnel of Love” – Dire Straits
The final guitar lines shimmer into an extended, atmospheric descent.

“Why Worry” – Dire Straits
The delicate ending floats on a long, soothing instrumental fade.

“You Can’t Always Get What You Want” – The Rolling Stones
The choir and band stretch the finale into an uplifting extended close.


Jazz Holiday Classic ‘A Charlie Brown Christmas’ Celebrates 60 Years With New Vinyl Editions From Craft Recordings

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Sixty years ago, A Charlie Brown Christmas aired on TV screens across America, marking the birth of an instant hit and an enduring holiday tradition. Based on Charles M. Schulz’s immensely popular Peantus comic strip, the award-winning animated special was accompanied by a lively score from Bay Area jazz pianist, Vince Guaraldi, who paired original cues (“Linus and Lucy,” “Christmas Time Is Here”) with traditional holiday fare (“O Tannenbaum,” “What Child Is This,” “Hark, the Herald Angels Sing”). Now, more than half a century later, the soundtrack remains a perennial favorite and, with a five-time platinum certification, one of the best-selling jazz albums.

To mark the 60th anniversary of A Charlie Brown Christmas and the 75th anniversary of Peanuts, Craft Recordings celebrates with a range of collectible vinyl reissues, beginning with an eye-catching zoetrope pressing, available September 12th. Centered by an image of Charlie Brown and the Peanuts gang caroling in the snow, Side A features five snowy zoetrope scenes—each offering an animated moment from the holiday special as the record spins. Side B pays homage to the musical side of Peanuts, with an image of Schroeder, Lucy, and Snoopy at the piano, plus five zoetrope scenes that bring the Peanuts gang’s band to life—complete with dancing!

Also available on August 29th is a classic black vinyl pressing, housed in a dazzling anniversary holographic foil jacket. Additionally, fans can find limited-edition pressings of the holographic edition, including Red & Gold Tinsel-colored vinyl at Walmart, Neon Green at Best Buy, Ultra-Clear Glitter at CraftRecordings.com, and Blizzard-Swirl at Urban Outfitters, available on October 17th.

On September 26th, meanwhile, Barnes & Noble will offer their new 2025 annual exclusive picture disc, featuring the skating scene from the holiday special on one side, and the iconic album cover image on the other. Coming this fall, Target issues a deluxe holographic foil edition that includes Christmas Tree-colored vinyl and an anniversary poster. Target will also offer an exclusive Emerald Green collectible 4” Tiny Vinyl, featuring two classic songs, “Linus & Lucy” and “Christmas Time Is Here (Vocal),” which plays at 33.3 rpm on most manual turntables and is available on August 8th.

When A Charlie Brown Christmas premiered on December 9, 1965, few could have predicted the cultural impact that the half-hour animated special would have. Adapted from Charles M. Schulz’s iconic Peanuts comic strip, the Emmy and Peabody Award-winning broadcast captivated nearly half of America’s television viewers that evening, cementing its place as a holiday tradition and launching one of the most enduring franchises of the 20th century. But the story of this beloved animated special—and its timeless soundtrack—begins a year earlier.

In 1964, veteran producer Lee Mendelson set out to create a television documentary about Schulz and his wildly popular Peanuts comic strip, titled A Boy Named Charlie Brown. For the score, he enlisted Vince Guaraldi, a rising Bay Area jazz pianist, who was fresh off the success of his Grammy-winning hit, “Cast Your Fate to the Wind.” While the documentary never aired, Mendelson was impressed by Guaraldi’s sophisticated cues. And, when A Charlie Brown Christmas was greenlit the following year, Mendelson turned to the pianist once again, marking the beginning of a long and fruitful partnership.

Joined primarily by trio members Fred Marshall on bass and Jerry Granelli on drums, Guaraldi breathed life into the Peanuts gang through original cues, including the instantly recognizable Peanuts theme, “Linus and Lucy,” “Skating,” the bossa-nova flavored “Christmas Is Coming,” plus vocal and instrumental versions of “Christmas Time Is Here,” which quickly became a seasonal classic. The trio also brought their West Coast jazz sensibility to a selection of traditional Yuletide fare, including “O Tannenbaum,” “Hark, the Herald Angels Sing,” and “What Child Is This.”

Like its TV counterpart, A Charlie Brown Christmas became an immediate hit, and Guaraldi would continue to score subsequent Peanuts specials until his passing in 1976. Over the decades, Guaraldi’s evocative themes have become touchstones of American culture, while year after year, A Charlie Brown Christmas remains one of the top-selling holiday and jazz albums. In May 2022, the album was certified five times platinum by the RIAA. Months later, it reached its highest placement at No. 2 on Billboard’s Top Album Sales chart, beating its previous peak of No.6 in 2021. A Charlie Brown Christmas has long remained the best-selling jazz album of all time, alongside Miles Davis’ Kind of Blue. Among other honors, it was inducted into the Grammy Hall of Fame and was added to the Library of Congress’s National Recording Registry.

A1. O Tannenbaum
A2. What Child Is This
A3. My Little Drum
A4. Linus & Lucy
A5. Christmas Time Is Here (instrumental)
B1. Christmas Time Is Here (vocal)
B2. Skating
B3. Hark, The Herald Angels Sing
B4. Christmas Is Coming
B5. Für Elise
B6. The Christmas Song
B7. Greensleeves