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Metal Blade Records Forge Official Coffee With Concept Cafes

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Metal Blade Records step beyond vinyl and into the cup with their first official private label coffee, created in collaboration with Concept Cafes. Built with the same spirit that helped launch generations of heavy music, the release draws from classic metal fantasy, early thrash mythology, and modern extremity, blending visual world-building with a sense of fun and obsession. The concept nods to everything from early Metallica-era ferocity to neoclassical shred and pop-culture fantasy touchstones, wrapped in packaging that feels like metal lore brought to life. This collaboration is pure joy for anyone who lives loud, drinks strong, and loves when worlds collide.

Crafted by Coterie Coffee Co., the brew itself delivers on the promise of the art, bold, intense, and unapologetic, with flavor that matches the imagery. There’s something deeply satisfying about seeing metal culture extend into everyday ritual, and this release nails that feeling without irony or compromise. It’s creative, immersive, and made with genuine care, a reminder that metal has always been about building worlds and inviting people into them, one riff or one cup at a time.

Tate McRae Drops Sharp New Pop Cut “Tit For Tat”

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Tate McRae releases “Tit For Tat,” a sleek and cutting new pop song that lands with confidence and bite. Arriving fresh off a showstopping VMAs performance, the track taps into her knack for pairing emotional edge with undeniable hooks. It’s crisp, controlled, and packed with attitude, capturing the tension and push-pull that McRae delivers so effortlessly in her music. This song feels sharp and immediate, the kind that snaps into place on first listen.

The release comes as McRae continues the North American leg of her sold-out Miss Possessive arena tour, with multiple nights at the Kia Forum in Los Angeles and upcoming shows in Seattle before closing the run back in Los Angeles. Earlier this year, she hit a major milestone with her third album ‘So Close To What’, which debuted at #1 on the Billboard 200 and produced chart-topping tracks like “Revolving Door” and “It’s Ok I’m Ok.” With billions of streams and a growing list of awards, “Tit For Tat” fits naturally into a moment where everything is clicking, sounding bold, self-assured, and ready for the biggest stages.

Ten Years After Expand ‘Ssssh’ With Deluxe Edition And Unearthed 1969 Live Set

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Ten Years After see their 1969 breakthrough ‘Ssssh’ return in a beautifully expanded deluxe edition, out now from Chrysalis Records. Newly mixed from the original quarter-inch multi-track tapes by Charlie Russell, the album reveals added depth, separation, and detail while preserving the grit and drive that made it a landmark release. The set also includes the original 1969 mix, offering a fascinating window into how the record first hit the world.

The true revelation comes with a newly discovered live recording from Helsinki, captured at Kulttuuritalo Hall in December 1969, just months after the band’s Woodstock performance. Drawn from Finnish radio archives, the set bristles with urgency and extended blues fire, showcasing the band at full throttle onstage. With new liner notes by Nigel Williamson, reflections from Joe Bonamassa, and previously unseen photographs, the collection feels carefully curated and deeply respectful of the band’s legacy. This release is a gift to anyone who loves hearing classic records open up and breathe again.

Also available as a 2LP set cut at half-speed at AIR Mastering by Phil Kinrade, the vinyl edition pairs the new stereo mix with highlights from the Helsinki performance. As Leo Lyons notes, ‘Ssssh’ marked the band’s first time recording on eight-track, and this edition finally lets those tapes speak in full color. It’s a thrilling listen, rich with nuance and power, and it brings a defining album back into the spotlight with clarity and excitement.

TRACKLISTINGS:

3CD DELUXE EDITION

CD1: 2025 Stereo Mix * 

  1. Bad Scene
  2. Two Time Mama
  3. Stoned Woman
  4. Good Morning Little Schoolgirl
  5. If You Should Love Me
  6. I Don’t Know That You Don’t Know My Name
  7. The Stomp
  8. I Woke Up This Morning

CD2:  Original 1969 Mix

  1. Bad Scene
  2. Two Time Mama
  3. Stoned Woman
  4. Good Morning Little Schoolgirl
  5. If You Should Love Me
  6. I Don’t Know That You Don’t Know My Name
  7. The Stomp
  8. I Woke Up This Morning

CD3: Live in Helsinki, 1969 *

  1. Spoonful
  2. I May Be Wrong, But I Won’t Be Wrong Always
  3. The Hobbit
  4. Good Morning Little Schoolgirl
  5. No Title
  6. I Can’t Keep From Crying Sometimes

2LP VINYL EDITION
 

LP1: 2025 Stereo Mix *
Side A

  1. Bad Scene
  2. Two Time Mama
  3. Stoned Woman
  4. Good Morning Little Schoolgirl

Side B

  1. If You Should Love Me
  2. I Don’t Know That You Don’t Know My Name
  3. The Stomp
  4. I Woke Up This Morning

LP2: Live in Helsinki, 1969 *

Side C

  1. Spoonful
  2. I May Be Wrong, But I Won’t Be Wrong Always
  3. Good Morning Little Schoolgirl

Side D

  1. No Title

I Can’t Keep From Crying Sometimes

Spencer Mackenzie Brings Fire And Reflection To ‘Empty Chairs’

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Spencer Mackenzie returns with ‘Empty Chairs’, a new studio album arriving February 20, 2026, and it digs deep into the heart of blues rock with grit, soul, and muscle. Produced by Ross Hayes Citrullo, the record blends reverence for blues tradition with the charge of modern rock, carried by electrifying guitar lines, punchy rhythms, soaring organ, and dynamic vocals. There’s a raw immediacy running through these songs, the kind that feels lived-in and honest, and it makes every note hit with purpose and weight. This record feels alive, bold, and fully committed.

Leading the way is the single “What You Do,” out now, a high-energy blues rock cut that cuts straight to the tension between truth and self-protection. The song moves with urgency and clarity, pairing sharp riffs with lyrics that linger long after the final chord. Captured live at Festival d’ete de Quebec, the performance underscores how naturally these songs thrive onstage. ‘Empty Chairs’ captures honesty and fire in equal measure, and it stands as a powerful statement of where Spencer Mackenzie is headed next.

Nine Inch Nails Announce Second North America Leg Of ‘Peel It Back’ Tour

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Nine Inch Nails have announced the second North America leg of their Peel It Back Tour, extending one of the most talked-about live productions in recent years. The new run launches February 5 in New Orleans and carries the band through major cities across the U.S. and Canada, with friend and collaborator Boys Noize once again joining on all dates. Each night continues to showcase the band’s immersive blend of sound, scale, and atmosphere, delivered with total command.

The Peel It Back Tour has already traveled through Europe, the UK, and North America, drawing more than 450,000 fans and earning raves for its intensity and ambition. Critics have praised the tour’s sweeping visuals, layered sonics, and setlists that balance towering hits with deep cuts, creating a fully enveloping experience from start to finish. The response has been overwhelming, cementing this run as a defining moment in the band’s live legacy.

This newly announced leg brings the production to arenas across the continent, closing out in Sacramento on March 16. With tickets on sale soon and momentum still surging, this next chapter of Peel It Back promises nights that feel visceral, transportive, and unforgettable. It’s a powerful continuation of a tour that continues to push what a live show can be.

Tour Dates:
Thu February 05 – New Orleans, LA – Smoothie King Center
Sat February 07 – Jacksonville, FL – VyStar Veterans Memorial Arena
Tue February 10 – Charlotte, NC – Spectrum Center
Wed February 11 – Washington, DC – Capital One Arena
Fri February 13 – Boston, MA – TD Garden
Sat February 14 – Newark, NJ – Prudential Center
Mon February 16 – Montreal, QC – Bell Centre
Wed February 18 – Hamilton, ON – TD Coliseum
Fri February 20 – Columbus, OH – Schottenstein Center
Sun February 22 – Grand Rapids, MI – Van Andel Arena
Mon February 23 – Milwaukee, WI – Fiserv Forum
Wed February 25 – St. Louis, MO – Enterprise Center
Fri February 27 – Tulsa, OK – BOK Center
Sun March 01 – Austin, TX – Moody Center
Tue March 03 – Dallas, TX – American Airlines Center
Fri March 06 – Glendale, AZ – Desert Diamond Arena
Sat March 07 – Las Vegas, NV – MGM Grand Garden Arena
Mon March 09 – San Diego, CA – Pechanga Arena
Tue March 10 – Anaheim, CA – Honda Center
Fri March 13 – Salt Lake City, UT – Delta Center
Sun March 15 – San Francisco, CA – Chase Center
Mon March 16 – Sacramento, CA – Golden 1 Center

Consequence Of Energy Unveil Striking “Into The Void” Video

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Consequence of Energy continue their rapid rise with the release of the video for “Into The Void,” a visually arresting companion to one of the early standouts from their debut era. Shot in Pichilemu, the same city where the band recorded their first album, the video leans into symbolism and spectacle, using bold imagery to explore inner conflict, choice, and release. Featuring acclaimed actor Marko Zaror alongside aerial performers, fire artists, and large-scale costumed figures, the result feels cinematic, immersive, and unflinchingly intense. This is a video that pulls you in and doesn’t let go.

“Into The Void” offers another glimpse into the world of ‘We Are One’, the band’s debut album recorded at Los Lobos Records with a powerhouse production team led by Garth Richardson and Dave Schiffman. Momentum around the band continues to build, from chart success with “Freedom” to upcoming global stages like Lollapalooza Chile. There’s a sense of scale and ambition here that feels fully earned, and this release captures a band moving with clarity, conviction, and creative fire.

Juvenile And Mannie Fresh Reignite New Orleans Bounce On “He Gone”

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Juvenile returns with “He Gone,” a sharp and energized new single that reunites him with Mannie Fresh and brings classic New Orleans bounce straight to the foreground. The track moves with swagger and purpose, pairing Mannie Fresh’s unmistakable production touch with Juvenile’s seasoned delivery and a guest appearance from Dee-1. It’s a true hometown moment that feels rooted, celebratory, and alive with movement. This record snaps with confidence and reminds listeners exactly why this sound still hits so hard.

“He Gone” arrives as part of Juvenile’s album ‘Boiling Point’, out now, his first solo album in a decade. The project brings together an impressive range of collaborators while staying firmly grounded in the spirit that defined his legacy. There’s a real sense of joy and authority in hearing Juvenile back in this lane, building on history while keeping the energy forward-facing. This release feels vibrant and purposeful, a statement that New Orleans bounce remains timeless when it’s coming from the source.

Cole Swindell Shares Deeply Personal New Song “Make Heaven Crowded”

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reflection, and the weight of love. Written alongside Greylan James, Joel Hutsell, and Blake Pendergrass, the track carries a quiet strength, built on honesty and emotional clarity rather than spectacle. Inspired by words that stopped him in his tracks and reshaped how he was seeing the world, Swindell channels those feelings into a song that feels thoughtful, grounded, and deeply human. It’s the kind of song that sits with you, unfolding gently while holding real meaning at its center.

Throughout his career, Swindell has used songwriting as a way to work through life’s most defining moments, and “Make Heaven Crowded” fits naturally into that lineage. From songs shaped by family, loss, gratitude, and commitment, his catalog has always been rooted in sincerity and connection. This release carries that same spirit, offering space for reflection and understanding while staying true to the heart of why he writes songs in the first place. It’s a powerful reminder of how music can help put the hardest feelings into words.

Fletcher Strips It Back On ‘Would I Still Love Me If I Really Knew Me’ Live EP

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Fletcher shares ‘Would I Still Love Me If I Really Knew Me? Live from California’, a five-song live EP that brings her recent work into sharper, more intimate focus. Drawn from ‘Would You Still Love Me If You Really Knew Me?’, the performances feel open and unguarded, letting the songwriting breathe with nothing in the way. Accompanied by Jennifer Decilveo on piano and Shane McAnally on guitar, Fletcher delivers each song with clarity and emotional weight, creating a setting where every lyric lands with intention. It’s a powerful reminder of how strong these songs are at their core.

The EP arrives alongside a visual experience directed by Carissa Gallo, capturing the stillness and connection of the live setting as Fletcher moves through all five tracks. This release fits naturally into a catalog defined by honesty and growth, following a stretch of ambitious projects and unforgettable live moments. Hearing these songs in this stripped-back form feels grounding and sincere, and it highlights the trust Fletcher places in her voice, her words, and the space between them. It’s a beautiful, steady listen that invites reflection and connection.

Pierce Brothers Share Warm And Wide Open Folk On “Alaska Alaska”

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Pierce Brothers open a fresh chapter with “Alaska Alaska,” a glowing folk single built on shimmering acoustics, soaring harmonies, and a sense of emotional lift that grows with every chorus. Written by brothers Jack and Patrick Pierce and co-produced with longtime collaborator Phil Threlfall, the song swells from gentle guitar into stomping percussion and rich vocal interplay, capped with a harmonica line that sends it home in full stride. It’s generous, expansive, and full of heart, the kind of track that feels made to echo across rooms and open skies alike. This one radiates warmth and joy in every movement.

Inspired by a real moment from Jack’s life, the song explores love, distance, and the quiet hope that threads through longing. That personal core gives the track its grounding, balancing yearning with optimism as the music rises around it. As Pierce Brothers prepare to bring “Alaska Alaska” and other recent releases to stages across Australia, the UK, and Europe, this song stands tall as a beautiful reflection of growth, connection, and shared history, carried forward with confidence and care.