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Dion Sets March 8 Release Of ‘Girl Friends’ Album

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The past few years have been some of the most productive over the course of Dion’s storied career that spans multiple eras in music, culture and consciousness. Underscoring his renewed and ongoing creative thrust is the release this Friday of “Soul Force.” The song is a collaboration with Susan Tedeschi and the second advance track (following October’s release of “An American Hero” with Carlene Carter) that is part of Girl Friends. Slated for release on March 8, it’s his third consecutive album through Keeping The Blues Alive Records, following 2020’s Blues With Friends and 2021’s Stomping Ground. Those two albums, with liner notes by Bob Dylan and Pete Townshend, respectively, include musical contributions from, among others, Joe Bonamassa, Brian Setzer, the late Jeff Beck, John Hammond, Van Morrison, Joe Louis Walker, Jimmy Vivino, Billy Gibbons, Sonny Landreth, Paul Simon, Samantha Fish, Rory Block, Patti Scialfa, Bruce Springsteen, Paul Simon, Boz Scaggs, Eric Clapton, G. E. Smith, Keb’ Mo’, Marcia Ball, Mark Knopfler, Peter Frampton and Rickie Lee Jones.

Now Girl Friends finds Dion keeping musical company with a line-up of stellar female artists who are heard on the album’s 12 original tracks, 11 of which were composed by Dion and Mike Aquilina with one written by Dion and the late Scott Kempner (The Dictators, The Del Lords). Joining Tedeschi and Carter are Rory Block, Shemekia Copeland, Debbie Davis, Randi Fishenfeld, Sue Foley, Danielle Nicole, Christine Ohlman, Maggie Rose, Joanne Shaw Taylor and Valerie Tyson. The album was produced by Wayne Hood and Dion, who were also producing partners on Blues With Friends and Stomping Ground. Girl Friends includes liner notes by Darlene Love who commented, “I’ve been a huge fan since I was a young girl. In fact, when I sang ‘He’s a Rebel’ I was singing about outsiders like Dion. I’m a bigger fan today. I’m still trying to emulate his unique bluesy overtones. Now I’m thrilled again with these new collaborations — not just friends, but all girl friends — great women vocalist and musicians. This is just what the world needs now. These duets are riveting.”

Dion explains the album’s raison d’être in a commentary titled “The Feminine Genius” that is included with Girl Friends. “I write about my preoccupations, and I know no better preoccupation than the female of the species. A friend of mine is a philosopher, and he talks often about ‘the feminine genius’ — the undeniable difference that’s in women and the difference that they make in the world. I’m grateful to my friend for giving it a name, because the fact has always been plain to me, but I could never put it into words.” He goes on to explain his mother was his family’s breadwinner, and that he had two sisters. He’s been married for 60 years to the former Susan Butterfield, who is name checked in the album’s “Hey Suzy,” and they are the parents of three daughters who, in turn, produced four more girls. He writes, “I’ve always been surrounded by the feminine genius — always living off it. Even my music has kept a tight focus on the ladies: ‘Runaround Sue,’ ‘Donna the Prima Donna,’ ‘Little Diane,’ ‘Ruby Baby.’ All those women, real and imagined, have made all the difference in my life.” He chronicles his female musical collaborators including those who joined him on his previous two albums as well as Darlene Love, Ronnie Spector, Cher and Patty Smyth.

He observes, “I’ve noticed that men play a different tune when there are women in the room — and it’s a different kind of jam when women are in the mix. I don’t know why this is so, but it is. Maybe we men, at some primitive level, are competing for their attention. As I said, I don’t know why or how. I do know it makes better music and we’re all better for it.” He concludes with an encapsulation of vision for Girl Friends, “I wanted the best music possible. So, I wrote up a batch of duets for me and my ‘girl friends,’ the women who inhabit my headphones — the women who make me turn up the volume when they drop into my radio. I invited them to join me, one by one, and here they are, wailing on the guitar and into the microphone. You’ll hear the feminine genius in every groove of this record, and you won’t forget any of it”.

There’s more from Dion on the horizon. Last year, The Wanderer, a musical based on his life debuted at the Paper Mill Playhouse in Millburn, NJ and is expected to arrive on Broadway next year. Directed by Kenneth Ferrone and based on Charles Messina’s book, the initial run was the subject of critical acclaim with Broadway World calling it “a moving, no-holds-barred new musical about the glow of the spotlight, the shadow of addiction, and the triumph of the human spirit against all odds, set to the iconic sound of an incomparable era in American music.” The New York Times review noted the show “succeeds on sheer sonic strength,” with reviewer Juan A. Ramírez adding, “I was continuously charmed by this throwback-y musical and its angel-voiced ensemble.”

Dion’s “Girl Friends” are:

Susan Tedeschi, the female focus of the Tedeschi-Trucks Band is a Grammy-winner, Americana Music Award winner and six-time Blues Music Award winner. She has released 14 albums both as a solo artist and with the Tedeschi-Trucks Band. Dion writes, “It’s amazing that someone so unassuming can play with such grit.”

Rory Block has been recognized for her focus on the country blues idiom and is winner of the Blues Foundation’s prestigious Koko Taylor Award for Traditional Female Blues Artist.

Danielle Nicole gained prominence in her native Kansas City as part of the group Trampled Under Foot. She has gone on to pursue a solo career and is a Grammy-nominee and winner of five Blues Music Awards, three of which are for Best Instrumentalist/Bass. Dion calls her “one of the greatest singers on the planet.”

Valerie Tyson has long been a fixture on the South Florida music scene recognized in her home state as its Queen of Soul. She fronts the Valerie Tyson Band and has been lauded for her “flamethrower vocals” by the Miami Herald. Dion commented, “I call her up when I have a tune that’s 100% fun. This kind of groove requires that kind of company and it’s why I got into this business in the first place.”

Christine Ohlman, nicknamed The Beehive Queen in recognition of her distinctive platinum hairstyle, fronts NY-based Christine Ohlman and Rebel Montez. She is familiar to the national TV audience for her role as vocalist with the Saturday Night Live band for more than 30 years. Dion sees a kindred spirit in her, noting, “Christine Ohlman has Bronx soul. I have it too, so I know it when I see it . . . She’s steeped in blues and American roots music, and I’ve always loved her vibe.”

Debbie Davis is widely recognized as one of the leading guitarists, irrespective of gender, in the blues field. She has released 14 albums to date and Dion is an unabashed admirer; he calls her the “reigning queen of Chicago blues.”

Carlene Carter is the Nashville based singer/songwriter who is responsible for numerous hit songs, both recorded by other artists including Emmylou Harris, Robert Ellis Orrall, and on her own, including the Grammy-nominated “I Fell In Love,” “Come on Back” and “Every Little Thing.” She is a third-generation member of The Carter Family, and daughter of June Carter Cash and County Music Hall of Fame inductee Carl Smith. “Carlene’s voice can turn your head, and it can break your heart,” writes Dion.

Rory Block appeared with Dion on his Blues With Friends album. She is a seven-time Blues Music Award winner and has released albums through Stony Plain, Telarc, Chrysalis, Rounder and RCA. “She has a style that’s all her own,” writes Dion who adds, “She always manages to surprise me,” citing her “Greenwich Village attitude.”

Randi Fishenfeld is a classically trained violinist who performs with the Wildfire Band and has worked with numerous name artists including Bruce Springsteen, Air Supply, Foreigner, Journey, B.B. King and Larry Harlow. Dion calls her a “violinist full of fire, passion, expression, and improvisation,” and admits to being “in awe of what she can do.”

Maggie Rose has appeared on the Grand Ole Opry more than 50 times, though she is not wedded to the country format, exploring soul music and beyond. Dion calls her “A grand master of country, soul, and R&B,” and admits, “I had to have her on this album.”

Sue Foley has released 16 albums over the course of her career is a two-time Blues Music Award winner. The Canadian-born, Austin-based guitarist/singer appears annually at Antone’s in Austin as part of The Jungle Show that includes Billy Gibbons, Jimmie Vaughan, Chris Layton and Mike Flanigin. “It’s a dream come true to work with her,” writes Dion, adding, “I felt like I was one of the Everly Brothers.”

Shemekia Copeland is the most celebrated contemporary female blues artists, having won eight Blues Music Awards, releasing 10 albums and being named Blues Artist of the Year in the annual DownBeat Critics Poll. The daughter of Texas blues legend Johnny Clyde Copeland has been nominated for five Grammy Awards. Dion has long been smitten and notes, “One conversation with Shemekia Copeland you fall in love with her. And this girl can sing! Girl’s got the blues in her blood.”

Joanne Shaw Taylor is the English singer and guitarist who was “discovered” at the age of 16 by Eurythmics’ Dave Stewart. She is a two-time Female Vocalist of the Year at the British Blues Awards. Two years ago, Taylor recorded The Blues Album, produced by Joe Bonamassa for for Keeping The Blues Alive Records. Dion calls her a “one-woman British Invasion” and wrote that he’s long been “a crazed fan” of hers.

Girl Friends track listing
1. Soul Force with Susan Tedeschi
2. I Aim To Please with Danielle Nicole
3. Stop Drop And Roll with Valerie Tyson
4. Do Ladies Get The Blues with Christine Ohlman and Debbie Davis
5. An American Hero with Carlene Carter
6. Don’t You Want A Man Like Me with Rory Block
7. Sugar Daddy with Christine Ohlman
8. Endless Highway with Randi Fishenfeld
9. I Got Wise with Maggie Rose
10. Hey Suzy with Sue Foley
11. Mama Said with Shemekia Copeland
12. Just Like That with Joanne Shaw Taylor

All songs written by Dion Dimucci and Mike Aquilina except #10 written by Dion Dimucci and Scott Kempner

Watch Genesis Perform “The Musical Box” And “Watcher of the Skies” On The Midnight Special In 1972

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Featured on an episode of The Midnight Special and subsequently aired on December 20, the band treated viewers to a sonic journey that included the hauntingly epic “The Musical Box.” Originating from their third album, Nursery Cryme from 1971, the macabre undertones of the song were brought to life in a theatrical and captivating manner. As the ethereal melodies unfolded, Genesis, led by the visionary Peter Gabriel, showcased their musical prowess, weaving a spellbinding tale through intricate instrumentation and Gabriel’s theatrical vocals.

…and here’s the band’s performance of “Watcher of the Skies,” from their 1972 album, Foxtrot.

“The Heart Of Rock And Roll” Musical Inspired By The Songs Of Huey Lewis And The News To Open On Broadway

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Producers Hunter Arnold, Tyler Mitchell and Kayla Greenspan announced today that The Heart of Rock and Roll, a new musical inspired by the iconic songs of Huey Lewis and The News, will open on Broadway at The James Earl Jones Theatre (138 W 48th St, New York, NY 10036). Previews will begin on Friday, March 29, 2024, and opening night is set for Monday, April 22, 2024.

A raucous rom-com wrapped in pure musical joy, The Heart of Rock and Roll centers on a couple of thirty-somethings who know exactly what they want from life—until they find each other. It’s going to take “The Power of Love” — and a little help from their friends — to show them the way. Jam-packed with Huey Lewis megahits like “Workin’ For A Livin’,” “Stuck With You,” and “If This Is It,” this is Broadway’s newest feel-great musical.

The production will feature a book by Jonathan A. Abrams, and story by Tyler Mitchell and Jonathan A. Abrams. Music supervision, arrangements, and orchestrations by Brian Usifer, choreography is by Lorin Latarro and The Heart of Rock and Roll will be directed by Gordon Greenberg.

“Working on our show has been so gratifying,” said Huey Lewis. “I’ve always been a storyteller, and it’s a thrill to see my songs woven together in service of a fantastic, new story. That it will all take place on the world’s most prestigious stage – Broadway – just makes the ride that much sweeter.”

Hunter Arnold added, “Huey Lewis’s song catalogue is not just music—it’s a powerful bridge to an era when our hearts danced freely, love knew no bounds, and every moment was a celebration of life. This show is more than nostalgia; it is remedy for our age of anxiety and a joyful gift to Broadway audiences.”

Casting and additional news will be announced at a later date.

As the legendary, Grammy Award-winning front man for one of America’s great rock & roll bands, Huey Lewis has been a central force in the music industry since the early 1980s, when Huey Lewis and The News first shot to superstardom. Formed from two rival Bay Area bands in 1979, The News has been thrilling audiences worldwide for more than 40 years, selling more than 20 million albums in the process. Among their most indelible singles are the top ten hits, “Heart of Rock & Roll,” “Stuck With You,” “I Want A New Drug,” “If This Is It,” “Hip To Be Square,” “Do You Believe In Love,” and “Workin’ For A Livin”. The group also wrote and performed “The Power of Love” and “Back in Time” for the hit film Back To The Future. “The Power of Love” went on to earn an Academy Award nomination and reach #1 on Billboard’s singles chart. In 2018, The News released Weather, their first album of original material in more than two decades, shortly after Lewis revealed that debilitating hearing loss, caused by a multi-decade’s long battle with Meniere’s disease, would likely put an early end to his remarkable singing career. As an actor, he has played ‘Billy Flynn’ on Broadway in Chicago, co-starred on screen in Duets, opposite Gwyneth Paltrow, and guest starred on the sitcom “Hot in Cleveland” several times.

Jonathan A. Abrams is a film and television writer/producer and theatrical book writer. His original screenplay, JUROR #2, directed by Clint Eastwood, is finishing production and will be released by Warner Brothers Pictures. He is also the creator/writer/executive producer of the television series “American Hiro” for FX, about the life of Benihana founder Hiroaki Aoki. Raised in San Francisco, he is a graduate of the USC school of Cinema-Television and is represented by Creative Artists Agency, Mosaic Media Group, McKuin Frankel Whitehead as well as Levine Plotkin. He is a married father of two young children and could not have written this musical without the help and support of his wife, Carrie Ainsworth, and the rest of his family.

Tyler Mitchellis a multifaceted film, television, and theatrical producer, writer, and executive who stands at the forefront of reshaping how global talent is discovered, material is developed, and content is produced. As the Co-Founder and CEO of Impact, Mitchell spearheads a groundbreaking content accelerator and vertical network for the entertainment industry that is democratizing access to the entertainment industry, accelerating the development of original content, and pioneering new technology that is transforming the way studios, producers, directors, writers, and crews collaborate to bring stories to the screen and stage. In 2021, Impact achieved a significant milestone, earning the distinction of being named the #2 most innovative company in the entertainment industry by Fast Company magazine. Before embarking on his journey with Impact, Tyler Mitchell served as the Executive Vice President of Motion Pictures at Imagine Entertainment, the iconic film and television production company founded by Academy Award winners Ron Howard and Brian Grazer. At Imagine, Mitchell oversaw a diverse slate of live-action films and orchestrated the launch of Imagine’s animation division in partnership with the internationally acclaimed animation studio, Animal Logic. Tyler Mitchell’s illustrious career extends beyond his executive roles, as he is a highly accomplished film producer who has shepherded 11 films and two television series into production, attracting some of Hollywood’s most revered talent, such as Robin Williams, Jim Carrey, Steve Carell, Ethan Hawke, Sally Hawkins, Bruce Willis, Olivia Wilde, Ben Kingsley, Morgan Freeman, Lucy Liu, Ashton Kutcher, Johnny Depp, Aaron Eckhart, Mila Kunis, James Gandolfini, and Alan Arkin. In 2018, Mitchell embarked on his inaugural theatrical endeavor co-writing the story and producing The Heart of Rock and Roll, an original musical inspired by the music and lyrics of the Grammy Award-winning artists Huey Lewis and The News. The production shattered box office records at San Diego’s prestigious regional theatre, The Old Globe.

Brian Usifer is a music director, orchestrator/arranger, pianist, and music producer. He is an arranger and orchestrator of A Beautiful Noise, The Neil Diamond Musical on Broadway as well as the Associate Music Supervisor of The Book of Mormon. Prior to that, he was the Music Director of Disney’s Frozen and Kinky Boots on Broadway. Kinky Boots won 6 Tony Awards including Best Musical, Best Score, and Best Orchestrations and the cast recording won the 2013 Grammy Award for Best Musical Theater Album. The West End production won an Olivier Award for Best Musical. He was also the Associate Music Supervisor for Kinky Boots on Tour, London, and in Toronto. Brian has played in the Broadway and off-Broadway orchestras of …Spelling Bee; Avenue Q; Altar Boyz; Bloodsong of Love: A Rock & Roll Spaghetti Western; and The Book of Mormon. As an orchestrator and arranger, Brian’s projects have also included The Heart of Rock and Roll with music by Huey Lewis at the Old Globe; Swept Away with music by the Avett Brothers at Berkeley Rep; Mr. Chickee’s Funny Money with music by Motown legend Lamont Dozier at The Atlantic Theater; May We All featuring the music of Florida Georgia Line and other country stars; Afterwords at the 5th Avenue Theatre; Into the Wild by Niko Tsakalakos and Janet Allard; A View From The River by Will Van Dyke and Jeff Talbott; Fantasy Football: The Musical? by David Ingber; Pool Boy by Niko Tsakalakos and Janet Allard; The UnCivil War by Rick Kunzi; Barnstormer by Douglas Cohen; and The First Snow by Niko Tsakalakos. Additional shows in development include Galileo featuring music by Michael Weiner and Zoe Sarnak with a book by Danny Strong, and Hearts Beat Loud by Ngozi Anyanwu and Niko Tsakalakos. On TV, he wrote additional orchestrations for NBC’s “Annie Live!” and “The Wiz Live!”; Clay Aiken’s “Tried and True,” for PBS; and can be heard as a pianist on “The Marvelous Mrs. Maisel” on Amazon. Other theatre credits also include Chess at the Kennedy Center and more than five years of regional theatre including Follies at Barrington Stage Co. Concerts including Bobby and Kristen Lopez: American Songbook at Lincoln Center, The New York Pops at Carnegie Hall. As a music producer, his credits include a songwriting collaboration with Colin Donnell called The Nineteen Twenty. Their album, Chaos + Cocktails, is available for sale on iTunes and everywhere music streams. Other albums include The First Snow and Archetype by Jonathan Reid Gealt, Reflect by Tom Kitt, and the upcoming May We All. He holds a Bachelor of Music in Piano Performance from SUNY Fredonia, and a master’s degree in Collaborative Piano from NYU, with a Specialist Certificate in Orchestration from Berklee Online. He currently teaches at Berklee NYC.

Frankie Valli and The Commodores Perform “Grease” On The Midnight Special In 1979

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On the evening of November 9, 1979, music enthusiasts were treated to an extraordinary convergence of talent as Frankie Valli, renowned for his soaring falsetto as the lead singer of The Four Seasons, shared the stage with the funk and soul sensation, The Commodores.

Paul McCartney Performs “A Day In The Life” And “Give Peace A Chance” Live In Kyiv In 2008

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In a historic and emotionally charged performance, Paul McCartney graced the city of Kyiv in 2008, enchanting the audience with a live rendition that showcased the timelessness of his musical legacy. The crowd was treated to the haunting beauty of “A Day in the Life,” with the atmosphere shifted seamlessly as the legendary singer transitioned into “Give Peace a Chance,” a profound anthem closely associated with his former bandmate John Lennon.

Damon Albarn Gives You A Studio Tour

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Although he is used to being the voice and talent behind Gorillaz, Damon Albarn is giving Zane Lowe an up-close look at who he is.

Albarn invites Zane to his sacred Studio 13 in West London to tour the environment where he makes music. In the studio, Damon shows his archive of musical instruments, and gives a glimpse of his and Jamie Hewlett’s process for creating the illustrations associated with Gorillaz.

Damon and Zane wind down by discussing his experience at Coachella 2022 with Billie Eilish, new music, and collaborating with the likes of Bad Bunny, Stevie Nicks, and Tame Impala.

Tears For Fears Performs ‘Everybody Wants To Rule The World’ In 1985

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Tears for Fears’ “Everybody Wants to Rule the World,” released in 1985, is a timeless anthem that captures the essence of the ’80s, and here they are performing the billon-streamed song on The Kenny Everett Show.

My Next Read: “The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era” by Bryan J. McCann

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In The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era, Bryan J. McCann argues that gangsta rap should be viewed as more than a damaging reinforcement of an era’s worst racial stereotypes. Rather, he positions the works of key gangsta rap artists, as well as the controversies their work produced, squarely within the law-and-order politics and popular culture of the 1980s and 1990s to reveal a profoundly complex period in American history when the meanings of crime and criminality were incredibly unstable.

At the center of this era-when politicians sought to prove their “tough-on-crime” credentials-was the mark of criminality, a set of discourses that labeled members of predominantly poor, urban, and minority communities as threats to the social order. Through their use of the mark of criminality, public figures implemented extremely harsh penal polices that have helped make the United States the world’s leading jailer of its adult population.

At the same time when politicians like Ronald Reagan, George H. W. Bush, and Bill Clinton and television shows such as COPS and America’s Most Wanted perpetuated images of gang and drug-filled ghettos, gangsta rap burst out of the hip-hop nation, emanating mainly from the predominantly black neighborhoods of South Central Los Angeles. Groups like NWA and solo artists (including Dr. Dre, Snoop Dogg, and Tupac Shakur) became millionaires by marketing the very discourses political and cultural leaders used to justify their war on crime. For these artists, the mark of criminality was a source of power, credibility, and revenue. By understanding gangsta rap as a potent, if deeply imperfect, enactment of the mark of criminality, we can better understand how crime is always a site of struggle over meaning. Furthermore, by underscoring the nimble rhetorical character of criminality, we can learn lessons that may inform efforts to challenge our nation’s failed policies of mass incarceration.

Bryan J. McCann writes and teaches on crime and public culture, the cultural politics of higher education, white masculinity, and gendered violence. He is the author of one book and several journal articles. He is also founding coeditor of the Michigan State University Press journal Rhetoric, Politics & Culture. Dr. McCann is an employee of Louisiana State University.

Video: Sister Rosetta Tharpe and Muddy Waters Enchant Audiences at Historic British Train Station in 1964

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In the vibrant musical tapestry of 1964, Granada Television orchestrated an unforgettable moment in history by capturing the electrifying performances of blues legends at a disused railway station in Manchester, England. The lineup featured the unparalleled Muddy Waters, the gospel powerhouse Sister Rosetta Tharpe, the soulful Cousin Joe Pleasant, and the dynamic duo of Sonny Terry and Brownie McGhee. Against the backdrop of the industrial setting, these musical luminaries brought the disused station to life with the soulful echoes of blues and gospel. The Granada Television filming not only documented the raw, authentic talent of these iconic performers but also served as a testament to the universal language of music that transcends time and borders. This historic event remains a cherished chapter in the legacy of blues and roots music, showcasing the convergence of American musical traditions on British soil.

Green Cross Street Safety PSA From 1983 Blends Grandmaster Flash’s ‘Message’ With Vital Road Safety Advice

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The Green Cross Street Safety PSA from 1983 stands as a brilliant intersection of entertainment and public service. Seamlessly blending the iconic beats of Grandmaster Flash’s “Message” with essential road safety advice, the PSA transcends its era.