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12 Essential Grunge Albums Straight Out Of Seattle

Grunge never follows rules. It spills out of garages, rattles basement rafters, and soaks into every flannel sleeve from Aberdeen to Capitol Hill. These albums shaped the noise, the mood, the sweat, and the stomp of a scene that still shakes speakers today. A couple of dark horses sneak in because Seattle never liked clean lists anyway.

Alice In Chains – Facelift
Riffs that roar, vocals that melt into each other, and a heaviness that hummed through every rehearsal space in the Northwest. This one took the Seattle sound and gave it extra voltage. The growl is real and the grit never lets up.

Babes In Toyland – Fontanelle
A wild and worthy album that carries the spirit of the era with fierce precision. Every track hits with a mix of chaos and clarity. The spark here feels handmade, loud, and proudly uneven in all the right ways.

Hole – Live Through This
Courtney Love tears open every emotion with a voice that swings from fury to fire. The songs bloom with raw honesty and that signature Pacific Northwest punch. It still walks into a room louder than anything around it.

L7 – Bricks Are Heavy
Thick riffs, sharp edges, and an unstoppable drive define this powerhouse. The hooks grab you fast and the attitude stays locked into every line. A grunge essential with its own swagger soaked into the sound.

Mad Season – Above
A supergroup that channels the entire Seattle atmosphere into one moody, glowing pulse. Layne Staley and Mark Lanegan create moments that feel suspended in fog. It is soft, loud, tender, and towering all at once.

Melvins – Bullhead
Slow, sludgy, and brilliant, the Melvins shaped the DNA of the scene. These songs stretch, stomp, and twist themselves into strange and unforgettable shapes. This is Pacific Northwest gravity at full pull.

Mudhoney – Every Good Boy Deserves Fudge
Garage grime and joyful noise fuel this cornerstone album. Guitars spiral, drums crash, and everything feels wonderfully unruly. Seattle’s humor and abrasion meet in the perfect middle.

Nirvana – Nevermind
A blast of melody and mayhem that sent the Seattle sound across every radio dial on the planet. Kurt Cobain pours spark and spirit into every hook. The album still feels like a match hitting gasoline.

Pearl Jam – Ten
A tidal wave of rhythm, emotion, and widescreen guitar power. Eddie Vedder’s voice climbs, dives, and glows with unmistakable force. The songs carry that Seattle pulse that refuses to fade.

Screaming Trees – Sweet Oblivion
Mark Lanegan’s voice glows like warm smoke over guitars that sparkle and surge. The songs wander and whirl with that signature Washington mystique. A grunge classic with soul in every corner.

Temple Of The Dog – Temple Of The Dog
Born from love, friendship, and shared history, this album holds the heart of the entire scene. Chris Cornell and Eddie Vedder create harmonies that feel timeless. The sound sweeps wide and stays with you long after.

The Gits – Frenching The Bully
A deep cut and a worthy dark horse powered by Mia Zapata’s fierce and unforgettable presence. The band crashes forward with punk energy wrapped in gritty Seattle spirit. Every track carries urgency, fire, and truth.

Spotify Expands Credits and Launches SongDNA for Premium Subscribers in Early 2026

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Spotify is giving music credits the spotlight they deserve. Starting now for mobile and expanding to desktop in the coming months, fans can explore all contributors on a track—not just the topline names. Producers, engineers, performers, and more now get their shine.

Premium users will also soon unlock two new features: SongDNA, a rich interactive map of samples, covers, and collaborators powered by WhoSampled, and About the Song, a swipeable story deck offering behind-the-scenes insights. Early previews land for artists in 2026, and metadata redelivery is part of the rollout. “People discovered me through the credits long before the internet,” said producer Mike Dean. Spotify is taking it back to the liner-note era—with a tech-forward twist.

Jesse Creatchman Spins a Modern Folk-Blues Fable with “Fairytale Blues”

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Montreal’s Jesse Creatchman has conjured up a blues tale straight from the smoky edge of the woods with “Fairytale Blues” — a spellbinding, harmonica-laced folk-blues single that feels both ancient and brand new. Released from the “12-bar dungeon,” the song leans hard into the tropes of classic storytelling, but Creatchman isn’t dealing in happily-ever-afters. There’s betrayal, there’s blood, and there’s a prince who doesn’t quite get the send-off you’d expect. With a dusty groove, vivid lyrical imagery, and Zeller’s harmonica howling like it’s half wolf, half ghost, “Fairytale Blues” marches to the beat of its own crooked folklore.

“I just had to follow the breadcrumbs,” Jesse says. Inspired by a stubborn lyric line stuck in his head, the song unfolded like a riddle solved in real time. “Once Upon A Time” became the doorway, and once he walked through, everything clicked. Shemerr grounded the rhythm, Dixon lit it up on guitar, and Zeller added that signature swampy harp. “Somehow he found a way to make it swampy and ornate,” Jesse adds. The result is a track with grit, grace, and something mythic in the mix — the kind of blues that winks as it stings.

Sampa the Great Declares a New Era with Fierce New Single “Can’t Hold Us”

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Sampa the Great has officially entered her Nu Zamrock era. Her new single “Can’t Hold Us” is out now via Loma Vista Recordings, and it’s already making global waves as a standout track in EAFC 26. The powerful anthem channels hip-hop, soul, Zambian rhythm, and the spirit of Zamrock into one high-voltage declaration of purpose. The release comes with a visually stunning official visualizer by director Iggy London and lands just ahead of a free block party in Lusaka, Zambia on November 22, hosted in collaboration with the Lusaka Thrift Market. All profits from the event will go directly back into the local creative community.

“This is the declaration track,” says Sampa. “I’ve stepped into my power, into my sound, into my purpose. I’ve claimed this thing — Nu Zamrock — as something of my own, something I’m shaping in real time. And in this new form, with this much clarity and drive? You can’t hold us. You can’t stop us. Not anymore.” First teased live in Brixton with DJ AG and arriving shortly after her exclusive film track “GOAT” for HIM, the single also marks the first taste of her third full-length album. Following the critical success of As Above, So Below and The Return, Sampa is standing taller than ever, rooted in heritage and glowing with forward motion.

Jin Brings His Solo Magic to the Big Screen with #RUNSEOKJIN_EP.TOUR THE MOVIE

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Trafalgar Releasing, HYBE, and  BIGHIT MUSIC are thrilled to announce #RUNSEOKJIN_EP.TOUR THE MOVIE, a brand-new concert film documenting the unique and electrifying journey of Jin’s first solo tour. Jin, singer and songwriter from 21st century pop icons BTS, brings his solo tour to cinemas worldwide for a special year-end party on December 27 and 28*. This unmissable big-screen experience promises to be a celebration of the powerful, interactive bond between the global star and ARMY (BTS’ official fandom).

Alongside 2D, CJ 4DPLEX will be exhibiting the concert film in its SCREEN X, 4DX and ULTRA 4DX, premium formats. Tickets for #RUNSEOKJIN_EP.TOUR THE MOVIE will be available in all formats  globally on Friday, December 5, beginning at 6 a.m. PT / 9 a.m. ET / 2 p.m. GMT at jinthemovie.com. Tickets will be available in Korea beginning Wednesday, December 17.

Capturing the vibrant energy spanning 10 cities and 20 performances—from South Korea’s Goyang Auxiliary Stadium to Japan, North America, Europe, and back to Incheon—the movie celebrates Jin’s commitment to ARMY with the message: “Dojeon! (Challenge!) Until the day I meet every ARMY.” The most thrilling moments of the tour such as dynamic live performances, heartfelt interviews, behind-the-scenes footage, a mission-based costume change, and other special moments that can only be seen in theaters are now ready to unfold on the big screen.

With “challenge” as its theme, the show brings Jin’s signature energy to the cinemas, featuring him laughing, singing, and completing five energetic missions with ARMY. The cinematic event is packed with exclusive bonuses, including a “cookie video” revealing tour preparations and the interactive “Sing Along Game” mission with a karaoke version of “Super Tuna” designed for fans to connect and sing along.

Marc Allenby, CEO of Trafalgar Releasing, said, “We look forward to bringing the dedicated ARMY audience together again in cinemas to celebrate Jin’s performance at South Korea’s Goyang Auxiliary Stadium. Capping off a successful year for the artist, the release highlights the enduring global appeal of K-pop on the big screen.”

* Select territories, including France, the Netherlands, and the Philippines, will be screening on January 10 and 11.

Press Release: Sweden’s First Official Drag Queen Calendar Launched

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Sweden’s first official Drag Queen Calendar has now been released. Twelve of the country’s most iconic drag performers are featured across all months of 2026 in a series of exclusive portraits, styled by Peter Englund and photographed by Anna Vinterfall. The project is led by Nina Saving at Konstexpo. The launch was highlighted on TV4’s Nyhetsmorgon this Sunday, where Vanity Vain – who graces the calendar cover – also appeared.

The Swedish Drag Queen Calendar is now available for purchase and has already generated significant interest. Bringing together twelve of the nation’s leading drag artists, the calendar is an artistic project celebrating the expression, humour, and power of drag.

Among the featured performers is Vanity Vain, whose rock’n’roll aesthetics and magnetic charisma made her one of the most talked-about contestants on Drag Race Sverige. Following her third-place finish – and her win as “Drag of the Year” at the QX Gala – she went on to appear on RuPaul’s Drag Race Global All Stars, where her stage presence quickly gained international attention. The calendar also includes Drag Race winner Admira and the beloved Swedish icon Babsan.

This is an explosion of colour, expression, and individuality – an art project where drag is given the space it deserves, says project manager Nina Saving. Peter Englund created the twelve specially designed styling concepts that give the calendar its strong visual identity. On Sunday, Vinterfall, Englund, and Vanity Vain appeared on TV4’s Nyhetsmorgon to discuss the work behind the calendar and its cultural significance.

The calendar is printed in A3 format on exclusive satin paper and designed with a colourful, collectible finish. It is sold for 399 SEK including VAT via Imaginzone.

The Rainbow Foundation, which receives 10 percent of the profits, highlights the calendar’s impact.

When you buy a Drag Queen Calendar, you not only get the most beautiful calendar of the year – you also support The Rainbow Foundation´s work for the rights of LGBTQI people. As anti-LGBTQI propaganda continues to grow around the world, it is more important than ever that we join forces and do what we can. The calendar is a fantastic initiative – and the perfect Christmas gift! says Embla Kullberg, Secretary General of The Rainbow Foundation.

Fans who want an even closer connection to their favourite performers can purchase signed and numbered high-quality fine art prints of each participating drag queen via Imaginzone.com and QX Shop. Each print is individually numbered and hand-signed by the artist, printed on exclusive fine art cotton paper with a shimmering finish, exceptional colour reproduction, and a lifespan of over 100 years. Available with or without frame. The limited edition makes each poster a valuable collector’s item.

Ten percent of profits are donated to The Rainbow Foundation.

Featured Performers:
Admira
Almighty Aphrodiey
Babsan
Bebulah
Bland Drakar och Dragqueens (Inga Tvivel, Björta and Petter Wallenberg)
Brenda Mandlar
Eris Arcana
Fontana
Lena BH
Miss Petersson
Miss Tobi
Vanity Vain

Lorde, The xx, Turnstile, and Hayley Williams Lead Kilby Block Party 2026 Lineup in Salt Lake City

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Kilby Block Party is back for 2026 and it’s bigger, brighter, and more unforgettable than ever. Taking over Salt Lake City’s Utah State Fairpark from May 15 to 17, this year’s edition brings 70 artists across three days, led by a dreamlike lineup of headliners: Lorde, The xx, Turnstile, and Hayley Williams. The festival continues to shine as one of the most affordable and fan-focused music experiences in North America, and 3-Day Pass On-Sale begins Wednesday, November 19th at 10:00 am MST. Tickets & Travel Packages available at KilbyBlockParty.com

Fans can expect a weekend full of discovery, connection, and full-stage energy. The layout builds on last year’s upgrades, with more space for dancing and relaxing, better stage placement to minimize audio bleed, free water stations, and a new footprint that includes the Days of ’47 Arena as one of the smaller stages. Kilby Club VIP makes its debut this year, offering center-stage viewing and backstage lounge access. With past praise calling the festival “an indie fan’s dream fest” and “the best festival experience I’ve ever had,” Kilby Block Party 2026 promises to deliver another unforgettable moment in the heart of Utah.

Little Brown Jug Brass and Ashley Ghostkeeper Shine Bright on “My North Star Home”

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Based in Calgary, Alberta, Little Brown Jug Brass is a genre-bending Canadian ensemble known for their energetic sound, collaborative spirit, and commitment to community. With multiple fine arts degrees, music degrees, and post-secondary training between them, the group brings a rich and diverse musical spirit to every performance.

The band’s collective experience is both broad and award-winning, including honours such as Outstanding Jazz Combo at the Alberta International Band Festival, the John K. Nickel Memorial Scholarship for Music Education, and the Outstanding Soloist Award at the Lionel Hampton Jazz Festival. Members perform regularly with ensembles including the Calgary Philharmonic Orchestra, Rocky Mountain Symphony, Red Deer Symphony, Prime Time Big Band, and Altius Brass.

In November 2025, Little Brown Jug Brass release their emotionally resonant single “My North Star Home,” featuring celebrated Métis artist Ashley Ghostkeeper. The song, written and performed by Ghostkeeper, was inspired by a childhood memory of her grandmother and her late grandfather — a figure described as the “North Star,” always watching over her family. Ghostkeeper wrote the lyrics from the imagined perspective of her mother, reflecting on the loss of a parent at a young age.

Ghostkeeper’s contribution brings emotional depth and cultural richness to the project. Her music has earned national radio support, three #1 hits on the Canadian Top Indigenous Music Countdown, and a Top 5 position on the Canadian Top 40 Indigenous Music Countdown. She has received multiple nominations including YYC Indigenous Artist of the Year (2024, 2025), Solo Artist of the Year, Songwriter of the Year, Single of the Year, and Country Recording of the Year (2025). She is also a three-time nominee for Country Music Alberta Fan’s Choice (2023–2025), and a 2025 Calgary Music Awards winner for Indigenous Artist of the Year. A proud Métis artist, Ashley views music as a path to healing, heritage, and self-liberation.

The accompanying music video for “My North Star Home” is a deeply moving tribute to ancestry and memory, featuring Ashley’s real-life cousin portraying her mother, her grandfather’s photograph on the dashboard, and Ashley herself appearing as a guiding spirit.

The track is a standalone collaboration and a preview of Little Brown Jug Brass’s upcoming holiday album Holiday Spirits, to be released on November 28, 2025. While Ghostkeeper’s contribution is exclusive to the single, the album shares themes of belonging, legacy, and the meaning of “home.”

Known for their co-creative and inclusive approach to music-making, Little Brown Jug Brass preserve the warmth and spontaneity of live performance in their recordings, inviting listeners to feel like part of the celebration. The band is also values-driven, regularly using performances to raise funds for arts and music education programs supporting at-risk and underserved youth.

With “My North Star Home” now available on all streaming platforms and Holiday Spirits arriving soon, Little Brown Jug Brass continue to craft music that bridges generations, genres, and communities — reminding us of the power of music to guide us home.

Heartbreak Never Sounded So Good: The Whips Channel 20-Something Chaos on “Together in Agony”

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The Whips bring the ache of your early 20s into full color with their newest single, “Together in Agony.” It feels like scrolling through old texts and realizing you are still in the story. The track captures everything tangled and overwhelming about love in motion. It’s full of tension, tenderness, and the quiet urgency of emotions you can’t quite name yet.

Guitarist and co-vocalist Max Indiveri wrote the song and recorded it with the band in their 10×10 bedroom studio. “The kind of relationship you know is breaking, but you’re still in it because you’re scared to start over,” Indiveri says. The sound mirrors that feeling. It begins in a hush, slowly gathering guitars, layered harmonies, and drums until it reaches emotional detonation. The arrangement leaves room for reflection, with each part stretching and expanding like a conversation with yourself.

The group’s roots go back to a Kansas City school bus, where bassist Quinn Cosgrove and drummer Miles Patterson first decided to form a band. Indiveri joined soon after. Max Cooper entered through an Instagram search. Cooper recently turned all four chairs on NBC’s The Voice and sang on Team Michael Bublé, and his presence brings power to the vocal mix. The song reflects a shared decision to focus on feeling and storytelling, shaped by four musicians locked into each other’s rhythm.

Many fans first discovered The Whips through their viral clips on TikTok and Instagram. From call-and-response solos to jammy college hallway breakdowns, their videos showed off playful musicianship and a deep sense of connection. One clip reached a million views. Another hit five. Now, “Together in Agony” leads into a full slate of new music arriving with Wichita label Midtopia. The band is rolling out the project through the Buy Before You Stream initiative, which gives fans the chance to connect physically with the music before it appears on streaming platforms.

There’s something beautiful about a band that built its audience online and now offers a release you can hold. You can imagine someone who once double-tapped a solo battle now setting a needle on vinyl, letting the first notes of “Together in Agony” fill the room with no notifications in sight.

Funk, Robots, and Vocoders: Kraftwerk’s Florian Schneider Auction Electrifies the World

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Julien’s Auctions, the industry leading pop culture memorabilia auction house, announces results from The Florian Schneider Collection, an event honoring a founding member of KRAFTWERK, the architects of electronic music. Universally recognized as one of the most influential bands of all time, the band’s use of synthesizers, drum machines, and minimalist compositional forms significantly expanded the expressive possibilities of popular music. Their widespread admiration was reflected by fans and collectors offering bids from the world over. The electrifying sale took place today at the Musicians Hall of Fame and Museum.

The Florian Schneider Collection is the first auction to feature a comprehensive collection of items from Florian’s personal life and career. The sale featured an extraordinary assemblage of rare instruments, stage wardrobe, and historic ephemera from the visionary artist. These artifacts give a window into the inventive and elusive processes behind Florian’s iconic creations and celebrate his legacy as a true pioneer of electronic music. A testament to Schneider’s influence is shown by the recent interest from London’s prestigious Victoria & Albert Museum to display items from the sale in their upcoming exhibition.

“We are thrilled with the outstanding results achieved in today’s auction,” says Giles Moon, VP Head of Music. “Exceptional global demand underscored both the rarity of these incredible artifacts and Florian Schneider’s pivotal role in shaping electronic music.”

Florian Schneider lived a largely secluded life, avoiding public appearances and personal portrayals in the media. Little is known about his private life and working methods. This sale was an exceptional event, as it is unlikely that such a large number of items from Florian Schneider’s personal estate will ever be available again. It thus offered a rare insight into a band whose origins and working methods have given rise to numerous myths and stories. “This auction fulfills Florian’s handwritten will for his instruments and personal collection to continue living beyond him. He always believed that they are meant to be played and shared — not left unused or gathering dust in storage,” said a spokesperson. “He wanted his equipment to find their way to people who would truly value them: musicians, collectors, and those inspired by the art of sound.”

Highlights from the “Florian Schneider Collection” Auction Include:
• Kling Klang Sennheiser VSM-201 Vocoder In Original Case ($256,000 – over 8x est.)
• Stage Played EMS Synthi A Suitcase Synthesizer ($115,200 – over 14x est.)
• Robovox and Votrax Silver Rack Case with Votrax Phoneme Keyboard ($76,800 – over 5x est.)
• Panasonic Panaracer Road Bike From The Music Video for “Tour de France” (“Kling Klang Analog Mix”) with Polaroid Photos ($57,600 – over 14x est.)
• 1964 Volkswagen Type 2/T1 Kastenwagen ($44,800 – nearly 3x est.)
• Kraftwerk Lenticular Print ($25,600 – 64x est.)
• Korg PS-3200 Polyphonic Synthesizer with PS-3010 Keyboard ($25,600 – nearly 3x est.)
• “Ruhe” Electric Kling Klang Recording Studio Sign ($19,200 – over 38x est.)
• 1960s Stage and Studio-Played Orsi Albisiphon Bass Flute ($12,800 – over 3x est.)
• 1981 “Computer World” Tour Japanese Concert Poster ($5,120 – over 25x est.)
• 1982-1986 Keilwerth Toneking 3000 Jazzophone (Trumpet) ($5,120 – nearly 13x est.)