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MLB and SiriusXM Extend Broadcasting Agreement Through 2028

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SiriusXM and Major League Baseball announced today a five-year extension of their broadcasting agreement. SiriusXM has teamed up with MLB to deliver games to fans around the country since 2005, and will continue to air live play-by-play of every regular season and postseason MLB game, as well as select spring training and Spanish-language game broadcasts, through the 2028 season. SiriusXM will also continue to produce the exclusive MLB Network Radio channel, which delivers live, in-depth MLB talk and analysis 365 days a year.

All MLB games are available to SiriusXM listeners in their cars and on the SiriusXM app. Those listening on the SiriusXM app and in vehicles equipped with SiriusXM’s latest generation 360L platform get access to play-by-play channels dedicated to each of MLB’s 30 clubs. This ensures the listener can hear their favorite team’s announcers for every game, whether they are playing at home or on the road.

The new SiriusXM app, which will begin rolling out on December 14, will offer listeners a more personalized, easy-to-use, lean-back streaming experience that puts discovery at the forefront. A new centralized sports hub ensures fans never have to miss a game, with all the latest live broadcasts, dedicated league and team pages, start of game notifications and more.

“We’re very proud to continue Baseball’s rich history of reaching fans through their radios. Today, we’re delivering those fans the sounds of the game through SiriusXM’s state-of-the-art platforms in the car and on the SiriusXM app,” said Scott Greenstein, SiriusXM’s President and Chief Content Officer. “Being able to hear their team’s announcers is important to fans, and no matter where you are listening from across North America, you’ll get access to every team’s broadcast for every game on SiriusXM. Couple this with the best daily talk and analysis of the game on the MLB Network Radio channel and SiriusXM is a must-have for baseball fans, and will be for years to come.”

“The collection of MLB game presentations and content that has developed through our extended relationship with SiriusXM has been a powerful asset in making our game more accessible to fans wherever they are,” said Kenny Gersh, Executive Vice President of Media & Business Development, Major League Baseball. “The sounds of Baseball are an important part of our story and we’re proud to continue to work with SiriusXM as they advance and grow the MLB streaming experience for fans on their platforms.”

SiriusXM’s exclusive 24/7 MLB Network Radio channel features live daily talk programming covering MLB 365 days a year with a roster of hosts that includes former players, executives, managers and other baseball insiders.

The channel will broadcast live from the Baseball Winter Meetings happening next week (Dec. 3-6) in Nashville, TN. MLB Network Radio hosts on site will include former general managers Jim Bowden, Jim Duquette and Steve Phillips, former player Eduardo Perez, and baseball experts Jenny Cavnar and Mike Ferrin. Listeners will hear interviews with many of the executives and managers who are in town, and get up-to-the-moment news and analysis on free agents, trades and other offseason topics from Major League Baseball.

Additionally, Jake Mintz and Jordan Shusterman, hosts of SiriusXM’s popular Baseball Bar-B-Cast podcast, will be in Nashville capturing content and publishing daily podcasts.

Queen Rock Montreal Concert Film Exclusively In IMAX Theatres For A Limited Engagement Beginning January 18

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IMAX and Pathé Live in partnership with Mercury Studios and Queen Films announced today that, for the very first time, one of the world’s biggest bands will perform on cinema’s biggest screens with the global release of “QUEEN ROCK MONTREAL,” exclusively in IMAX beginning January 18, 2024. This exhilarating live concert from 1981 is a window into Queen in their most unalloyed form, giving audiences a larger-than-life, front-row immersive experience. The film was digitally re-mastered for the first time into the image and sound quality of The IMAX Experience, including 12-channel surround sound, crystal-clear images, and IMAX’s customized theatre geometry. Rock & roll royalty Freddie Mercury, Brian May, Roger Taylor, and John Deacon take to the stage in a historic and exhilarating performance of their greatest hits including “We Will Rock You,” “Somebody To Love,” “Under Pressure,” Bohemian Rhapsody,” “Another One Bites the Dust,” “We Are The Champions,” and additional songs from popular album The Game including “Dragon Attack,” “Play the Game,” and more. Executive producers include Geoff Kempin and Alice Webb for Mercury Studios and Jim Beach and Matilda Beach for Queen Films.

“I don’t think we quite realized it at the time, but this film has preserved one of the highest peaks in Queen’s touring life, on stage in the old glory days. The director was very much focused on Freddie, and this now stands as probably the most precious intimate capture ever of Mr. Mercury at his full awesome power,” said Brian May. Added Roger Taylor, “Enjoy. We were young!”

“QUEEN ROCK MONTREAL” will be released in over 450 IMAX locations globally for four days beginning January 18. Participating territories include the United States, Canada, United Kingdom, France, Germany, South Africa, Australia, Brazil, and Mexico, to name a few. For a list of theatres and to purchase tickets please visit IMAX.COM/QUEEN.

“QUEEN ROCK MONTREAL” captures a pivotal moment in the band’s history. When Queen returned for the fourth time to Montreal’s 18,000-seat Forum in November 1981, where this concert was recorded, it was after a 15-month absence during which they became the biggest band in the world. Fueled by the release of The Game album, their smash single “Under Pressure,” and extensive touring, Queen now dominated the charts in every major territory across the globe.

The two shows that took place in Montreal – November 24 and 25, 1981 – were arranged specifically to set Queen up for another first: shooting a full-length concert film to properly document their live show, highlighting the state-of-the art sound recording. Having spent almost two years on the road, the group was ready for such a challenge and hit Montreal in top form for what would end up being two consecutives sold out, legendary nights.

“QUEEN ROCK MONTREAL” not only delivers Queen in their rawest form but captures the unparalleled musicianship and vocal talents of Freddie, Brian, Roger and John performing together. Showcasing the group in their pre-Hot Space album era, before keyboards would find a place in the band’s touring line up, this classic concert film shows these talented musicians in total cohesion while finding space to demonstrate their individual strengths. Directed by Saul Swimmer, “QUEEN ROCK MONTREAL” marks the first concert captured on film of this legendary and groundbreaking band.

 

The Postal Service + Death Cab For Cutie Extend Groundbreaking, Critically-Acclaimed 20th Anniversary Co-Headline Tour

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Today, indie rock titans The Postal Service and Death Cab for Cutie have unveiled additional North American dates for their landmark 20th anniversary co-headline ‘Give Up Transatlanticism’ tour, set for April-May 2024 with Canadian Dates in Toronto and Vancouver.

The extension comes in response to massive demand from fans, following the joint tour’s critically acclaimed and wildly-successful 2023 dates. That run was entirely sold-out and included back-to-back shows at NYC’s Madison Square Garden, three nights at LA’s Hollywood Bowl, and marquee dates in many other major cities – bringing 250k+ fans together at iconic arenas and amphitheaters across the US.

This extraordinary live run celebrates the 20th anniversaries of each band’s seminal 2003 album, The Postal Service’s RIAA Platinum-certified Give Up and Death Cab for Cutie’s RIAA Platinum-certified breakthrough fourth studio LP Transatlanticism – two classics released within a mere eight months of one another, and created with a total recording budget of just $20k.

Benjamin Gibbard, co-founder of both bands, will continue to pull double duty on the 2024 dates, performing Give Up and Transatlanticism in full alongside his respective bandmates. “Few musicians have released two culture-shifting records in the span of a single year,” Pitchfork proclaimed within their glowing review of this fall’s first MSG show, “and even less have done it with two different musical outfits.”

Kicking off in Atlanta on April 23, the spring 2024 run will include stops in Nashville, Toronto, Vancouver, Milwaukee, and more, before culminating in Portland, OR on May 15. Indie rock quartet Slow Pulp is set to support each night of the tour.

Presales will begin next Wednesday, December 6 at 10am local time, starting with the Artist Presale. All tickets will be available at the general on-sale starting next Friday, December 8 at 10am local time. Sign up for early access to tickets at giveuptransatlanticismtour.com.

Both bands are also thrilled to announce they’ll be bringing the tour to London next year. UK fans can stay up-to-date and sign up for notifications about this highly-anticipated show here.

“I know for a fact I will never have a year again like 2003. The Postal Service record came out, Transatlanticism came out. These two records will be on my tombstone, and I’m totally fine with that. I’ve never had a more creatively inspired year.” – Benjamin Gibbard

The groundbreaking ‘Give Up Transatlanticism’ tour has been hailed as a “once-in-a-lifetime show” (Nylon), “dream double bill” (Variety), “must-see” (Consequence), and “one of the best shows of the year” (Alternative Press). Before the 2023 dates began, the historic outing was named one of GQ’s “12 Pop Culture Releases We’re Most Looking Forward to in 2023.”

The Postal Service is comprised of Gibbard, Jimmy Tamborello, and Jenny Lewis; Death Cab for Cutie is comprised of Gibbard, Nick Harmer, Dave Depper, Zac Rae, and Jason McGerr. All upcoming tour dates are enclosed below.

THE POSTAL SERVICE x DEATH CAB FOR CUTIE | 2024 CO-HEADLINE TOUR DATES

APRIL
23 – Atlanta, GA – Ameris Bank Amphitheatre *
24 – Orlando, FL – Amway Center *
26 – Charleston, SC – Credit One Stadium *
27 – Raleigh, NC – Walnut Creek Amphitheatre *
29 – Nashville, TN – Bridgestone Arena *
30 – Columbus, OH – The Schottenstein Center *

MAY
2 – Pittsburgh, PA – Petersen Events Center *
3 – Albany, NY – MVP Arena *
4 – Toronto, ON – Scotiabank Arena *
6 – Milwaukee, WI – Miller High Life Theatre *
7 – St. Louis, MO – Chaifetz Arena *
9 – Kansas City, MO – T-Mobile Center *
11 – Salt Lake City, UT – Venue TBA *
12 – Boise, ID – Idaho Central Arena *
14 – Vancouver, BC – Doug Mitchell Thunderbird Sports Centre *
15 – Portland, OR – Moda Center *
Date TBD – London, UK – Venue TBA
* w/ Special Guest Slow Pulp

Why We Love Sharing Spotify Wrapped

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Spotify Wrapped has become a popular feature that allows users to see a personalized summary of their music listening habits over the past year. There are several reasons why we love sharing our Spotify Wrapped:

Personal Reflection: Spotify Wrapped provides users with a chance to reflect on their music preferences and discover their most-listened-to songs, artists, and genres. Sharing this information can be a way for individuals to express their personal tastes and preferences.

Nostalgia: The feature often includes a recap of the user’s favorite songs from different seasons or months throughout the year, triggering nostalgia and memories associated with specific songs or events.

Discovering New Music: Spotify Wrapped often includes insights into new artists or genres users have explored throughout the year. Sharing this information can introduce friends and followers to new music recommendations.

Connection with Others: Sharing Spotify Wrapped results can lead to conversations and connections with friends, as people compare their music tastes and discover shared favorites. It’s a way to bond over common musical interests.

Social Validation: Some users find validation in sharing their top songs or artists, as it can be a reflection of their identity and preferences. Positive reactions from friends and followers can boost a sense of validation and belonging.

Aesthetic Appeal: The visuals and graphics presented in Spotify Wrapped are often visually appealing. Users may share their Wrapped images because they find them aesthetically pleasing or as a way to showcase the creative and colorful data visualizations.

Engagement with the Platform: Sharing Spotify Wrapped can be a way for users to engage with the platform and show their loyalty to the brand. It’s a form of user-generated content that promotes the platform organically.

Year-End Tradition: Over time, Spotify Wrapped has become a yearly tradition for many users. Sharing the Wrapped results might be seen as a way to participate in this annual event and connect with others who are doing the same.

Competitive Spirit: Some users may enjoy the competitive aspect of comparing their music stats with friends. It can turn into a friendly competition to see who discovered the coolest new artists or listened to the most unique songs.

Entertainment Value: Beyond personal reflection, sharing Spotify Wrapped can be entertaining for friends and followers. It adds a fun and lighthearted element to social media, and people may enjoy seeing the diverse music tastes of those in their network.

More than ever in 2023, the act of sharing Spotify Wrapped is multifaceted, involving personal reflection, nostalgia, social connection, and a sense of entertainment and engagement with the platform.

Renowned Comedian Brendan McKeigan Announces Live Special Recording In Ottawa On December 2

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Renowned comedian Brendan McKeigan from Ottawa, Ontario, known for his energetic and hilarious performances, is back with a bang as he announces his live comedy special recording of Happy Hour on December 2 at the Overflow Brewing Co. in Ottawa, ON.

“I had the idea for this special lined up a while ago. It was February 2020 when I had the venue booked for that fall. Well, we all know what happened there. It was a little bit of a blessing in disguise because since then, my family has grown, and I have WAY more stories to tell,” Brendan revealed, offering a glimpse into the inspiration behind his upcoming comedy special.

Since Brendan’s first comedy special, “Make It A Double,” in 2014, his life has taken on many twists and turns. The “Happy Hour” tour vows to be a wild and rip-roaring experience, as Brendan draws humour from his own life, transforming real-life situations into comedic gold. The Ottawa native is known for his energetic, fun, non-political, and sometimes a bit ridiculous flair.

Since 2003, Brendan has been an internationally touring headliner performing at Just For Laughs, 1000 Islands Comedy Festival, Crackup Festival’s closing gala for 2300 people at the National Arts Center, Crackup’s Summer Fest Gala and the LOL Sudbury Comedy Festival. With experiences like performing for troops in the Middle East and Africa and appearances on notable platforms like CBC’s Laugh Out Loud and George Stroumboulopoulos’ Tonight, he has solidified his position as a comic sensation.

Israeli-Canadian Composer George Gagnidze Drops Electrifying New Single ‘Composition 800’

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George Gagnidze is a talented Israeli-Canadian composer with a knack for curating gripping electronica compositions. Currently residing in Vaughan, ON, the artist has returned with a brand-new single “Composition 800.”

Written, produced and composed entirely by Gagnidze, “Composition 800” is an enchanting electronic composition to sink your teeth into. As you make your way through this track the artist takes you on an alluring passage of dark keywork and warped production – a captivating touch to say the least.

Not only a talented composer, but a multifaceted artist and poet in his own right. Throughout his career Gagnidze has worked on a string of projects, from solo to orchestral pieces, to film, visual arts and more. Gagnidze carves his soundscape by weaving in speckles of ambient electronica with electro tendencies. Although taking a particular interest in the experimental realm of electronica, Gagnidze has written over 800 compositions and loves a wide spectrum of genres.

In 2020, Gagnidze began composing on the themes of visual artists from around the world, over 30 pieces based on paintings total and released his debut single “Composition 226 for String Orchestra (Electronic Version)” – a beautiful track that is both daunting and enticing. Flickering between light to dark tendencies, “Composition 226 for String Orchestra (Electronic Version)” has you desperately itching for more, one intricately placed note at a time. From the moment Gagnidze shared this single, it became clear which direction he would take his forthcoming compositions into. Much like his discography, this song unravelled a plethora of layers to the artist and gave fans an exciting glimmer into what to expect on later projects.

Fast forward three years and Gagnidze has released “Composition 800.” This track represents a significant next step for the artist, as not only is it his debut single of 2023 but it swiftly follows on from his second studio album “19 Pieces for Mixed Media” which he dropped in April 2022, the same year he released his debut album “12 Pieces for Solo Piano.”

Gagnidze has a strong passion for creating and takes huge pride in his work. Forever thinking of ways to evolve his rich soundscape, Gagnidze makes sure to compose daily to keep his rhythm and creativity alive. Although he doesn’t take much inspiration from celebrity figures, one person he is inspired by is his father, Merab Gagnidze, who is also a talented composer. Speaking about how he navigates his creative vision Gagnidze says: “I don’t believe in inspiration, only in hard work. I have been composing daily for many years. Just like performers practice daily, it is a good idea for composers to compose regularly so that they are ready for whatever comes next through them.”

After Fan Requests, Canadian Singer-Songwriter Ron Kalmakoff Releases His First Holiday Single “Christmas Once Again”

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Singer-songwriter Ron Kalmakoff’s music is so closely correlated with evoking vivid nostalgia in his listeners, that his fans asked for years if he would ever consider releasing a full Christmas album. This holiday season they are in luck, as his first ever Christmas single “Christmas Once Again,” just in time to incorporate into this year’s music memories.

Before migrating to the west coast of Canada, Kalmakoff spent his childhood roaming the prairies of Canora, Saskatchewan, an experience he illustrates in an earlier song of his entitled “Where the Willows Bend.” In “Christmas Once Again”, he calls upon that same wistfulness, changing the lyrics of “Where the Willows Bend,” and inviting listeners back to that familiar special place in Canora- this time to stay for the holidays.

“When writing the lyrics to ‘Christmas Once Again,’” he says, “I recollected my own December memories with those I love and some who are now gone, family gatherings, and holiday memories with friends. Looking through old Christmas photos and feeling the joy from the past was a big part of my inspiration.”

The theme of reflecting on memories and love from Christmases past and yearning for those who may no longer be around, prevails in Kalmakoff’s lyrics. Matched with gentle guitar strums and the sounds of faint Christmas bells, he sings “Moments so close, when love would fill my heart/Not long ago, we were never apart/To live that life once more, the gift that joy would bring/I want to believe in Christmas once again.” A chorus soon repeats “We see only in front of us, never looking behind/Take a step back, remember what was/It was an innocent time.” Here Kalmakoff reminds us that traditions, along with our memories of those we love are what keep the Christmas spirit alive, and that our past should be what lights the way for our future.

“Christmas traditions are very meaningful to me, and ones that have been passed on from different generations are important,” Kalmakoff says, hoping his new Christmas song will become a tradition. “It’s all been done with love, and I hope that what I bring to each holiday season, through this song, will be remembered as well.” As a wink to his fans who encouraged the new track, he adds “At least I can now say that I have my very own Christmas song, and I hope followers who enjoy it will put it on repeat for holidays seasons ahead.”

Embrace The Magic Of The Season With Sherri Harding’s Enchanting New Single ‘Doin’ Christmas Right’

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There’s no better way to ring in the 2023 holiday season than with Sherri Harding’s enchanting new single, “Doin’ Christmas Right.”

Produced by Dick Cooper, with Brian Cooper on bass and Rob Holtz on percussion, Harding’s new song is another project created in collaboration with The Cooper Brothers. Instrumentals by the world-class Muscle Shoals Horns inject warmth, energy, and a beloved holiday sound into the single. With all the makings of a holiday classic, “Doin’ Christmas Right” is a melody listeners will no doubt return to year after year.

The holiday has always been dear to the Ottawa singer, who treasures her childhood memories of selling Christmas trees with her siblings—and has always dreamed of producing original Christmas music. With heartwarming lyrics and Harding’s signature soulful vocals, the song captures the magic of those childhood Christmases—the excitement, the joy, the bright lights on every corner—and allows the listener to experience anew the startling beauty of the holidays. Doin’ Christmas Right juxtaposes a giddy, youthful delight with the brilliant shine of being in love.

“This year’s like no other – how happy can one girl be? / Feels just like I’m a kid again – feels like make-believe // This year I’m doing Christmas right,” she sings.

The single comes on the heels of Harding’s debut album, A Million Pieces, which was released earlier this year. Also produced by Dick Cooper, the album featured a powerful lineup of seasoned musicians like David Hood, Kelvin Holly, Lynn Williams, and others. Cooper wrote the album for Harding after her 2016 performance with The Cooper Brothers, where he recognized a stunning new talent deserving of the spotlight. The duo traveled to iconic Muscle Shoals to record, and following the album’s success, continued their collaboration with “Doin’ Christmas Right.”

Harding’s success is well-earned. For years before her debut, she spent time on the road in various bands and venues, traveling as far as Bosnia and the Middle East for Armed Forces shows. But home beckoned, and the rising singer carved out a space for herself in the Rock/Soul space.

Even before the release of A Million Pieces, Harding always wanted to create an original Christmas song. In the true spirit of the season, this dream has come true. “Doin’ Christmas Right” will surely soundtrack magical holiday memories for families and lovers alike for years to come.

Donita Large Returns with the Blues in ‘Too Much of Anything’: Anticipated Single Follows #1 Single on Indigenous Music Countdown

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There’s no such thing as too much of singer/songwriter Donita Large, and thankfully, she is back with her highly anticipated blues single, “Too Much of Anything.” After reaching the #1 spot on the Indigenous Music Countdown with her debut single, “Going To Walk That Line,” fans have been wanting more.

Donita Large brought her bluesy charm when she emerged on the music scene in the summer of 2021. She quickly became a sought-after artist, performing at local festivals and shows, including the Edmonton International Fringe Festival, RavenWood Music Festival, K-Days Indigenous Experience, and a ‘Songs of Reconciliation’ concert at Leduc’s MacLab Centre for Performing Arts. During her early days on the scene, Donita collaborated with lead and bass guitarist Anthony King, which led to the formation of ‘Donita Large & The Small Band,’ alongside bandmates Alan Tymofichuk and Barry Martin.

The idea for “Too Much of Anything” came to life one evening when Donita and Anthony decided to make music during a break from rehearsal. Donita wanted to write a new blues song, and Anthony, who loves the blues, started playing a bluesy 12-bar tune. This inspired Donita to begin writing the lyrics for “Too Much of Anything.”

The song’s message is simple, but the feelings are complicated: it’s about the idea that “too much of anything is bad for you.” It’s like when you have too much of something, and it causes problems. Donita’s song captures the mixed emotions of overdoing something and dealing with the results. That’s why she sings the blues, to connect with those emotions and share them with others.

As the song’s producer, Anthony King sought the best musicians in Edmonton for a live-off-the-floor recording. This effort led to a lineup that included Rooster Davis on the keys, Jamie Cooper on drums, Harry Gregg on bass, and Anthony himself on lead guitar. The recording process was a celebratory experience, resulting in a track that captures the spirit of the blues.

Donita Large will release this new single at Edmonton’s Blues on Whyte – Commercial Hotel as a guest of Secondhand Dreamcar, where Harry, Rooster, and Jamie are all band members, and Anthony will join as a guest guitarist.

Get ready to hit replay and immerse yourself in the emotional storytelling power of the blues with Donita’s ‘Too Much of Anything’ as it debuts on the airwaves now.

Sebastian Maniscalco Announces Massive Tour Dates For 2024

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Sebastian Maniscalco is the undisputed king of physical comedy, hailed by The New York Times as the “hottest comic in America.” He has been performing for over two decades amassing a huge loyal fanbase and as Pollstar has noted, “He’s been a voice in the vanguard of a live comedy revolution.” During his latest tour, Maniscalco conquered New York City by selling out Madison Square Garden, Barclays Center, UBS Arena, and Prudential Center, and with his two shows at Chicago’s United Center, he is currently the highest-grossing comedian in the venue’s three-decade history. With residencies at the Borgata Event Center in Atlantic City, as well as the Wynn, Encore Theatre in Las Vegas, he continues his record breaking arena shows that earned him the top spot on Pollstar’s Top Comedy Tours list. He has also starred in 6 comedy specials for networks such as Netflix, Showtime and Comedy Central.

Maniscalco’s success in comedy extends beyond the stand-up stage. His talents have been brilliantly translated to film, television, and the popular world of podcasting. His new series, “Bookie”, co-produced by Maniscalco and legendary director, writer, and producer Chuck Lorre premieres in November of 2023 on HBO MAX. The show follows a veteran bookie navigating the impending legalization of sports gambling and the evolving culture that bounces him around Los Angeles.

Maniscalco can be seen on the big screen in projects such as the animated feature film The Super Mario Bros. Movie, the Neil Bogart biopic Spinning Gold, and the dramedy Somewhere in Queens with Ray Romano and Laurie Metcalf. In 2023, Maniscalco marked his first role as a leading man when h co-wrote and starred in About My Father, a Lionsgate production loosely based on his Italian family experience, alongside Robert De Niro. Maniscalco also appeared in Martin Scorses’s crime drama, The Irishman as well as Peter Farrelly’s Oscar-winning Green Book.
Along with TV and standup, Maniscalco currently hosts two podcasts, Daddy vs. Doctor and The Pete and Sebastan Show. Both shows are hosted by Maniscalco alongside his hilarious and informative co-hosts, Dr. Scott Cohen, and Pete Correale. Daddy vs. Doctor and The Pete and Sebastian Show are available on all podcast platforms.
Maniscalco is also an author of the national best-selling memoir, “Stay Hungry,” an inspiring, honest, and proarious collection of essays that traces his career from the trials and tribulations — to reaching the pinnacles of comedy success. Maniscalco’s success is a testament to his persverance and hustle – with his tireless work ethic and undeniable talent, it’s safe to say that Maniscalco will continue to be a fixture in comedy and entertainment for years to come.

IT AIN’T RIGHT 2024 TOUR DATES:
Thu Jul 11 – Norfolk, VA – Norfolk Scope Arena
Fri Jul 12 – Raleigh, NC – PNC Arena
Sat Jul 13 – Asheville, NC – ExploreAsheville.com Arena
Thu Jul 18 – Jacksonville, FL – VyStar Veterans Memorial Arena
Fri Jul 19 – Savannah, GA – Enmarket Arena
Sat Jul 20 – Atlanta, GA – State Farm Arena
Sun Jul 21 – Nashville, TN – Bridgestone Arena
Thu Aug 08 – Houston, TX – Toyota Center
Fri Aug 09 – Austin, TX – Moody Center
Sat Aug 10 – Dallas, TX – American Airlines Center
Sun Aug 11 – San Antonio, TX – Frost Bank Center
Thu Aug 15 – Phoenix, AZ – Footprint Center
Fri Aug 16 – San Diego, CA – Viejas Arena
Sun Aug 18 – San Francisco, CA – Chase Center
Thu Sep 12 – Orlando, FL – Amway Center
Fri Sep 13 – North Charleston, SC – North Charleston Coliseum
Sat Sep 14 – Charlotte, NC – PNC Music Pavilion
Wed Sep 18 – New York, NY – Madison Square Garden
Thu Sep 19 – New York, NY – Madison Square Garden
Thu Sep 26 – Pittsburgh, PA – PPG Paints Arena
Fri Sep 27 – Philadelphia, PA – Wells Fargo Center
Sat Sep 28 – Washington, DC – Capital One Arena
Sun Sep 29 – Wilkes-Barre, PA – Mohegan Sun Arena
Thu Oct 03 – Albany, NY – MVP Arena
Fri Oct 04 – Boston, MA – TD Garden
Sun Oct 06 – Hershey, PA – GIANT Center
Thu Oct 17 – Winnipeg, MB – Canada Life Centre
Sat Oct 19 – Edmonton, AB – Rogers Place
Sun Oct 20 – Calgary, AB – Scotiabank Saddledome
Thu Oct 24 – Vancouver, BC – Rogers Arena
Fri Oct 25 – Seattle, WA – Climate Pledge Arena
Sat Oct 26 – Portland, OR – Moda Center
Wed Nov 06 – Milwaukee, WI – Fiserv Forum
Fri Nov 08 – Chicago, IL – United Center
Sat Nov 09 – Chicago, IL– United Center
Sun Nov 10 – Dayton, OH – Nutter Center
Thu Nov 14 – Youngstown, OH – Covelli Centre
Fri Nov 15 – Rochester, NY – Blue Cross Arena
Sat Nov 16 – Buffalo, NY – KeyBank Center
Sun Nov 17 – Syracuse, NY – Oncenter War Memorial Arena
Thu Nov 21 – Montreal, QC– Bell Centre
Fri Nov 22 – Toronto, ON – Scotiabank Arena
Sun Nov 24 – Ottawa, ON – Canadian Tire Centre
Wed Dec 04 – Estero, FL – Hertz Arena
Sat Dec 07 – Tampa, FL – Amalie Arena
Thu Dec 12 – Omaha, NE – CHI Health Center
Fri Dec 13 – Peoria, IL – Peoria Civic Center Arena
Sat Dec 14 – St. Louis, MO – Enterprise Center
Sun Dec 15 – Des Moines, IA – Wells Fargo Arena