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Rock Icon Bryan Adams Joins Scottish Tech Startup Songbox

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Canadian rocker Bryan Adams has joined Scottish tech startup Songbox after falling in love with its secure music-sharing capabilities.

Glasgow-based Songbox is a platform that is changing the way musicians handle their audio files. It allows musicians and other audio content creators to securely store and share their files with anyone they choose, be it co-creators, collaborators, industry figures, media outlets – the possibilities are endless.

The platform allows the content creator to know that the file has been received and whether it has been listened to – even confirming which tracks have been played and for how long. And it’s all done with built-in privacy and security.

Multi Platinum Recording Artist & Grammy Award Winner Bryan Adams was one of the first renowned names to use the newly-launched Songbox for his work and has helped to add new features to the product.

He says: “Songbox allows me to share new music that I’m working on in a way that I couldn’t before. I don’t need to send out MP3 files or physical products, so it keeps my ideas and early versions safe and secure until I’m ready to officially release the songs. It was exactly what I was looking for. I’m delighted to join Songbox and to help tell other people in the music business how great this tool can be for their work.”

The idea for Songbox came from a Scottish musician’s frustration at trying to get attention for his work in the traditional ways – burning CDs and putting them in the post, only to be met, for the most part, with silence. Songbox founder Michael Coll also saw this from the other side of the fence, when he later worked as a web developer at a major music industry player.

Michael says: “Like many other bands, we’d send out demos and never even know whether they had been received, yet alone listened to. And in my job, I’d see people’s hard work in the form of hundreds of demos arrive every week, only to pile up in a corner without ever being opened. We called it ‘the corner where dreams went to die.’ I knew there had to be a better way.”

His idea led to the creation of Songbox, which was launched without any external funding and already has thousands of global users, including Grammy winners and hobbyists alike. It’s designed for anyone who works with audio files, with various pricing options including a free package for those who want to give it a try without commitment. Michael and co-founder Ciaran O’Toole are looking to grow Songbox and will soon begin a series of funding rounds.

Michael adds: “Bryan coming on board as a co-founder has been a great boost to the company. And as a Songbox collaborator, he has also helped organically grow the product through adding new features that he knew would benefit fellow Songbox users. That kind of insight has been invaluable.”

Photo Gallery: Shinedown with Sleep Theory at Niagara Falls’ OLG Stage

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All photos taken by Mini’s Memories. You can contact her through Instagram or Twitter

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Singer-Songwriter JESSICA CHAZ Releases Hopeful, Wistful Acoustic Version of Her Single “Dreamin'”On Remixes EP

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On the acoustic remix version of her beloved single “Dreamin’,” Vancouver, BC-based pop singer Jessica Chaz mixes soulful R&B with reflective, introspective guitar to create a hopeful message about the power of dreams and imagination.

What are you hoping for every night
Come on it’s time they say, it’s time to start a real life
But how do they know, what’s in sight, what is right
This ain’t a dream no more, this is my life

Even though the narrator feels discouraged, the song shifts in perspective when Chaz begins to sing, “I’ll keep working every day, oh/ I’ll keep hoping for a break, oh,” paying tribute to the power of faith beyond what’s in view right now.

Originally released in 2018, the original version of “Dreamin’” has racked up 80K views on YouTube. Chaz believes the message is relevant now more than ever, as we grapple with a “new normal” post-pandemic.

“When we first released ‘Dreamin’, that song specifically is about hope and faith that things that we dream for, hope for, and wish for are possible,” she said. “I think now more than ever – after what we all experienced globally – we need to believe that the seemingly unreachable dreams we have are necessary, and that they can come true.”

This acoustic version of “Dreamin’” is one of five new versions on Chaz’s newly released Dreamin’ (Remixes) EP. “Dreamin’ (Remixes) was a musical adventure,” she said. “I had the opportunity to work with an amazing group of people who supported me in trying new ideas and challenging ourselves to create these five different remixes in a short amount of time.”

“We are thankful, and we hope that with these remixes it can be a reminder to you, that even in 2023, you can hope and dream and it is possible it will become a reality in time,” she adds.

Dynamite singer-songwriter Jessica Chaz is a performing artist with a unique vocal talent. Chaz grew up in Durban, South Africa, where her passion for music started out. It began when she would harmonize as a child with almost any song she heard. Putting other goals ahead of her true musical passions, it took a few curveballs for Chaz to realize that being a musician was what she was meant to do. She performed with her band Seasons at the 2010 FIFA World Cup in South Africa, and she finished her Bachelors in Music in 2011.

Shortly after entering the Canadian music scene, she was a featured as an artist to watch at the 2014 MIX Showcase in Vancouver. In 2019, she performed at the Canadian Music Week Festival in Toronto, Canada. The acoustic version of her 2015 release “Cali” reached more than 97K views on YouTube and she released her debut EP Dreaminʼ, a story of searching, shortly thereafter. The music video for “Dreamin” has reached over 80K views on YouTube.

Canada’s Rock’N’Roll Power Couple ALTERED BY MOM Unleashes Their Explosive EP “AHEM” Featuring “Gwendolyn”

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ALTERED BY MOM is an alt-rock/indie duo from Toronto that combine a knack for infectious melodies and classic songwriting with a quirky sense of humor and a tongue-in-cheek post-grunge aesthetic. They sound like Alanis Morissette, Oliva Rodrigo, and Sloan chowing down on a party sub in the security line at YYZ.

Fresh off the success of their 2021 collection “52 SONGS,” Canada’s musical power couple Gina Kennedy and Devon Lougheed are demanding centre stage with the release of “AHEM” on June 30, 2023.

Ultimate single “Gwendolyn” is inspired by “the feeling of being overwhelmingly in love with someone and having your mind consistently blown by how amazing they are”, according to Lougheed. The song perfectly combines the best parts of Neo 90s with undeniable pop hooks. The home-brewed music video offers a nostalgic time machine trip for anyone who sat glued to MuchMusic’s Countdown in its heyday.

The upcoming release AHEM is a metaphorical throat clearing, a demand for attention, and a command of the floor. While 52 SONGS was a 52- course meal, the four tracks on AHEM are a power snack, like a banana with a Red Bull chaser, an amuse-bouche for the ears. Lead singles “Dive In”, “Everygirl”, “Waiting on a Sign That’s Already There” and now “Gwendolyn” are compelling, fun, and introspective songs about self-belief, pursuing love, and embracing the weird and wonderful in life.

Meghaan LeBlanc Unleashes Faun Stella Blending Roots and Chamber Pop With ‘The Isle & The Sea’

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Meghaan LeBlanc lights up the misty shore with a new roots-infused chamber pop project as Faun Stella and its first single, ‘The Isle & The Sea’.

Canadian through and through, LeBlanc hails from Nova Scotia where she is embedded in the music scene as a singer, songwriter, and storyteller whose style is a blend of Celtic folk and roots-rock music. Her stage-sharing credits, under the alt-rock alter ego Meghan Morrison, include plenty of notable Canadian artists such as Jim Cuddy (Blue Rodeo), Raine Maida (Our Lady Peace), and Chantal Kreviazuk (Moon vs Sun).

‘The Isle & The Sea’ is a soothing mix of LeBlanc’s ethereal vocals layered like waves across a summer-vibing beat and funky bass groove. The track was written and produced with Adam Faux, a doctoral student at York University, who played a pivotal role in creating the landscape of sound and movement that is present throughout the music.

It begins with a bell-like tonal guitar sequence before cracking open with its signature bass line. Almost immediately, LeBlanc’s ethereal vocals start weaving gently through a groovy background of sweet-clean guitars, popping bass, and bouncing drums. Like a cloud floating through a mountain range, LeBlanc’s vocals effortlessly navigate around the instruments with overlays of harmonies that appear and disappear, creating a full soundscape of angelic vocals right across the track.

The track was recorded at Faux’s home studio in Toronto (Lucy’s Studio – in memory of his fondest feline friend) with LeBlanc on vocal duties, Faux on bass, electric guitar, and programming, and Brent Welbourn adding additional guitars into the mix.

Its simple lyrics give away more meaning than might be caught at first listen, with LeBlanc citing an identity crisis (through a surprising family history search) as the main inspiration for the track. But she maintains that the spirit of the song applies to any aspect of identity where polarity is in question.

“Who do you want me to be?
Some wild child on an isle in the sea?
Who do you want me to be?
Some wild child on an isle in the sea?”

LeBlanc explains, “What did it mean for my identity? I wasn’t raised in the culture and traditions, so I didn’t want to be disrespectful by claiming to be of this ethnicity. Was my DNA even ‘indigenous enough’ to count? Who decides how much ‘counts’? And who decides who has the decision rights over identity, to begin with? Where do I fit in? All kinds of questions like this started spinning through my head while trying to make sense of my new family history.”

“Adam was able to empathize because he is from a multi-ethnic family and is faced with conflicts of this nature almost every day. So we just dove into it, head on.”

Adam adds on the songwriting process, “We are all born composers of sound, movement, and artifact. We intuitively communicate our physical, psychological, and most essential needs and desires through our bodies and voice.”

Kele Fleming’s Folk-Rock Hits Take a Bass-Heavy Turn in Latest EDM Remix “The Great Acceleration” (Devours Remix)

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Although Kele Fleming specializes in vulnerable folk lyrics and rock melodies, the EDM world continues to favor her music, remixing her raw singles as bass-heavy beats. “The Great Acceleration” (Devours Remix) is the newest EDM remix of one of Fleming’s hits.

“This is a love song for end days. Love feels big and important and worth fighting for in this song. The tempo quickens like a heartbeat accelerating. The intensity of the music heats up like an irresistible attraction. The vocal lines intertwine, finally, like lovers,” Fleming said.

The track comes from Fleming’s 2020 album, The Song I’ll Write for My Whole Life. The original recording focuses on strummed bass by Aaron Trory opening the impactful tune about climate change before Fleming launches into her ethereal lyrics, “If these are end days, I want to stay and watch the world decay. I can’t do it alone. I want you in my arms as I get carried away. I’m gonna have my say. It’s a quickening (love is our best plan).”

Kele Fleming’s music, laced with intelligent, conscious, and thought-provoking lyrics (think Joan Baez) has helped her become a cool presence in today’s music industry as it progresses toward a more diverse and inclusive landscape.

Thanks to remixers finding her songs, taking them apart and leaving her vocals, Kele’s garnering streams and DJ club play around the world, reaching an entirely new generation and audience.

While the original tune features a constant bass hum, the electronic remix uses a synth loop, tapping into the apocalyptic message of the track.

“In 2019, I was hearing so much about the fires raging around the globe. I was reading and researching climate science and the Anthropocene (the most recent period in Earth’s history when human activity started to have a significant impact on the planet’s climate and ecosystems). I stumbled upon an intriguing concept, the great acceleration. It’s the period, since 1950, of the rapid rate of increase in human activity and technological advancement and its impact on the Earth,” Fleming explained.

The verses echo the dual metaphor of a dying world during a time of unwavering love.

“As progress accelerates, so does our impact on the Earth’s geology and ecosystems. To me, it’s a metaphor for love. If we can get as carried away by our love of life & one another as we do for technology & the rush for progress, we might have a chance. We have time (but not much) to turn things around,” Fleming reported about her single,” Fleming said.

Fleming’s folk song introduces a traditional drum beat around the one-minute mark, welcoming Tony Lee’s skills. At the same time, the Devours’ remix adds a fast-paced synth percussive beat to accentuate the speed of “The Great Acceleration,” which highlights Fleming’s vocals and ability to transcend genre.

Gideon Foster’s Haunting Single ‘Prophecy’ Takes Listeners On A Journey Through a Cliffside Lighthouse Dream

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As if waiting atop a lighthouse towering along cliffside shores, Yorkshire, UK-based singer/songwriter Gideon Foster transports us to his black-and-white fever dream with the melancholy new single, “Prophecy.”

Foster’s new song is the title track from his genre-defying album “Prophecy,” a musical journey sparred from an epiphany that fell upon Foster. “I’ve always had a love of music and played guitar a bit, but until I had a spiritual awakening nine years ago, none of it made sense,” says Foster. “As my life changed as a result of this event, I started to look for meaning in my life, and songwriting became that meaning.”

Spellbinding vocal harmonies tell a tale that Foster has been waiting most of his life to tell, with a harrowing origin. “53 years in the making to create the title track “Prophecy.” “It’s a dream I have had all my life about being on a cliff looking down at the sea with an open-air theatre and a black and white floor below,” says Foster. “As I was growing up, I used to think where is this place? what’s the meaning?”

“Prophecy” is a contemplative song accentuated by haunting melodies that flow in tandem with lyrics that read like a long-lost manuscript, or an ancient parable recently unearthed.

“Dance if you want to be free
Cause all roads end meant to be
Meant to be
Soaks up the morning sun but never knew why happiness comes”

The album “Prophecy” is an introspective journey that was recorded with the help of producer-extraordinaire, Si who was as much of an inspiration to Foster as he was a musical guide. “it’s really a journey from the past to the present,” says Foster.

Gideon Foster is a singer/songwriter that has been blending a philosophical outlook on life with a unique sound of his own. His love of music has led him down many different roads and genres but not to be constrained by them.

Gideon arrived on the music scene a little later than most, not producing a song until his mid 40’s. Releasing many singles, an EP, and most recently his debut album “Prophecy,” there is no sign of slowing down this eclectic artist.

His songs have been featured in numerous online publications, with the track “Up on the Hill” featured in Rolling Stone Brazil. He has received some radio play and regularly performs live at gigs and local festivals around his native Yorkshire/Manchester lineage.

My Next Read: “This Is What It Sounds Like: What the Music You Love Says About You” By Susan Rogers & Ogi Ogas

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A legendary record producer–turned–brain scientist explains why you fall in love with music.

This Is What It Sounds Like is a journey into the science and soul of music that reveals the secrets of why your favorite songs move you. But it’s also a story of a musical trailblazer who began as a humble audio tech in Los Angeles, rose to become Prince’s chief engineer for Purple Rain, and then created other No. 1 hits ,including Barenaked Ladies’ “One Week,” as one of the most successful female record producers of all time.

Now an award-winning professor of cognitive neuroscience, Susan Rogers leads readers to musical self-awareness. She explains that we each possess a unique “listener profile” based on our brain’s natural response to seven key dimensions of any song. Are you someone who prefers lyrics or melody? Do you like music “above the neck” (intellectually stimulating), or “below the neck” (instinctual and rhythmic)? Whether your taste is esoteric or mainstream, Rogers guides readers to recognize their musical personality, and offers language to describe one’s own unique taste. Like most of us, Rogers is not a musician, but she shows that all of us can be musical—simply by being an active, passionate listener.

While exploring the science of music and the brain, Rogers also takes us behind the scenes of record-making, using her insider’s ear to illuminate the music of Prince, Frank Sinatra, Kanye West, Lana Del Rey, and many others. She shares records that changed her life, contrasts them with those that appeal to her coauthor and students, and encourages you to think about the records that define your own identity.

Told in a lively and inclusive style, This Is What It Sounds Like will refresh your playlists, deepen your connection to your favorite artists, and change the way you listen to music.

Alzheimer’s Association Mourns Death Of Legendary Singer Tony Bennett

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The Alzheimer’s Association is deeply saddened by the death of legendary singer Tony Bennett. Following his diagnosis, Bennett was an incredible advocate for the cause, sharing his story publicly to help reduce stigma and elevate the conversation on behalf of the millions of families facing the disease.

Bennett and his family bravely revealed his Alzheimer’s diagnosis in February 2021. Six months later he took to the stage for his final performance at Radio City Music Hall alongside friend and collaborator Lady Gaga. The pair then recorded a public service announcement to help better educate and inform people about the disease. Over the next several years, Bennett regularly partnered with the Alzheimer’s Association to raise funds and encourage more awareness about the disease.

“The Alzheimer’s Association joins the world in mourning the loss of Tony Bennett, a great friend and champion of the cause. For decades, Tony inspired the world with his music and, after being diagnosed with Alzheimer’s disease, he continued to use that powerful voice to make a very real difference in inspiring action and change,” said Joanne Pike, DrPH, president and CEO, Alzheimer’s Association. “For the Bennett family, and the millions of others impacted by Alzheimer’s and dementia, we will continue our work of increasing awareness and education, providing families support, and advancing research and treatments, to slow, stop and ultimately, cure Alzheimer’s disease.”

According to the Alzheimer’s Association 2023 Alzheimer’s Disease Facts and Figures report, more than 6 million Americans are currently living with Alzheimer’s disease, with more than 11 million friends and family providing unpaid care. These numbers will skyrocket in the coming years and by 2050, the number of people with Alzheimer’s disease is projected to double.

Legendary And Beloved Entertainer Tony Bennett Has Passed Away At The Age Of 96

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Tony Bennett, born Anthony Dominick Benedetto in AstoriaQueens on August 3rd, 1926, has passed away in his hometown of New York City at the age of 96 earlier today. The beloved singer, who was diagnosed with Alzheimer’s Disease in 2016, is survived by his wife, Susan Benedetto, his two sons, Danny and Dae Bennett, his daughters Johanna Bennett and Antonia Bennett and 9 grandchildren.

Bennett’s unparalleled career history began when he signed with Columbia Records in 1950 and has spanned over 70 years. His last public concert performances were held at Radio City Music Hall on August 3rd and 5th, in celebration of his 95th birthday.  Lady Gaga, Bennett’s long-time and most frequent musical collaborator in the last ten years joined Bennett for the sold-out performances.   Bennett had his first #1 single in 1951 with “Because of You” and made music industry history by being the oldest performer, twice, to have a #1 album on the Billboard Top 200 Albums at the age of 85 and 88.  He has received 20 Grammy awards including the Grammy Lifetime Achievement Award, two Emmy Awards, was named a Kennedy Center Honoree, a Gershwin Prize Honoree and a NEA Jazz Master during his career.   He won his last Grammy Award for the collaborative album with Lady Gaga, “LOVE FOR SALE,” which was released in 2021.

Having served as a foot soldier in World War II, and among his experiences during that time was the liberation of a Nazi war camp in Germany, he became a life-long pacifist and humanitarian.

Bennett marched with Dr. Martin Luther King in Selma in 1965 and was a supporter of human rights for all, regardless of race, religion, ethnicity, and gender.   A life-long visual artist he painted for most of his life and three of his paintings are part of the permanent collection of the Smithsonian Institution.  With his wife, Susan Benedetto, he founded a non-profit, Exploring the Arts, to provide support and funding for arts education in public high schools and as part of that endeavor founded the New York City public high school, Frank Sinatra School of the Arts, in his hometown in AstoriaQueens.

In later life, when Tony Bennett was asked in interviews how he wanted to be remembered he would often say, “As a nice person.”