Home Blog Page 134

Squeeze Announce New Album ‘Trixies’ Built From Their Teenage Songwriting Origins

0

Squeeze return with Trixies, a full studio album arriving March 6 2026, built from a remarkable stash of songs Chris Difford and Glenn Tilbrook wrote as teenagers. Unearthed from an old cassette and reborn half a century later, the album feels like a secret doorway into the band’s earliest creative spark. Their new single “Trixies Part One” sets the tone, offering a glimpse into a fictional nightclub world the pair imagined long before they ever recorded their debut.

The writing is vivid, brash and bursting with youthful nerve, shaped by the pair’s early obsession with concept albums and the pulp energy of Damon Runyon’s storytelling. Tracks like “The Place We Call Mars,” “Don’t Go Out In the Dark,” and “Why Don’t You” crackle with the swagger of two young writers dreaming far bigger than their musical chops allowed at the time. Now, with decades of craft behind them, Squeeze finally give these songs the muscle, colour and finesse they once lacked, completing a creative loop fifty years in the making. Tilbrook says the rediscovery moved him to tears, while Difford calls the songs a revelation.

The revived Trixies stands not as nostalgia but as a celebration of instinct, imagination and unfinished business finally finished. And with another brand new Squeeze album already lined up to follow, the band’s next chapter looks unexpectedly electric.

Trixies Tracklist:
What More Can I Say
You Get The Feeling
The Place We Call Mars
Hell On Earth
The Dancer
Good Riddance
Dont Go Out In the Dark
Why Dont You
Anything But Me
Its Over
The Jaguars
Trixies Part One
Trixies Part Two

Kelsea Ballerini, Kenny Chesney, Miranda Lambert, Chris Stapleton And More Join ‘The 59th Annual CMA Awards’ Lineup

0

The Country Music Association and ABC have revealed another round of performers for “The 59th Annual CMA Awards.” Kelsea Ballerini, Brandi Carlile, Kenny Chesney, Riley Green, Miranda Lambert, Patty Loveless, Old Dominion, The Red Clay Strays, and Chris Stapleton join the growing list of performers for this year’s star-studded CMA Awards. Hosted by Lainey Wilson, Country Music’s Biggest Night™ broadcasts live from Bridgestone Arena in Nashville, Wednesday Nov. 19 (8:00-11:00 PM/ET) on ABC and is available next day on Hulu.  

CMA Female Vocalist of the Year nominee Kelsea Ballerini is set to debut her brand-new song, “I Sit In Parks,” while Brandi Carlile will hit the CMA stage for a can’t-miss performance. Four-time CMA Entertainer of the Year winner Kenny Chesney will mark his 2025 induction into the Country Music Hall of Fame with a special performance celebrating his career milestone. Reigning CMA Musical Event of the Year winner and four-time nominee this year, Riley Green will bring a captivating performance of his hit “Worst Way” while Patty Loveless will take the stage for a show-stopping performance. Old Dominion, seven-time reigning CMA Vocal Group of the Year winners and nominees in the category again this year, will perform a medley of their hits “Break Up With Him,” “Memory Lane,” “One Man Band,” “Hotel Key,” and “Snapback.” Fellow CMA Vocal Group of the Year nominees this year The Red Clay Strays will deliver an electrifying performance of their song “People Hatin’.” Reigning CMA Male Vocalist of the Year and three-time nominee this year Chris Stapleton takes the stage for a powerful performance of “Bad As I Used To Be” from “F1: The Movie.” 

The collaborations continue as CMA Female Vocalist of the Year nominee Miranda Lambert joins Chris Stapleton for a must-see performance of their duet “A Song To Sing.”  

Additional performers already announced include BigXThaPlug, Luke Combs, Ella Langley, Megan Moroney, Shaboozey, Zach Top, Tucker Wetmore, Lainey Wilson and Stephen Wilson Jr.   

Presenters for “The 59th Annual CMA Awards” will be announced soon. Stay tuned to CMAawards.com for more details. 

Tickets for “The 59th Annual CMA Awards” are on-sale now at CMAawards.com/tickets.  

SiriusXM Unites Goo Goo Dolls, Rob Thomas, And Lisa Loeb For One-Night-Only ‘PopRocks The Holidays’ Spectacular

0

SiriusXM will host a one-night-only holiday spectacular that brings together three music legends – Goo Goo Dolls, Rob Thomas and Lisa Loeb. The iconic artists are joining forces with SiriusXM and Pandora to headline an intimate concert event celebrating the season at the Hammerstein Ballroom in New York City on Tuesday, December 9.

SiriusXM & Pandora Present PopRocks The Holidays will transport fans to the ultimate party, with festive twists. Featuring live performances from Goo Goo Dolls, Rob Thomas, and Lisa Loeb, this magical night will have audiences singing along to the generation-defining hits that are resonating with fans more than ever, reimagined with a holiday flair. Adding to the celebration, celebrity guests – fan favorites of anyone who grew up with these musicians and bands – will make surprise appearances throughout the night to spread more cheer… and we have your chance to be there!

One lucky winner will receive a trip for 2 to attend this event! The prize includes round-trip airfare, hotel accommodations for 2-nights, and 2 premium tickets to the show on December 9th.

The show will air in its entirety on SiriusXM’s PopRocks (ch. 6) on Tuesday, December 16 at 6pm ET and will also be available to stream following the premiere anytime on the SiriusXM app. Select songs from the performance will also air on SiriusXM’s The Pulse, 90s on 9, Pop2k.

PABST Launch New Single “Big Big Heart” With snake eyes Ahead of ‘This is normal now’

0

German trio PABST return with their new track “Big Big Heart,” a collaboration with Brighton grit pop duo snake eyes and the final single from their forthcoming album This is normal now, out November 28, 2025 via Alcopop! Records and Ketchup Tracks. The song follows their earlier team up on snake eyes’ “Hug Me” and delivers sharp commentary on male hubris and manipulative behavior. Blending fuzz, rave rock flashes and dance punk energy, the track adds another layer to PABST’s multi dimensional sound. “Is rock‘n‘roll dead? Not as long as Pabst and Snake Eyes carry on!” the band says. You can pre-save it here.

snake eyes vocalist Jim Heffy adds: “we love pabst and we love this tune. earlier this year we entertained the idea of doing a ‘response’ to ‘hug me’ where we jump on a pabst track. to finish our vocals in time for the deadline i had to set up a mini studio in a hotel room somewhere in america—baltimore i think? it probably annoyed the shit out of the other guests but totally worth it. the rock can’t be stopped.” The collaboration arrives as PABST continue to evolve their hyper rock identity with a decade of shows, festival appearances and international touring.

Their new album This is normal now, recorded, mixed and mastered by Magnus Wichmann at lala Studios, Leipzig, presents PABST at full sharpness. With praise from BBC R1, sold out shows and major festival slots from Rock am Ring to Sziget, the trio prepare to bring their sound to global audiences. The band launches their “Sorry For Hyper Rocking” headline tour in December, with more international dates to follow.

This is normal now album Tracklist:

A1/01) Limbo No. 5 (03:09)
A2/02) Cool Car, Stupid Decisions (02:13)
A3/03) I felt all there is to feel – feat. DZ Deathrays (03:22)
A4/04) Song on the Radio (2:49)
A5/05) twenty three – feat. Blush Always (03:49)
A6/06) Happy Birthday (You’re not a Fighter) (03:42)
B1/07) Heavy Metal Junk Island (03:27)
B2/08) Big Big Heart – feat. Snake Eyes (02:37)
B3/09) (No) Taking it Slow (03:32)
B4/10) Destroy Everything (02:37)
B5/11) Orca Whale (03:39)
B6/12) Prepaid (04:10)
B7/13) this is normal now (Outro) (02:36)

Live Dates:
10.12.2025 DE Dresden – GrooveStation
11.12.2025 DE Nürnberg – Z-Bau
12.12.2025 AT Wien – B72
13.12.2025 DE München – Strom
14.12.2025 CZ Prag – Rock Cafe
21.01.2026 DE Stuttgart – Im Wizemann
22.01.2026 DE Wiesbaden – Schlachthof
23.01.2026 DE Köln – Gebäude 9
24.01.2026 DE Hamburg – Molotow
28.01.2026 DE Dortmund – FZW
29.01.2026 DE Hannover – Mephisto
30.01.2026 DE Leipzig – UT Connewitz
31.01.2026 DE Berlin – Lido





FKA twigs Unveils New Single “Predictable Girl” Ahead of Her ‘EUSEXUA Afterglow’ Album Release

0

FKA twigs releases “Predictable Girl,” the second single from her upcoming album ‘EUSEXUA Afterglow,’ arriving this Friday. The single lands days after EUSEXUA earned a GRAMMY nomination for Best Dance/Electronic Album and follows the album’s Mercury Prize shortlist. Accompanied by a music video directed by Jordan Hemingway, the new track expands the world she introduced on her earlier album EUSEXUA. Afterglow grew from a planned deluxe edition into a complete body of work that reflects the hours after a rave, carrying the pulse of movement and the lingering high long after leaving the dancefloor.

The album builds on the foundation twigs has shaped across her catalog. Afterglow draws on techno’s heartbeat but twists it into fractured, playful shapes while weaving in the hooks of CAPRISONGS, the rawness of MAGDALENE, the sensuality of LP1 and the fluid experimentation of her earliest EPs. The era began in Seoul with an intimate listening party and a sold out rave where she first played “Cheap Hotel” and “Predictable Girl.” She later teased the track in New York at PC Music’s Halloween event with PinkPantheress. EUSEXUA continues to explore her own term for the moment before an emotional or physical release, with production from Koreless, Dylan Brady, Eartheater, Ethan P Flynn, G Dragon, Jeff Bhasker and Nicolas Jaar.

‘EUSEXUA Afterglow’ tracklist:

1. Love Crimes
2. Slushy
3. Wild And Alone [Feat. PinkPantheress]
4. Hard
5. Cheap Hotel
6. Touch A Girl
7. Predictable Girl
8. Sushi
9. Piece Of Mine
10. Lost All My Friends
11. Stereo Boy

Aquakultre Releases New Single and Video “Gallows” Highlighting the Wrongful Conviction of Daniel P. Sampson

0

Aquakultre releases the new single and video for “Gallows,” a reflective prison song rooted in the story of his great great grandfather Daniel P. Sampson, the last person to be executed in Halifax. The song brings attention to his wrongful conviction in 1935 and the systemic anti Black racism that shaped his case. “My great great grandfather, Daniel Perry Sampson, was wrongfully convicted of murder and executed in 1935. His story was told to me by my grandmother, Carolyn Sampson, who always recognized that there was something fishy, something not right about what happened to her grandfather. I got on that research 90 years later, and she was right; his case was a miscarriage of justice. The song is written from his perspective, in his final moments before being hanged at the Halifax courthouse,” Aquakultre says.

The “Gallows” music video, directed by Sobaz Benjamin, presents scenes tied to spirituality, tyranny, protest and redemption. Benjamin, known for the documentary Race Is a Four Letter Word, explains, “‘Gallows’ is not simply about death, punishment, or execution; it is a metaphor for the centuries long weight placed upon Black bodies, Black families, Black memory, and Black imagination. It is about the architecture of oppression, yes, but far more profoundly, it is about what we have done with that. It is about the miracle of transformation.”

On March 7, the 90th anniversary of Daniel Sampson’s execution, the Sampson family filed an application to have the case reviewed by the Minister of Justice. They have authorized their lawyer to set up a Fundrazr to support the legal costs of the appeal, including court fees, disbursements and travel expenses.

Johnny Cash’s Debut Album Returns In All-Analog Glory With New ‘Sun Records Hi-Fi Series’ Pressing

0

Intervention Records will continue its Sun Records Hi-Fi Series—featuring classic titles from the Memphis label, mastered to vinyl from original master tapes in the Sun vaults—with a brilliant new pressing of Johnny Cash with His Hot and Blue Guitar!, the first long-playing record from one of country music’s most enduring icons. The album, featuring “I Walk The Line,” “Cry, Cry, Cry,” and “Folsom Prison Blues,” has been given the ultimate treatment for this 180-gram, 45 RPM mono release, featuring audio from original master tapes mastered to vinyl in an all-analog process, plus restored artwork featuring new liner notes.

Pre-orders for Johnny Cash with His Hot and Blue Guitar! are open now, with a release date of February 20, 2026. The album can be pre-ordered here.

“I never imagined that I’d hear the iconic voice of Johnny Cash on Intervention Records!” said Shane Buettner, Intervention Records’ founder. “And I don’t think music fans around the world have ever heard Johnny’s voice, or Sam Phillips’ famous Sun Studio sound, as clearly and definitively as they will on this new 45 RPM mono cut. This is as close you can get to a time machine back to Memphis in the 1950s!”

Originally issued in the fall of 1957—the first long-player for Sam Phillips’ Sun Records—Johnny Cash with His Hot and Blue Guitar! showcases the stripped-down sound that would make the future Man in Black one of the most enduring and respected musicians of the 20th century. Backed only by his “Tennessee Two” (Luther Perkins on lead guitar and Marshall Grant on upright bass) and augmented by Phillips’ signature studio slapback that gave Cash’s “boom-chicka-boom” sound its kick, Hot and Blue Guitar! is the album that introduced many to Cash’s sonorous baritone. 

The LP features Cash’s first three single A-sides for Sun, all self-penned: “Cry, Cry, Cry,” (a No. 14 country chart hit), “So Doggone Lonesome” (which peaked at No. 4 on the country charts) and Cash’s signature original “I Walk The Line.” The latter was a No. 1 country smash for six non-consecutive weeks in the summer of 1956 before crossing over into the Top 20 of Billboard’s pop charts. Additional standouts include Cash’s renditions of fare like “The Wreck Of The Old 97” and “Rock Island Line,” as well as a fourth original song, “Folsom Prison Blues”—which would top the country charts more than a decade later when Cash performed it as part of his landmark 1968 live album At Folsom Prison.

Johnny Cash with His Hot and Blue Guitar! is the second title in Intervention’s Sun Records Hi-Fi Series, offering exquisite pressings of definitive country and rock material from the label’s storied discography. It follows the debut release in the series (and Sun’s second LP), Dance Album of Carl Perkins. The 1957 album served as a defining introduction to Perkins’ pioneering rockabilly songbook, including the standards “Blue Suede Shoes,” “Matchbox,” and “Honey Don’t.” (“Blue Suede Shoes,” later covered by Elvis Presley, Buddy Holly, Eddie Cochran and countless others, celebrates the 70th anniversary of its release in 2026.)

This Sun Record Hi-Fi Series pressing of Dance Album of Carl Perkins will be available in December and can be pre-ordered HERE

Intervention has handled the audio presentation and packaging of these vital albums with great care and attention to detail. Johnny Cash with His Hot and Blue Guitar! was sourced from flat transfers of ¼” monaural master reels sourced from the Sun Records archive, which compiled the label’s original 7” single masters. This exhaustive research process resulted in the best-sounding tape version of each of the 12 songs on the original album, as well as the first vinyl edition of the album in decades to be sourced from these tapes. Acclaimed mastering engineer Kevin Gray at CoHEARent Audio has overseen this pressing of Hot and Blue Guitar!; lacquers were plated using RTI’s three-step process and pressed on ultra-quiet 180-gram vinyl by boutique pressing plant Gotta Groove Records, offering crystal-clear audio fidelity that sacrifices none of the spark of the original recordings. 

The beautifully restored “old-style” jacket, manufactured by Stoughton Printing Co., features a new essay by noted Sun Records historian and two-time Grammy Award winner Colin Escott. His liner notes offer rich context on Johnny Cash with His Hot and Blue Guitar!, from recording to packaging, and how the album planted the seeds for Cash’s singular career, spanning more than half a century. “[Hot and Blue Guitar] was…a summary of Johnny Cash’s roots and his story so far,” he writes. “The breadth of his song choices gave some idea of what awaited us in the years and decades ahead.”

JOHNNY CASH WITH HIS HOT AND BLUE GUITAR! TRACK LIST:

Side 1

  1. Rock Island Line
  2. I Heard That Lonesome Whistle
  3. Country Boy
  4. If The Good Lord’s Willing
  5. Cry, Cry, Cry
  6. Remember Me

Side 2

  1. So Doggone Lonesome
  2. I Was There When It Happened
  3. I Walk The Line
  4. The Wreck Of The Old ‘97
  5. Folsom Prison Blues
  6. Doin’ My Time

Country Music Association Celebrates Global Impact With 2025 ‘CMA International Awards’

0

The Country Music Association has announced the winners of the 2025 CMA International Awards, recognizing individuals whose outstanding contributions have expanded the reach and influence of Country Music worldwide. Honorees will be celebrated at a special reception on Wednesday, Nov. 19, in downtown Nashville, in addition to being recognized on stage that same evening during the pre-telecast ceremony at the 2025 CMA Awards. 

As part of CMA’s ongoing commitment to honoring excellence, the International Awards are a key component of the association’s industry honors. These awards highlight the exceptional efforts of individuals and organizations driving the global growth of Country Music. The annual awards and reception reflect CMA’s mission to build a strong, inclusive global community of Country Music professionals while celebrating the wide-ranging contributions that have made the genre a global phenomenon. 

“This year’s honorees embody the extraordinary ways Country Music continues to transcend borders,” says Sarah Trahern, CMA Chief Executive Officer. “Whether through radio, touring, media, or artist development, each has helped share the genre with audiences around the world. Their work not only broadens Country Music’s reach, it deepens its impact, reminding us that this community truly is global.” 

Lynette Garbonola, Vice President, International, BBR Music Group/BMG Nashville, receives the CMA Jo Walker Meador International Award for her exceptional contributions to the global expansion of Country Music. This award recognizes outstanding achievement by an individual in advocating and supporting Country Music’s marketing development in territories outside the United States.   

Garbonola’s innovative leadership and strategic efforts have been pivotal in strengthening Country Music’s international presence, particularly in Europe, Australia, and Asia. Through her work, BBR Music Group’s roster has connected with new audiences, helping the genre reach new heights globally. Her dedication to expanding Country Music’s reach and fostering cross-cultural connections has played a key role in its growing international footprint. 

Shannon Saunders, Agent, Head of Nashville International, WME, takes home the Rob Potts International Live Music Advancement Award. This award recognizes outstanding achievements made by an individual who has significantly contributed to the live music industry by extending performance opportunities and building live audiences for Country Music outside of the United States.   

Saunders has been a driving force behind Country Music’s global expansion, transforming WME’s international touring operation and growing its reach and revenue exponentially. From leading record-breaking tours with Luke Combs, Zach Bryan, Lainey Wilson, and Jordan Davis to building lasting partnerships across markets worldwide, her strategic leadership and deep industry relationships have redefined what’s possible for Country artists on a global scale.  

Justin Thomson, National Content Director, iHeartCountry Australia, receives the Wesley Rose International Media Achievement Award. This award recognizes outstanding achievements in the media as they relate to Country Music outside of the United States. 
 
Thomson has become one of Country Music’s most influential global ambassadors. With more than two decades of experience in media, he produces extensive original programming and travels more than 100,000 miles annually to broadcast from major international events including the CMA Fest, Canadian Country Music Association Awards (CCMAs), C2C, and CMC Rocks. Passionate, prolific, and deeply connected to artists and audiences alike, Thomson continues to amplify Country Music’s reach across continents and platforms. 
 
Mattias Hansson, Radio Producer/Presenter at P4 Country, Sveriges Radio, picks up the International Country Broadcaster Award, which recognizes outstanding achievement by a radio broadcaster or syndicated radio reporter outside the United States who has made important contributions for the development of Country Music in their country. 

Hansson has been a driving force behind Country Music’s growing popularity in Scandinavia, showcasing the genre’s diversity and storytelling to a rapidly expanding audience. As host and producer of P4 Country on Sweden’s national radio station, the region’s largest weekly Country program reaching millions of listeners, Hansson has spent decades championing artists, stories and sounds from Nashville to the Nordics. Through his work in national media, live events and international collaborations, he continues to expand Country Music’s footprint and foster a deeper appreciation for the genre worldwide. 

Morgan Wallen receives the International Artist Achievement Award, which recognizes outstanding achievement by a U.S.-based artist who has demonstrated the most significant creative growth, development and promotion of the Country Music industry outside of the United States during the eligibility period. 

Wallen has propelled Country Music to unprecedented global heights, with his influence now extending far beyond genre boundaries. His fourth studio album, I’m The Problem, debuted at No. 1 across seven countries, reinforcing his position as one of the world’s most impactful artists. With sold-out stadiums, record-breaking chart success, and a growing international fanbase, Wallen continues to elevate Country Music on a worldwide stage. 
 
Cameron Whitcomb takes home the Jeff Walker Global Country Artist Award, which recognizes outstanding achievements by a Country Music artist who is originally based internationally. 

Fresh off his CMA Fest debut and recent wins for CCMA Breakthrough Artist of the Year and Fans’ Choice Award, the Canadian-bred artist has captivated audiences worldwide through his Hundred Mile High Tour, spanning Canada, Australia, and Europe. With a mix of honest songwriting and dynamic live performances, Whitcomb stands at the forefront of Country’s next generation, introducing new audiences to the heart and spirit of the genre across continents. 

“The 59th Annual CMA Awards” will broadcast internationally across six global territories, bringing Country Music’s Biggest Night™ to audiences around the world. Broadcast territories include:  

Canada – CTV2: Live at 8/7c (Nov. 19) 
Australia – STAN: Live at 12 p.m. AEDT (Nov. 20); NINE: Dec. 14 at 2 p.m. AEDT 
United Kingdom – BBC iPlayer: Live at 2 a.m. GMT (Nov. 20); BBC Four: Nov. 28 at 10:05 p.m. GMT 
Sweden – SVT Play: Nov. 29 at 2 a.m. CET; SVT2: Nov. 29 at 9:45 p.m. CET 
Mexico – Canal 6: Dec. 7 at 2 p.m. CST 
Norway – NRK: December 5 at 11:15 pm CET 

Jann Arden Earns Platinum Status For ‘A Jann Arden Christmas’ As Holiday Tour Begins

0

ann Arden celebrates a major milestone as ‘A Jann Arden Christmas’ is officially certified Platinum ahead of her cross Ontario Christmas Tour beginning November 14. Released in 2015 via Universal Music Canada, the thirteen track album continues to resonate with listeners. “I always wanted to make a Christmas record, and I wanted to do something really, really special and timeless. There are Christmas albums that I listen to year after year: the Carpenters, Streisand, Dean Martin, Bing Crosby, Doris Day, Ella Fitzgerald – these records were the soundtracks to such wonderful memories and happy times,” Arden shared.

The Platinum certification arrives the same week Arden appears on CBC’s new documentary series The Assembly, airing tonight at 9 p.m. (9:30 NT). Arden also delivers a musical tribute at the memorial event honouring Dr. Jane Goodall titled A Celebration of a Life of Hope on November 22 at Convocation Hall in Toronto. This follows her MIXTAPE Tour earlier this year in support of her album MIXTAPE, the follow up to 2021’s Descendant.

A Jann Arden Christmas Tracklist:

  1. It’s Beginning To Look A Lot Like Christmas
  2. The Christmas Song
  3. Happy X-Mas (War Is Over)
  4. O Holy Night
  5. Silver Bells
  6. I’ll Be Home For Christmas
  7. Medley (Jingle Bells / Santa Claus Is Coming To Town / White Christmas / Let It Snow / Here Comes Santa Claus)
  8. Blue Christmas
  9. Little Drummer Boy / Peace On Earth
  10. Rockin’ Around The Christmas Tree
  11. Silent Night
  12. Please Come Home For Christmas
  13. It’s The Most Wonderful Time Of The Year

JANN ARDEN CHRISTMAS TOUR DATES
November 14 – Markham, ON – Flato Markham Theatre
November 15 – Richmond Hill, ON – Richmond Hill Centre for the Performing Arts
November 17/18 – Belleville, ON – Empire Theatre
November 19 – Brampton, ON – The Rose Brampton
November 21/22/23 – Oakville, ON – Oakville Centre for the Performing Arts
November 25 – Milton West, ON – First Ontario Arts Centre
December 08 – Chatham, ON – Chatham Capitol Theatre
December 09/10 – Brantford, ON – Sanderson Centre
December 12 – Ancaster, ON – Ancaster Memorial Arts Centre
December 13 – Huntsville, ON – Legacy Hall at Deerhurst Resort
December 14 – Guelph, ON – River Run Centre
December 16 – Mississauga, ON – Living Arts Centre
December 17/18 – Saint Catharines, ON – Partridge Hall
December 20 – Kingston, ON – Grand Theatre
December 22 – Lindsay, ON – Flato Academy Theatre
December 23 – North Bay, ON – Capitol Centre

Caroline Jones Announces New Album ‘Good Omen’ And 2026 Headline Tour

0

Rising country singer songwriter and multi instrumentalist Caroline Jones announces her new album ‘Good Omen,’ arriving February 13 as her first release with Nashville Harbor Records & Entertainment. The project presents some of her most open and lyrically honest writing, shaped by new perspectives as both an artist and a new mom. “I am thrilled to announce my next album, Good Omen. This project has my most raw and empathetic storylines yet, set to a backdrop of rich, dark, bluegrass infused tracks. This being my first album as a Mother, I’ve channeled the intense empathy that Motherhood affords you, which, it turns out, is a superpower as a songwriter and artist. I collaborated with some amazing new songwriters and musicians on this project, including co producer Julian Raymond, and cannot wait for folks to hear the stories and the sound that we crafted,” Jones shares.

‘Good Omen’ features collaborations with Nashville writers including Eric Paslay, Sarah Buxton, Emily Weisband and Liz Rose across a twelve song collection. The album explores the full range of life experiences from grounded and realistic viewpoints, reflected in previous releases such as the chart climbing single “No Tellin’,” the anthem “All The Things,” and “Divorce In A Small Town.” The title track arrives November 14 and introduces the renewed tone and energy of the record. Jones supports the release with her nearly twenty date 2026 ‘Good Omen Tour,’ launching February 17 in Nashville.

TRACK LISTING
No Tellin’
All The Things
You’re It For Me, Honey
The Bridge
Forever Love
Storm Chaser
Cutting It Close
Good Omen
Family
Divorce in a Small Town
Becca
All The Things (Acoustic)

CAROLINE JONES 2026 GOOD OMEN TOUR DATES
Feb 17 – Nashville, TN @ The Basement East
Feb 19 – Gainesville, FL @ Heartwood Soundstage
Feb 20 – Tampa, FL @ Crowbar
Feb 21 – Jacksonville, FL @ Jack Rabbits
Mar 5 – New York, NY @ The Mercury Lounge
Mar 6 – Wayne, PA @ 118 North
Mar 7 – Cambridge, MA @ The Middle East – Sonia
Mar 19 – Charlotte, NC @ The Evening Muse
Mar 20 – Atlanta, GA @ Smith’s Olde Bar
Mar 21 – Raleigh, NC @ The Pour House
Apr 3 – Denver, CO @ Lost Lake
Apr 4 – Salt Lake City, UT @ The State Room
Apr 8 – West Hollywood, CA @ Troubadour
Apr 9 – Anaheim, CA @ House of Blues Anaheim – The Parish
Apr 11 – San Francisco, CA @ Cafe Du Nord
Apr 30 – Minneapolis, MN @ 7th Street Entry
May 1 – Chicago, IL @ Joe’s on Weed Street