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Critically Acclaimed Australian Multi-Genre Multi-Instrumentalist Dan Webb Releases “A Good Song” Featuring Greg Saunier Of Deerhoof

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When it comes to music, everyone has their own personal tastes. It is those personal tastes that influence whether we determine a song is “good” or “bad”. However, what is considered a good song to one person, might not be a good song to someone else. It is this nuance that acclaimed Melbourne multi-genre artist Dan Webb explores in his thoughtful new single, “A Good Song”, which features Greg Saunier of the band Deerhoof.

https://www.youtube.com/danwebbmusic

Against a jazzy instrumental with hints of electronica, Greg Saunier explains why he doesn’t believe in the concept of a good song. Between the instrumental and insightful commentary, “A Good Song” feels like the sonic personification of food for thought. He states, “What you want, is a good song to become undefined, so that everything that has been proscribed is now allowed, everything that has been unheard can now be heard.”

Webb was especially moved by what Saunier had to say. “The original question I asked Greg was “What makes a good song in your opinion?”. I’d asked that question to many other artists, but Greg’s response to that question was unlike anything else I’d heard previously. It really stuck with me, and it reshaped the way I thought about music.”

After becoming an underground favorite with two well received EPs in 2009 and 2010, Dan Webb began to garner mass acclaim with his 2014 full-length debut ‘Sandstorm’. Praised by X-Press Magazine as “a thrilling, funky journey,” it received international airplay, most notably from BBC Radio 6 Music, Triple J and Double J.

“A Good Song” is the first single from his new album Sunshine/Dialogue, which has been acclaimed by outlets such as Bandcamp, Earmilk and Happy Mag. B-Side Guys called it, “a genre defying, convention challenging, and utterly unique musical journey.”

Halifax’s Rock Band CHESTER DOOM Gives Depression A Voice With “Pull The Trigger”

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One of the most painful things about depression or any other mental health issue is how it makes your brain lie to you. Depression tries to convince the person dealing with it that there is no reason for them to keep living. In their newest single, “Pull The Trigger”, Halifax Nova Scotia-based rock band Chester Doom gives those with depression a voice.

The song opens with a heavy metal riff from Patrick Blackie that barrels towards the listener and encourages the most devoted metalhead to headbang. These riffs are accompanied by a steady drumbeat from Peter Arseneau. Then singer Josh Best comes in with gruff, angry vocals that make the song’s first verse and chorus hit the listener hard.

To an outsider, the song might seem to encourage self-destructive thoughts, but this isn’t the case at all. The song not only confronts the darkness of depression head on, but also discusses suicidal ideation in a way that is honest. The next verse after the first chorus demonstrates that a person doesn’t necessarily want to die, they just desperately want their pain to go away.

“Need a rest
The system failure has begun
Hazard to guess
And it’s so damn scary

In distress
A body full of foreign fun
Pound on your chest
screaming
Can you hear me!?”

In fact, the band confirms that the song is about mental health, with Best stating, “When we were working on ‘Crows Go Home,’ we wanted to delve into the core struggles that so many people face in their daily lives. Each song on the EP represents a different battle, whether it’s anxiety, depression, hopelessness, or addiction.”

Originally starting in 2009 with members college friends Patrick Blackie and Glenn Arseneau writing songs together, the band Chester Doom would fully form in 2020 when Glenn’s longtime friend Josh Best jammed with them.

In the fall of 2022, Best wrote what would become the band’s first single, “Not Far Behind’. The song takes inspiration from Best’s recovery from COVID and the resiliency of the Ukrainian people.

Upon its release in May 2023, “Not Far Behind” would earn them comparisons to Led Zeppelin and Soundgarden. Rock Cabeca states, “Just like Page and Plant on “The Immigrant Song”, you guys kicked the f***ing door right in. The riffs are powerful and the vocalist sings like Plant in the good old days.”

“Pull The Trigger” is a new addition to the upcoming album “Crows Go Home”, which also includes the tracks “Not Far Behind”, “Anxiety”, and a cover of Leonard Cohen’s “Everybody Knows”.

Watch R.E.M. Perform ‘Losing My Religion’ At The Height Of Their Fame On Dutch TV In 1991

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R.E.M. performs Losing My Religion’ on a 1991 episode of Countdown, one of the biggest music shows in the world, right when this song became one of the biggest on the planet.

Canada House Returns To Americanafest 2023 In Nashville This September

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CIMA is heading back to Nashville this September for the 2023 edition of AMERICANAFEST held from September 19-23. We’ll be partnering with Alberta Music, Manitoba Music, MusicOntario and SaskMusic to present a showcasing & business mission for Canadian companies and their artists. We’re excited to finally announce the 8 incredible acts that will be performing at Canada House this year!

Join them on Friday, September 22 from 11:00AM-5:00PM for a full afternoon of Canada House showcases at InDo (632 Fogg St). The day will kick off with a networking reception from 11:00AM-11:30AM and will lead straight into the showcases. Attendees will also be treated to free food & drinks. The event is open to conference delegates as well as the general public.

11:00AM: Networking Reception

11:30AM: Gordie Tentrees & Jaxon Haldane

12:10PM: Basset

12:50PM: The North Sound

1:30PM: Field Guide

2:10PM: Colleen Brown

2:50PM: JJ Shiplett

3:30PM: Cat Clyde

4:10PM: Jake Vaadeland & The Sturgeon River Boys

Canadian companies representing the showcasing artists will also get the opportunity to participate in a business in partnership with Sounds Australia, British Underground and AMERICANAFEST. Canadian companies who will be in Nashville in September and who are interested in taking part in the business events can contact Jenia Schukov (jenia@cimamusic.ca) for more information.

Billie Eilish Releases “What Was I Made For?” With Self-Directed Video From Barbie Soundtrack

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Today, Oscar, Golden Globe and multiple GRAMMY Award winning Billie Eilish released “What Was I Made For?” [From The Motion Picture Barbie], taken from the highly anticipated feature-length film, Barbie, written and directed by Greta Gerwig, starring Margot Robbie and Ryan Gosling as Barbie and Ken, and distributed by Warner Bros. Pictures.

“Think I forgot / How to be happy / Something I’m not / But something I can be / Something I wait for / Something I’m made for / Something I’m made for.”

“What Was I Made For?” [From The Motion Picture Barbie] was composed especially for Barbie by Billie Eilish alongside her brother FINNEAS who produced the track at his home-studio in Los Angeles. The intimate and heart-rending track exists as the sonic background for pivotal scenes through-out the film, while beautifully and poignantly highlighting the film’s important message and sentiment. The track also comes with an official music video, directed by Eilish. The video made its broadcast premiere on MTV Live, MTVU, MTV Biggest Pop and on the Paramount Times Square billboards. On making the song and music video, Eilish shared to her fans “to be real with you this all seemed to happen in a time when i really needed it. i’m so so thankful for that.”

“What Was I Made For?” [From The Motion Picture “Barbie”] will also be released as part of BARBIE THE ALBUM, the groundbreaking and star-studded musical companion to Barbie. The soundtrack was executive produced by Academy®, Golden Globe and 7X Grammy® Award winning artist and producer Mark Ronson and Barbie writer/director/executive producer Greta Gerwig. BARBIE THE ALBUM is now available for pre-order HERE and arrives in stores and at all online retailers on Friday, July 21 in conjunction with the theatrical release of the feature film. For more information, visit barbiethealbum.com

With the release of her sophomore album Happier Than Ever’ debuting at #1 in the Billboard 200 in the U.S. and in 19 countries across the globe, the 21-year-old Los Angeles native remains one of the biggest stars to emerge in the 21st century. Since the release of her debut single “ocean eyes” in 2015, Eilish continues to shatter the ceiling of music with her genre-defying sound. Fast forward from her humble breakout, her album WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? also debuted at No. 1 on the Billboard 200 in the U.S as well as 17 additional countries around the world upon release in 2019 and was the most streamed album of that year. Both albums were critically acclaimed worldwide and were written, produced and recorded entirely by Billie Eilish and brother FINNEAS. Billie Eilish has made history as the youngest artist to receive nominations and win in all the major categories at the 62nd GRAMMY® Awards, receiving an award for Best New Artist, Album of the Year, Record of the Year, Song of the Year, and Best Pop Vocal Album, and is also the youngest artist to write and record an official James Bond theme song, ‘No Time To Die,’ which won an Academy Award for Best Song that year.

To live in Barbie Land is to be a perfect being in a perfect place. Unless you have a full-on existential crisis. Or you’re a Ken. Warner Bros. Pictures Presents a Heyday Films Production, a LuckyChap Entertainment Production, an NB/GG Pictures Production, a Mattel Production, Barbie. The film will be distributed worldwide by Warner Bros. Pictures and released in theaters only nationwide on July 21, 2023 and internationally beginning July 19, 2023. Directed by Greta Gerwig, Barbie stars Margot Robbie, Ryan Gosling, America Ferrera, Kate McKinnon, Issa Rae, Rhea Perlman, and Will Ferrell. The film is written by Greta Gerwig & Noah Baumbach, based on “Barbie” by Mattel, and produced by David Heyman, Margot Robbie, Tom Ackerley and Robbie Brenner. The executive producers are Gerwig, Baumbach, Ynon Kreiz, Richard Dickson, Michael Sharp, Josey McNamara, Courtenay Valenti, Toby Emmerich and Cate Adams. The film’s music supervisor is George Drakoulias, with music by Mark Ronson and Andrew Wyatt.

 

SiriusXM Announces Coverage for Open Championship

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SiriusXM announced today its coverage for The 151st Open when golf’s original championship is contested July 20-23 at Royal Liverpool in Hoylake, England.

SiriusXM will offer listeners 45 hours of live on-course coverage as the world’s best compete for the Claret Jug. Live Championship play-by-play will air Thursday through Sunday on SiriusXM’s “The Open Radio” channel, which will be available to subscribers in their cars (channel 92) and on the SXM App (siriusxm.us/TheOpenRadio). Championship broadcasts will begin on SiriusXM on Thursday and Friday at 2:00 am ET, and on Saturday and Sunday at 4:00 am ET, and will continue through the conclusion of each day’s play.

Listeners will hear The Open Radio produced by The R&A. The Open Radio team will feature Marcus Buckland, Sue Thearle, Ron Jones, Matt Adams, Sophie Walker, Raymond Burns, Alison Walker, Paul Eales, Harry Ewing and SiriusXM’s Maureen Madill and Carl Paulson as analysts and commentators in the booth and out on the course.

“We’re very excited to deliver our listeners another extensive week of programming for the historic Open Championship,” said Scott Greenstein, SiriusXM’s President and Chief Content Officer. “Our coverage will feature live shot by shot commentary from voices who are excellent at capturing and conveying the character and excitement of Open Championship golf, as well as daily programming that will deliver all the latest news from the event and interviews with the competitors in the field. No matter where you are listening from across North America, you’ll feel like you are on the grounds at Royal Liverpool.”

Immediately after each round, The Open Postgame will give listeners a recap of the day’s play and a look ahead at the next day’s action. Will Haskett will host the show after the Thursday and Friday rounds. Gary Williams will host Saturday and Sunday. Major champions Hale Irwin, Dave Stockton, Scott Simpson and John Cook, who finished as runner up in the 1992 Open Championship, will also contribute to the post-round discussion.

In the days before and after The Open Championship, and every week throughout the year, SiriusXM’s weekday golf programming lineup features live shows starting at 7:00 am ET that offer news, analysis, expert instruction and more.

SiriusXM’s original programming during Open Championship Week will include The Rocco Hour (Tuesday at 6:00 pm ET), hosted by Rocco Mediate, who competed in nine Open Championships, including a top-20 finish in 1996, as well as ANNIKA (Tuesday at 7:00 pm ET) hosted by legendary 10-time major championship winner Annika Sorenstam.

Listeners can also tune in to two Open Championship specials on SiriusXM.

  • Backstory: This one-hour special gives listeners an in-depth look at Royal Liverpool Golf Club, which will be hosting its 13th Open Championship, from the storied history of the course and its significance in both professional and amateur golf, to the course layout today and the new par-3 17th hole. Fans will hear the story of five-time Open Championship winner Peter Thomson, and two-time Open Champion Padraig Harrington and his longtime caddy Ronan Flood give us a first-person perspective on their dramatic playoff victory at Carnoustie in 2007. Backstory debuts on Friday, July 14 at 3:00 pm ET with multiple re-airs to follow.
  • The Open Show: Listeners will hear conversations with Rory McIlroy, who won the last Open Championship played at Royal Liverpool in 2014, as well as 2003 Open Champion Ben Curtis on the 20th anniversary of his victory at Royal St. George’s. The special will also share the history of the famed Claret Jug, one of golf’s oldest and most coveted trophies, and recap one of the great final round duels in Open Championship history, when Henrik Stenson outpaced Phil Mickelson at Royal Troon in 2016. The Open Show debuts on Wednesday, July 19 at 8:00 pm ET.

For a full schedule of SiriusXM’s programming go to SiriusXM.com/golfonsxm.

 

My Next Read: “Rebel Girl: My Life as a Feminist Punk” by Kathleen Hanna

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Kathleen Hanna’s rallying cry to feminists echoed far and wide through the punk scene of the 90s and beyond. Her band, Bikini Kill, embodies this iconic time, and today her personal yet feminist lyrics on anthems like “Rebel Girl” and “Double Dare Ya” are more powerful than ever. But where did this transformative voice come from?

In Rebel Girl, Hanna’s raw and insightful new memoir, she takes us from her tumultuous childhood home to her formative college years in Olympia, Washington, and on to her first years on tour, fighting hard for gigs and for her band. As Hanna makes clear, being in a “girl band,” especially a punk girl band, in those years was not a simple or safe prospect. Male violence and antagonism threatened at every turn, and surviving as a singer who was a lightening rod for controversy took limitless amounts of determination.

But the relationships she developed during those years buoyed her—including with her bandmates, Tobi Vail, Kathi Wilcox, and Johanna Fateman; her friendships with Kurt Cobain and Ian MacKaye; and her introduction to Joan Jett— were all a testament to how the punk world could nurture and care for its own. Hanna opens up about falling in love with Ad-Rock of the Beastie Boys and her debilitating battle with Lyme disease, and she brings us behind the scenes of her musical growth in her bands, Le Tigre and The Julie Ruin. She also writes candidly about the Riot Grrrl movement, documenting with love its grassroots origins but critiquing its later exclusivity.

In an uncut voice all her own, Hanna reveals the hardest times along with the most joyful—and how it continues to fuel her revolutionary art and music.

Global Asian Music Festival 1MX Makes Its North American Debut in Toronto September 10

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TORONTO – After successful runs in Abu Dhabi, Dubai, Manila and most recently London, renowned global Asian music celebration 1MX Music Festival will make its North American debut on Sunday, September 10, taking over the iconic Budweiser Stage in Toronto. The traveling showcase brings together the best in Asian food and music. International sensations UMI, Ben&Ben, thuy, Guapdad 4000, BGYO and Justin Park will all take the stage for the Toronto stop, along with JUNO-nominated headliner Dabin, and fellow Canadian DJs, DJ Jayemkayem, DJ Tilt and DJ Hedspin.

“We are excited to bring the first ever 1MX Music Festival in North America to the city of Toronto on September 10 at the Budweiser Stage,” said Jun del Rosario, Managing Director, ABS-CBN International – North and Latin America. “We want to host this family-friendly event as a way of bringing the community together for a day filled with world-class entertainment from Asian music artists mixed with other international performers. We eagerly look forward to this special celebration of music and culture.”

1MX features a tightly curated line-up of established and emerging Asian artists excelling in their genres and on track to becoming some of the next biggest acts in the world:

• Dabin is a JUNO-nominated music producer from Toronto that has made a lasting impact on the electronic music scene. Known for his signature blend of acoustic and electronic elements, Dabin captivates audiences with his dynamic live shows.
• UMI is a trailblazer in the R&B and neo-soul space, having captured audiences with her honest lyrics and healing sonics. The 23-year-old Seattle native embodies girl power, leading an all-female band and promoting uplifting personal connection in her music.
• Ben&Ben is a renowned Filipino folk-pop band that has been recognized as Spotify’s Most Streamed Artist in the Philippines. Their captivating music fuses electronic and acoustic instruments with poignant and truthful storytelling to create a truly mesmerizing musical experience.
• thuy is a rising independent recording artist and songwriter with over 150 million global streams to-date. The LA-based artist has made waves in the modern R&B scene with her angelic vocals and skillful songwriting that gives audiences music they can relate to.
• Guapdad 4000 is a Grammy-nominated artist hailing from West Oakland with an unstoppable momentum. His unique blend of charisma, lyricism and creativity, along with his electrifying live performances, have solidified his position as a rising star.
• BGYO have emerged as trailblazing forces in the Philippine music scene, rising to the top of the P-POP genre. Gelo, Akira, JL and Nate have uplifted their exceptional talent and Filipino pride to win over audiences globally and garner a collection of awards and recognition.
• Justin Park is a Korean-American R&B sensation that has seized hearts with his soulful voice. The LA-based artist has achieved critical acclaim and international attention from his addictive music and shoutouts from BTS’s Jungkook along with top publications.
• DJ Tilt is a genre-bending music connoisseur that continues to elevate the music scene with his unparalleled talent. From Toronto to New York, his infectious energy and versatile mixes have made him a favourite among private clients and prestigious brands and events, including the Google Inaugural Ball for President Barack Obama to name just one
• DJ Jayemkayem has solidified her reputation as one of Canada’s top open format selectors with the ability to energize diverse crowds. The Calgary-born and Toronto-based DJ has travelled the world and performed her undeniable talent alongside artists such as Majid Jordan and Skepta.
• DJ Hedspin is a Toronto-born artist and DJ that has proven himself as a true standout in the game. He is the World Champion of the Red Bull Thre3Style Competition and is renowned for his exceptional technical skills and energetically liberating live shows.
A truly immersive experience for all the senses, 1MX Toronto will also spotlight authentic Asian eats in partnership with food vendors from the GTA. Stay tuned for lineup and menu details later on this summer.

Carly Simon’s These Are The Good Old Days: The Carly Simon And Jac Holzman Story Gets CD And 2-LP Reissue September 15

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When Elektra Records’ founder Jac Holzman signed Carly Simon to his label in 1970, it was the beginning of an extraordinary friendship. Their story unfolds in a new collection of songs chosen and sequenced by Holzman. He follows the arc of Simon’s meteoric rise with a mix of hits and deep cuts selected from the singer-songwriter’s first three albums.

THESE ARE THE GOOD OLD DAYS: THE CARLY SIMON AND JAC HOLZMAN STORY will be released on September 15 on CD and 2 LPs. In addition, the music will be available from digital and streaming platforms. Simon’s rendition of John Prine’s “Angel From Montgomery” from the collection is available today digitally.

THESE ARE THE GOOD OLD DAYS includes 20 songs remastered for the collection. Most are taken from the Grammy winner’s first three albums—Carly Simon (1971), Anticipation (1971), and No Secrets (1972). They’re joined by an outtake of Simon covering John Prine’s “Angel From Montgomery” and the previously unreleased demo for “Alone.”

The new set touches on some of Simon’s biggest songs with “That’s The Way I’ve Always Heard It Should Be,” a Top 10 hit in 1970, and “Anticipation,” a #13 hit from 1971, whose refrain serves as the title to the new collection. Also included is the #1 smash “You’re So Vain,” which, in 1973, topped the singles chart for three weeks in the U.S., where it was certified gold. Years later, in 2004, the song was inducted into the GrammyÒ Hall of Fame. However, for most of the collection, Holzman focuses on deep tracks like “The Love’s Still Growing,” “Our First Day Together,” and “Embrace Me, You Child.”

The demo debuts here for “Alone,” a song that would appear later on Carly Simon. This early recording was part of the five-song demo Simon made in 1970 with a band fronted by session ace David Bromberg. She sent the tape to three record labels that year, Columbia, Atlantic, and Elektra. Holzman—who first saw Simon perform in Greenwich Village with her sister in the late ’60s—invited Simon to lunch, where they forged the lasting friendship celebrated in this collection.

In the booklet accompanying the set, music historian Ted Olson details Simon and Holzman’s short (three albums in three years) but successful partnership. It’s illustrated with rare photos from the period, and the commentary by Olson includes fresh insights from new interviews conducted with Simon and Holzman expressly for this set.

Simon says working wit Holzman was one of the peaks of her career, “There was never more care given to me. Never more respect, and I can surely say that I would never have become a performer had it not been for that first call from Jac after listening to my first little demo cassette.”

Holzman adds, “Carly ad I created a lifelong friendship born from our ’70s music collaboration. I think the good and positive effect we had on each other resulted in records that were gifts for Carly fans and music lovers the world over.”

THESE ARE THE GOOD OLD DAYS: THE CARLY SIMON AND JAC HOLZMAN STORY
2-LP Track Listing

LP One: Side One
1. “Anticipation”
2. “It Was So Easy”
3. “Alone” – Demo *
4. “The Best Thing”
5. “Dan, My Fling”

Side Two
1. “I’ve Got to Have You”
2. “The Love’s Still Growing”
3. “Summer’s Coming Around Again”
4. “Our First Day Together”
5. “Embrace Me, You Child”

LP Two: Side One
1. “Legend In Your Own Time”
2. “That’s The Way I’ve Always Heard It Should Be”
3. “The Carter Family”
4. “Angel From Montgomery”
5. “Julie Through The Glass”

Side Two
1. “His Friends Are More Than Fond of Robin”
2. “Reunions”
3. “The Right Thing to Do”
4. “We Have No Secrets”
5. “You’re So Vain”
* previously unreleased