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Peter Frampton Announces “At Royal Albert Hall” Out September 1, 2023

Eric Alper
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Peter Frampton Announces “At Royal Albert Hall” Out September 1, 2023

In November 2022, Grammy-winning artist and virtuosic guitar player Peter Frampton performed at the historic Royal Albert Hall in London to a rapturous sold-out crowd. The special evening was filmed, capturing stunning performances of Frampton’s finest songs, and will be released as a live album on September 1 – pre-order/pre-save Peter Frampton At Royal Albert Hall here.

The record features 9 live performances with Frampton’s long-standing band of Rob Arthur, Adam Lester, Dan Wojciechowski and Steve Mackey, and includes tracks “Show Me the Way,” “Baby, I Love Your Way,” “Do You Feel Like We Do?” and more. The legendary performance is currently streaming on PBS as part of their Pledge Drive.

Additionally, Frampton is back on the road—the Never Say Never Tour kicked off last month, with stops nationwide through August. See below for full tour routing.

Peter Frampton is one of the most celebrated artists and guitarists in rock history. In 2007, Frampton won a Grammy for Best Pop Instrumental Album for Fingerprints and in 2014 was inducted into the Musicians Hall of Fame. He received the prestigious Les Paul Innovation Award from NAMM’s TEC Awards in 2019 and his album All Blues was #1 for fifteen weeks on Billboard’s Blues Chart. In 2020 Frampton was inducted into the Grammy Hall of Fame, his autobiography Do You Feel Like I Do?: A Memoir debuted on The New York Times Bestsellers list, and his 2021 album Frampton Forgets The Words was released to widespread critical acclaim. After 47 years, Frampton Comes Alive! remains one of the top-selling live records of all time selling over 17 million worldwide.

Most recently, Frampton announced that on July 28 Intervention Records will release Frampton@50, a numbered limited-edition vinyl box set featuring Frampton’s essential 1972-1975 studio releases Wind of Change, Frampton’s Camel and Frampton.

Frampton is also set to receive The Myositis Association’s Heroes in the Fight 2023 Patient Ambassador Award on September 9 during their annual ceremony in conjunction with TMA’s Annual Patient Conference in San Diego, CA between September 7-10.

Additionally, Frampton will feature in the new intimate, one-hour public television series With, which highlights vulnerable conversations between music icons, fellow creators, musicians and friends for a candid glimpse inside the creation of their most beloved hits. Frampton’s conversation with songwriter Trey Bruce at Analog Hutton Hotel will air on July 15 (check local listings); full episodes are also be available to stream weekly on WithTheShow.com.

TRACKLIST

Something’s Happening
Lying
Lines On My Face
Show Me The Way
Georgia On My Mind
All I Wanna Be (Is By Your Side)
(I’ll Give You) Money
Baby, I Love Your Way
Do You Feel Like We Do?

PETER FRAMPTON LIVE
July 15—Wind Creek Event Center—Bethlehem, PA
July 16—Hard Rock Hotel & Casino Atlantic City, Hard Rock Live at Etess Arena—Atlantic City, NJ
July 18—MGM Music Hall at Fenway—Boston, MA
July 20—The Theater at MGM National Harbor—Oxon Hill, MD
July 22—Foxwoods Resort Casino, Premier Theater—Mashantucket, CT
July 23—The Capitol Theatre—Port Chester, NY
July 25—The Capitol Theatre—Port Chester, NY
July 26—The Paramount—Huntington, NY
July 28—Turning Stone Resort Casino, Event Center—Verona, NY
July 29—Fallsview Casino Resort—Niagara Falls, ON
August 10—Edgefield Concerts on the Lawn—Troutdale, OR
August 12—Thunder Valley Casino—Lincoln, CA
August 13—Yaamava’ Theater—Highland, CA
August 15—The Masonic—San Francisco, CA
August 16—Arlington Theatre—Santa Barbara, CA
August 18—The Pearl—Las Vegas, NV
August 19—Sandy Amphitheater—Sandy, UT

Trailblazing Punjabi Artist Karan Aujla Announces Warner Music Canada & Warner Music India Signing

Eric Alper
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Trailblazing Punjabi Artist Karan Aujla Announces Warner Music Canada & Warner Music India Signing

Punjabi singer, rapper and lyricist Karan Aujla announces his signing to Warner Music Canada and Warner Music India. Karan Aujla is a groundbreaking artist who is committed to bridging the gap between Punjabi music and the rest of the world.

“I want to take my talents to the next level and WM Canada and WM India will help me push my music to the people,” Karan says on joining the Warner Music roster.

Karan Aujla was born in Ghurala, India before he moved to Vancouver, Canada at the age of 17. He began songwriting to express his emotions following the tragic passing of his parents. Having written hundreds of songs for emerging Indian artists, Karan began recording songs of his own leading to his first major hit that was 2018’s “Don’t Worry.” As he continued to record, write and collaborate with producers, honing in on his unique sonic offering, he released his debut album B.T.F.U. that landed #6 on Spotify’s Global Chart.

Followed was his Way Ahead EP that boasted a YG collaboration and his next massive hit, “Don’t Look” that surpassed 170+ million views on YouTube alone.

Karan is approaching 3 billion views on YouTube, has garnered over one billion audio streams, 7.5 million Spotify monthly listeners and 8 million followers across his social media channels.

“We are privileged to be a part of Karan’s team and look forward to building on the incredible foundation he’s formed for himself as a leading Punjabi artist,” Warner Music Canada President Kristen Burke says.

“Karan embodies the essence of new age Punjabi music and we’re excited to take his sound global with this partnership,” Jay Mehta, Managing Director, Warner Music India & SAARC says.

Karan is releasing his second studio album Making Memories on August 18th, executive produced by Warner Music Canada & 4N Records’ artist and producer Ikky (Diljit Dosanjh, Sidhu Moose Wala, Shubh) – pre-save the release here. The first single “Admirin’ You” arrives August 4th and was the initial song Karan and Ikky recorded for the album that formed over the course of a year.

“Making Memories is the beginning of a new era for Punjabi music. Showcasing true artistry, this album is a sonic representation of summer growing up in the Punjabi community. Karan and I want people to make memories of their own and remember where they were when they first heard the album,” Ikky says.

The album’s title is a testament to the artistic journey undertaken by both artists to create a distinct, unparalleled offering. Making Memories demonstrates the universal appeal of music by seamlessly blending the melodious essence of Punjabi language with hip hop and pop production, captivating listeners regardless of their spoken language.

Making Memories Tracklist:
1. Girl, I Love You (Euro’s Intro)
2. What…?
3. Admirin’ You ft. Preston Pablo
4. Jee Ni Lagda
5. Try Me
6. Champion’s Anthem
7. Softly
8. You
9. Bachke Bachke

My Next Read: “‘The Beach Boys” by The Beach Boys with Thom Yorke, Lindsey Buckingham, and more

Eric Alper
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My Next Read: “‘The Beach Boys” by The Beach Boys with Thom Yorke, Lindsey Buckingham, and more

The Beach Boys by The Beach Boys features new text drawn from extensive interviews with Brian Wilson, Mike Love, Al Jardine and Bruce Johnston exclusively for this edition, and archive text from band members Carl Wilson and Dennis Wilson. You can get it here from Genesis Publications.

The band members describe their story from the beginning: signing their first recording contract with Capitol Records and creating some of the most flawless, sun-soaked singles of all time – ‘Surfer Girl’ / ‘Little Deuce Coupe’, ‘I Get Around’ / ‘Don’t Worry Baby’ and ‘California Girls’ / ‘Let Him Run Wild’, to name a few – as well as sharing their memories of making revered albums such as Pet Sounds, and fan-favourites Wild Honey, Friends, Sunflower and Holland. The story follows their journey around the world, from school fundraisers to global tours and landmark shows such as Prague when, in 1969, they were the first Western band to visit Czechoslovakia, and New York’s Carnegie Hall in 1972. Throughout, the band reflects on the making of the songs.

Joining them are a host of contributors who have been involved with or inspired by the band’s music, including Peter Blake, Lindsey Buckingham, Eric Clapton, Elvis Costello, Ray Davies, Bob Dylan, Def Leppard, the Flaming Lips, Bobby Gillespie, David Lee Roth, The Jesus and Mary Chain, Jim Kerr, Roger McGuinn, Graham Nash, Jimmy Page, Carly Simon, Pete Townshend, Rufus Wainwright, Thom Yorke, and many more yet to be announced.

With unlimited access to the Capitol Records archive, the Beach Boys band archive and their personal archives, The Beach Boys by The Beach Boys has been carefully curated from these unique sources to create an exciting visual journey, combining never-before-seen negatives with iconic images.

Outtakes from legendary album sessions are featured, such as Summer Days (And Summer Nights!!) and Pet Sounds, as well as behind-the-scenes recording photographs from Smile, 20/20 and more. An abundance of live shots includes the band’s first European tour and rehearsals for the first live performance of ‘Good Vibrations’, which Brian Wilson travelled over 2,000 miles to oversee.

These photographs are accompanied by ephemera from across the years, including tape boxes, tour posters and programmes, handwritten notes and lyrics, newspaper clippings, album advertisements, chord sheets and studio documents – all of which assist in illustrating their remarkable story.

The Beach Boys manage to defy decade, genre and form. They cannot be limited to songs about surfing, girls, California, or hot rods. Everything strove to go beyond – perhaps key to the Beach Boys’ durability; their ability to go further, to keep going until they reached a place that had not previously been reached in rock and pop music. The band’s longevity, experimentation and continuation of influence are without equal.

One of the most critically acclaimed, commercially successful and influential bands of all time, the band are embedded within the cultural landscape of America and loved throughout the world. The Beach Boys spearheaded numerous genres, helped to legitimise popular music, and have had the most Billboard Top 40 hits from any US band (thirty-seven), and today their music continues to be revisited, reassessed, and reimagined.

A Folk Band Explains The New Zip Codes With This PSA From 1967

Eric Alper
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A Folk Band Explains The New Zip Codes With This PSA From 1967

Are you tired of living in a world where zip codes define us? Well, get ready to swing into a new era (well, back in 1967, so pretend with me) with The Swingin’ Six, a folk band that’s here to spread the message of unity and break down the barriers imposed by zip codes.

Jim Medley, Classic Drum Collector, Joins Toronto Band Redpath Traffic

Eric Alper
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Jim Medley, Classic Drum Collector, Joins Toronto Band Redpath Traffic

Toronto-based prog-rock trio Redpath Traffic’s new drummer, Jim Medley, is more than a veteran of Ontario’s blues-rock scene. He’s also a classic drum collector boasting 13 complete kits and 20 snare drums.

“I’ve been collecting drums since the ’70s,” he says. “I look for 70’s and 80’s kits and even orphan drums to mix and match depending on the music I’m playing. I rarely play a kit live where everything matches.”

Jim lists Tama and Pearl as his favourite brands, but his collection also includes drums from Yamaha, Sonor, and Peavy, as well as snares from all manufacturers, including Ludwig and Premier. Once a new prized piece is added to his collection, Jim meticulously repairs its wrap and polishes the chrome but ensures to preserve some of the drum’s “worn in” charm.

“Restoration is part of collecting for me,” he says. “But I never replace the original wrap with a new one. A little wear and tear add character to the drum.”

Jim started his drumming career touring with the hard rock band Warhorse in the ‘70s while working as a drum teacher. He also played with Blues Past Due, followed by blues-fusion group Worn Groove until covid-related lockdowns dissolved the group’s activities.

“I missed playing with others,” Jim says. “So, I started looking for a new band to play with once restrictions were lifted. As much as I enjoyed playing covers, I’d always wanted to be part of creating original material. When I came across Redpath Traffic, I really liked their music and called for an audition, which later led to me joining the band. We’re having a great time and look forward to doing some gigs soon.”

Redpath Traffic’s Rick Todd and Mark Fernley are excited to have Jim join the band to continue composing progressive, genre-agnostic rock that’s closing in on 50,000 streams on Spotify.

“Jim’s a great addition to Redpath Traffic,” Rick says. “We had a very heavy response to the call for auditions, but Jim’s talent, personality, and ability to commit stood head and shoulders above the rest.”

When not playing with Redpath Traffic, Jim continues to watch for new pieces for his collection. He’s currently looking for Classic Paiste cymbals, especially the ALPHA Series made in Switzerland.

“I can’t see a time when my collection will be complete, so I’m constantly on the hunt,” he says. “When it comes to drums, there’s always room for more!”

Matt Zaddy’s Blend of Folk-Rock and Modern Soul Is A Genre-Bending Journey With ‘What Comes Around'”

Eric Alper
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Matt Zaddy’s Blend of Folk-Rock and Modern Soul Is A Genre-Bending Journey With ‘What Comes Around'”

Mississauga, Ontario folk-rock artist, Matt Zaddy released his new single “What Comes Around” that blends folk-rock and modern soul, making it a journey through genres for any music fan.

Zaddy’s latest track was produced by Emmy award winner and Juno nominated Ross Citrullo from The Sheepdogs, Julian Taylor Band, Samantha Martin, and Delta Sugar. Together, they have crafted a high-energy song that encapsulates the listener with catchy guitar and organ hooks, raw and dynamic vocals, and an unforgettable groove.

“I have to take some time to remember why I do what I do, and to see past the adversity we all experience as part of life,” says Zaddy.

“What Comes Around” is a blend of Zaddy’s trademark folk rock and rhythm and blues. This song is about facing challenging questions and self-doubt. Zaddy’s introspective lyrics resonate with anyone who has had to struggle for their passion.

Zaddy’s reinvention as an artist has been with the intention to connect with as many listeners as possible, regardless of the genre. He adds, “I truly hope that this song inspires people to do that little bit extra to make a real impact on those around us, and ultimately the world itself.”

Zaddy is known for his passion of creating music and performing, having previously performed in venues across Canada. He also co-wrote “We Are The North,” Mississauga’s official anthem for its #Canada150 celebrations. He has shared the stage with various renowned artists like K’Naan, Francesco Yates, Tom Cochrane, Jim Cuddy, The Trews and many others.

“What Comes Around” is the song that will surely grab your attention with its catchy beats and profound lyrics.

Critically Acclaimed Australian Multi-Genre Multi-Instrumentalist Dan Webb Releases “A Good Song” Featuring Greg Saunier Of Deerhoof

Eric Alper
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0
Critically Acclaimed Australian Multi-Genre Multi-Instrumentalist Dan Webb Releases “A Good Song” Featuring Greg Saunier Of Deerhoof

When it comes to music, everyone has their own personal tastes. It is those personal tastes that influence whether we determine a song is “good” or “bad”. However, what is considered a good song to one person, might not be a good song to someone else. It is this nuance that acclaimed Melbourne multi-genre artist Dan Webb explores in his thoughtful new single, “A Good Song”, which features Greg Saunier of the band Deerhoof.

https://www.youtube.com/danwebbmusic

Against a jazzy instrumental with hints of electronica, Greg Saunier explains why he doesn’t believe in the concept of a good song. Between the instrumental and insightful commentary, “A Good Song” feels like the sonic personification of food for thought. He states, “What you want, is a good song to become undefined, so that everything that has been proscribed is now allowed, everything that has been unheard can now be heard.”

Webb was especially moved by what Saunier had to say. “The original question I asked Greg was “What makes a good song in your opinion?”. I’d asked that question to many other artists, but Greg’s response to that question was unlike anything else I’d heard previously. It really stuck with me, and it reshaped the way I thought about music.”

After becoming an underground favorite with two well received EPs in 2009 and 2010, Dan Webb began to garner mass acclaim with his 2014 full-length debut ‘Sandstorm’. Praised by X-Press Magazine as “a thrilling, funky journey,” it received international airplay, most notably from BBC Radio 6 Music, Triple J and Double J.

“A Good Song” is the first single from his new album Sunshine/Dialogue, which has been acclaimed by outlets such as Bandcamp, Earmilk and Happy Mag. B-Side Guys called it, “a genre defying, convention challenging, and utterly unique musical journey.”

Halifax’s Rock Band CHESTER DOOM Gives Depression A Voice With “Pull The Trigger”

Eric Alper
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Halifax’s Rock Band CHESTER DOOM Gives Depression A Voice With “Pull The Trigger”

One of the most painful things about depression or any other mental health issue is how it makes your brain lie to you. Depression tries to convince the person dealing with it that there is no reason for them to keep living. In their newest single, “Pull The Trigger”, Halifax Nova Scotia-based rock band Chester Doom gives those with depression a voice.

The song opens with a heavy metal riff from Patrick Blackie that barrels towards the listener and encourages the most devoted metalhead to headbang. These riffs are accompanied by a steady drumbeat from Peter Arseneau. Then singer Josh Best comes in with gruff, angry vocals that make the song’s first verse and chorus hit the listener hard.

To an outsider, the song might seem to encourage self-destructive thoughts, but this isn’t the case at all. The song not only confronts the darkness of depression head on, but also discusses suicidal ideation in a way that is honest. The next verse after the first chorus demonstrates that a person doesn’t necessarily want to die, they just desperately want their pain to go away.

“Need a rest
The system failure has begun
Hazard to guess
And it’s so damn scary

In distress
A body full of foreign fun
Pound on your chest
screaming
Can you hear me!?”

In fact, the band confirms that the song is about mental health, with Best stating, “When we were working on ‘Crows Go Home,’ we wanted to delve into the core struggles that so many people face in their daily lives. Each song on the EP represents a different battle, whether it’s anxiety, depression, hopelessness, or addiction.”

Originally starting in 2009 with members college friends Patrick Blackie and Glenn Arseneau writing songs together, the band Chester Doom would fully form in 2020 when Glenn’s longtime friend Josh Best jammed with them.

In the fall of 2022, Best wrote what would become the band’s first single, “Not Far Behind’. The song takes inspiration from Best’s recovery from COVID and the resiliency of the Ukrainian people.

Upon its release in May 2023, “Not Far Behind” would earn them comparisons to Led Zeppelin and Soundgarden. Rock Cabeca states, “Just like Page and Plant on “The Immigrant Song”, you guys kicked the f***ing door right in. The riffs are powerful and the vocalist sings like Plant in the good old days.”

“Pull The Trigger” is a new addition to the upcoming album “Crows Go Home”, which also includes the tracks “Not Far Behind”, “Anxiety”, and a cover of Leonard Cohen’s “Everybody Knows”.

Watch R.E.M. Perform ‘Losing My Religion’ At The Height Of Their Fame On Dutch TV In 1991

Eric Alper
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Watch R.E.M. Perform ‘Losing My Religion’ At The Height Of Their Fame On Dutch TV In 1991

R.E.M. performs Losing My Religion’ on a 1991 episode of Countdown, one of the biggest music shows in the world, right when this song became one of the biggest on the planet.

This 1980 Grammys Performance Of The Doobie Brothers’ ‘What A Fool Believes’ Is Still Wonderfully Funky

Eric Alper
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This 1980 Grammys Performance Of The Doobie Brothers’ ‘What A Fool Believes’ Is Still Wonderfully Funky

When bands used to wear tuxes for the Grammys.

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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