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The Eagles Announce “The Long Goodbye” The Band’s Final Tour

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After more than 50 years of touring, and consistently selling out arenas and stadiums worldwide, the Eagles announced today that their upcoming “The Long Goodbye” will be the band’s final tour.

Thirteen shows will be initially announced. The first set of dates will begin September 7, 2023, in New York.

Thursday, September 7 New York, NY Madison Square Garden
Monday, September 11 Boston, MA TD Garden
Saturday, September 16 Newark, NJ Prudential Center
Wednesday, September 20 Belmont Park, NY UBS Arena
Thursday, October 5 Denver, CO Ball Arena
Monday, October 9 Indianapolis, IN Gainbridge Fieldhouse
Friday, October 13 Detroit, MI Little Caesars Arena
Tuesday, October 17 Cleveland, OH Rocket Mortgage FieldHouse
Thursday, November 2 Atlanta, GA State Farm Arena
Tuesday, November 7 Charlotte, NC Spectrum Center
Thursday, November 9 Raleigh, NC PNC Arena
Tuesday, November 14 Lexington, KY Rupp Arena
Friday, November 17 St. Paul, MN Xcel Energy Center

The Eagles’ long-time contemporaries and fellow Hall of Famers, Steely Dan, will be joining these historic shows and commemorating their own 50+ year career.

Presale tickets and VIP packages will be available starting Wednesday, July 12 for all announced shows. The general on-sale will start Friday, July 14 at 10:00 AM local time.

During “The Long Goodbye,” the Eagles – Don Henley, Joe Walsh, Timothy B. Schmit, with Vince Gill and Deacon Frey – will perform as many shows in each market as their audience demands. The tour is expected to continue into 2025.

Over the band’s more than 50 years of touring, the Eagles have performed more than 1,000 concerts around the world, accounting for more than 15 million tickets. Eagles’ tours have consistently ranked in the Top 10 of both concert industry publications, Billboard and Pollstar.

In the Fall of 1971, the Eagles formed, pioneered, and personified a uniquely American musical style blending country, folk, R&B, rock, and pop sensibilities, and would go onto become one of the most creatively and commercially successful bands of all time. In today’s faddish, fractured, rock landscape, the Eagles retain an appeal that transcends both generation and genre, cementing the band’s role as enduring musical icons.

The Eagles have sold more than 150 million albums worldwide, scored six #1 albums, and topped the singles charts five times. They earned six GRAMMY Awards, were inducted into the Rock & Roll Hall of Fame in 1998, in their very first year of eligibility, and received the Kennedy Center Honors in 2016.

The band’s Greatest Hits 1971-1977 is the best-selling album in history, with the RIAA certifying the collection at 38-times Platinum. Hotel California is the third best-selling U.S. album in history, certified 26-times Platinum. After its release in 1976, it topped the charts and earned two GRAMMY Awards for “New Kid In Town” and “Hotel California.”

Photo Gallery: Robert Plant and Alison Krauss at Toronto’s Budweiser Stage

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All photos taken by Mini’s Memories. You can contact her through Instagram or Twitter

Robert Plant and Alison Krauss
Robert Plant and Alison Krauss
Robert Plant and Alison Krauss
Robert Plant and Alison Krauss
Robert Plant and Alison Krauss
Robert Plant and Alison Krauss
Robert Plant and Alison Krauss
Robert Plant and Alison Krauss
Robert Plant and Alison Krauss

Photo Gallery: Weezer with Future Islands and Joyce Manor at Toronto’s Budweiser Stage

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All photos taken by Mini’s Memories. You can contact her through Instagram or Twitter

Weezer
Weezer
Weezer
Weezer
Weezer
Weezer
Weezer
Weezer
Weezer
Future Islands
Future Islands
Future Islands
Future Islands
Future Islands
Future Islands
Joyce Manor
Joyce Manor
Joyce Manor
Weezer

Talking Heads Perform ‘Psycho Killer’ Live at CBGB in 1975

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Check out this clip from the Talking Heads’ film Chronology shows the group performing an early version of their soon-to-be classic “Psycho Killer” during a 1975 show at CBGB on New York.

Kyle Pacey’s New Road Songs EP Is A Soulful, Funky, Rollicking Rhythm & Blues Romp

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Kyle Pacey, the veteran singer/songwriter and virtuoso guitarist, mixes together funky grooves, bluesy backbeats, and jazzy guitar licks with a classic pop sound for a unique R&B stew. The mainstay of the Hamilton music scene has strung together five great original songs that will keep the fingers snapping and the dance floor hopping.

Front and centre is Pacey’s authoritative, smoky voice, a bluesy howl that only comes from years of experience on the road and in the studio. On this set he leads a crack band of seasoned players, including bassist Howard Ayee (Moe Koffman, Eddie Schwartz, Rough Trade), drummer Michael Sloski (Ben E. King, Long John Baldry, Bruce Cockburn) and Rob Gusevs (The Arrows) on keyboards.

The title track opens things off, a “little story about what love can do”, as Pacey sings. This song sets the tempo for the rest of the collection, with blasts of trombone from Jay Burr giving the track a bit of a New Orleans feel. “Road Song” winds down with Burr bringing the song home for the final 40 seconds as the band plays on behind him.

A brief scat vocal run from Pacey opens the next song, “Once Again”. Pacey says this number laments the state of our environment as governments push economic boundaries to their limit during an ongoing struggle for power and control of the land and its resources.

“There’s a method to my madness,” he sings, “now you might say, let’s end it now, let’s seize the day, anytime now no one knows, truth or dare now, this horror show”.

For Pacey, who came of age in the 1960s and 1970s, it harkens back to the protest movements of that time, when ecological worries first hit his generation.

Pacey’s career goes back that far, from being the first local musician to play Hamilton Place, where he was featured as the opening act for the Duke Ellington Orchestra, to opening shows for legendary Canadian rock band Crowbar. Later, he worked with Jacqui and Lindsay Morgan and guested with the likes of Robbie Lane and the Sugar Shoppe and was offered a chance to join the Buddy Rich Band and to audition for the band Chicago.

The EP continues with another love song, “This Minute”. It’s a celebration of a love that is eternal and true, one that brings pure joy and inspiration. “I’m so glad that I met you, makes my mind sky clear blue,” sings Pacey, “this minute turns to a lifetime, I’m so in love with you”.

Another message song, featuring Burr’s trombone once again, “Sad Days” takes on the economic situation and the hopelessness felt by so many just trying to get by amidst rising inflation and economic peril. Though the track laments the state of our times, it’s just as upbeat and enjoyable as the rest of the collection.

Road Songs concludes with “The Damage is Done”, a song Pacey has been playing live for over a decade with various combos. To experience his playing on this number is magical, both hands flying lightning fast across the fretboard. It’s no surprise from a man who won a number of local and international guitar championships before he was even 18 years old.

Here, the song gets the full band treatment, expertly recorded at Grant Avenue and Pine Street Studios. Pacey’s production and the band’s playing punches it up that extra notch, as they groove the blues away to wrap up the EP.

For the Hamilton Music Awards nominee, Road Songs is sure to keep the momentum going for the esteemed veteran. Give it a listen now, and if you have a chance to see Kyle Pacey live, don’t miss it. You gotta see him to believe him.

Winnipeg’s Len Bowen’s ‘Toast Up’ Prepares Listeners for Trailblazing Album

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Len Bowen, Canadian hip-hop virtuoso, prepares for the upcoming album release with the single “Toast Up” featuring Tough Dumplin. Bowen specializes in delivering hard-hitting honest, unfiltered, raw lyrics in his discography, and “Toast Up” is no different. The glimpse into his upcoming LP speaks about facing fear instead of giving in to failure. Bowen admits through tight lyrics that he couldn’t let others’ judgment prevent him from achieving his life’s calling.

“I couldn’t walk away, couldn’t let it be
This one for everything they said he’d never be
To the pressure never caved in
What didn’t break ’em, made ’em
Look what y’all created”

As the best lyricists do, Bowen utilizes intelligent metaphors through his rhymes, comparing his successes and life’s goals to that of a basketball game.

“Courtside to the bleachers
Call him news at six they turning back to watch
Feel like Curry fourth chip he turning back the clock
Y’all know the cloth he cut from ain’t nothing fabricated
Bound for greatness every verse an affidavit”

Bowen said this song came from a birthplace of annoyance and frustration. A place many artists recognize as the limbo or waiting game they play throughout their careers.

“Toast Up was born out of the frustration of waiting for co-signs and recognition. This song is a soundtrack to kicking doors down, grabbing attention, and firm flag planting; the antithesis of music industry humility and politeness,” he said.

Tough Dumplin assisted him with dealing with his frustration and anger from the creative process, according to Bowen. Friend, collaborator, and producer Tough Dumplin knew firsthand what it felt like to endure the arduous limbo of the waiting associated with music, so he dreamt up a production track rivaling none other, and reaching into uncharted bounds, for “Toast Up.”

The sonic universe blooms with booming synth, introducing Tough Dumplin’s confident hook straight out of a cutthroat rap battle, “You all know what he about. How we goin out. Showed up unannounced. Mad they showing out. Ain’t asking we taking.”

Behind Bowen’s lyrics, percussive snare maintains the beat permitting the two rappers to launch listeners into their underdog stories. The duo blends Bowen’s candid vocals with Dumplin’s humor in “Toast Up.”

“Tough Dumplin created the perfect soundscape for this song and also contributed a humorous but edgy verse,” Bowen said.

As the NTHN4GRNTD album release date approaches on June 30, 2023, fans can indulge in two singles, “Toast Up” and “Oceans & Beaches (Oh My) (featuring Andrew O),” to immerse themselves in the epic soundscape and lyrics from the hip hop legend.

Punk Rockers MOORE AVE Turn A Bad Brain Day Into Good Music With New Single “Relapse”

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For those who have to work hard to manage their mental health, there will be days when your brain just doesn’t want to deal with anything. Some people refer to this as a “bad brain day” but it can be hard to explain what is happening when other people haven’t experienced it. With their new single, “Relapse”, Aylmer Ontario punk rock band Moore Ave manages to turn a bad brain day into good music.

Opening the song are some nice riffs from lead guitarist Joe Gaudette as well as a voice snippet from the animated series Bojack Horseman that says, “I want to feel good about myself, the way you do. And I don’t know how. I don’t know if I can.” Given that Bojack Horseman is a show that has resonated with people due to its portrayal of depression, this snippet and the guitar riffs are a creative way to catch the listener’s ear.

Then, the song’s first verse expands on the honesty of the Bojack snippet as vocalist Josh Gaudette sings about how tired they are every day and how they want someone to see how much they need help. Their brain is making them feel bad, but they don’t want to feel helpless. This feeling is embodied in the song’s brief yet hopeful chorus.

“Don’t wanna feel this way
balance out my brain
I want to be okay”

In fact, this chorus makes Joe Gaudette’s guitar riffs feel like a rallying cry for the listener as it gets a brief moment to shine and lead into the next verse. The second verse is even better than the first, as it embodies the internal struggle of mental health more fully. Vocals desperately sing about how they are trying hard to hold themselves back from relapsing bad habits. Josh Gaudette confirms this, stating, “Relapse’ is a track about mental health and wanting to feel better; it has got to be my favorite track on the record.”

Moore Ave is a band composed of the Gaudette brothers Josh (rhythm/vocals), Joe (lead) and Jack (bass), with the final member being brother-in-punk, Shawn MacDonald (drums). Their sound is reminiscent of late 90’s and early’s 00’s punk bands Sum 41 and Blink-182, but with a sprinkle of modernity.

After recording tirelessly during the height of the COVID pandemic and working with producer Wade McNeil, the band recorded their first full length album Turn Around. Ahead of the album’s release, they released a slew of singles, including “6 Feet”, “Santeria”, and “Second Best,” as heard on SiriusXM.

In fact, “6 Feet”, which was inspired by a dream of Gaudette’s dad dying, has a similar feel to that of their future single “Relapse”. “Santeria” is a cover of the Sublime song of the same name and serves as a good homage to the band’s influences. Finally, “Second Best” is the first single off Turn Around and feels like a positive flip side to “Relapse” that is about getting better and not settling for less than you deserve.

HALEY K TURNER’s Highly Anticipated Alt.Folk Single “Can’t Find Her” Explores Feelings Of Regret

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“Can’t Find Her,” Haley K Turner’s new single feels more sinister than the organically crafted folk-pop songs on her debut album in from the dark, heard on CBC and radio across Canada.

https://music.youtube.com/channel/UC4J5-eVXwNOPt1DnQHaZmAQ

Recorded at Monarch Studios with Juno nominated producer Tom Dobrzanski (Said the Whale, The Zolas), the foreboding alternative folk song exudes a cold undertone. Uplifted by a clever arrangement of pop strings, Can’t Find Her blends rhythmic guitar (Adrian Glynn) and drums (Flavio Cirillo) with blunt lyrics that expose the way our mundane differences distract us from experiencing joy in long term relationships. Or rather, the repercussions of infidelity.

Having grown up in Kelowna, the now Vancouver-based Singer Songwriter infuses the visual aftermath of mass wildfires while posing a compelling question about our carefully crafted lives; what happens when we abandon them on a whim?

Turner, an indie artist and mother with a flair for talking about hard things, rarely relies on smoke and mirrors to entice listeners into connecting with her music. It’s notable how gracefully Haley floats around genres in her releases to date, while maintaining a strong identity as a songwriter. Centring around emotionally impactful lyrics that showcase a versatile artist who weaves in and out of great sadness and blind hope. Digging deep into the crevices of our lives where struggles with body image, equality, motherhood, and loss exist yet effortlessly brightening our connections to one another.

Precariously balancing the creation of music with motherhood, Haley’s releases are solely determined by what parts of herself, and her music feel right to share with her listeners at a specific moment in time.

This approach inspired the live video for Blue and Yellow released April 2023 featuring Aline Daigle (Rumour Mill) and Adrian Glynn (The Fugitives). Addressing the war in Ukraine with a reminder that we have been here before. “History doesn’t owe us anything, it’s up to us to make it worth something.” And in May, Haley quietly shared a personal folksy song dedicated to her late Grandmother that features both her dad and her daughter, a lifelong dream of hers. All The Little Rocks beautifully offers insight into her personal life.

Haley’s spirited side shines through her authentically moving songs, especially in her delightful live performances where her ability to bring you to tears is softened by her mesmerizing sense of humour and enlightening self deprecation.

Prairie Folk-Pop Duo Winsome Kind Unveils Latin-Inspired Single “Hola Hola” From Forthcoming Album ‘Love In A Hurricane’

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Scott Perrie and Leora Joy Perrie, the Canadian talented folk/ pop husband-and-wife Winsome Kind duo, have released their new Latin-tinged single “Hola Hola” from their highly anticipated third full-length album, Love in a Hurricane.

Having recently celebrated a decade of life, love, and making music together, the Perries made the bold decision to sell their home in the Canadian Prairies in 2021. With their two young boys in tow, they embarked on a transformative journey to Mexico in search of something more. Armed with just eight suitcases, including musical instruments and a mobile recording studio, they embraced a life of exploration and creativity.

Hola Hola is a hopeful song about unity and calling in the frequency of New Earth, highlighting the dynamic duo’s vibrant vocals and world-class songwriting. “From the moment we landed in Mexico, inspiration struck us right away and the melody for “Hola Hola” came through while we were standing in the customs line-up,” says Scott. “A week later we experienced our first tropical storm, and in a moment of calm, Leora was inspired to write the album’s title track, Love in a Hurricane.”

The Canadian couple journeyed from Mexico to magical Salt Spring Island in British Columbia, where they completed their album Love in a Hurricane, which is expected to be released this September. The record was almost entirely recorded and produced in their mobile studio and completed with the help of Daryl Chonka (Old Growth Studios) showcasing his profound mixing talents that are sprinkled throughout the album.

The life-changing musical journey that took Winsome Kind across Canada and Mexico was recorded over a span of two years during an adventure that took an unexpected turn when Leora discovered she was expecting their third child. Leora describes their experience of making new memories and music by saying, “Love in a Hurricane is a reflection of our journey, hopes, dreams, and hearts and is music for growing families, music for the hopeful, music for the weary, and music for the strong.”

After returning to Canada for the birth of their third child, Scott and Leora released a heartfelt cover of Sonny & Cher’s “I Got You Babe.” Their unwavering commitment to their adventurous lifestyle led them back to their family farm in Southern Saskatchewan, where they actively participated in the harvest while continuing to write and create new music.

Winsome Kind has captivated audiences with their undeniable chemistry and enchanting music since their story began in 2012, when they met while performing in “The Buddy Holly Story” at The Globe Theatre in Regina, Saskatchewan. After travelling across Canada as the onboard entertainment on Via Rail from coast to coast, performing in train stations, living rooms, and many music venues, they returned home to Vancouver, where they recorded their self-titled debut album, receiving critical acclaim from CBC Music and media outlets nationwide.

Soulful, Bluesy Rock Star SHERRI HARDING Knows Who’s The Boss In “Lady Of The House”

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Sherri Harding, the soulful, bluesy rock star from Ottawa, Ontario, shows just who’s the boss in her new single, “Lady Of The House” from her highly anticipated debut album, “A Million Pieces.”

A Million Pieces showcases Sherri’s extraordinary range of musical styles, featuring memorable and attention-grabbing rock tracks and soulful ballads, and the heartfelt song “Lady of the House” recently hit the airwaves and streaming platforms, beautifully captures Sherri’s deep emotional connection to her family and pays tribute to her strong female role models.

When discussing the creative process behind the album, Sherri reveals, “During the early days of the ‘A Million Pieces’ project, I had the pleasure of collaborating with Dick Cooper, renowned songwriter for The Cooper Brothers. We discussed various themes, and I shared stories about my sweet mother and paternal grandmother. Dick returned with the magnificent song ‘Lady of the House,’ and the moment I heard it, I was moved to tears. That’s when I knew we had something truly special.”

Cooper’s significant contribution to the album extends beyond his songwriting prowess. Recognizing Sherri’s immense talent, Cooper played a pivotal role in her musical journey by encouraging her to step into the spotlight. In 2016, Sherri had a breakthrough moment when she joined forces with her hometown heroes, The Cooper Brothers, to perform “The Dream Never Dies” alongside them on stage. This experience solidified her potential as a solo artist and laid the foundation for the creation of her debut album, “A Million Pieces.” Despite the challenges posed by the COVID-19 pandemic, Cooper crafted a collection of songs specifically tailored to Sherri’s unique style and heartfelt expression.

Sherri’s path to success has been paved with dedication and perseverance. Having paid her dues in the music industry, she spent years performing with various bands across numerous bars and clubs. From entertaining audiences at the Juke Joints in the Northwest Territories to captivating the Canadian Armed Forces in Bosnia, Dubai, and Italy, her unwavering commitment to her craft has earned her a well-travelled reputation. Even while juggling late-night gigs with her early-morning government job, Sherri’s passion for music has remained strong, propelling her toward this remarkable milestone in her career.