Elton John’s rendition of Rocket Man is destined to be remembered as one of the most iconic performances in the history of Glastonbury.
Zach Bryan Announces ‘The Quittin Time’ 2024 Tour
Today, Zach Bryan announces his 2024 North American run, The Quittin Time Tour. The news comes just days after the singer-songwriter-producer released his fourth full-length studio album, Zach Bryan, available HERE via Warner Records. Fans can register for presale access HERE, with presale beginning on September 6. General on-sale begins September 8.
Bryan’s 2024 tour will take place in stadiums and major arenas across North America, kicking off in Chicago with two shows at the United Center on March 6 and 7, before heading out coast to coast with stops at football stadiums in Denver, Foxborough, Philadelphia, Atlanta, Tampa, Arlington, and Minneapolis. The tour will conclude in his hometown of Tulsa, Oklahoma with two shows at the BOK Center on December 13 and 14. The shows will be supported by The Middle East, Jason Isbell and the 400 Unit, Turnpike Troubadours, Sheryl Crow, Sierra Ferrell, Matt Maeson, and Levi Turner.
The 27-year-old has built a hard-won reputation as an in-concert force of nature, second to none, as evidenced by anyone who attended shows from his Burn, Burn, Burn Tour which wraps in Kansas City at the end of the month. All shows sold out instantly several months in advance, and he set new attendance records at several venues along the way.
The new 16-track body of work explores the Grammy-nominated singer’s southern states roots that combine a litany of varied musical and literary influences that might be best described as “Zach Bryan music.” Written and produced entirely by Bryan himself, the self-titled album features raw and unfiltered stories that speak from the heart directly to his ever-growing global fanbase. Zach Bryan boasts collaborations with Kacey Musgraves, The Lumineers, Sierra Ferrell, and The War and Treaty.
Zach Bryan’s The Quittin Time Tour 2024 Dates:
Support Acts:
* The Middle East
+ Jason Isbell and the 400 Unit
% Turnpike Troubadours
! Sheryl Crow
# Sierra Ferrell
@ Matt Maeson
^ Levi Turner
Italics indicate Live Nation date
March 06 Chicago, IL United Center *^
March 07 Chicago, IL United Center *^
March 09 Pittsburgh, PA PPG Paints Arena *^
March 10 Buffalo, NY KeyBank Center *^
March 12 State College, PA Bryce Jordan Center *^
March 14 Newark, NJ Prudential Center *^
March 15 Newark, NJ Prudential Center *^
March 17 Toronto, ON Scotiabank Arena *^
March 18 Toronto, ON Scotiabank Arena *^
March 20 Milwaukee, WI Fiserv Forum *^
March 22 Birmingham, AL Legacy Arena at the BJCC *^
March 25 Washington, D.C. Capital One Arena *^
March 27 Brooklyn, NY Barclays Center *^
March 28 Brooklyn, NY Barclays Center *^
April 26 Des Moines, IA Wells Fargo Arena *^
April 29 Omaha, NE CHI Health Center *^
May 02 St. Louis, MO Enterprise Center *^
May 05 Greenville, SC Bon Secours Wellness Arena *^
May 06 Greenville, SC Bon Secours Wellness Arena *^
May 09 Knoxville, TN Thompson-Boling Arena at Food City Center *^
May 13 North Little Rock, AR Simmons Bank Arena *^
May 14 North Little Rock, AR Simmons Bank Arena *^
May 17 Oklahoma City, OK Paycom Center *^
May 18 Oklahoma City, OK Paycom Center *^
June 07 Las Vegas, NV T-Mobile Arena #^
June 08 Las Vegas, NV T-Mobile Arena #^
June 15 Denver, CO Empower Field at Mile High #^
June 22 Columbus, OH Buckeye Country Superfest
June 26 Foxborough, MA Gillette Stadium +^
July 30 San Antonio, TX AT&T Center @^
July 31 San Antonio, TX AT&T Center @^
August 03 Greensboro, NC Greensboro Coliseum @^
August 04 Greensboro, NC Greensboro Coliseum @^
August 07 Philadelphia, PA Lincoln Financial Field %^
August 10 Atlanta, GA Mercedes-Benz Stadium !^
August 14 Tampa, FL Raymond James Stadium +^
August 17 Arlington, TX AT&T Stadium +^
August 20 Kansas City, MO T-Mobile Center @^
August 24 Minneapolis, MN U.S. Bank Stadium %^
August 25 Grand Forks, ND Alerus Center @^
November 17 Edmonton, AB Rogers Place @^
November 18 Edmonton, AB Rogers Place @^
November 20 Vancouver, BC Rogers Arena @^
November 22 Tacoma, WA Tacoma Dome @^
November 23 Tacoma, WA Tacoma Dome @^
November 26 Portland, OR Moda Center @^
November 27 Portland, OR Moda Center @^
November 29 Sacramento, CA Golden 1 Center @^
December 03 Glendale, AZ Desert Diamond Arena @^
December 04 Glendale, AZ Desert Diamond Arena @^
December 06 Salt Lake City, UT Delta Center @^
December 07 Salt Lake City, UT Delta Center @^
December 13 Tulsa, OK BOK Center @^
December 14 Tulsa, OK BOK Center @^
# # #
Peter Foldy’s New Reggae Pop Single ‘JUMP LIKE THIS’ Captures the Joy of Romance
Have you ever had a crush on someone you’ve admired from afar but figured that person would never give you the time of day? And then suddenly you realize that this special someone actually might be interested. An encounter, even a brief one, could make your romantic dreams come true. Wouldn’t that make you jump for joy?
Peter Foldy’s bouncy new reggae/pop single, JUMP LIKE THIS celebrates just such a connection.
Born in Hungary, Peter grew up in Australia but moved to Toronto with his family at the age of 17. While studying film at York University he also began writing and demoing some of his original songs. As luck would have it, a small independent label heard his tracks and signed Foldy to a record deal that saw his first single, “Bondi Junction” climb the Canadian charts, earning him two Juno Award nominations as well as considerable airplay in the USA.
Based on that success, Foldy was offered a major label deal with Capitol/EMI – Canada where two more top ten hits followed, both singles also showing up on US trade and radio charts.
After numerous tours and TV appearances another label came calling, this time to RCA Records in Los Angeles who signed Foldy and moved him to L.A. In the film capital of the world Peter’s interest in cinema was suddenly ignited. He put his music career on the back burner and began writing and directing feature films, eventually working with stars such as Paul Rudd, Beverly D’Angelo, Eugene Levy and Academy Award Winner, Louise Fletcher, among many others.
But old habits die hard. After the release of a best of Peter Foldy CD, he was surprised to realize that he still had a fan base. That inspired him to revisit his music career. He began writing and recording again and in recent years he has released a 10 track CD entitled “Nine Lives” as well as a string of catchy pop singles including “Toxic World,” “Friend-Zone,” ”This Christmas” and his most recent track, “Jump Like This.”
Written by Foldy, “Jump Like This” was recorded at Melrose Recorders in Los Angeles and produced by John Zych, David Williams and Peter Foldy. It is released everywhere by Bronte Road Music, distributed by The Orchard/Sony Music.
André Bisson Dazzles with ‘The Reformed Deceiver’: A Soulful Slice of Upbeat Musical Brilliance with a Touch of Classic Motown
Sliding in with a new single, ‘The Reformed Deceiver,’ André Bisson brings us an upbeat soul song that wouldn’t be far removed from any Motown classic. Tinged with Bisson’s signature blues country sound, the song is out now.
From a small town in Northern Ontario to the warming crowds of England and Wales, Bisson’s message demands attention. With a 20-year career, he boasts 9 studio albums, numerous awards, and sold-out shows across Canada, the US, the UK, and Europe. As the sole songwriter and arranger for his 6 to 20-piece ensemble, Andre infuses soul, roots, blues, and R&B, crafting a unique musical brand that complements his poignant lyrics.
Since his debut on stage at 15, Andre’s unwavering love for live performances has remained constant. Teaming up with world-class musicians, he prioritizes delivering an exciting and unforgettable musical experience. His style and musical philosophy have gained recognition, earning awards like “Male Vocalist of the Year” and “Song of the Year.” Each performance captivates the audience with ever-evolving sound, leaving them eager for his 10th album, due in Fall 2023.
‘The Reformed Deceiver’ is a lively soul tune that fuses the energetic charm of a blues horn section and the elegance of a string ensemble. This burning combination brings us back to the nostalgia of 1960s Motown. With many themes running through the song, its underlying narrative delves into ideas that when we shed the burdens that weigh us down, we free ourselves from self-deception and embrace the potential of a brighter future we can shape on our own terms. It serves as an uplifting reminder of the boundless possibilities when we let go of the impossible and draw inspiration from our limitless potential.
The song opens with a toe-tapping intro of horns, dancing piano, warming strings, and popping drums before dropping to just a piano melody, a walking bass and the chugga of an electric that fluidly walks around Bisson’s husky vocals on his opening verse. Bisson follows the classic verse chorus verse pattern, which is ideal because it works perfectly. As Bisson builds to the chorus, we get an uplifting yet gentle build-up before it kicks in.
‘Now I’m a believer, a reformed deceiver
I’m through with walking away
I don’t know where tomorrow lies
And today’s left in disguise
So thank you for yesterday.’
Bisson says, “If I were to use one word to describe the theme of this album, it would be ‘perspective’. Perspective, along with observation and empathy can create the reality we choose to live in.”
He adds, “We may not be able to control all the things in our lives, but we can control how we react to them. This can make all the difference. The outlook differs drastically when the situation is approached from a different angle. To quote William Shakespeare: ‘I cried when I had no shoes, but I stopped crying when I saw a man without legs.'”
‘The Reformed Deceiver’ is the next single from Bisson’s new studio album ‘Latchford’ with the rolling blues train of ‘Dusty Albums’ in July and the 60s groove of ‘Shake’ in May. This trio of singles forms the backbone of a solid set of new songs from Bisson.
The essence of an album delves into the profound idea that transforming our lives isn’t always about altering external circumstances. Still, instead, it’s about how we perceive and interpret them. By recognizing our power over our thoughts, we gain mastery over our existence, shaping our outlook on life and moulding our reality. This collection of songs urges us to take responsibility for our destinies, acknowledging that the keys to a fulfilling life reside within ourselves. The album beautifully reminds us that the tools needed to lead a desired life already exist, waiting to be unlocked and unleashed.
In his latest album, “Latchford,” André Bisson continues his tradition of being the sole songwriter, arranger, and producer, as he demonstrated with previous successful albums like “The Ballad of Lucy Stone” released in 2022. However, to bring these tunes to life, he enlisted the collaboration of a highly talented and diverse group of musicians. While Bisson handles lead vocals, electric and acoustic guitars, and certain percussion and harmonica parts, he is joined by an exceptional ensemble. The roster includes Jesse O’Brien on piano and organ, Mike Rowell on bass guitar, Keagan Early on drums, Pat Carey on tenor and bari saxophone, Shawn Moody on trumpet/flugelhorn, Loretta Hale on trumpet and cello, Rob Somerville on trombone, Paul Barna on violin/viola, and backing vocalists Quisha Wint and Selena Evangeline, with additional piano by Dan Rodrigues. The album was expertly recorded at Mississauga’s Metalworks Studios, with engineering and mixing credits going to Wayne Cochrane Sound and the final touches handled by mastering engineer Chris Crerar.
‘The Reformed Deceiver,’ the Motown-inspired lively soul story, is the third single from André Bisson’s upcoming new album “Latchford” and is available now.
Martin Larose Releases New Single “Temporarily Broken” From Upcoming Album Hek of a Ride
Celebrated singer-songwriter and virtuoso musician Martin Larose is set to pick up the pieces of someone who has loved with the release of his latest single “Temporarily Broken.” This soul-stirring track is a glimpse into his highly anticipated album Hek of a Ride. “Temporarily Broken” showcases Larose’s distinctive style, blending tapping, atmospheric ambience, and intricate musicianship that has garnered him global acclaim.
As an independent artist, Larose has released six albums with Hek of a Ride, co-written with lyricist Nath Farley, promising to be a masterful addition to his discography. The album showcases Larose’s versatility and features renowned Canadian harmonica player Guy Bélanger on two original songs.
“Temporarily Broken” is a glimpse into the remarkable artistry showcased on Hek of a Ride. The track’s captivating blend of acoustic singer-songwriter style with a hint of alt-country builds to a chorus driven by the unique harmonica stylings of Bélanger. Larose’s dedication, talent, and profound contributions to his local music community have left an indelible mark on the music industry.
Inspired by musical greats like Michael Hedges, Eddie Van Halen, Steve Howe, Chris Whitley, and Pete Townshend, Larose crafted a unique style that captured the attention of the regional music community. His work was featured in the prestigious magazine Guitar World, and he became a regular guest artist at the International Guitar Show in Quebec, setting a benchmark for acoustic guitar performances. He mesmerized audiences at jazz and blues festivals, solidifying his reputation as a virtuoso musician.
Larose’s artistic journey finds him splitting his time between producing albums for artists from Canada and Europe at the state-of-the-art recording facility Studio Septentrio in Jonquière, Quebec that he co-owns with his spouse. His contributions to the regional music scene extend beyond the stage, having served as the producer and host of the television show “Studio Boréal.” Recently, he and his wife directed the documentary “Les Cordes Insensibles,” providing an intimate look into the world of independent music.
To coincide with the release of his upcoming album, Larose has also been working on an acoustic cover of Rush’s iconic “The Spirit of Radio,” played on Harp Guitar, further demonstrating his musical dexterity and innovation.
Poly Voyager Surround 80 UC Might Be The Best Headphones I’ve Ever Had
Work where you want and sound your best with the over-ear, boomless Voyager Surround 80 UC Bluetooth headset. Immerse yourself in rich audio, stay in complete comfort with soft ear cushions and an adjustable headband, and keep focused with adaptive Active Noise Cancellation (ANC).
The Voyager Surround 80 UC headphones have redefined my audio experience in ways I never thought possible. As an avid audiophile and a professional who relies heavily on crystal-clear communication, these headphones have become an indispensable part of my daily routine. From their sleek design to their unparalleled performance, these headphones truly stand out in a sea of audio options.
Let’s start with the design – a masterpiece that seamlessly blends style and comfort. The sleek contours and premium materials not only make the Voyager Surround 80 UC headphones a visual delight, but they also ensure an ergonomic fit that can be comfortably worn for extended periods. The adjustable headband and cushioned ear cups make them perfect for those marathon work sessions or immersive gaming marathons. Immerse yourself with rich, clear audio for calls and music. Sound your best with 6 boomless mics plus 4 more to support adaptive ANC.
But what truly sets these headphones apart is their audio performance. The surround sound technology creates an immersive auditory landscape that elevates my music, movies, and gaming experiences to a whole new level. Whether I’m getting lost in the intricacies of a symphony or dodging bullets in a virtual battlefield, the precision and depth of sound never fail to astound me. They also come with an intuitive touch control for calls and music with a dedicated mute button
The integration of unified communication features is where these headphones truly shine. With seamless connectivity to a range of devices and platforms, managing calls and conferences has never been easier with 6 microphones for clear transmit audio. You can also deploy from anywhere with Poly Lens cloud-based device management software.
Battery life is another area where the Voyager Surround 80 UC headphones excel. I’m amazed by how they manage to provide such consistent performance over hours of use with up to 21 hours of talk time or up to 24 hours of listen time. Whether I’m working on a critical project or embarking on a long journey, I know these headphones won’t let me down.
In conclusion, the Voyager Surround 80 UC headphones are a triumphant blend of aesthetics, performance, and functionality. They have redefined my expectations of what headphones can offer. If you’re seeking an unparalleled audio experience that seamlessly transitions between work and play, look no further. These headphones are more than just an accessory – they’re a gateway to a world of audio bliss.
Bravo to the creators of the Voyager Surround 80 UC headphones for crafting a masterpiece that continues to bring joy and utility to my life.
YOU can get them here.
Toronto’s Multilingual Jazz Virtuoso Fuat Tuac Enchants with New Single “Uzun Ince Bir Yoldayim” from Acclaimed Album ‘Immigrant’
Toronto-based, multilingual jazz vocalist Fuat Tuac has unveiled his new single “Uzun Ince Bir Yoldayim,” the latest addition to his recently released and highly praised album “Immigrant.”
Tuac’s “Immigrant” has been making waves on the Roots Music Report’s Canadian Chart for the 13th consecutive week, garnering praise from fans and critics alike. A true testament to his artistic prowess, the album showcases his multi-dimensional talents as he navigates between three different languages – English, French, and his native, Turkish – displaying diverse jazz styles that resonate with audiences across the globe.
“Uzun Ince Bir Yoldayim,” the most famous traditional Turkish masterpiece originally penned by renowned 20th-century poet Asik Veysel, embraces the profound concept of life being a long and winding road, offering a poignant reflection on the journey we all embark on.
“The song is about life which is a long and winding road, and the poet says he walks the path day and night”, says Tuac. “He uses the metaphor of a hotel with two doors for life, from one door you enter (birth) and from the other one you exit (death), and you are only a guest in this life. I sing it with the renowned Istanbul singer, Yesim Akin, and we recorded the vocals in Istanbul.”
Deeply personal and profoundly touching, “Immigrant” delves into Tuac’s own experiences as an immigrant living in Toronto. The album provides an intimate glimpse into the challenges, triumphs, and lessons he has encountered throughout his journey.
Speaking about the inspiration behind the album, Tuac expressed, “Immigration is a very hot issue in the world now. People move around the world for one reason or another, even COVID could not stop them. And I wanted to share my story in Canada as an immigrant. I wanted to talk about my journey in Canada, the people I’ve met along the way, my experience inside and outside the jazz world, what I anticipated from Canada and what I’ve found, how people see me and how I see them. I wanted to talk about all of this and inspire people.”
Fuat Tuac’s musical journey is a testament to his unique pedigree. Prior to his remarkable career in jazz, he worked as a lawyer, practicing law in Istanbul, France, and the UK. However, his passion for jazz eventually took precedence, leading him to pursue a full-time musical career. Relocating to Montreal in 2011 to study jazz at Concordia University, he honed his craft in local bars and clubs before releasing his first critically acclaimed album, “Late Bloomer,” in 2017.
Canadian R&B Artist JC Sol Ups the ‘70s Vibe “Our Groove” With Updated Remix
A slow, sexy jam with just the right amount of ’70s vibe, R&B artist JC Sol rides on the popularity of last year’s “Our Groove” with the brand-new “Our Groove (Remix)” – available now.
While last year’s version was more of a straight, celebratory ballad of love finding its rhythm, this year’s version ups the groovy ’70s feel with both disco and modern electronic elements.
The inspiration for “Our Groove (Remix)” came from the overwhelming reception of the original track of the same name. “The positive vibe, smooth vocals and catchy lyrics have touched the hearts of both young and old with an up-to-date ’70s sound that folks can’t quite put their finger on,” said JC Sol, “and the Club Remix is a sure replication of the same with an edgy new twist.”
The song begins with the sensual, unforgettable line, “Oooooh, we got the groove baby” and it sets the tone for an addictive, earworm track that’s bound to put you in a better mood than it found you – even if you were in a great mood to begin with! It’s also bound to make you believe in true love.
The original track not only attained international airplay on SmoothJazz.com, but was met with global acclaim by North American and European R & B/Smooth Jazz radio stations and curators. “Our Groove” also received the honour of being among the top ten finalists in the prestigious “World Songwriting Awards” for Best R & B Song of 2022.
Canadian-born with Eastern European roots, JC Sol is a multi-talented singer/songwriter and performer, whose passion and love of R&B, Motown, and the classic Philly sound has found a way of capturing the soulful grooves of that special retro sound while turning it into a current, refreshing production.
Not at all new to the music scene, JC toured for many years as a lead singer with various bands, achieving a solid success in the early ’80’s that resulted in extensive touring on a global level and gaining a fan-based popularity. After a hiatus, JC has come back strong, having spent time honing her craft of songwriting and knowing exactly what she wants her sound to be.
“I had written a couple of tunes back in the ’80’s, but the real songwriting process began in the last few years,” she said. “After recording a six-song cover LP in 2020, the inspiration to begin writing original tunes suddenly struck me. Thanks to some early piano training, I found I was able to come up with the basic chord progressions required for use in pre-production.”
JC’s vocal style is a bit of Dusty Springfield and Natalie Cole, with a touch of vintage Diana Ross, but the sound is uniquely her own.
Dive into Self-Liberation: Erika Kulnys’ Latest Release ‘Swimming with Dolphins’ Invites a Journey of Acoustic Pop Bliss
Erika Kulnys, Nova Scotia/Berlin/Nashville/Puerto Vallarta-based singer/songwriter beckons you to embark on a profound exploration of self-liberation with her latest acoustic pop release, Swimming with Dolphins, co-written with Alan Roy Scott (Celine Dion, Shakira).
Through poignant lyrics that resonate with the call of the sea, Kulnys encourages you to immerse yourself in the uncharted depths of your essence, navigating the limitless expanse of personal empowerment and freedom.
Crafted amidst the serene landscapes of the Irish island, Inisheer, the genesis of this song was inspired by the sight of a wild dolphin joyfully navigating the waves without constraints or judgments, choosing to swim playfully with people in her natural environment. As Erika Kulnys passionately asserts, this song encapsulates freedom from our self-imposed perceptions, and from our painful mortal entanglements:
“This song is about being free, from our conceptions about ourselves, our conceptions of others, and our attachments to suffering”, affirms the Canadian-American-British-Hungarian-Colombian artist. “It is about following the wild dolphins who show us how to laugh and love and sing in our power.”
Set against an intimate and intense piano backdrop played by Cuban pianist, Alejandro Falcon, Kulnys crystal clear and powerful vocals beautifully capture her sense of independence in the resounding chorus: ‘Now I’m swimming with dolphins/Riding the waves just letting go/Feel the wind rushin’ through my soul/Calls to me/Swimming with Dolphins.’
The track will appear on Erika’s upcoming album “Stand Together”, a musical mosaic featuring Spanish gems Fantasma (Ghost) and Alcanzando La Rosa (Reaching for the Rose: written with Gareth Dunlop and translated in Cuba). The album also embraces the heartfelt ballad in Montreal, cowritten with Lilli Lewis during the creative synergy of Folk Alliance International.
Enriching the experience, Cuban musicians infuse the upcoming Spanish tracks with passion and rhythm, adding depth to Erika’s musical narrative.
The album’s debut single, My Choice, stands as a vocal protest in support of Whole Woman’s Health, amidst the discourse on abortion and bodily autonomy in the USA. The second single, Stand Together, took form through a cross-continental journey, beginning in Cuba, finding its completion as a song in Germany and getting produced in the USA and Canada.
Stand Together is about ending the torture, internment and subjugation of refugees and creating a culture that recognizes our common humanity over national borders.
Delving into a diverse array of thought-provoking themes, Swimming with Dolphins adds another layer: beyond advocating for the liberating stance of indifference to external opinions, the song exudes romance, affirming Erika’s journey to love—a narrative that poignantly underscores the notion that sometimes love finds us when we least expect it.
‘I swam in the ocean
thinking is this is how I die?
In the freezing water, something caught my eye
I knew I should be afraid
but somehow I felt free
Now your love is leading me
to where I’m meant to be
We’ll go swimming with Dolphins’
Swimming with Dolphins is the fourth track on “Stand Together”, set to be released later in 2023. With the prior success of her album, Rise Up, which achieved Top Ten rankings on Canadian and US charts and garnered accolades spanning from Ireland to Florida, Stand Together promises to carry forward this remarkable trajectory.