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Guitarist/Singer/Composer Don Ross Captures The Sunny, Breezy Joy of Being Alive on “Seabright”

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Water can be a source of calm and healing for many people, and singer-songwriter Don Ross is no exception. In fact, looking out his window at St. Margaret’s Bay, and rowing across it on a skiff with his dog, were the things that kept him most balanced and centered during the pandemic. In celebration, he composed his aptly-titled new album Water along with its optimistic single “Seabright” – available now.

An instrumental acoustic guitar piece, “Seabright” wraps the listener in warm sunny tones along with finger-picking that evokes shimmering waters and the cascading of oars. You can almost feel the wind whipping your hair, too, with its joyous whimsy and playful rhythm.

The song’s name derives from the name of the small settlement where Ross and his wife lived for those three pandemic years. “The ironic sense of optimism that came out of the time of sanctuary is reflected in the tune,” Ross says. “The whole piece feels like a celebration – perhaps I was just feeling lucky/fortunate to be alive and healthy despite the surrounding chaos.”

In 2020, Covid forced Ross off the road, and he began studying for his Master’s degree in Orchestration online, with St. Margaret’s Bay shimmering right outside his window. At that point, with his last solo album having come out six years prior, he began to wonder how he was going to release another full-length album.

“I was wondering if the almost 35-year cycle of recording a new album and touring and playing live was more or less done for me,” he divulges. “But, I finally decided that I would do a new, sweeping-gesture of a record that would better reflect what I’ve been up to musically lately.” He decided he’d release it 100-percent independently, then embarked on a Kickstarter fundraising project and raised his goal within 28 hours.

“This afforded me the opportunity to be a bit more ambitious on this album, hiring an orchestra, and having wonderful guest musicians,” he says, naming Bruce Cockburn, Michael Manring, Brooke Miller and Sean Hall and The Atlantic String Machine. And hence, Water was born.

“I have lived surrounded by water for large chunks of my life,” Ross says. “Also, I spent countless hours during my Orchestration degree working in my studio that looked out onto the waters of St Margaret’s Bay, and the presence of this huge body of water literally metres from where I was working was imposing, but also a source of security during Covid. Meanwhile, it often felt like the whole world was figuratively living underwater during the pandemic. Now, it feels like I am able to resurface, along with the rest of the world.”

Don Ross was born and raised in Montreal and has lived in various parts of Canada over the course of his life. The son of a Mi’kmaw Indigenous mother and a Scottish immigrant father, he graduated with a BA in music from York University and started working as a full-time musician in 1988. That year, he won the US National Fingerpick Guitar Championship for the first time (he’d win again in ’96), and also played with his quartet Eye Music at the Montreux Jazz Festival in Switzerland.

Signing a solo recording contract with Duke Street Records that same year, he went on to release two CDs of solo guitar music for the label in 1989 and 1990, as well as a third CD featuring vocal music, full band arrangements, and solo guitar tunes in 1993. Then came a deal with Sony Music/Columbia Records, and three more albums, as well as a licensing deal with US-based Narada Records. Signing directly with Narada in 1998, Don went on to release three CDs for the label. Passion Session, released in 1999, has gone on to be considered one of the high water marks in the world of modern solo guitar, with several of the tunes now considered more or less standard repertoire in the genre.

Don released Huron Street in 2001, an album of reinterpretations of earlier work never previously released internationally. It went on to spend two weeks in the Billboard Top Ten’s “New Age” chart. He then toured the world extensively, before signing to internet-based label startup CandyRat Records, and became the company’s first signed artist. Since then, Don has released multiple CDs for the label, as well as three other albums independently. In 2021, Don won the prestigious Walter Carsen Prize for Excellence in the Performing Arts, administered by the Canada Council for the Arts.

Jeff Beck Tribute EP Is Now Available

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The music world is still reeling from Jeff Beck’s death earlier this year. The legendary guitarist, renowned by both fans and many of his peers as the greatest of all-time, passed away on January 10 at the age of 78.

ATCO/Rhino honors the two-time Rock and Roll Hall of Famer’s immeasurable legacy with a three-song EP of unreleased music. Two of the songs were played at Beck’s memorial service, which was held on February 3 at St. Mary’s Church in Beddington, England. JEFF BECK TRIBUTE is available today digitally. Click HERE to listen now.

The EP opens with “Midnight Walker Lament,” which combines the instrumental “Midnight Walker” from 18 (Beck’s 2022 album with Johnny Depp) with a spoken word poem by Imelda May written at Jeff’s suggestion and approval, which he loved. Sadly, it was first performed live to track at his funeral. An Irish singer and poet, May first appeared with Beck on Rock ’n’ Roll Party (Honoring Les Paul), a live album he released in 2011 as a tribute to pioneering guitarist Les Paul.

Opera singer Olivia Safe, another Beck collaborator, appears on the EP’s live version of “Elegy For Dunkirk.” Beck released a studio version featuring Safe in 2010 on his GrammyÒ-winning album, Emotion & Commotion. At Beck’s memorial in February, Safe sang composer Gabriel Fauré’s “Requiem: In Paradisum.”

JEFF BECK TRIBUTE ends with a blistering live version of “Going Down” recorded in Paris. Beck performed this Freddie King rocker live throughout most of his career. On this version, he’s backed by bassist Rhonda Smith, drummer Jonathan Joseph, vocalist Jimmy Hall, and guitarist Carmen Vandenberg.

“Imelda’s poem on ‘Midnight Walker Lament’ on top of Jeff’s beautiful guitar work brings tears to my eyes. ‘Elegy for Dunkirk’ featuring Olivia Safe is a reminder of how Jeff’s playing, and Opera interact. ‘Going down,’ an up-tempo tune, was played live at Jeff’s funeral with a powerful vocal from Jimmy Hall.” – Sandra Beck.

Beck’s widow, Sandra, and his friend and fellow guitarist Eric Clapton will honor the late guitarist’s memory and artistry with all-star concerts at the Royal Albert Hall on May 22 and 23. “A Tribute to Jeff Beck” will feature Doyle Bramhall, Eric Clapton, Gary Clark Jr., Johnny Depp, Billy Gibbons, Kirk Hammett, Imelda May, John McLaughlin, Robert Randolph, Olivia Safe, Rod Stewart, Joss Stone, Susan Tedeschi, Derek Trucks, and Ronnie Wood. The shows also include Rhonda Smith, Anika Nilles, and Robert Stevenson from the Jeff Beck Band.

Profits from the concerts will be donated to the Southern Wildlife Care and Advisory Service (aka Folly Wildlife Rescue Trust), a charity dedicated to rescuing and rehabilitating injured, orphaned, and distressed wild animals and birds throughout West Kent, East Sussex, and the surrounding region. The Becks have been patrons of the charity for years. ATCO/Rhino will also make a donation to the charity in honor of Beck.

JEFF BECK TRIBUTE

EP Track Listing

  1. “Midnight Walker Lament” – Jeff Beck featuring Imelda May *
  2. “Elegy For Dunkirk” (Live) – Jeff Beck featuring Olivia Safe *
  3. “Goings Down” (Live) – The Jeff Beck Band *

* previously unreleased

# # #

‘MIDNIGHT WALKER LAMENT’

Performed by Jeff Beck with poem by Imelda May

Is it really you?

like a ghost, calling my name

Each time I lean closer

and from the shadows, I hear your voice

like a stone I’m frozen

But my embered heart glows

for a melted moment

as I remember the time our roots entwined

when you were mine

and I belonged to you

until the day I saw you go…

My blood ran cold and to my feet

into a stream and out to sea

A brutal parting of ways

and waves of sorrow to drown in

Your spell and I were broken

but you awoke me in a new tomorrow

How I long to return to then

when it’s not now and now is all but forgotten

So I circle the sun but it burns

I search the earth but it turns away

So I walk alone in this midnight moon

Thxsomch Releases Debut Ep Sleez

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Rising Toronto-based artist ThxSoMch has released his anxiously awaited debut EP Sleez today via Elektra. The eight-track collection is available to stream and download now. The release is joined by an official music video for his new single “Swap Places,” directed by frequent collaborator Tommy Killjoy.

About the EP, ThxSoMch shares, “Whether people want to admit or not, they’re all fed in the head to some degree, -and that version of yourself is Sleez.”

Offering a rare glimpse into his creative process, ThxSoMch recently sat down for his first official interview. The enigmatic artist spoke to Genius as part of the platform’s coveted Verified series to discuss the EP’s breakout hit single “SPIT IN MY FACE!”. Watch the interview HERE. Released in the fall of 2022, the propulsive track has already amassed over 330 million streams, charted on the Billboard Hot 100, and appeared on countless marquee playlists across streaming platforms.

Across Sleez, ThxSoMch effortlessly blurs the angst of 90s alternative with the raw energy of 2000s SoundCloud rap. On “Swap Places,” a guitar melody practically chokes the electronic percussion as his voice flutters from stomach-churning chants towards delicate swooning. “Vile” picks up the pace with its head-nodding riff and hypnotic hook, while “Screws” pins his breathy high register to creaky acoustic guitar.

ThxSoMch set the stage for Sleez with the April release of “Crumbled”. OnesToWatch raved, “The single is a dark, dreamy blend of post-punk and hyperpop elements that transports listeners into a world full of suspense, persistent percussion and bass, catchy, nostalgic guitar riffs, and biting lyrics.” Sleez also includes ThxSoMch’s previously released tracks “Hate.”, “Keep It Tucked”, and “Caroline”.

The EP’s early releases arrived to widespread praise from Complex, Lyrical Lemonade, Sheesh, Early Rising, Our Generation Music, and more.

Kelly Clarkson Unveils New Singles “mine” / “me” And New Album Out June 23

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GRAMMY-winning global superstar Kelly Clarkson has unveiled double singles “mine” / “me” – the first taste of her highly anticipated tenth studio album chemistry, arriving June 23rd.

The pair of songs perfectly compliment and contrast, showcasing the lyrical complexity featured on the project three years in the making. Soaring vocals and a mounting instrumental find Clarkson lyrically honest-as-ever on “mine,” chanting “go ahead and break my heart, that’s fine” before craving karmic retribution. Meanwhile the focus shifts inward on “me,” a triumphant anthem of self-empowerment co-written with GRAMMY-nominated rising star GAYLE. Culminating with the lyric “don’t need to need somebody when I’ve got me,” the song’s message proves equally intimate and universal.

chemistry was first announced last month alongside an exclusive Las Vegas engagement, chemistry…an intimate night with Kelly Clarkson, opening Friday, July 28, 2023 at Bakkt Theater at Planet Hollywood Resort & Casino. Designed exclusively for the Bakkt Theater stage, Clarkson and her longtime band will immerse fans in an intimate music experience that spans her two-decade long catalog of award-winning hits.

One of the most popular artists of this era, Kelly Clarkson has sold more than 25 million albums and 40 million singles worldwide. The Texas-born singer-songwriter first came to fame in 2002 as the winner of the inaugural season of American Idol and quickly became one of pop’s top singles artists, in addition to the first artist to top each of Billboard’s pop, adult contemporary, country and dance charts. chemistry marks her tenth studio album and third full-length release with Atlantic Records, following 2017’s Meaning of Life and 2021’s When Christmas Comes Around…. Meanwhile on the small screen, her multi-Emmy Award-winning daytime talk show, The Kelly Clarkson Show, is currently filming its 4th season (while already picked up through 2025), and her tenure as multi-season champion coach on The Voice resumes for the show’s current 23rd season.

chemistry track list:
1. skip this part
2. mine
3. high road
4. me
5. down to you
6. chemistry
7. favorite kind of high
8. magic
9. lighthouse
10. rock hudson
11. my mistake
12. red flag collector
13. i hate love (feat. Steve Martin)
14. that’s right (feat. Sheila E.)

My Next Read: “Let’s Do It: The Birth of Pop” By Bob Stanley

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The must-read music book of the year–and the first such history bringing together all musical genres to tell the definitive narrative of the birth of Pop from 1900 to the mid-1950s.

Pop music didn’t begin with the Beatles in 1963, or with Elvis in 1956, or even with the first seven-inch singles in 1949. There was a pre-history that went back to the first recorded music, right back to the turn of the century. Who were these earliest record stars–and were they in any meaningful way “pop stars”? Who was George Gershwin writing songs for? Why did swing, the hit sound for a decade or more, become almost invisible after World War II? The prequel to Bob Stanley’s celebrated Yeah! Yeah! Yeah!, this new volume is the first book to tell the definitive story of the birth of pop, from the invention of the 78 rpm record at the end of the nineteenth century to the beginnings of rock and the modern pop age. Covering superstars such as Louis Armstrong, Bessie Smith, Duke Ellington and Frank Sinatra, alongside the unheralded songwriters and arrangers behind some of our most enduring songs, Stanley paints an aural portrait of pop music’s formative years in stunning clarity, uncovering the silver threads and golden needles that bind the form together. Bringing the eclectic, evolving world of early pop to life–from ragtime, blues and jazz to Broadway, country, crooning, and beyond–Let’s Do It is essential reading for all music lovers.

My Next Read: “Great God A’Mighty! The Dixie Hummingbirds: Celebrating the Rise of Soul Gospel Music” by Jerry Zolten

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From the Jim Crow world of 1920s Greenville, South Carolina, to Greenwich Village’s Cafe Society in the ’40s, to their 1974 Grammy-winning collaboration on “Loves Me Like a Rock,” the Dixie Hummingbirds have been one of gospel’s most durable and inspiring groups. Now, Jerry Zolten tells the Hummingbirds’ fascinating story and with it the story of a changing music industry and a changing nation. When James Davis and his high-school friends starting singing together in a rural South Carolina church they could not have foreseen the road that was about to unfold before them. They began a ten-year jaunt of “wildcatting,” traveling from town to town, working local radio stations, schools, and churches, struggling to make a name for themselves. By 1939 the a cappella singers were recording their four-part harmony spirituals on the prestigious Decca label. By 1942 they had moved north to Philadelphia and then New York where, backed by Lester Young’s band, they regularly brought the house down at the city’s first integrated nightclub, Cafe Society. From there the group rode a wave of popularity that would propel them to nation-wide tours, major record contracts, collaborations with Stevie Wonder and Paul Simon, and a career still vibrant today as they approach their seventy-fifth anniversary. Drawing generously on interviews with Hank Ballard, Otis Williams, and other artists who worked with the Hummingbirds, as well as with members James Davis, Ira Tucker, Howard Carroll, and many others, The Dixie Hummingbirds brings vividly to life the growth of a gospel group and of gospel music itself.
The Dixie Hummingbirds, along with the Swan Silvertones and the Soul Stirrers, were the foremost popularizers of the a cappella style of gospel music that brought the spiritual music of traditional African-American communities to a wide-and primarily white-audience in the 1950s. In this excellent history, Zolten, an assistant professor of American Studies at Penn. State, Altoona, carefully and lovingly details the almost 75-year history of the Hummingbirds, from their start in the Depression to their induction into the Gospel Music Hall of Fame in 2000. He deftly explores how the group’s history itself embodies numerous American ironies: that an “unintended result” of segregation “was the flowering of a distinctly African American homegrown culture” that included gospel music; that the Depression and the mass migration of African Americans from the South “created a nationwide market for black entertainers of all kinds” that allowed the Hummingbirds their initial financial success. Zolten interestingly points out that the group, known for its hard-driving vocal sound, won its only Grammy award for their own version of “Loves Me Like a Rock” by Paul Simon, whose original version had featured the Hummingbirds and brought them to a new rock-oriented audience. Adding to the book’s success are Zolten’s numerous interviews with founding members James Davis and Ira Tucker, as well as their many collaborators, which add personal depth to the book’s amazing wealth of detail and dates. This is a fine exploration of an important style and era in the history of American popular music and culture.

Photo Gallery: Feist at Toronto’s History

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All photos by Mini’s Memories. You can contact her through Instagram or Twitter

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My Next Read: “Black Vinyl White Powder: The Real Story of the British Music Industry” by Simon Napier-Bell

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 Black Vinyl White Powder is the definitive story of five decades of British Pop. Whether penning hits for Dusty Springfield, discovering Marc Bolan or managing a series of stellar acts ranging from the Yardbirds to Wham! – Simon Napier-Bell draws on his wealth of contacts and personal experience to give an enthralling account of a business that became like no other. From the debauchery of rock megastars like the Rolling Stones and Led Zeppelin to the ecstasy culture that shaped dance music in the 1980s, Napier-Bell charts the growth of a world in which bad behaviour is not only tolerated but encouraged; where drugs are as important as talent; and where artists are pushed to their mental and physical limits in the name of profit and ego. Filled with the voices of artists, producers, managers and record company execs, Black Vinyl White Powder is a raucous, entertaining and revealing history of British pop.

LEGO Has The Office Toy Building Kit With A Chili-Spilling 1164 Pieces

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Recreate an American workplace with this collectible LEGO Ideas display model (21336) inspired by hit mockumentary The Office. Build familiar areas of Dunder Mifflin’s Scranton office with LEGO bricks, including boss Michael Scott’s office (which slides out for display on its own), the conference room and much more.

The set includes 15 LEGO minifigures: Michael Scott, Dwight Schrute, Jim Halpert, Pam Beesly, Ryan Howard, Angela Martin, Oscar Martinez,Kevin Malone, Stanley Hudson, Kelly Kapoor, Phyllis Lapin Vance, Meredith Palmer, Creed Bratton, Toby Flenderson and Darryl Philbin, plus a LEGO figure of Angela’s cat Garbage. There are also lots of accessory elements referencing hilarious moments, including a stapler in gelatin, Golden Ticket, Dundie trophy and ‘World’s Best Boss’ mug.

• LEGO Ideas Display model of ‘An American Workplace’ (21336) – Relive hilarious episodes from US mockumentary The Office with this LEGO brick section of Dunder Mifflin’s Scranton office
• 15 minifigures of The Office’s main characters – Michael, Dwight, Jim, Pam, Ryan, Angela, Oscar, Kevin, Stanley, Kelly, Phyllis, Meredith, Creed, Toby and Darryl, plus a LEGO figure of Garbage the cat
• Authentic layout – Build the reception area, Michael’s office (which slides out for display on its own), Jim and Dwight’s desk island, Phyllis and Stanley’s desk island and the conference room
• Accessory elements inspired by classic scenes – Includes Jim’s teapot, letter and engagement ring for Pam, Michael’s screenplay, Dwight’s hidden weapons, Kevin’s pot of chili, and a stapler in gelatin
• 12 of the minifigures have 2 facial expressions – Turn the heads around to display different emotions. And find many items around the office that reference unforgettably funny moments from the show

Top 10 Canadian music videos shortlisted for the 2023 Prism Prize

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The top 10 Canadian music videos selected as finalists for the Grand Prize at the 2023 Prism Prize, an annual awards event that recognizes outstanding artistry in music video production, were announced today. Voted by a jury composed of more than 135 creatives leading and innovating the Canadian music, film and media arts scenes, the artist and director behind the Grand Prize-winning video will be awarded $20,000, the largest cash prize in the world for music videos. The winning music video will be crowned at a live screening and awards presentation on Thursday, July 6, 2023 in Toronto.

The 2023 Prism Prize Top 10 (in alphabetical order):
Tanya Tagaq Colonizer (Directors: Leah Fay Goldstein & Peter Dreimanis)
Snotty Nose Rez Kids Damn Right (Director: Sterling Larose)
Amanda Sum Different Than Before (Director: Mayumi Yoshida)
Dan Mangan Fire Escape (Director: Lester Lyons-Hookham)
MorMor Here It Goes Again (Director: Adrian Villagomez)
Jessie Reyez Mutual Friend (Director: Peter Huang)
Jean-Michel Blais Passepied (Director: Adrian Villagomez)
BAMBIIRide With Me (Directors: Kit Weyman & BAMBII)
Tanya Tagaq Teeth Agape (Director: David Seitz)
PUP Totally Fine (Director: Jeremy Schaulin-Rioux)

All of the Top 10 finalists are also eligible for the fan-voted Audience Award, supported by Stingray, which comes with a $5,000 prize for the winner. Members of the public can now view all of the Top 10 videos and cast their vote for their favourite through Thursday, June 15, 2023 at PrismPrize.com. The winner will be announced on Thursday, July 6, 2023 at the awards presentation.

“Since the inception of the Prism Prize, Canadian music videos have continuously pushed the boundaries of artistic expression and have become an important vehicle to showcase the immense talent and diversity in our country’s music scene,” said Louis Calabro, Vice-President, Programming & Awards, at the Academy of Canadian Cinema & Television and the Founder of Prism Prize. “Through their creativity and innovation, the Top 10 videos are not only entertaining but serve as inspiration for other emerging artists to challenge themselves and explore the endless possibilities of music video production.”

More than 300 eligible Canadian music videos are reviewed each year by the Prism Prize jury, where evaluation on originality, style, creativity, innovation and effective execution helps determine the votes for the Top 10. Only one can be named the Grand Prize winner and take home the $20,000, however, the Top 10 nominated filmmakers (directors and producers) will all receive complimentary memberships to the Academy of Canadian Cinema & Television, courtesy of Telefilm Canada.

Along with the Grand Prize and Audience awards, the Prism Prize annually recognizes a class of Special Award recipients who are honoured for their achievements and contributions to the music industry, both in Canada and abroad. Recipients for the following awards will be announced in the lead-up to the 2023 Prism Prize awards presentation taking place on July 6:

  • The Hi-Fidelity Award (supported by FACTOR, the Government of Canada and Canada’s Private Radio Broadcasters) established to recognize recording artists who utilize music video in innovative ways;
  • The Lipsett Award, established to celebrate a unique approach to music video art;
  • The Special Achievement Award (supported by The Slaight Family Foundation) established to recognize an exceptional contribution to music video art on the world stage;
  • The Willie Dunn Award (supported by Telefilm Canada) presented to a Canadian trailblazer who has demonstrated excellence within the music, music video and/or film production communities, in the lead-up to the presentation.

View the Top 10 Canadian music videos of the year eligible for the 2023 Prism Prize at PrismPrize.com.

The Prism Prize is an annual event that recognizes outstanding artistry in music video production through a slate of awards including the Grand Prize, which carries the largest cash prize in the world for music videos. Established in 2012, this annual honour gathers a jury of more than 130 Canadian arts professionals who vote to crown one video as best of the year. Previous winners of the Grand Prize have included Mustafa for his self-directed music video Ali (2022), Theo Kapodistrias for Haviah Mighty’s Thirteen (2021), Peter Huang for Jessie Reyez’s Far Away (2020), and Emily Kai Bock for Arcade Fire’s Afterlife (2014).

The Prism Prize is a division of the Academy of Canadian Cinema & Television, an organization that shares the common goal of promoting and supporting homegrown Canadian creative projects while inspiring and developing the next generation of talent.

Prism Prize proudly acknowledges its Lead Partners, Telefilm Canada, FACTOR and the Government of Canada, and Canada’s Private Radio Broadcasters, and The Slaight Family Foundation, as well as its Supporting Partners, William F. White International Inc. and Stingray.