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Riff-Rock Firebrands Mother Vulture Bring The “Cartoon Violence” Tour To The UK

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Mother Vulture are heading out on the “Cartoon Violence” tour across the UK, with dates running through March 7th in London. Kerrang! calls them “one of Britain’s most exciting new noises” and Distorted Sound crowns them “the new kings of British rock music,” and the live reputation backs all of it up. Classic Rock named recent single “Break Me” their Track of the Week, describing the band as “easily one of the most physical, explosive live bands in rock today.” Their last headline run produced multiple sold-out dates, including a hometown show at Rough Trade Bristol that hit capacity in 48 hours.

The sound sits in its own lane, an early 2000s hardcore attack wrapped around bouncy, infectious fuzz-riff energy, pulling from stoner punk, desert rock, and metalcore without fully belonging to any of them. Their debut album “Mother Knows Best” drew comparisons to Royal Blood at their fuzziest, Biffy Clyro at their heaviest, and Queens of the Stone Age at their most unhinged. Festival appearances at ArcTanGent, Bloodstock, and Steelhouse, plus support runs with Skindred, Reef, and Feeder, have built a live following that shows up and shows out. The “Cartoon Violence” album is coming, and this tour is the runway.

Tour Dates:

Sat 28th Feb – Nottingham – Rough Trade

Thu 5th Mar – Cheltenham – Frog and Fiddle

Fri 6th Mar – Alton – The Lounge Bar

Sat 7th Mar – London – Rough Trade East

Jazz Trailblazers Knats Chronicle Working-Class Life On New Album “A Great Day In Newcastle”

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Newcastle’s Knats are releasing “A Great Day In Newcastle” on March 6th digitally and March 29th physically via Gearbox Records, and it arrives with serious weight behind it. Produced by Geordie Greep of black midi (who also appears on one track), the album documents the North East working-class experience with unflinching specificity. Toxic masculinity, crime, life after prison, alcoholism, the mining industry, and community resilience all find their way into a record that pulls from lived experience, local legend, and the stories of people close to the band.

Led by lifelong best friends Stan Woodward on bass and King David-Ike Elechi on drums, Knats have spent the past year building serious momentum. They toured as the live band for both Greep and RnB legend Eddie Chacon, played two sold-out nights at London’s Koko, earned a Best Breakthrough Artist nomination at the Parliamentary Jazz Awards, and delivered sets at The Great Escape, We Out Here, and Love Supreme. The new album deepens everything that won those rooms over, genre-fluid grooves and strong melodic architecture, while reaching further into rock and experimentation, with compositional work rooted in Olivier Messiaen’s modes.

First single “Wor Jackie” sets the tone immediately. The track draws on the story of Newcastle football icon Jackie Milburn, who reportedly split his days between the coal mine and the pitch, as a lens for exploring North East pit culture. Stan says the piece started as “a moody sort of march,” evolving after poet Cooper Robson brought his words to it. Robson’s addition changes the album’s entire dynamic, tackling dark subject matter with what Stan calls “classic Northern optimism.” Blistering solos from Stan and George Johnson on tenor saxophone drive the track forward with real force.

“This album has been a few years of thought and writing in the making,” Stan explains. “A Great Day in Newcastle is an exploration through happy, sad and angry stories from Newcastle and the beginning of a new sound for Knats.” The record closes with words drawn from a BBC interview with Durham Miners from the 1960s, grounding everything in the region’s deep history. This is a document, not a mood board, and it lands as one of the most purposeful UK jazz records in recent memory. Early listeners are calling it essential.

Tour Dates:

April 22nd – Brighton – The Hope & Ruin

April 23rd – Norwich – Voodoo Daddy’s

April 24th – Margate – Where Else?

April 25th – London – Brick Lane Jazz Festival

April 27th – Liverpool – Quarry

April 28th – Manchester – Band On The Wall

April 29th – Leeds – Hyde Park Book Club

April 30th – Birmingham – Hare & Hound

May 1st – Glasgow – The Glad Cafe

May 2nd – Newcastle – Cobalt

French Synthwave Icon Carpenter Brut Closes His Leather Trilogy With The Dystopian ‘Leather Temple’

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Carpenter Brut closes out his Leather trilogy with ‘Leather Temple’, the third and final chapter following 2018’s ‘Leather Teeth’ and 2022’s ‘Leather Terror’. Out now via No Quarter PROD and Virgin Records, the new album shoots the story forward into 2077, a world in ruins after a nuclear catastrophe, ruled by a transhuman elite called the Overlords. At the center of it all sits Iron Tusk, a paranoid tyrant running a dystopian capital called Midwichpolis, staging deadly broadcast races called Speed or Perish for a population with nowhere left to turn. Brett Halford, last seen as a serial killer anti-hero, returns here as something else entirely, rebuilt as a living weapon by rebel leader Lita Connor and aimed directly at the regime.

Musically, ‘Leather Temple’ lands like a detonation. The album pulls from a saturated 90s electro atmosphere, sharp beats, distorted layers, and orchestral weight, all compressed into something visceral and immediate. More cinematic than its predecessors and more direct at the same time, it moves like a chase sequence, each track a scene, a shot, a collision. Listeners are already calling it the most focused and ferocious entry in the trilogy. The title track arrives with a full video, and it sets the tone for everything that follows.

Lords Of Acid Hit The Road For A 29-City “Cheeky Freaky Tour”

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Lords Of Acid are back on the road, and this time they mean business. The “Cheeky Freaky Tour” launches April 25 in Las Vegas at Sick New World and runs through May 31 in San Jose, covering 29 cities coast to coast. Club shows, festival stages, and everything in between. This is a full-scale return from one of electronic music’s most uncompromising acts, and the timing is deliberate.

Praga Khan, the founder and creative force behind Lords Of Acid, puts it plainly: “For the first time in eight years, there is truly new material. A new album is coming, and the ‘Cheeky Freaky Tour’ ushers in a new era for the band, with respect for the past, but with a clear focus on the future.” That new album gets its first live introduction on this tour, and both Princess Superstar and Tony and the Kiki appear on it.

Fronted by Acid Queen Carla Harvey, the live set pulls from deep catalog cuts alongside that new material. “Pussy,” “I Sit on Acid,” and “Crablouse” anchor the night with the kind of weight only decades of history can deliver. The room has been calling this one a full-body experience, loud, confrontational, and completely alive. The show runs on tension and presence, not nostalgia.

The supporting lineup is built to match. Dead On A Sunday bring raw gothic energy. Princess Superstar arrives with sharp lyricism and club-ready swagger. Tony and the Kiki add fashion-forward alternative pop. MZ NEON opens each night with pulsating underground electronics. Each act carries its own weight, and together they shape an evening with real depth and momentum.

Tour Dates:

4/25 – Las Vegas, NV – Sick New World

4/26 – Fontana, CA – Stage Red

4/29 – Grand Junction, CO – Mesa Theater

4/30 – Albuquerque, NM – Sunshine Theater

5/01 – Colorado Springs, CO – Black Sheep

5/02 – Denver, CO – Ritual Noize Fest

5/04 – Kansas City, KS – Warehouse

5/05 – Minneapolis, MN – Varsity Theater

5/06 – Chicago, IL – Bottom Lounge

5/07 – Detroit, MI – Magic Stick

5/08 – Pittsburgh, PA – Preserving Underground

5/09 – Washington, DC – Union

5/11 – Cleveland, OH – Mercury

5/12 – New York City, NY – Racket

5/14 – Atlanta, GA – Masquerade

5/15 – Orlando, FL – The Abbey

5/16 – Fort Lauderdale, FL – Culture Room

5/17 – Tampa, FL – Orpheum

5/19 – Fort Walton Beach, FL – Downtown Music Hall

5/21 – Houston, TX – Scout Bar

5/22 – Dallas, TX – Trees

5/23 – Austin, TX – Come And Take It Live

5/24 – San Antonio, TX – Paper Tiger

5/26 – Tucson, AZ – 191 Toole

5/27 – Phoenix, AZ – Nile

5/28 – Las Vegas, NV – Swandive

5/29 – San Diego, CA – Music Box

5/30 – Los Angeles, CA – Echoplex

5/31 – San Jose, CA – The Ritz

Doom Metal Titans Patriarchs In Black Cover Led Zeppelin Classic “The Ocean”

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Patriarchs in Black are maintaining their momentum following the critical success of their ‘Home’ LP. The doom metal project has officially released a new single and music video featuring a heavy rendition of the Led Zeppelin classic “The Ocean.” This recording features the formidable rhythm of Johnny Kelly (Type O Negative) and the signature guitar work of Dan Lorenzo (Hades). The track serves as a dual birthday celebration for both Lorenzo and legendary guitarist Jimmy Page.

The band utilizes the vocal talents of guest singer Mark Sunshine (Unida) to round out the lineup. This version of the track is a powerful tribute to one of the most influential forces in rock history. The production honors the source material while injecting the somber weight associated with the band’s previous output. This release follows a 2023 Grammy nomination for their cover of “Friends,” establishing a proven track record for reinterpreting classic rock staples.

The accompanying music video provides a visual companion to the track’s crushing sonic profile. By focusing on legacy and precision, the group avoids the pitfalls of standard tribute acts. The performance on the record is a visceral display of technical skill and heavy atmosphere. Every element of the composition remains grounded in the band’s established doom-laden aesthetic.

This single release reinforces the group’s position as a vital force in the modern metal landscape. Their ability to bridge the gap between classic influence and contemporary weight remains a defining characteristic. This cover is a definitive statement of artistic intent that respects the history of the genre. Patriarchs in Black continue to deliver high-impact music that resonates with fans of aggressive, soul-stirring sounds.

“Saturday Night Live” Bobblehead Series Unveiled to Celebrate National Bobblehead Day

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 To celebrate National Bobblehead Day, the National Bobblehead Hall of Fame and Museum has unveiled their first limited-edition “Saturday Night Live” Bobblehead Series in partnership with Universal Products & Experiences.

The bobblehead series features 10 different characters from NBC’s Emmy Award-winning late-night comedy show that is currently in its 51st season. The special edition bobbleheads are being produced by the National Bobblehead Hall of Fame and Museum.

The “Saturday Night Live” Bobblehead Collection includes the following bobbleheads, which are available individually or as a set:

  • Roseanne Roseannadanna
  • Matt Foley
  • More Cowbell
  • Drunk Uncle
  • The Ladies’ Man
  • The Ambiguously Gay Duo
  • Bass-O-Matic
  • D*ck in a Box
  • Mango
  • Nick the Lounge Singer

The bobbleheads, which will each be individually numbered to 2,026, are only available through the National Bobblehead Hall of Fame and Museum’s Online Store. The bobbleheads, which are expected to ship in May, are $35 each for the individual bobbleheads and $50 for the dual bobbleheads.

“Saturday Night Live” is the most Emmy-winning show in television history and has been honored four times with the prestigious George Foster Peabody Award. The show continues to garner the highest ratings and largest audience of any late-night television program, entertaining millions each week on linear and digital platforms.

Since its inception on Oct. 11, 1975, “Saturday Night Live” has launched the careers of many of the brightest comedy performers of their generation. “SNL” makes headlines with topical humor reflecting politics and current events, features an array of characters with a perspective on pop culture that remains unparalleled and offers sharp political commentary through its signature “Weekend Update” segment. A variety show that is truly one of a kind, “SNL” also attracts the biggest stars of music to its stage for innovative viral performances. “SNL” broadcasts live from Studio 8H in Rockefeller Center.

“We’re thrilled to unveil the Saturday Night Bobblehead Collection to celebrate National Bobblehead Day as the iconic show closes in on its 1,000th episode,” National Bobblehead Hall of Fame and Museum co-founder and CEO Phil Sklar said. “Famous for its hilarious sketches and memorable characters, ‘SNL’ has provided late-night comedic relief for generations. These bobbleheads will be must-haves for longtime fans of ‘SNL’ and many of the iconic sketches that we’ve turned into bobblehead form.”

Dave Stewart Launches Rare Entity To Reclaim Artist Ownership Of Intellectual Property

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Dave Stewart is shifting the economic weight of the music industry back toward the creators. The London-based visionary and Rock n’ Roll Hall of Famer has launched Rare Entity (a venture builder designed to protect and scale world-class intellectual property). Stewart is joined by entrepreneurs Dominic Joseph and Rich Britton to bypass traditional venture capital models. They prioritize the development of culturally significant concepts before seeking external investment. This framework ensures that the artists behind the work retain control over their revenue and creative independence.

The initiative introduces a diverse portfolio of marquee entities (including the immersive audiovisual experience known as Sonic Sphere). This project redefines audience connection through 360-degree sound and performance (scaling globally with bespoke works from top-tier artists). Another pillar, Rezonate, operates as a next-generation music group co-founded with producer Cam Blackwood. It provides a platform where songwriters realize their potential on their own terms. These ventures represent a sophisticated merger of artistic storytelling and rigorous operational execution.

Rare Entity also bridges the gap between music, sport, and media through high-profile collaborations. Multi-platinum songwriter Chelcee Grimes joins the team to integrate these worlds, while Lewis Carpenter brings the storytelling craft of the ‘So It Goes’ platform into the group. This is an ambitious effort to build sixty standout ventures over the next decade. The collective strategy focuses on identifying ventures with exceptional intellectual property and crafting their commercial edge. It is a robust response to the limitations of major digital platforms.

The pipeline includes several Rare Originals that challenge standard entertainment formats. ‘Zombie Broadway’ is a cinematic theatrical musical hybrid, while ‘Art of Chaos’ explores narrative and experiential platforms. These projects demonstrate a commitment to building stylized universes that blend music and story. This venture builder functions as a home for ideas with the power to define the next era of culture. It is a rare alignment of elite global creators and experienced operators.

Grammy-Nominated Aloe Blacc Rebuilds Altadena Home With Modular System While Channeling Millions To Fire Survivors

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One year after the Eaton Fire destroyed more than 9,400 structures in Altadena and surrounding communities, Grammy-nominated artist Aloe Blacc is rebuilding his family’s home using an approach that dramatically shortens construction timelines, prioritizes structural resilience and keeps communities whole. Blacc, whose family was also affected by the January 2025 fires, selected LiveLarge Home’s modular building system, a decision that reflects a broader shift among California homeowners seeking faster, more durable rebuilding solutions.

Watch how LiveLarge Home’s modular system is being used to rebuild after the Altadena fire: https://livelargetech.com/altadena/

Blacc’s rebuild illustrates challenges facing thousands of displaced families across Los Angeles County. Traditional reconstruction can stretch 18 to 24 months or longer, leaving homeowners in temporary housing as insurance assistance expires and construction costs continue climbing. The emotional and financial strain of prolonged displacement has pushed many residents to explore alternatives that can deliver permanent homes in a fraction of conventional timelines.

“Altadena is home for so many,” said Aloe Blacc, “Through my work helping fire survivors, and managing our property loss, one thing became clear: our community can’t survive if rebuilding takes years. Families need permanent, safe homes they can move into quickly, finding ways to rebuild faster without sacrificing quality, that’s how we keep Altadena whole.”

In November 2025, LiveLarge Home installed the first modules of Blacc’s new residence, marking a tangible milestone in his family’s return to Altadena. The factory-built approach allowed construction to advance in weeks rather than months, with two residential units already in place on the property. This accelerated timeline represents a structural difference from conventional building methods, not simply faster execution of traditional processes.

“Speed matters, but only when quality is not compromised,” said Endong Zhang, CEO of LiveLarge Home. “Traditional rebuilding can take two years or more. We’re cutting that to months, not through shortcuts, but through systematization and precision manufacturing.”

LiveLarge Home’s system centers on light steel frame construction, a non-combustible structural approach that addresses wildfire risk at the foundational level rather than through surface treatments or retrofits. The company has conducted real-world fire resistance testing on its exterior wall systems, demonstrating the ability to withstand direct flame exposure without structural ignition.

The modular units incorporate triple-pane windows, fire-resistant exterior materials, and sealed building envelopes designed to prevent ember penetration, a primary cause of structure loss during wildfires. Factory construction allows for precision installation of these components under controlled conditions, eliminating many variables that can compromise quality in field-built homes.

“This project represents more than a single home,” said Thalia Cheng, President of LiveLarge Home. “It demonstrates a rebuilding pathway that prioritizes speed, safety, and long-term livability model that can be replicated for many families facing the same reality after wildfire.”

Beyond speed, many homeowners are prioritizing structural durability and lower ongoing maintenance compared to traditional builds. Factory-built homes eliminate weather-related construction delays, reduce material waste, and incorporate quality control checkpoints that can be difficult to replicate on conventional job sites.

Blacc, who has helped channel $8 million in direct assistance to 2,300 fire survivors through his work with nonprofit The Change Reaction, understands the urgency families face. “People need to get home,” he said. “Not into temporary housing or stopgaps, but into real, permanent homes where they can rebuild their lives.”

As California confronts the reality of recurring wildfire seasons, the choices homeowners make today are shaping a new standard for post-disaster housing across the state. From Altadena to other fire-vulnerable communities, the conversation has shifted from whether to rebuild to how to rebuild smarter, faster, and more durably than conventional methods allow.

Peter Ormerod’s ‘David Bowie And The Search For Life, Death And God’ Reframes A Legend Through A Spiritual Lens

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Journalist and writer Peter Ormerod, arts editor for NationalWorld and a longtime contributor to The Guardian on culture and faith, has written ‘David Bowie and the Search for Life, Death and God,’ a wide-ranging spiritual meditation on Bowie’s music and creativity that is already drawing serious praise. The Spectator calls it a book where “the Bowie you thought you knew is recast completely,” Publishers Weekly describes it as “a transfixing look at David Bowie’s life through a spiritual lens, fresh and revealing,” and The Guardian’s Simon Critchley says Ormerod “had me singing in the choir with him.” Raised in a clergy family with a lifelong fascination with religion, Ormerod brings a perspective to Bowie’s story that has largely been overlooked, tracing a spiritual quest that runs from his earliest recordings all the way through to his final album.

The book follows Bowie’s restless search for meaning across decades and traditions, from his earliest encounters as a choirboy to his enrapture with Tibetan Buddhism as a young musician, through the Kabbalah-influenced tracks of ‘Station to Station,’ the messiah complex embedded in Ziggy Stardust, and the profound affinity between “Heroes” and Christian thought. Ormerod takes Bowie’s spiritual obsessions seriously as a creative force, showing how that ongoing quest powered his most profound lyrics and propelled him through both his darkest moments and his greatest artistic peaks, including his occult phase in LA and the remarkable final album recorded in the shadow of his own death.

What makes the book essential for any serious Bowie reader is its argument that the spiritual dimension of his work is not incidental but central, the engine behind a genius that crossed genres, eras, and generations. Available in hardback, ebook, and audiobook formats, ‘David Bowie and the Search for Life, Death and God’ offers a genuinely fresh entry point into one of the most written-about figures in popular music history.

Jonathan Bernstein’s Authorized Biography Of Justin Townes Earle Is A Harrowing, Deeply Researched Portrait Of A Singular Life

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Rolling Stone journalist Jonathan Bernstein has written ‘What Do You Do When You’re Lonesome,’ the authorized biography of Justin Townes Earle, produced with the full cooperation of the Earle estate and already earning a starred review from Kirkus, which calls it “a superb biography of a singular life.” When Earle died of an overdose alone in his Nashville apartment, his death sent waves of grief through the country and Americana community. The son of alt-country hellraiser Steve Earle had long wrestled with mental illness and addiction, punctuated by encouraging stretches of sobriety that included the years leading up to his 2010 album ‘Harlem River Blues,’ a career peak that announced him as one of the most authentic troubadours of his generation. By the time of his death he had recorded eight albums, leaving behind a striking and original body of work.

Bernstein unravels the backstories behind Justin’s greatest songs and traces his feral, formative years as a rootless kid developing a unique guitar style while absorbing the musical influences of Nashville, alongside the emotional displacement, economic anxiety, and wandering that ran through both his life and his lyrics. The book also captures a shadow world of neglected children of Nashville legends, wrestling with the legacies of hard-living, road-weary, often absent parents. Justin’s marriage to Jenn Marie Earle and the birth of their daughter represent some of the book’s most hopeful passages, moments of genuine promise in a life that Bernstein chronicles with deep care and unflinching honesty.

What makes ‘What Do You Do When You’re Lonesome’ essential reading is its refusal to reduce Earle’s life to either tragedy or myth. Bernstein documents what Justin himself called “the myth,” the destructive idea that an artist must suffer for their art, and shows how powerfully that belief took hold.