Tyce Delk releases “As Long As I Got You,” a straight-ahead country love song built on warmth, ease, and the idea that everything feels lighter with the right person close. Written shortly after his marriage, the track leans into classic country sentiment, framing commitment as a source of confidence and momentum rather than complication. Delk describes the song as a feel-good reflection meant to bring listeners back to the person who anchors their world.
The single follows a strong early run for Delk, whose debut release “Adaline” surpassed one million streams in its first week and introduced his blues-tinged vocal style. Raised in Eastern New Mexico as a fourth-generation farmer and rancher, Delk’s songwriting draws directly from family history, rural tradition, and the musical influences passed down through generations, grounding his growing catalog in lived experience.
My Morning Jacket celebrate two decades of ‘Z’ with the release of ‘Z 20th Anniversary Deluxe Edition,’ newly remastered from the original master tapes by GRAMMY Award-winning engineer Emily Lazar. The expanded edition is available digitally, on CD, and as a three-LP vinyl set pressed on pink, coral, and blue-colored vinyl, featuring 14 bonus tracks drawn from outtakes, demos, film work, and previously unreleased recordings from the era.
The release is accompanied by a new official video for “Wordless Chorus,” directed by Sam Erickson, and a Rolling Stone podcast conversation in which Jim James reflects on the album’s creation. Earlier previews from the deluxe edition include “Where To Begin,” written for Cameron Crowe’s film ‘Elizabethtown,’ and the previously unreleased track “The Devil’s Peanut Butter,” offering additional insight into the band’s creative momentum during that period.
To bring the anniversary to the stage, My Morning Jacket have scheduled five special performances where ‘Z’ will be played in full as part of the second leg of their MY MORNING JACKET “is” ON TOUR. These shows take place at Red Rocks Amphitheatre in Morrison, Hollywood Palladium in Los Angeles, Brooklyn Paramount in New York, The Salt Shed in Chicago, and Fox Theatre in Atlanta, with tickets currently on sale.
The celebration continues with the band’s return to Austin City Limits on October 18 for a special hour-long episode honoring their induction into the ACL Hall of Fame, presented by Cameron Crowe, with the performance premiering on YouTube and the PBS App on October 7. Originally released October 4, 2005, ‘Z’ was co-produced by John Leckie and marked the debut of the band’s current lineup, later earning recognition from Rolling Stone as one of ‘The 500 Greatest Albums of All Time.’
Gabby Barrett releases “Ain’t Supposed To Be” out now via Warner Music Nashville, continuing a focused creative stretch defined by emotional directness and cinematic scope. Co-written with Jon Nite, Ross Copperman, and Chase McGill, the song traces the meeting of two restless lives in an unexpected place, unfolding through vivid detail and restraint before opening into a chorus shaped by harmony and reflection. The track follows “The Easy Part” and reconnects with the emotional intensity that first introduced Barrett as a storyteller unafraid of weight and honesty.
Produced by Ross Copperman and Zach Kale, “Ain’t Supposed To Be” leans on piano, guitar, and space, giving Barrett’s vocal room to move between intimacy and resolve. The song builds patiently, letting imagery and melody carry the narrative without rush. It stands as another clear marker of where Barrett’s songwriting is headed, grounded in lived feeling and delivered with control, range, and conviction.
Jonah Kagen announces his headlining Sunflowers And Leather Tour, a 32-date run celebrating his debut album ‘Sunflowers And Leather,’ out now. Written and recorded while living on the road in an Airstream that doubled as his studio, the album has already made a major impact, debuting at #3 on Spotify’s Top Albums Chart and surpassing 35 million streams. The project has also expanded beyond music through a 16 mm documentary created with visual artist David O’Donohue, tracing the journey and solitude that shaped the record.
The tour launches January 20 in Indianapolis and travels across North America, including key stops at New York City’s Bowery Ballroom, Nashville’s Basement East, and two nights at the Troubadour in West Hollywood. The run follows a breakout year that includes Jonah Kagen reaching #1 at U.S. alternative radio with “God Needs The Devil,” hundreds of millions of global streams, and rapid growth as one of 2025’s most talked-about new songwriters.
Sunflowers And Leather Tour Dates 2026: Jan 20 – Indianapolis Jan 21 – Chicago Jan 22 – Minneapolis Jan 24 – Milwaukee Jan 25 – Madison, WI Jan 27 – Detroit Jan 28 – Columbus, OH Jan 30 – South Burlington, VT Jan 31 – Portland, ME Feb 1 – Cambridge, MA Feb 4 – New York City Feb 5 – Washington, DC Feb 7 – Carrboro, NC Feb 10 – Charlotte, NC Feb 11 – Atlanta Feb 12 – Nashville Mar 3 – Oklahoma City Mar 4 – Santa Fe, NM Mar 6 – Phoenix Mar 7 – Solana Beach, CA Mar 9 – West Hollywood, CA Mar 10 – West Hollywood, CA Mar 12 – San Francisco Mar 15 – Seattle Mar 17 – Spokane, WA Mar 18 – Boise, ID Mar 20 – Salt Lake City Mar 21 – Boulder, CO Mar 24 – Kansas City Mar 25 – Fayetteville, AR Mar 27 – Dallas Mar 28 – Austin, TX
Owen Riegling releases “Taillight This Town” out now, opening a new chapter with a song shaped by movement, growth, and forward momentum. Co-written with Jimi Bell and Kyle Sturrock and produced by Oscar Charles in Nashville, the track leans into the feeling of leaving familiar ground while holding onto where it all started. The release follows a landmark run that includes a platinum-certified hit with “Old Dirt Roads,” multiple CCMA Awards, and nonstop touring across Canada and beyond. “Taillight This Town” captures Riegling at a moment of transition, pairing lived experience with a confident stride toward what comes next.
Anne Wilson releases “Carry Me” out now alongside her album ‘Stars,’ a deeply personal collection that places faith, grief, and growth at its center. Co-written with Jeff Pardo, Matthew West, and Trannie Anderson, the ballad reflects on loss, early responsibility, and the decision to release burdens that feel impossible to carry alone, unfolding as a prayer rooted in lived experience. ‘Stars’ spans 12 co-written tracks and brings together longtime collaborators while blending country grit with spiritual resolve. Wilson has already begun bringing the new songs to the stage on The Stars Tour, which launched in Nashville at The Pinnacle.
Alexisonfire announce their four-track covers EP ‘Copies Of Old Masters Volume 1,’ out now via Dine Alone Records, shining a loud and loving light on Canadian alternative staples from the 1990s. The collection finds the band putting their unmistakable stamp on songs by The Tragically Hip, Doughboys, Shallow North Dakota, and Rusty, opening with their take on “Fully Completely.” Vocalist George Pettit describes the project as a backstage idea that refused to stay hypothetical, turning shared memories of Canadian music into something tangible and joy-driven. The release follows the band’s recent live album ‘LIVE Born & Raised 2022, St Catharines ON,’ continuing a chapter rooted in legacy, community, and deep respect for the music that shaped them.
TTame Impala release their fifth full-length album ‘Deadbeat’ out now via Columbia Records, a twelve-track set that leans into psychedelic pop, electronic pulse, and Kevin Parker’s most direct songwriting to date. Drawing inspiration from Australian rave culture and bush doof traditions, the album expands on recent singles including “Loser” and the extended “End of Summer,” while the newly shared “Dracula” arrives with a video directed by Julian Klincewicz that matches the album’s sleek, nocturnal tone.
The release is paired with the announcement of a UK and European arena tour set for 2026, bringing ‘Deadbeat’ to large-scale stages across the continent. The run includes major headline dates in London, Manchester, Birmingham, and Glasgow, framing the album’s expansive sound within some of Europe’s largest venues.
UK & European Tour Dates 2026: 04 April 2026 – Porto – Super Bock Arena – Pavilhão Rosa Mota 05 April 2026 – Lisbon – MEO Arena 07 April 2026 – Madrid – Movistar Arena 08 April 2026 – Barcelona – Palau Sant Jordi 10 April 2026 – Lyon – LDLC Arena 12 April 2026 – Turin – Inalpi Arena 13 April 2026 – Bologna – Unipol Arena 14 April 2026 – Zurich – Hallenstadion 16 April 2026 – Munich – Olympiahalle 18 April 2026 – Gliwice – PreZero Arena 20 April 2026 – Prague – O2 Arena 23 April 2026 – Hamburg – Barclays Arena 25 April 2026 – Copenhagen – Royal Arena 26 April 2026 – Stockholm – Avicii Arena 27 April 2026 – Oslo – Unity Arena 29 April 2026 – Berlin – Uber Arena 30 April 2026 – Frankfurt – Festhalle 01 May 2026 – Dusseldorf – PSD Bank Dome 03 May 2026 – Paris – Accor Arena 04 May 2026 – Amsterdam – Ziggo Dome 05 May 2026 – Antwerp – AFAS Dome 07 May 2026 – London – The O2 08 May 2026 – Manchester – Co-op Live Arena 09 May 2026 – Birmingham – Utilita Arena 11 May 2026 – Glasgow – OVO Hydro 13 May 2026 – Dublin – 3Arena
Belgian post-metal collective Juneau share the official video for “Observer,” offering a focused introduction to their album ‘Scraps Of The Final Lights,’ out now digitally, with vinyl editions available via De Mist Records and the band’s Bandcamp. The track moves through dense weight and open atmosphere, balancing force and restraint as the band stretches tension across long-form arrangements. “Observer” frames the album’s wider terrain, pointing toward a release shaped by scale, patience, and an instinct for emotional gravity that has become central to Juneau’s sound.
Champion and Interplanetary Criminal reconnect with longtime collaborator Crookers on “Lose My Mind,” out now via Disorder and Capitol Records, bringing together three names with deep roots in modern club culture. The track pairs a weighty bassline with a clean, immediate vocal hook, reflecting years of shared dance floor history and studio chemistry. The release arrives during a prolific stretch for both artists, with Champion continuing a high-profile run of collaborations and Interplanetary Criminal building on momentum from recent global hits. “Lose My Mind” opens a new chapter of releases from Champion, setting the tone for what’s ahead in 2026.
