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The Maple Blues Band Releases “Savona Shuffle” Single And Video From Their Let’s Go Album

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The Maple Blues Band is back, and groovier than ever as they get set to drop another bluesy classic with their newest single, “Savona Shuffle” with the music video produced directed by 30-year Canadian Blues legend and recent Maple Blues Drummer of the Year winner, Jim Casson featuring all band members making cameo appearances.

Led by musical director and bassist, Gary Kendall, and joined by an all-star cast of proud Canadian musicians – Savona Shuffle is featured on their newly released debut album, “Let’s Go,” a 10-track instrumental record that will be sure to get listeners tapping their feet and nodding their heads throughout the album’s playlist.

Kendall describes the band’s celebration of their newly released record by saying: “The 10 tracks on our Cordova Bay Records release, Let’s Go are a group effort. The song writing credits are spread over 24 years and include past and present band members.” He then pays homage to his nine other band members who helped create the album. “The men and women I chose to surround myself within The Maple Blues Band are part of the enormous southern Ontario pool of Blues talent. Each one of them is a star and when I’m in their presence they take me to a very comfortable and extremely high level of musicianship.”

Savona Shuffle is a lively instrumental piece that embodies the musical core of The Maple Blues Band. The track begins with a driving drumbeat by 30-year Canadian Blues legend and recent Maple Blues winner, Jim Casson, and a funky bass line that immediately sets a groovy tone for the rest of the song. You can then hear lead guitarist and Maple Blues Guitarist of The Year Award winner Teddy Leonard, deliver a catchy riff to the upbeat tone of the piece.

Each instrument takes a turn to shine throughout the track, with the tenor sax, harmonica, trombone and organ, combining lively solos that add a unique creative element to the song.

The 8-time Maple Blues Award winner for Bassist of the Year and band leader, Gary Kendall, dives further into the journey of making Savona Shuffle and how it took on a new life after going back to the project years later. “Al Lerman and former band member Chris Whiteley became my co-writers for the song. At the time Al lived on Savona Ave. in the Etobicoke neighbourhood of Toronto. We pulled Savona Shuffle together there and named it after the street that house was on and it debuted at the 2007 Maple Blues Awards.”

At that time and in Kendall’s own words, he said that the song never caught fire and it fell into the back shelf of their music library and was only used again on just one occasion.

Kendall concludes with the origins of the re-birth of Savona Shuffle by saying: “In 2021 while preparing our set of instrumentals for The Calgary Blues Festival, I went back to it and realized that with a new arrangement, it could be a better song. I took my idea to Pat Carey, our tenor saxophonist and horn section arranger, gave him my thoughts for a rework and that was all it took.”

SULTANS OF STRING Broadcast Cannes World Film Festival Winning Doc ‘The Refuge Project’ at Canadian Folk Music Awards

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Global Ambassadors of Musical Diversity, SULTANS OF STRING, will shine a light on the Plight of Refugees with its Cannes World Film Festival winning Documentary, Sultans of String: The Refuge Project – Visual Album, at the 18th Annual CANADIAN FOLK MUSIC AWARDS on Sat April 1, 2023 @ 3pmPT.

Leading with four nominations for their “Sanctuary” album (Contemporary, Global Roots, Pushing the Boundaries, and Producer of the Year), this Billboard charting band’s film features music and interviews from “Sanctuary” as well as sister album “Refuge”, both served up under lockdown.

This 1.5 hour screening will be followed by a fun Q&A with bandleader and Queen’s Diamond Jubilee Medal recipient Chris McKhool and co-producer John “Beetle” Bailey, hosted by Michael Tymchuk.

Mixed in full Dolby Atmos, this ambitious, diverse, inclusive, and passionately political film puts this world music supergroup face-to-face with a VIP roster of global ‘ambassadors,’ some of whom are recent immigrants and refugees to Canada and the U.S., as well as essential Indigenous voices. All are masters of global music that communicate with each other through the universal language of music.

Addressing the struggles of life on Mother Earth has always inspired this band. In Sultans of String: The Refuge Project – Visual Album, they bring their unique brand of musical synergy and collaboration to bear on discussion and songs that speak to the challenges facing the world’s displaced peoples—their stories, their songs, their persistence and their humanity.

Joined by an international cast, this three-time JUNO nominated band immerses themselves in the plight of the international refugee, and the humanitarian response that should greet everyone in search of a home.

McKhool (whose paternal, Makhoul, grandfather was from Lebanon) explains, “The larger Refuge Project is centred around the positive contributions of refugees and new immigrants to Canada and the United States. We are bringing in special guests that are newcomers to this land, as well as global talents that have been ambassadors for peace. We wish to celebrate the successes of those who make the journey here and bring their extraordinary talents with them, in this case, music. Each one of us has a remarkable story to tell, and we are excited to share the beauty of these collaborations with you.”

The Refuge Project features stellar performances by Ahmed Moneka and Imad Al Taha, refugees from Iraq, Syrian refugee Leen Hamo, Donné Roberts from Madagascar with partner Yukiko Tsutsui from Japan, Algeria’s Fethi Nadjem, Colombian refugee Juan Carlos Medrano, Iran’s Padideh Ahrarnejad, Romani Nyckelharpa player Saskia Tomkins, tabla player Ravi Naimpally from India,sitar player Anwar Khurshid from Pakistan, string ensemble Gundem Yayli Grubu from Istanbul, and many, many more, including an orchestral version of “The Power of the Land” featuring Indigenous performers Duke Redbird and Twin Flames.

“The true inspiration behind these albums and film is the incredible artists we get to collaborate with,” says McKhool. “We learn so much from these diverse voices, and each one of them is so personally inspiring. As Ahmed Moneka, an artist and refugee from Iraq says, ‘Love is the main reason for a great future,” and we are so privileged to be able to collaborate with so many incredible voices on this project.”

The film is receiving industry recognition on the Film Festival circuit including the Cannes World Film Festival, Vancouver Independent Film Festival, Best Istanbul Film Festival, Paris Movie Festival, Montreal Independent, Hamburg Indie, Boston Independent, and Folk in Film Festivals.

Montreal Folk Artist Silka Weil Releases New Single “Unsatisfied”

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Montreal-based folk-pop artist Silka Weil combines unapologetic sexiness with raw vulnerability on her jangly, electric-infused new single “Unsatisfied” – available now – telling a complex story of evolving emotions.

Weil’s voice captures the perfect amount of Stevie Nicks huskiness, and “Unsatisfied” doesn’t recount a narrative so much as it captures a heady cocktail of emotions in the aftermath of a story. It’s driving and soaring, with a slinky, gritty, slightly psychedelic sensibility. Lyrically, there’s shame and anger, but also jolts of naked desire:

Sometimes I feel unreachable
But if you break me I might fall
Sometimes I’m good yes I can walk
Sometimes I just need to crawl
So push me up against the wall

In the corresponding video, Weil runs playfully through a snowy wood, leaning suggestively against the trees, and you can see her laugh a little when she sings the line “And screw me good/’Cause it’s not nice.” Eventually, she’s caught by a man whose face we never see – his arms wrapped around her lovingly. The final provocative shot is a closeup of a tree’s branches, the snow shaking off of them rhythmically.

“‘Unsatisfied’ is an unapologetic track about giving into what we want, consequences be damned,” Weil explains. “It provides a refreshingly honest take on female desire unburdened by social norms. It’s a fun and flirty track that defies the stale narrative that women can’t have as much of a libido as men have.”

The song captures Weil’s real emotions from a situation that felt complex, and the song changed from when it was first written to when it was recorded.

“Initially, I was exorcizing shame and anger. I was ashamed of myself for letting myself be mistreated and then crawling right back to the same situation,” she divulges. “But over time, I have leaned into something more playful and rebellious. I wasn’t a victim – I had agency and I made choices. Even though the lyrics haven’t changed, I’ve managed to access another aspect of life in the song. Less shame and more reveling in the pleasure of the moment. Shame and pleasure do, on occasion, shadow one another.”

Weil purposely left the song, and the video, ambiguous so as to allow the listener to the fill in the narrative gaps. “I explore the playful parts of the song more in the music video where I laugh and dance in a snowstorm,” she says. “While running from something or someone. Who or what? That is left to the imagination.”

Still, the song is meant to foster connection, to get listeners to tap into their own vulnerability, and their own desire. “When I first started to play this song in bars, I felt exposed,” Weil recalls. “So if you listen to the song and it feels like I’m letting you in on a secret, it’s because I am. I think this is why it ended up being the song people would connect with the most. It moved them. It’s always the one I get approached about after a set.”

Silka Weil is a Montreal-based singer-songwriter who has been active as a musician for several years. Weil’s debut single “Capsized,” her first commercial release, was well-received by critics and listeners alike and received international radio play. Her second single, “Unsatisfied,” is the precursor to an EP that will be released this Spring.

Weil layers silky vocal arrangements full of poetry and emotion with atmospheric instrumentals for an ethereal musical experience. Her folksy pop-rock sound draws inspiration from vintage pop and contemporary artists, with a particular affection for ’90s female powerhouses like Alanis Morissette, PJ Harvey, and Dido.

Toronto Singer-Songwriter Lisa Humber Releases “The Space Between”

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Sometimes great things happen when you least expect it.

Singer-songwriter Lisa Humber knows this, as inspiration for her latest single, “The Space Between”, came about just as she and her collaborators were beginning to wind down the recording sessions for her debut EP of the same name.

The song’s lyrics reflect in some ways on her musical journey. The words that came to her speak to the struggle between one’s aspirations and one’s reality, capturing the pressure felt in making all of those tiny decisions that shape and shift who we become.

Humber sings of being at a crossroads: “I’ve been searching all the time/For this fragile heart of mine/To fill in the space between/Your aloofness and my dreams.”

Co-writer, guitarist and producer Justin Abedin crafted an uptempo accompaniment on acoustic guitar and a beat that captures the frenzied feeling of falling “between the cracks”, in the “space between her hell and back.”

It’s the perfect centerpiece to her debut record.

Originally from Sudbury, Humber has worked behind the scenes in the theatre world for 20 years as a stage manager on most of the commercial musicals that have played in Toronto.

It was the sudden, unexpected pandemic cancellation of everything in the arts in 2020 that prompted Humber to finally climb out from behind the scenes and pursue her love of music, working towards releasing the album she’s always envisioned.

“When it felt like everything else had been taken away,” says Lisa, “music and the stories I wanted to share through my own creations was the only thing that made sense.”

She and Abedin, whom she met while working backstage on the musical Come From Away, assembled a group of skilled musicians – Richard Evans and Scott Galloway on piano and keyboards, bassist Drew Birston, Kevin Fox on cello, and Lyle Molzan and Davide Di Renzo on drums – and hit Toronto’s Toast + Jam Studios to lay down tracks.

The result is a collection of eight moving and personal songs, all written by Humber and Abedin, that run the gamut from indie pop to adult alternative. They include the hopeful melancholy of “Not Worth Losing”, the doomed relationship of “Lucky 13”, and the frustration of watching someone pretend to be someone else in “Skin”.

Together, the collection highlights life in the space between the good, the bad and the messy.

Though it was the last song written by Lisa and Justin, “The Space Between” deftly ties it all together, documenting as it does Humber’s discovery of the blue sky behind the dark clouds. It just had to end up being the title song of the EP.

“I really hope ‘The Space Between’ inspires others to move towards the blue skies version of their lives,” Lisa adds.

“The Space Between” single and EP is out now on all streaming services.

My Next Read: “Horseshoes and Hand Grenades: Tales from the Other Mötley Crüe Frontman and Journeys through a Life In and Out of Rock and Roll” By John Corabi & Paul Miles

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In Horseshoes and Hand Grenades, John Corabi recounts his life from the mean streets of Philadelphia to the Sunset Strip. Take a look behind the scenes at Corabi’s time fronting Mötley Crüe, Union, and The Dead Daisies, as well as his time playing rhythm guitar with Ratt and even his stint as a long-haul trucker. Whether it’s detailing his parents difficult divorce, his family’s dark history of abuse, his run-in with a serial killer, or simply the best way to arrive at a wedding—which maybe is by helicopter and maybe it isn’t—he pulls no punches and outlines the good and bad of it all in this raucous autobiography.

Frank Zappa Warning Us In 1986 That The Biggest Threat To America Was The Government Imposing Its Beliefs On Others

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Back in 1986, Frank Zappa spoke out against censorship on CNN’s “Crossfire” and said: “The biggest threat to America today is not communism. It’s moving America toward a fascist theocracy.”

Arctic Music Conference and Arctic Music Awards Lineup Released: Susan Aglukark, Twin Flames and More!

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Only a few more days until the first-ever Arctic Music Conference and Arctic Music Awards! These online events are created to celebrate and support artists, music industry professionals, and other participants from the Arctic region.

The Keynote Speaker for the 2023 Arctic Music Conference and Arctic Music Awards will be multi-award winner Susan Aglukark. There will be virtual performances from Twin Flames, Beatrice Deer, Uyarakq, Tarrak x Peand-eL, Aasiva, and Jacob Okatsiak. Learn more at www.hitmakerz.com/blog/lineuppart1

Workshops for the 2023 Arctic Music Conference & Arctic Music Awards include: 60 Things to Post on Social Media in 60 minutes – Eric Alper, Performance and Stage Presence – K.ÓLA, Songwriting – Anna Fauske, Fundraising for Music Projects – Nunavut Music (Thor Simonsen), Entertainment Law for Artists – Edwards Creative Law (Byron Pascoe), and Music Distribution and Marketing with CD Baby – CD Baby (Darryl Hurs & Kevin Breuner). Learn more at www.hitmakerz.com/blog/lineuppart2

There will be three panels with industry professionals on the following topics: Language, Culture, and Global Export, Overcoming the Arctic’s Barriers to Entry, and Impact of Climate Change on Northern and Remote Artists. Lean more at https://www.hitmakerz.com/blog/lineuppart3

The program will bring together people from across Arctic nations, and events will include award presentations, workshops, performances, and panel discussions about how music can improve the quality of life in the north.

The conference will take place virtually on Zoom, March 24-25, 2023, and tickets are now available at ArcticMusicConference.com

The award categories are:

  • Artist of the Year
  • Group of the Year
  • Indigenous Artist/Group of the Year
  • Single of the Year
  • Album of the Year
  • Music Video of the Year

The events are organized by Hitmakerz, an Iqaluit-based record label, and Nunavut Music, the territorial music industry association. The project was made possible with support from the Government Nunavut, FACTOR, and Canada’s private radio broadcasters.

Due to having international participants from multiple Arctic nations, events will be held primarily in English, and the organizers hope to make the events annual, rotating the country of focus each year.

The Arctic is a stunningly musical region, but it faces various challenges. The Arctic Music Conference and Arctic Music Awards aim to bring people together, share knowledge, and provide opportunities for economic and cultural growth.

ABBA “Ring Ring” 50th Anniversary With New Re-Issues

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The year of 2023 sees the 50th anniversary of ABBA’s debut album, Ring Ring. It is an important album in the amazing history of the group, as it shows us their birth: the fascinating start of their journey, finding out who they are and where their strengths lie.

Reaching record shops in Sweden on 26 March 1973, Ring Ring offered a wealth of great pop tunes. There was, for instance, “People Need Love”, the very first ABBA single, and “He Is Your Brother”, a popular number on ABBA’s 1977 tour of Europe and Australia. Crucially, on the title track the ABBA sound was born, as the group discovered how attractive the sound of multi-layered vocals was, and how exciting a song could be if you made use of all the possibilities of the recording studio.

The public responded well to “Ring Ring” – the song and the album. Famously, for two consecutive weeks in April 1973, the Swedish “Ring Ring” single was at number one, the English-language version at number two, and the Ring Ring album at number three on the combined singles-and-albums chart used in Sweden at the time. Record-buyers had fallen head over heels in love with this brand new group. And ABBA’s sense of joy in trying different song styles and thrilling studio trickery can still be felt today, half a century later.

The Ring Ring album was originally credited to Björn & Benny, Agnetha & Frida – the name ABBA didn’t quite exist yet. The group itself almost didn’t exist, as the two ladies were still pursuing solo careers, and the two men were busy with many different projects when the album was recorded. But its huge success sealed the deal: from now on they would be ABBA.

To celebrate this milestone, the LP Ring Ring and its singles will be available for pre-order on the following formats on March 23.

To celebrate this milestone, the LP Ring Ring and its singles will be available for pre-order on the following formats on March 23.

  • 2LP 45 RPM remastered at Abbey Road Studios in a gatefold sleeve featuring obi-strip and certificate of authenticity.
  • 5×7″ Colour Singles Box Set (D2C Exclusive)
  • Individual 7″ Picture Discs:
  • He Is Your Brother / Santa Rosa
  • People Need Love / Merry-Go-Round
  • Ring Ring (English) / She’s My Kind of Girl
  • Ring Ring (Swedish), Åh, vilka tider
  • Love Isn’t Easy (But It Sure Is Hard Enough / I Am Just A Girl

Ellie Goulding Releases New Single “By The End Of The Night”

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Today sees pop superstar Ellie Goulding release her new single “By the End of the Night”. Ellie’s hotly anticipated fifth studio album Higher Than Heaven is due for release this April 7th. “By the End of the Night” follows the recent release of trance banger “Miracle” with Calvin Harris – Miracle, which entered the UK Official Chart at #3 and has been met with a huge response from fans and critics alike.

Speaking of the track, Ellie says: “I feel like we’ve all been through such a lot over the last few years, we’re still processing everything. I don’t know if it’s just me but I feel like we need music that uplifts us and makes us feel good and that’s exactly how I feel about By The End Of The Night. It gives me a sense of euphoric, sensual escape , like being on a dancefloor on another planet… something that was definitely appealing back in the late 80’s… where this track could have easily come from!”

The forthcoming album has seen Ellie enlist some of pop music’s finest to craft the album with her, Greg Kurstin (Sia, Maggie Rogers, Elton John), Jessie Shatkin (Charli XCX, Years & Years), Koz (Sam Ryder, Madonna, Dua Lipa) and Andrew Wells (Halsey, Yungblud), with the finished record seeing Ellie put her own spin on modern pop music. Higher Than Heaven is jam packed with infectious hits that see Ellie’s signature vocals take centre stage whilst the production is pop music at its finest with stomping basslines, soaring synths and euphoric melodies.

Speaking about the new album Ellie explains “There was definitely a darkness about [the past two years] that was palpable in the studio, with everyone having gone through it differently. I think for that reason, nobody wanted to sit and agonise over some relationship or some drama. So that’s how this album came together. [Higher Than Heaven is] about being passionately in love. But it’s a hyper form of love, almost like a drug induced feeling. It feels almost artificial and there’s the potential for a crash.”

Last month saw Ellie return to the stage for two sold out intimate shows at London’s iconic KOKO in Camden where she captivated audiences with a set consisting of her previous hits alongside recent singles and some exclusive new music from the forthcoming album. The Evening Standard heralded the show as “a glorious display” and awarded her five stars.

To date Ellie has celebrated 10 platinum singles, three #1 albums, two BRIT Awards, a GRAMMY Award nomination and a Golden Globe nomination. She has sold over 27 million albums and 218 million singles, amass 43 billion streams worldwide. Ellie is also one of the most streamed female artists on Spotify with over 8 billion streams. With over 50 million followers combined on her social platforms, she also earned YouTube’s Diamond Award with 10 million subscribers on her YouTube channel and over 6.8 billion views globally.

Alongside her incredible music career, Ellie is a long-standing activist and philanthropist who uses her platform to engage young people with global issues. In 2017, Goulding was awarded the UN’s New Voices Award, and in recognition of her wider activism became a goodwill ambassador for UN Environment. Earlier this year, Goulding also became a TIME100 Impact Award winner and shortly after, announced her ambassadorship with the WWF.

The Moody Blues Announce Deluxe Editions Of ‘To Our Children’s Children’s Children’ / ‘The Royal Albert Hall Concert December 1969’

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The Moody Blues have announced the release on 12 May 2023 of the deluxe edition of To Our Children’s Children’s Children / The Royal Albert Hall Concert December 1969. This 4CD/1Blu-Ray boxset features the remastered original stereo mix, along with new stereo and 5.1 Surround Sound mixes by Stephen W. Tayler.

Tayler has also remixed a legendary performance recorded at the Royal Albert Hall in December 1969, in both stereo and 5.1 Surround Sound. The concert features in this set on both CD and on Blu Ray disc. There will also be a special version of this live performance made available on LP plus 12” vinyl – featuring 3 brand new remixes – which was cut at Abbey Road Studios. Additionally included in the Boxset collection are various B-sides / alternate versions, and also a rare BBC Radio Concert from December 1969.

Issued in November 1969, To Our Children’s Children’s Children was the first album release by the Moody Blues on their own label, Threshold Records. Regarded as one of the finest of their so-called “classic seven” albums, the record covered conceptual themes such as space exploration (as the sessions took place as the Apollo 11 moon landing occurred). With such classic tracks as “Watching and Waiting”, “Gypsy” “Beyond” and “Eternity Road”, the album was a number 2 hit in the UK and reached Gold status in the USA.

The Royal Albert Hall Concert 1969 took place in December and was recorded by Decca Records. This legendary concert was the highlight of the Moody Blues Threshold Roadshow UK Tour of that year, promoting both the band’s latest album, To Our Children’s Children’s Children and other acts on the Moody Blues’ recently established label, Threshold. The original concert recordings have been newly mixed by Stephen W. Tayler and shed a wonderful new light on this powerful performance

To Our Children’s Children’s Children/ The Royal Albert Hall Concert December 1969 is must for all fans of The Moody Blues: a seminal, pioneering and ground-breaking band who changed their world.

TRACKLISTINGS

4CD/1Blu-Ray

CD One:
To Our Children’s Children’s Children – The original album re-mastered

Higher and Higher
The Eyes of a Child – Part One
Floating
The Eyes of a Child – Part Two
I Never Thought I’d live to be a Hundred
Beyond
Out and In
Gypsy
Eternity Road
Candle of Life
Sun is Still Shining
I Never Thought I’d Live to be a Million
Watching and Waiting

CD Two:
B-sides / Alternative Versions

Candle of Life (single version) – B-side of single – Released as Threshold TH4 in April 1970
Gypsy (alternate version)
Sun is Still Shining (extended version)
Candle of Life (alternate version)
Gypsy (BBC Radio One – David Symonds’ Sunday Concert 17th December 1969)
The Sunset (BBC Radio One – David Symonds’ Sunday Concert 17th December 1969)
Never Comes the Day (BBC Radio One – David Symonds’ Sunday Concert 17th December 1969)
Are You Sitting Comfortably (BBC Radio One – David Symonds’ Sunday Concert 17th December 1969)
The Dream (BBC Radio One – David Symonds’ Sunday Concert 17th December 1969)
Have You Heard / The Voyage / Have you Heard (BBC Radio One – David Symonds’ Sunday Concert 17th December 1969)
Nights in White Satin (BBC Radio One – David Symonds’ Sunday Concert 17th December 1969)
Legend of a Mind (BBC Radio One – David Symonds’ Sunday Concert 17th December 1969)

CD Three:
Live at the Royal Albert Hall, 12th December 1969 – The new stereo mix

Gypsy
The Sunset
Dr. Livingstone I Presume
Never Comes the Day
Peak Hour
Tuesday Afternoon
Are You Sitting Comfortably
The Dream
Have You Heard / The Voyage / Have you Heard
Nights in White Satin
Legend of a Mind
Ride My See Saw

CD Four:
To Our Children’s Children’s Children – The new stereo mix

Higher and Higher
The Eyes of a Child – Part One
Floating
The Eyes of a Child – Part Two
I Never Thought I’d live to be a Hundred
Beyond
Out and In
Gypsy
Eternity Road
Candle of Life
Sun is Still Shining
I Never Thought I’d Live to be a Million
Watching and Waiting

Blu-ray Disc:
To Our Children’s Children’s Children – *New 5.1 Surround Sound mix, 96 kHz / 24-bit new stereo mix, 96 kHz / 24-bit original stereo mix*

Higher and Higher
The Eyes of a Child – Part One
Floating
The Eyes of a Child – Part Two
I Never Thought I’d live to be a Hundred
Beyond
Out and In
Gypsy
Eternity Road
Candle of Life
Sun is Still Shining
I Never Thought I’d Live to be a Million
Watching and Waiting

The new 5.1 Surround Sound mix – Live at the Royal Albert Hall, 12th December 1969
Gypsy
The Sunset
Dr. Livingstone I Presume
Never Comes the Day
Peak Hour
Tuesday Afternoon
Are You Sitting Comfortably
The Dream
Have You Heard / The Voyage / Have you Heard
Nights in White Satin
Legend of a Mind
Ride My See Saw
1LP+12”

1LP / 12” Vinyl

1LP:
Side 1

Gypsy – Live at the Royal Albert Hall 12th December 1969 new stereo mix
The Sunset – Live at the Royal Albert Hall 12th December 1969 new stereo mix
Dr. Livingstone I Presume – Live at the Royal Albert Hall 12th December 1969 new stereo mix
Never Comes the Day – Live at the Royal Albert Hall 12th December 1969 new stereo mix
Are You Sitting Comfortably – Live at the Royal Albert Hall 12th December 1969 new stereo mix

1LP:
Side 2

The Dream – Live at the Royal Albert Hall 12th December 1969 new stereo mix
Have You Heard The Voyage -Live at the Royal Albert Hall 12th December 1969 new stereo mix
Nights in White Satin – Live at the Royal Albert Hall 12th December 1969 new stereo mix
Legend of a Mind – Live at the Royal Albert Hall 12th December 1969 new stereo mix
Ride My See Saw – Live at the Royal Albert Hall 12th December 1969 new stereo mix

12”

Nights In White Satin – Live At The Royal Albert Hall, UK / 1969 / 2022 Remix
Legend Of A Mind – Live At The Royal Albert Hall, UK / 1969 / 2022 Remix
Ride My See Saw – Live At The Royal Albert Hall, UK / 1969 / 2022 Remix