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Bobby Weir Shares “Greatest Story Ever Told” Live From Radio City Music Hall Featuring Tyler Childers

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Today, Bobby Weir shares a live version of “Greatest Story Ever Told” featuring Tyler Childers, recorded at the very special Radio City Music Hall performances last year celebrating his beloved debut solo album, Ace. For two nights at the legendary venue, Weir and his band—Bobby Weir & Wolf Bros featuring The Wolfpack and Barry Sless on pedal steel—performed the entire album live and welcomed a number of special guests, including Childers and Brittney Spencer.

The song is featured on the upcoming Ace: 50th Anniversary Deluxe Edition. Set for release January 13 as a double CD and available from digital and streaming services, the album includes one of the Radio City performances in full and a remastered new mix of Ace. The newly remastered album will also be released on custom “high roller” pearl white vinyl exclusively from Dead.net—Pre-order HERE. A black vinyl version will be following on February 3.

When Weir started working on Ace at Wally Heider’s Studio in San Francisco in early 1972, he wasn’t planning for the Grateful Dead to be his backing band. It just happened. “I pretty much knew in the back of my mind what would happen,” Weir told Crawdaddy a few months after the sessions. “I go and get the time booked and start putting the material together. Everybody gets wind of the fact I got the time booked and I may be going into the studio. So, one by one, they start coming around…”

It made sense, the band was already familiar with most of the music, having road-tested six of the album’s eight songs, including “Greatest Story Ever Told,” “Mexicali Blues,” and “Playing In The Band,” destined to become one of Weir’s signature tunes. Ace also marked the beginning of Weir’s long-running collaboration with lyricist John Perry Barlow and includes early standouts “Cassidy” and “Looks Like Rain.”

The liner notes that accompany the new anniversary edition were written by Jesse Jarnow, co-host of The Good Ol’ Grateful Deadcast and author of Heads: A Biography Of Psychedelic America. He writes about Weir realizing his 50-year dream of touring with strings and horns in 2021 when the Wolfpack joined him and the Wolf Bros on the road.

Jarnow writes: “By the time they played a pair of nights at New York’s Radio City Music Hall in April 2022 to celebrate the 50th anniversary of Ace, Bobby Weir & Wolf Bros featuring The Wolfpack had found their flow at the thrilling, porous border of improvisation and arrangement. In the eternal present-tense of the Grateful Dead’s music, none of the songs had stopped evolving in the previous 50 years… At Radio City, everything was heard in its newest (and perhaps already outdated) incarnations, the evolutions acting as a progress report on the ensuing half-century of Weir’s life, musical and otherwise.”

Bobby Weir & Wolf Bros are hitting the road this winter, kicking off February 2 in North Charleston, SC and concluding with two nights, March 11 and 12, at Nashville’s Ryman Auditorium. The tour also includes four nights at The Capitol Theatre in Port Chester, NY, as well as three nights alongside the Atlanta Symphony Orchestra.

ACE: 50TH ANNIVERSARY DELUXE EDITION CD TRACK LISTING

Disc One: Original Album (2023 Remaster)
1. Greatest Story Ever Told
2. Black-Throated Wind
3. Walk In The Sunshine
4. Playing In The Band
5. Looks Like Rain
6. Mexicali Blues
7. One More Saturday Night
8. Cassidy
Disc Two: Live at Radio City Music Hall, New York NY (4/3/22)
1. Greatest Story Ever Told (featuring Tyler Childers)
2. Black-Throated Wind
3. Walk In The Sunshine (featuring Brittney Spencer)
4. Playing In The Band
5. Looks Like Rain (featuring Brittney Spencer)
6. Mexicali Blues – Intro
7. Mexicali Blues
8. One More Saturday Night
9. Cassidy

A Band Of Robots Play Nirvana’s ‘Smells Like Teen Spirit’

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Smells Like Teen.. Robots The all-robotic One Hacker Band performed a cover of Nirvana’s song Smells Like Teen Spirit.

World-class throat singer Qattuu releases first single as a solo artist

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Qattuu (pronounced “KAT-suu”) is a singer, throat singer, songwriter, performing artist, and experimental Indigenous expressionist, originally from Pangnirtung, Nunavut, currently living in Ottawa, Ontario.

On January 4, 2023, Qattuu will release her much-anticipated first single as a solo vocalist and throat singer.

The song’s title, Panikuluuk (pronounced “PAH-nee-kulu”) means “little daughter” in Inuktitut, and is an emotional, authentic musical expression of the experience of motherhood.

It begins with a mother’s heartbeat in an ultrasound, followed by gentle strums on the guitar. Qattuu’s throat singing and Inuit drumming grows as the song progresses, and she sings a simple melody, accompanied by audio clips of her young daughter, Aleah, to whom the song is dedicated.

In the song, Qattuu speaks in Inuktitut, roughly translated to: “My daughter, I love you; I want the best for you; I will take good care of you; I will lead you hand-in-hand, for one day you will also lead my hand when I need you.”

In addition to being a tribute to Qattuu’s daughter – her panik (“PAH-nik”), as young girls are called in Inuktitut – the song is also an expression of gratitude towards her own mother, and the song’s release date was planned to coincide with her Mom’s birthday.

Panikuluuk was produced by Grammy-, Juno-, and Polaris Prize-winning music producer Chris Birkett, whose previous work includes Buffy Sainte-Marie, Sinéad O’Connor, Sting, Quincy Jones, Peter Gabriel, and many others.

The album’s creative process was guided by fellow Juno-nominated Inuk artist, Looee Arreak (who also provided some of the Inuktitut lyrics) and released on the Nunavut-based record label, Hitmakerz. The album was made possible with financial support from Canada Council for the Arts and Ontario Arts Council.

Qattuu has long been part of the Nunavut and Ottawa music scene. Her passion began at the tender young age of 6, after her mother showed her a cassette tape of an Inuk singer performing throat singing.

Largely self-taught, Qattuu honed her craft over many years. As a child, she was motivated to succeed, and remembers crying from the physical pain in her throat. Despite the pain, she never regretted a single moment, as she was determined to learn the ancient art of katajjaq.

From 2020 to 2022, Qattuu formed part of the Juno-nominated group, Silla & Rise, and co-wrote their 2021 album Silarjuaq. Qattuu has also been a featured artist on popular songs by fellow Nunavut artists, such as Joey Nowyuk and Angela Amarualik.

As a soloist, Qattuu has performed internationally many times, and represented Inuit culture on stages around the world, including in France, Belgium, and the Philippines.

For many years, Qattuu has also delivered cultural workshops and helped others learn about Inuit throat singing. She is considered by many to be an experienced throat singer and leading performer.

Panikuluuk is the first single by Qattuu ahead of her highly anticipated debut album, Midnight Sun, planned for release in 2023.

The song is available now on all streaming platforms. Click here to listen on Spotify. To learn more about Qattuu, follow her on social media or check out her website at http://qattuu.com/

Ohio State’s University Marching Band Performs “Grease” Medley At Their Half-Time Show

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Join The Ohio State University Marching Band for its “Grease at 50” halftime show dedicated to the 1971 musical and the 1978 movie! The band performed “Summer Nights,” “Hopelessly Devoted to You,” “We Go Together,” plus a few more classics from Grease! This performance took place at the College Football Playoff Semifinal game between Ohio State and Georgia at the Peach Bowl in Mercedes-Benz Stadium in Atlanta on Dec. 31, 2022.

The Favorite Recipes Of David Bowie, Elvis Presley, Freddie Mercury and More

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Ever wondered what stars like David Bowie, Elvis Presley and Freddie Mercury liked to tuck into at home? Here you go.

Watch Sacha Baron Cohen As Borat Roast And Toast U2 At Kennedy Center Honors

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Sacha Baron Cohen appeared as his character Borat at the Kennedy Center Honors, where he roasted and toasted U2.

Video: Paul McCartney Explains How He Wrote “Blackbird”

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Paul McCartney explains how he wrote his classic song “Blackbird” on The Parkinson Show in 2005.

“Weird Al” Yankovic Breaks Down His Most Iconic Tracks

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“Weird Al” Yankovic breaks down his most iconic tracks including ‘My Bologna,’ ‘White And Nerdy,’ ‘Another One Rides The Bus,’ ‘Eat It,’ ‘Amish Paraside,’ ‘I Love Rocky Road,’ ‘Smells Like Nirvana,’ ‘Dare To Be Stupid,’ ‘Albuquerque,’ ‘Fat,’ ‘Polka Face,’ ‘Like A Surgeon,’ and ’Hardware Store.’

A Fun Collection of Obsolete Sounds and Disappearing Sounds

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Obsolete Sounds is the biggest ever collection of the obsolete and disappearing sounds of the world, covering everything from dusty VHS cassettes, vintage video games and old mobile phones to melting glacier ice and endangered traditional songcraft.

The interactive online exhibition features more than 150 obsolete and endangered sounds and can be explored in full here.

The project documents not just the much-missed sounds that evoke memories from the past, but also highlights some that we’re in danger of losing. It aims to draw attention to the world’s disappearing soundscapes, and what we can do to preserve and save socially and culturally important sounds for future generations.

The collection includes:
– Obsolete home entertainment such as VHS tapes, Walkman cassette players, video games consoles and film projectors
– Vintage military equipment like World War II codebreaking machines, warplanes and air raid sirens
– The evocative sounds of old typewriters, Teletype machines and printing presses
– The world of transport – steam trains, vintage racing cars, 100-year-old farm equipment and London Underground C-stock
– Domestic appliances from the past including hand mixers, Bakelite switches, fans, shavers and coffee grinders
– Reflections on the disappearing sounds of the natural world, industrial processes and cultural traditions
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Stuart Fowkes, founder of Cities and Memory, said:
“The sounds of the world are changing faster now than at any stage in human history and the lifespan of sounds is shorter in 2022 than it’s ever been before – we’re seeing sounds that only came into existence a few years ago already disappearing.

“Obsolete Sounds is designed to draw attention to the world’s disappearing soundscapes, to highlight those sounds that are worth preserving because they form part of our collective cultural heritage – and to help us think about how to save those sounds before it’s too late.”
Taking the world of disappearing sounds to an entirely different place, each recording has also been reshaped and reimagined as a creative composition by more than 150 musicians and sound artists from all over the world, in turn reflecting on the memories and feelings those sounds evoke as they think back to hearing them throughout their lives.

Obsolete Sounds is the latest project from Cities and Memory, one of the world’s biggest sound projects, which has more than 5,000 sounds covering more than 100 countries and territories, and more than 1,000 worldwide contributing artists, with the aim of remixing the world, one sound at a time. Previous global Cities and Memory projects have included #StayHomeSounds (a global mapping of the sounds of the Covid-19 lockdowns), Protest and Politics (the biggest ever collection of the sounds of protest) and Sacred Spaces, the first global survey of the sounds of churches, temples, prayer and worship.

My Next Read: “Leon Russell: The Master of Space and Time’s Journey Through Rock & Roll History” by Bill Janovitz

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The definitive biography of legendary musician, composer, and performer Leon Russell, a profound influence on countless artists, including George Harrison, the Rolling Stones, Eric Clapton, Elton John, Willie Nelson, Tom Petty, and the world of music as a whole.

Leon Russell is an icon, but somehow is still an underappreciated artist. He is spoken of in tones reserved not just for the most talented musicians, but also for the most complex and fascinating. His career is like a roadmap of music history, often intersecting with rock royalty like Bob Dylan, the Stones, and the Beatles. He started in the Fifties as a teenager touring with Jerry Lee Lewis, going on to play piano on records by such giants as Frank Sinatra, The Beach Boys, and Phil Spector, and on hundreds of classic songs with major recording artists. Leon was Elton John’s idol, and Elton inducted him into the Rock and Roll Hall of Fame in 2011. Leon also gets credit for altering Willie Nelson’s career, giving us the long-haired, pot-friendly Willie we all know and love today.

In his prime, Leon filled stadiums on solo tours, and was an organizer/performer on both Joe Cocker’s revolutionary Mad Dogs and Englishmen tour and George Harrison’s Concert for Bangladesh. Leon also founded Shelter Records in 1969 with producer Denny Cordell, discovering and releasing the debut albums of Tom Petty, the Gap Band, Phoebe Snow, and J.J. Cale. Leon always assembled wildly diverse bands and performances, fostering creative and free atmospheres for musicians to live and work together. He brazenly challenged musical and social barriers. However, Russell also struggled with his demons, including substance abuse, severe depression, and a crippling stage fright that wreaked havoc on his psyche over the long haul and at times seemed to will himself into obscurity. Now, acclaimed author and founding member of Buffalo Tom, Bill Janovitz shines the spotlight on one of the most important music makers of the twentieth century.