By nearly any metric, Genesis is one of the most successful, influential, and enduring rock bands of all time. Naturally, the band’s fifty plus year career has also given rise to all kinds of related literature: some critical, some biographical, and some purely informational. That’s all well and good, but what if these didn’t have to be separate ideas? What if one book could somehow do it all?
Play Me My Song is a blurring of the traditional boundaries of musical literature, approaching the music and history of Genesis from a multitude of angles in order to become something that is at once both truly unique and deeply comprehensive. Whatever kind of book you want to read about Genesis, this one is it.
Comprised of extensive essays in varying styles about every single song and album in the entire Genesis catalogue, Play Me My Song blends song histories, musical analysis, critical reviews, autobiographical tales, the fun of countdowns, and a dash of pure silliness to create something extraordinary.
It is, in essence, a book that sounds like Genesis. And at 528 pages, the biggest book ever published on Genesis.
Today, up-and-coming Winnipeg singer, songwriter, and artist Leith Ross (They/Them Pronouns) drops their new single “Orlando” alongside the official music video that they directed.
On “Orlando,” Leith paints a vivid picture of unrequited love. Vestiges of what could’ve been burn out under the glow of soft and sparse guitar. It all builds towards an admission, “I just think I was in love. I think I was in love.” The music video focuses on an idyllic bike ride underlined by unspoken emotion befitting of the song’s subdued intensity.
Leith says, “‘Orlando’ is about the slow and subtle realization that somebody doesn’t love you back in the way you wish they would. When a relationship feels like you are trying to hold on to a heavy object, but it’s slippery. It’s a sad, confusing feeling, but writing this song helped. I hope it can do the same for anyone else who can relate. It’s so hard to like people!! Sucks sometimes!!”
“Orlando” follows Leith’s previous viral release “We’ll Never Have Sex”—listen HERE and watch the video HERE. The song has amassed nearly 28 million Spotify streams, and the video has received over 1 million YouTube views. In support of their new music, Leith performed sold-out headline shows across North America earlier this fall, as well as supported Lord Huron in Canada and Andy Shauf and Helena Deland in Europe on various tours this year. Not to mention, they were the recipient of the inaugural John Prine Songwriter Fellowship at this year’s Newport Folk Festival.
Hailing from outside of Ottawa, Ontario, Leith Ross embraced music at a young age, channeling emotional confessions through softly strummed chords. Recorded live, they made their debut with the independent Motherwell EP in 2020. Beyond prominent editorial playlisting, it incited widespread critical applause across US and Canada. Leith maintained this momentum in 2021 with the I’d Have To Think About It, and the title track has notably amassed nearly 10 million Spotify streams to date. With a rising profile on TikTok and among tastemakers, Leith signed to Republic Records in 2022.
Leith Ross is a songwriter, singer, and artist born and raised in a small town outside of Ottawa, Ontario, Canada. They’ve been a sensitive and overly artistic person since birth, and when they started writing songs around the age of 12, it quickly became Leith’s favourite way to be sensitive and overly artistic. Still is. Since then, they’ve recorded and released two projects, and have a new one underway. Inspired by the likes of Lucinda Williams, Dolly Parton, Disney movie soundtracks, High School Musical, and their dad’s horrible parodies of all of the above, their songs attempt to explore themes of gut-wrenching and cheesy love, silliness, and extreme existentialism. Their favourite stuff. Leith’s recent single, “We’ll Never Have Sex,” is soaked in that ‘favourite stuff’ and ready to be listened to wherever you can find it.
Today, singer, actress, and performer Reneé Rapp releases her emotionally raw debut EP Everything to Everyone via Interscope Records. The seven-song set is stacked with soaring ballads and polished pop anthems that highlight The Sex Lives of College Girls star’s vocal prowess and versatile talent.
The stripped-back title track and EP opener explores Rapp’s desire to show up for the important people in her life. Next up is the multi-hyphenate’s breakout single “In the Kitchen,” which reflects on a doomed relationship, and a brand new track titled “Colorado” that expresses her desire to leave Los Angeles behind. It’s the kind of unfiltered anthem that made her most recent release, “Don’t Tell My Mom,” so gut-wrenching. On the track, Rapp details her tumultuous, tight knit relationship with her mother. “Don’t tell my mom, I’m fallin’ apart,” she belts over minimal synths. “She hurts when I hurt, my scars are her scars.” The EP is rounded out by the songs “What Can I Do,” “Too Well,” and “Moon,” each of which showcases a slightly different shade of Rapp’s musical palate. It’s the kind of collection with a song for every mood or emotional state.
After probably 4 years of talking about putting out a project— my EP is here”, Rapp says of the new release. “I’m anxious and super fucking excited for you to hear. I hope you love it. and if you don’t love it, please don’t tell me. I’m super sensitive.”
The EP follows the singles “Don’t Tell My Mom,” “In the Kitchen,” and “Tattoos,” which have amassed more than 22 million combined streams. Throughout her career, Rapp has displayed a knack for captivating audiences with vibrant performances and unbridled energy. Outside of music, she stars in the hit HBO Max series The Sex Lives of College Girls, which has its season 2 premiere next week. It’s a role that calls for brilliant comedic timing and dramatic prowess, both of which the newcomer has in spades. With Everything to Everyone, Rapp underlines the breadth and depth of her talent, veering from soaring ballads to uptempo pop anthems without missing a beat.
Reneé Rapp knew was born to perform ever since she was a child. Even in her earliest memories, her love of music was always present. “I couldn’t sit still in the car unless there was music,” she says. “Otherwise, I would cry the entire time.” The North Carolina native began harnessing her natural creativity by writing and recording songs when she was just a teenager. Eventually, her career took off when she landed the coveted role of Regina George in the Tony-nominated Mean Girls musical on Broadway. Shortly after, she found widespread recognition and praise—from the likes of W, Harper’s Bazaar, and The Hollywood Report for her performance as “Leighton” on the HBO Max series “The Sex Lives of College Girls” written by Mindy Kaling. Now, more empowered than ever, Rapp turns her attention back to music, where sharing threadbare insecurities on “Tattoos” is just the beginning. “I was called ‘crazy’ a lot growing up because I didn’t know what was going on with me,” she says. “As I got older and started going to therapy, I reclaimed the word in a way that feels good to me.” In this song and in the rest of her music to come Rapp leans into a uniquely bold showcase of vulnerability to connect with her ever-growing fandom. Eager to continue to share her emotions with the world, Reneé has much more music on the way under her recent signing to Interscope Records.
Mud Bay is rocking on with their new song “Feel,” out now as the lead single from their sixth album Best Laid Plans.
Addressing the preoccupied individual who “can’t think, can’t touch, can’t feel,” “Feel” is a call to embrace the anti-cerebral, sensual playground of live rock and roll. “FEEL! FEEL! FEEL!” Mark Branscombe – along with the stellar vocals of Aidan Farrell, daughter of drummer Murphy Farrell – implores the listener in the song’s rollicking conclusion. It is both a plea and a rallying cry, encompassing all of Mud Bay’s hard-earned wisdom in one spirited single.
Mud Bay has been electrifying audiences with its high-intensity brand of original Roots & Blues music and truckload of character since 1978. They’ve accumulated some well-deserved monikers in their time, including “The Band That Won’t Go Away,” “Saturday Night Entertainment, Any Day of the Week,” and “One of Canadian Music’s Best Kept Secrets.” All well fitting, as in their over four decades playing together Mud Bay has forged a genre-agnostic identity, letting their musical intuition guide them, embracing new sounds and styles along the way. Best Laid Plans showcases the versatility of the band’s songwriting and their wide-ranging influences—Blues, Country, Cajun, Rock, Soul, and more.
Harmonica maestro Mud Bay Slim, or the ‘King of the Mud Bay Delta Blues’ delivers the goods as always with “My Disposition,” “When The Blues Come To Town,” and “Last Slim Dime.” Guitarist Randall T. Carpenter also showcases his blues roots with “Best Laid Plans” and “Hard Times,” but also ventures into outspoken social commentary with “Greed” and “Talk Is Cheap,” and makes a heartfelt plea for understanding in troubled times with “Love and Forgiveness.” But there’s much more than blues here– Drummer Murphy Farrell brings uptown R&B into the mix with “Rock In My Shoe” and “Feel,” and detours into gloriously unrestrained rock with “Pound Rocks.” Finally, Guitarist Mark Branscombe kicks in some horn-driven soul with “Soul In The City,” a taste of twang with “Down To The Bottom,” and some epic rock with “Struggle.” Nailing down the groove on all these tracks is bassist Dennis Ingvaldson, an integral part of the Mud Bay sound.
Unconventional. Uncompromising. That’s Mud Bay. Always another trick up their sleeves.
Packed to the brim with positive vibes and infectious melody, Edmonton’s family performer Beppie is poised to make a strong run for a JUNO Award and Grammy this year with her newest album – Nice To Meet You, featuring songs like “Great Day.”
JUNO and WCMA Nominee Beppie is no stranger to a good time. Funneling all of her positive energy and worldly inspirations into a catchy and unforgettable album feels like a small feat for this genre-bending family-friendly musician.
Driven by the passion that comes with motherhood, Beppie delivers kind-hearted productions that paint fantastical worlds welcome to all for exploration. Children’s entertainers Team T&J call Beppie’s newest release “a creative journey with quirky, clever lyrics, that paint the most colorful images in your mind of the stories she tells.”
While storytelling is a driving force behind the Beppie movement, there is particularly satisfying attention to detail when it comes to the production side of things. Hailed across the board for her mixes, “Great Day” is another addition to a musically flawless catalog of upbeat and family-friendly music.
Kerry Gogan of GoKerryGo Productions calls Beppie’s newest release “a HELL OF A RECORD,” adding “the musicality is 100%, SONGS are appealing to every generation – and the mix is sonically perfect.”
“Great Day” is the lead-off track for Beppie’s newest album, Nice To Meet You – a 10-song compilation introducing youth to a refreshing array of musical genres. Featuring jazz, pop, rock, and indie genres, there is plenty of family-friendly fun tightly packed into Beppie’s explosive new album.
Media specialists Believe Agency share their thoughts on Beppie’s newest album, saying;
“WOW! Nice to meet YOU! How FUN are you! WISH we had more like you. Beautiful voice and great lyrics make me sing with you as I visualize yesteryear that we ALL journey through. What Mom or Dad wouldn’t want this played way up as they drive to and fro?”
Beppie is the elaborate brainchild of one Stephanie Nhan, an Edmonton resident looking to push the boundaries of children’s music. She hit the children’s music scene in 2017 with her debut album, There’s a Song Inside Me. Since then, she has released four more full-length albums receiving two WCMA nominations and a JUNO nomination. Her multi-genre music is refreshingly modern, fun, and innovative. She pushes the boundaries of children’s music to appeal to audiences of all ages with radio-quality production, humor, and unique listening experiences.
A music educator by trade, Stephanie provides programming and performances for schools, festivals, and libraries. She is a new member of the 2022 Recording Academy Class and has recently signed on with Platoon (Apple Music) to release her latest album, Nice to Meet You. The inspiration for her music comes from her three young children who sing and compose with her at home every day.
“Great Day” as well as Nice To Meet You are available now.
From the remote, far northern reaches of Nunavut to the glistening towers of metropolitan Montréal, there is a world of difference in environment, culture, and language. However, music is one very powerful way to make a universally identifiable and relatable connection between those worlds. Award-winning, chart-topping Inuk songwriter, throat-singer and educator Angela Amarualik has put her personal experiences of navigating both of these worlds into her touching brand new single, “Stranger Of My Kind”, available now, and her upcoming second album Uvannik ᐅᕙᓐᓂᒃ.
Incorporating both Inuktitut and English lyrics, Inuit melodies and pop instrumentation and production, “Stranger Of My Kind” is, in and of itself, a beautiful blend of worlds threaded together by Amarualik’s sweet, emotive vocals. Inspired by early 2000’s pop and some of the artists Amarualik listened to while growing up, like Beatrice Deer and Hillary Duff, the song reflects on her experience of leaving her childhood home of Igloolik, Nunavut, moving near the big city of Montréal and missing home.
“It paints the picture of being stuck between two worlds and figuring out where you belong,” notes Amarualik.
If I can go back to those I remember, I would be with them, if I could go back. Leave my worries behind, or is this my life?
ᐃᓅᓯᕋ ᐅᑎᕈᓐᓇᕈᓂ, ᓱᖅᑯᐃᒋᔭᒃᑲ ᐅᐸᒃᓯᒪᓚᐅᑲᒡᓗᒋ ᐅᑎᕈᓐᓇᕈᒪ. ᕿᒪᒡᓗᒋ ᑕᐃᒪ ᐃᓱᒫᓘᑎᒃᑲ ᐅᕝᕙᓗᑭᐊᖅ ᑖᓐᓇ ᐃᓅᓯᕆᕙᕋ?
“Stranger Of My Kind” is one of a number of songs on the 2019 Indigenous Music Award winner’s Uvannik ᐅᕙᓐᓂᒃ that explores leaving home to discover one’s identity, loneliness, uncertainty about the future, and ultimately, hope for what lies ahead. Helmed by international hit-making producer and songwriter Chris Birkett (Sinéad O’Connor, Buffy Sainte-Marie), Amarualik’s sophomore release is poised to build on the success of her 2018 self-titled debut, which saw her reach the top of the Indigenous Music Countdown and brought her a Best Inuit, Indigenous Language, or Francophone Album honour and three other Indigenous Music Awards nominations including Best New Artist.
With production originally delayed by the start of our global pandemic, Amarualik’s new album ended up coming together very collaboratively, largely during an artist retreat and workshop hosted by her label, the Inuit artist focused Hitmakerz, in Ottawa in 2021. Amarualik was one of six artists invited to attend the songwriting and production workshop led by label head Thor Simonsen, along with Joey Nowyuk, Jacob Okatisak, Brenda Montana, Aocelyn, and Shauna Seeteenak. This was where she connected and worked with her producer, Birkett, and collaborated with Ottawa-based artists such as Ash Ravens, whom Amarualik wrote “She” with, a moving tribute to her mother.
In a duet collaboration for “Uvannik” ᐅᕙᓐᓂᒃ with Amarualik, professional throat-singer and fellow Hitmakerz artist, Qattuu, is featured on the track “Sanngijuq”. The song was inspired by a children’s book Qattuu read to her young daughter about confidence and fearlessness. It tells the story of closing one’s eyes and imagining the Northern lights to overcome your fears, being brave, bold, and strong.
Executive Produced by Thor Simonsen and set for release on October 22, Uvannik ᐅᕙᓐᓂᒃ is also supported by Canada Council for the Arts and the Government of Nunavut. The support and mentorship that Amarualik has received throughout her blossoming career has served to make the rising star committed to helping fellow Inuit artists develop. Since releasing and touring behind her 2018 debut, Amarualik has also taught musical workshops to Inuit youth, initially through the mentorship of the acclaimed Inuk artist Kelly Fraser, who tragically died by suicide in 2019.
Amarualik pays tribute to her late mentor and close friend with two tracks on her new album. First is a cover of Dani and Lizzy’s “Dancing in the Sky”. Amarualik said she felt connected to this song because of Fraser’s deep love for music. “I hope she is dancing in the sky today,” she says. The title track, “Uvannik”, is an original that Amarualik wrote in dedication to Fraser as well.
While growing up in a community with many social problems, Amarualik worked hard to overcome extreme shyness, stay positive, improve her circumstances, and eventually lead by example. Through her own deep love for music and Inuit culture, and the help of Fraser and other mentors like Thor Simonsen and the Hitmakerz team, Amarualik has become a brave, strong, and independent artist with much to share with the world.
Uvannik ᐅᕙᓐᓂᒃ and “Stranger Of My Kind” is available now.
Hunter Lott’s album, “I Stand My Ground, “released on October 22nd, is all about relating to his fans.
Growing up in Mississippi and now based in Tennessee, where Country music roots run deep, Hunter Lott’s music from this album has already won him consideration in the first round of Votes for the 2023 Grammys with his songs “Honky Tonk Special” & “I Stand My Ground” (Country Solo performance).
Challenging experiences are a source of new material for songwriters and the whole process can be powerfully therapeutic. That’s what fuels Hunter’s songwriting. The loss of his grandfather sent Hunter and his family into a quiet, mournful space where they weren’t doing much living. The death created a painful loss to the family circle, but that end was a beginning for Lott on this path, he learned to play his electric guitar and his mother says his music helped lift her out of a dark space.
Hunter’s main goal is for people to be able to relate to his lyrics; and hopefully, generate a message that it’s better to co-exist, peacefully.
“We live in a time where tensions can sometimes run high because so many people are very passionate about where they stand and what they believe in. I’ve had to stand my ground a time or two,” says Hunter. “I think the world is big enough for everyone to peacefully express how they feel without being chastised about it. Since moving to Tennessee a year ago and playing at some of the most iconic bars on Broadway, I’ve really been challenged on my beliefs. Before I had my own band members, most of the house band musicians didn’t understand how I could show up, perform, and then just go home, but that’s exactly what I did, and still do. I wrote this song one evening, 5 months after moving to Tennessee,” says Hunter.
All photos by Mini’s Memories. You can contact her through Instagram or Twitter
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2022 has seen Paul McCartney celebrate yet another series of landmarks. Just one week after his 80th birthday, Paul headlined the 2022 Glastonbury Festival, playing an unforgettable set that inspired deafening singalongs from the largest crowd the mainstage had ever seen. Hailed as the best gig ever by critics and fans alike, it was a fitting celebration of an extraordinary career. Today, the revelry continues as Paul announces the release of The 7” Singles Box, featuring 80 x 7” Paul McCartney singles – including such global chart smashing tracks as “My Love,” “Live and Let Die,” “Band on the Run,” “Silly Love Songs,” “Coming Up,” “Ebony and Ivory,” “Say Say Say,” “No More Lonely Nights,” “Wonderful Christmastime” and many more. The box set includes 163 tracks totaling over 10 hours of music and will also be released digitally. Preorder The 7” Singles Box HERE.
Recognized by Guinness World Records as “the most successful songwriter of all time,” Paul’s 7” Singles Box is a remarkable testament to this accolade, featuring songs that have sound-tracked our lives and that are loved and sung around the world today.
The format of the 7” single had a profound impact and influence on Paul both as a songwriter and as a music fan. Paul recalls in his foreword that comes with this set how he still enjoys the thrill of flicking through crates in record shops looking for new discoveries and how much respect he and The Beatles had for the B-side.
Available from December 2nd, The 7” Singles Box is the ultimate package for any McCartney fan. From 1971’s “Another Day” to a 7” version of 2022’s Record Store Day Song of the Year, “Women and Wives” (taken from 2020’s chart-topping McCartney III) – the 80 singles included represent half a century of Paul’s life showcasing his prolific creativity and relentless innovation. An absolute treasure trove of music, the box set features recreations of 65 singles – complete with their original B-sides (using restored artwork from 11 different countries) as well as 15 singles never before released on 7”. These 15 singles are made up from tracks previously released on 12”, picture discs, CD singles & promos, digital downloads, music videos, two previously unheard demos, and a previously unheard 7” single edit.
The box set is beautifully presented in a special wooden art crate, designed and built in Derbyshire, UK, and is packed with incredible content, including a 148-page book that features a personal foreword by Paul, an essay by music journalist Rob Sheffield and extensive chart information, liner notes, and single artwork. Each box includes a randomly selected exclusive test pressing of one of the singles.
This numbered limited-edition collection of 80 x 7” singles personally supervised by Paul McCartney contains:
● Recreations of 65 singles/promos using restored original artwork from 11 different countries
● 15 singles never-before-released on 7” including:
Singles previously released on 12”, picture discs, CD singles/promos, digital downloads, and music videos
2 x previously unheard demos
1 x previously unheard 7” single edit
1 x EP
● 1 exclusive test pressing randomly selected from the manufacturing process
● 148-page book containing foreword from Paul, essay by Rob Sheffield, recording notes, release dates, and chart information on each of the singles – each single included is shown on the attached insert, which will be packed into each box
● Remastered and cut at Abbey Road Studios, London
All housed in a two-piece, four-walled FSC-approved Redwood pine and Birch Ply wooden art crate manufactured in the United Kingdom.
Paul McCartney The 7” Singles Box Track Listing:
1970, Sweden
1A: Another Day
1B: Oh Woman, Oh Why
1971, US Mono
Promotional Release
2A: Uncle Albert / Admiral Halsey [Mono]
2B: Too Many People [Mono]
1971, UK
3A: The Back Seat of My Car
3B: Heart of the Country
Previously unreleased on 7”
4A: Love Is Strange [Single Edit]
4B: I Am Your Singer
1972, UK
5A: Give Ireland Back to the Irish
5B: Give Ireland Back to the Irish [Version]
1972, UK
6A: Mary Had a Little Lamb
6B: Little Woman Love
1972, Belgium
7A: Hi, Hi, Hi
7AA: C Moon
1973, Israel
8A: My Love
8B: The Mess [Live at The Hague]
1973, Sweden
9A: Live and Let Die
9B: I Lie Around
1973, Spain
10A: Helen Wheels
10B: Country Dreamer
1974, Germany
11A: Jet
11B: Let Me Roll It
1974, Germany
12A: Band on the Run
12B: Nineteen Hundred and Eighty Five
1974, The Netherlands
13A: Mrs. Vandebilt
13B: Bluebird
1974, Belgium
14A: Junior’s Farm
14B: Sally G
1975, Australia
15A: Listen to What the Man Said
15B: Love in Song
1975, Germany
16A: Letting Go
16B: You Gave Me the Answer
1975, Belgium
17A: Venus and Mars / Rock Show
17B: Magneto and Titanium Man
1976, France
18A: Silly Love Songs
18B: Cook of the House
1976, Germany
19A: Let ‘Em In
19B: Beware My Love
1977, Japan
20A: Maybe I’m Amazed (Live)
20B: Soily (Live)
1977, UK
21A: Mull of Kintyre
21AA: Girls’ School1978,Germany
22A: With a Little Luck (DJ Edit)
22B: Backwards Traveller/Cuff Link
1978, UK
23A: I’ve Had Enough
23B: Deliver Your Children
1978, The Netherlands
24A: London Town
24B: I’m Carrying
1978, France
25A: Goodnight Tonight
25B: Daytime Nightime Suffering
1979, UK
26A: Old Siam, Sir
26B: Spin It On
1979, UK
27A: Getting Closer
27AA: Baby’s Request
1979, Japan
28A: Arrow Through Me
28B: Old Siam, Sir
1979, UK
29A: Wonderful Christmastime
29B: Rudolph the Red Nosed Reggae
1980, UK
30A: Coming Up
30B: Coming Up (Live at Glasgow) 30BB: Lunch Box/Odd Sox
1980, UK
31A: Waterfalls
31B: Check My Machine
Previously unreleased on 7”
32A: Temporary Secretary
32B: Secret Friend
[7” Single Edit]
1982, UK
33A: Ebony and Ivory
33B: Rainclouds
1982, UK
34A: Take It Away
34B: I’ll Give You a Ring
1982, UK
35A: Tug of War
35B: Get It
1983, UK
36A: Say Say Say
36B: Ode to a Koala Bear
1983, UK
37A: Pipes of Peace
37B: So Bad
1984, UK
38A: No More Lonely Nights (Ballad)
38B: No More Lonely Nights (Playout Version)
1984, UK
39A: We All Stand Together
39B: We All Stand Together (Humming Version)
1985, US
40A: Spies Like Us
40B: My Carnival
1986, US
41A: Press [Video Edit]
41B: It’s Not True
1986, Art reformatted from US 12” promotional vinyl
42A: Pretty Little Head (Remix)
42B: Write Away
1986, US
43A: Stranglehold
43B: Angry (Remix)
1986, UK
44A: Only Love Remains
44B: Tough on a Tightrope
1987, UK
45A: Once Upon a Long Ago
45B: Back on My Feet
1989, US
46A: My Brave Face
46B: Flying to My Home
1989, UK
47A: This One
47B: The First Stone
1989, Australia
48A: Figure of Eight [7” Bob Clearmountain Mix]
48B: Où Est le Soleil
1989, UK
49A: Party Party
49B: Artwork etching
1990, UK
50A: Put It There
50B: Mama’s Little Girl
1990, Europe
51A: The Long and Winding Road
51B: C Moon
1990, UK
52A: Birthday
52B: Good Day Sunshine
1990, UK
53A: All My Trials
53B: C Moon
Previously unreleased on 7”
54A: The World You’re Coming Into
54AA: Tres Conejos
54B: Save the Child
54BB: The Drinking Song (Let’s Find Ourselves a Little Hostelry
1992, Europe
55A: Hope of Deliverance
55B: Long Leather Coat
1993, Germany
56A: C’Mon People
56B: I Can’t Imagine
1997, Reformatted from 7” picture disc
57A: Young Boy
57B: Looking for You
1997, Reformatted from 7” picture disc
58A: The World Tonight
58B: Used to Be Bad
1997, Reformatted from 7” picture disc
59A: Beautiful Night
59B: Love Come Tumbling Down
1999, UK
60A: No Other Baby
60B: Brown Eyed Handsome Man
60BB: Fabulous
2001, Europe
61A: From a Lover to a Friend
61B: Riding into Jaipur
2004, Europe
62A: Tropic Island Hum
62B: We All Stand Together
2005, Europe
63A: Fine Line
63B: Growing Up Falling Down
