Over this past Summer, Chris Antonik released Morningstar, an expansive collection of musical experiences reminiscent of the legendary albums of the 1970s that feature guest appearances by award-winning guitarists Jarekus Singleton and Paul Deslauriers. His most personal album to date, Morning Star tells a cohesive story of his experiences as he enters mid-life. The last few years’ worth of life, love, loss, and growth are synthesized into an epic collection of songs about new beginnings, building community, mindfulness, self-compassion, and the power of home.
Co-produced by JUNO Award-winning producer Derek Downham, the album’s 14 songs take you on a sonic journey rooted in blues rock, soul, future-funk, and psychedelia and take experimental turns into modern rock and hip-hop territories. After the blistering lead single, “Waves of Stone,” Clapton influenced blues-rock of “Pilgrim,” and “Back to Good” featuring Tedeschi-Trucks Band vocalist Mike Mattison, “Learning to Love” is a worthy addition to the heavy hitting singles from the new album. Morning Star is an album built on nuanced songwriting, an amazing assemblage of guest musicians, and Chris’s mesmerizing guitar work complimented by stellar vocals.
Montreal’s Afro-futuristic concept group Afrotronix has released their “Run Away Ta” single and video, available now.
After the remarkable release of the album Nomadix, Afrotronix are back with this exhilarating first track from the new two-volume album Future Tribe. For this electro track tinged with Saharan blues, the artist Afrotronix has invited the renowned Senegalese group, Daara J Family to feature.
“Run Away is a song that evokes the magical places close to our roots that we like to reach when we feel the need to escape. It is an electrifying song that celebrates the great symbols of Africanity that is embodied in Chad and Senegal,” says Rimtobaye. With Rimtobaye singing in English and in Sara and Faada Fredy and Ndongo D who also interprets words in the Wolof language and Arabic, “Run Away Ta” is a song that crosses continents, combining languages and musical traditions, and which brings together Afro-electro rhythms as well as Caleb’s Saharan blues heritage.
The lyrics of “Run Away Ta” were written by Caleb Rimtobaye, and guest artists Faada Freddy and NDongo D. Caleb Rimtobaye, a Chadian-Canadian singer-songwriter residing in Montreal, signs the composition of the music. He sings about the will to live in the present moment, because we never know how tomorrow is going to end. Playing guitar and singing, he produced, mixed, and arranged the piece. The rhythm bridges cultures by fusing together traditional Chadian and Arab percussion.
The video for “Run Away Ta,” shot by Djérabé Ndignar in Chad and Lickma in Senegal, was edited, colorized by Victorine Sentilhes, presents an Africa vibrant with creativity. In the depths of the mountains of northern Chad dotted with camels straight out of haute couture fashion shows, the artists set off on a frantic race. This electrifying clip shot in Chad and Senegal makes us discover through this crazy crossing, the powerful symbols of Africanity which is embodied in Chad and Senegal in sumptuous landscapes traversed by stylized dromedaries, explosive colors, nomadic silhouettes with disconcerting movements and portraits of strong women. The artists launched in this symbolic quest are escorted by an exalted African youth, they are taken to where identities are revealed, where links are woven and tightened, directly at the heart of the party. Afrotronix represents here a young and extremely creative Chad who brings his musical tradition to fruition in electronic music without borders and brings this magnificent collaboration with the group Daara J Family. The artists Faada Freddy and Ndongo D have joined the force of their flow to the lyricism of Afrotronix for the greatest delight of an audience who wishes to redefine an Africanness carrying a powerful message of peace, inclusion, and unity.
This title, like the rest of the album, is positioned as the celebration of an Africanity that leads to a bright future.
Run Away Ta is an ode to these memories or memories, these roots in which we immerse ourselves to recharge our batteries. Written during the harshest period of confinement linked to Covid, it symbolizes the need for freedom, escape and the desire to reconnect all together in this multiculturalism which leads humanity to another level of greatness.
“Today when I need to recharge my batteries and really get out of my head, my spirit takes me to a big tree in southern Chad, to Sewé the village where my grandfather took me when I was younger. In Run Away Ta I wanted to put that in pictures, and have it filmed in Chad, to show what is beautiful in the country. Representation is key. In my opinion, Chad is not this country whose borders were drawn by the settlers, it is us, it is the people, our neighborhoods, the people, who make this joy of living. We wanted to show that. And this clip shot in Mongo in the region which ends in N’Djamena at the roundabout of the fountain is for us a strong symbol of unity. Through this song, I invite people to see this, to see the beauty in Chad.’’
Afrotronix’s Saharan electro blues is here now and it’s tinged with Chadian sai, Senegalese mbalax, Haitian kompas, West African Mandinka roots and electric Tuareg blues. This sound is transported on a juggernaut loaded with deep house, dubstep and techno grooves driven by Chadian guitarist Caleb Rimtobaye. The Montreal producer formed Afrotronix in 2014 as a concept encompassing an Afro-futuristic approach to electronic music production. In 2016, they headlined the Afropunk festival in Paris. Since then, Afrotronix has toured North and South America, Europe and Africa, releasing a critically acclaimed album and numerous music videos. Rimtobaye’s mission is to use his music as a medium to convey a pan-African message, presenting a different image of Africa to the world and bringing it home as evidenced by recent large-scale performances in Chad. Actively teaching Artificial Intelligence and its digital structures how to speak the language of our African elders, Afrotronix has won several international awards including Best African Electro (2019) and Best African DJ (2018) at the All Africa Music Awards .
Daara J Family’s music is born of a skilful mix between the secular traditions of the griots of Senegal and the musical genres which have influenced their very particular style, from the funk-soul of James Brown to the rock-psyché of Pink Floyd, passing by the American hip-hop heavyweight Public Enemy and Bob Marley’s reggae.
In more than 25 years of career and 1500 concerts around the world, they had the opportunity to perform in the first part of Wyclef Jean, Public Enemy and Mos Def in the USA, alongside Peter Gabriel during the Womad, with Africa Express and Damon Albarn in London and Lagos, at Transmusicales in Rennes, at Solidays etc. Four albums were released between 1997 and 2010, including “Boomerang“, winner of the best album award at the BBC World Award in 2003, followed by “Foundation“(2016) and “Yaamatele” (2020), which illustrate the extent of the register of the group and their incredible ability to bring together continents from Dakar to New York, from Paris to Kingston, from Dubai to Kinshasa.
Strawberry Fields Forever is one of the Beatles’ most well-known and beloved songs. But you might not have realized that the final version of the song is actually two completely different takes of the song, stitched together seamlessly by the talented team of engineers at Abbey Road Studios.
MIT engineers have developed a paper-thin loudspeaker that turn any surface into an audio source. This thin-film loudspeaker produces sound with minimal distortion while using a fraction of the energy required by a traditional loudspeaker.
More toys? More tech? Not so fast, sings a voice of reason.
Lynne Taylor Donovan’s stirring old-school alto delivers a potent — and perennial —holiday message in “Dear Santa.” Adult contemporary- as well as country-friendly, the ultra-listenable track lends itself to multiple playlists and diverse formats. The timely lyrics by Tony Koenen offer both an appeal for peace to the universal Father Christmas and a plea for family spirit over excess spending to the Santas on the home front:
It’s not the gift, it’s the thought
And I’ve thought this one through
Giving of a gift is so easy
But giving of yourself makes wishes come true.
Recording this song was a no-brainer for Donovan: “I was conditioned by advertising as a child into believing that Christmas meant gifts and gifts meant love.” “Dear Santa” dispels that seasonal myth with a classic melody and the singer’s trademark warmth and style.
Born in Vancouver and based in Okanagan, British Columbia, Lynne Taylor Donovan hosted her own TV show as a teen. From “Talk to Me” to “Tennessee Whiskey,” her long string of country and crossover hits has made her a recognizable star in Europe, the U.K., and Australia as well as throughout Canada.
Kitchener, Ontario band FOG Blues & Brass Band release a swinging arrangement of ‘Here Comes Santa Claus’ to enliven the 2022 holiday season. The latest single from the accomplished 7-piece rejuvenates the standard with keys, horns and a spirited vocal by lead singer Hilliard Walter.
Produced by Grammy and Juno Winner John ‘Beetle’ Bailey at Jancar Studios, Cambridge ON, and at The Drive Shed, New Hamburg, ON, the cheerful ode to St. Nick was a natural fit for the group of veteran musicians who are known for their rousing and joyful playing style. Having worked with the FOG Blues & Brass Band on its well-received In the Fog! Record, Bailey suggested the band reinterpret the classic song in their own style.
‘Here Comes Santa Claus’ was written and first performed by Gene Autry in 1947, quickly reaching #5 on the country charts and going on to become even more popular in subsequent years. In FOG Blues & Brass Band’s hands, the song is renewed yet again, buoyed by a swinging four-piece horn arrangement by writer/performer and Emmy-award winner Don Beithaupt (Monkey House, Breithaupt Brothers), guitarist Tim Palser’s melodic slide and the rest of the band’s accomplished playing.
“We had a blast cutting this one in the studio,” the band members recall. “The smiles on all our faces while tracking our first take said it all. All the pieces fit together easily.” The result is a jovial, freewheeling track, tailor-made for listeners in search of some Christmas cheer.
Formed in 2015 and based in Kitchener, Ontario, Canada, Fog Blues & Brass Band is Hilliard Walter (Vocals), Al Hosjak (Bass), Domenic DiNino (Drums), Bobby Becker (Keys), Tim Palsar (Guitar), Dan Jancar (Saxophones), Joe Dublanski (Alto Saxophone), a group of seasoned musicians with a wealth of performing and recording experience. Semifinalists in the Band category at the 2020 International Blues Challenge, they released their debut record Into the Fog! In 2018, which quickly found widespread radio airplay and popular acclaim. With its firm command of classic blues, R&B and rock and roll and deep bench of soloists, the FOG Blues & Brass Band is a riveting live act, performing regularly at venues and festivals throughout Ontario.
There’s a satisfaction in shoveling snow, a certain athleticism, a nuanced choreography to it all. Who are we kidding – shoveling snow is the worst! But if you live in Canada, it’s a necessity, and jazz flutist Marie-Véronique Bourque and her band are here to add a little bit of levity to the situation with their new single “The Shovel Shuffle.”
With tinkling piano, passionate vocals, and fiery flute, “The Shovel Shuffle” is a lighthearted and completely jazzy holiday jingle to get you ready for snow, snow, and more snow. But first let’s be realistic …
Sometimes you wish you were born in Australia
Or in another warm place such as California
No fingers turning blue
No runny nose, no flu
No snow day stuck babysitting your sister
No winter coat to wear
No tuque flattening your hair
A bit of sunshine would be fair
The chorus then roars in with “Hustle, hustle, get your shovel/ Get your shovel it’s a snow day.” The accompanying music video pans back and forth between the band playing on a close, cozy stage and Marie-Véronique alone in a vast snowscape, shoveling away. The video is a fun way to watch the deft instrumentation of the band, and to get a few well-placed chuckles at the frustrations of shoveling winter’s never-ending white stuff.
Originally from Quebec, Marie-Véronique Bourque is a 2021 Trille Or and Saskatchewan Music Awards nominee, and a winner of the NFA 2021 Jazz Flute Big Band Competition. Her second album Entre Québec & Saskatchewan, released in 2021, and her debut album Une porte s’ouvre, released in 2018, were both voted the No. 5 Best Album of the Year (2018 and 2021) and landed on the !Earshot National Jazz Charts.
Born and raised in Québec, Marie-Véronique was awarded First Prizes in flute and chamber music from the Conservatoire de Musique de Québec. In 1992, she joined the RCMP band. After its disbanding, she served as a police officer for more than 25 years.
Canadian through and through, Sharron Katz’s gentle soulful storytelling gives us an original special holiday song ‘Santa Soulmate.’ Arriving now, the single shows Katz’s ability to deliver truthful emotion straight from the heart without any frills.
Throughout the track, there is Alanis Morrisette style-storytelling present with a foundation of roots, blues, and folk. Plus, an added nod to the 90s with a Seattle-sounding production, delivering a welcoming nostalgia to Katz’s sound.
‘Santa Soulmate’ gives us a holiday track with a surprise beginning. Katz explains how the song was born out of sorrow and being alone at Christmas. She explains openly how the song had an emotional foundation.
“Well, it was going to be another Jewish Christmas — Chinese food and a movie. So, I sat in bed, crying, and suddenly I picked up my guitar and began writing a Christmas song.”
With a surprise twist and with a new lease on life, Katz brings us a fresh vision for the song. Reworking the track to bring a more untroubled holiday tune. ‘Santa Soulmate’ is about manifesting the perfect Santa that comes and brings joy to the life of the protagonist of the song.
“If I could dream up my perfect guy
He’d be just like Santa, funny kind and wise
He’s care about his fellow man, do the things he’d say
See the world with loving eyes each and every day”
The idea of the perfect Santa whether he’s a friend, companion, or lover comes across in this heartfelt track by Katz. She brings us Alanis Morrisette’s unburdened truth and storytelling alongside gentle pianos, acoustics, bass, and drums. And of course, jingle bells being added to the song gives this the instant Christmas sound that it deserves.
The original version started with Katz on vocals and acoustic with James Mallin and Myke Mazzei on guitars and bass duties. The revamped version brings in Don Baird on keys and Katz’s husband Mike McCullough adds Santa’s persona and those ever-important jingle bells, as well as fine-tuning the production and engineering.
Lemmon Entertainment is releasing the Lemmon Holiday Mixtape – available now – featuring a wide variety of Canadian artists spreading Holiday cheer for an excellent cause. 100 percent of the mixtape’s proceeds will go to the MusiCounts Band Aid program.
Available from Dec. 9 through Dec. 30, the mixtape features Jess Moskaluke, Bif Naked, Josh Bogert, Olivia Penalva, Andrew Allen, Maggie Szabo, Jim Bryson, Pavlo, Zach Oliver, Ellen Doty, Chris Hadfield, Cassie Dasilva, The O’Pears, Helix, Chris McKhool (Sultans of String), Myles Goodwyn (April Wine) and more. The compilation will be available for purchase on S!NG for $9.99 CDN.
MusiCounts’ Band Aid Program provides up to $15,000 worth of musical instruments and equipment to school music programs to ensure their continued success and sustained growth. And it absolutely helps: In 2022, two thirds of the schools who asked for MusiCounts’ help reported having an annual budget of $500 or less for their music program.
For many of these schools, the budget is $0. An investment through the MusiCounts Band Aid Program transforms music education at these schools, and reaches many generations of students. It provides access for kids who couldn’t otherwise afford to take music lessons, and offers educators the resources to deliver culturally-relevant, modern music programming that celebrates identity, promotes collaboration and confidence, and helps kids find their voice.
Track Listing:
• Andrea England – Jolly Melancholy Christmas
• Andrew Allen – I Wanna Be Your Christmas
• Bif Naked – I Saw Mommy Kissing Santa Clause
• Carla Muller – Christmas At Home
• Cassie Dasilva – Season’s Greetings
• Chris Hadfield – Jewel In The Night
• Don Amero – Sometimes a Whisper
• Ellen Doty – Red & Green
• Emi Jeen – All Together For Christmas
• Helix – Rudolph The Red Nosed Reindeer
• Ian Sherwood – Christmas Without You
• Jay Douglas – Merry Christmas
• Jess Moskaluke – Grown Up Christmas List
• Jim Bryson – Mary New Year’s Eve
• Josh Bogert – Christmas Village
• Maggie Szabo – Christmas With You
• Myles Goodwyn – On The Road To Bethlehem
• Olivia Penalva – Dream You Home
• Pavlo – Frostbite
• Sultans of String – Sing For Kwanzaa (feat. Richard Bona and Waleed Abdulhamid)
• The O’Pears – Carol of the Bells
• Zach Oliver – A Christmas Song