Ever wondered what Black Sabbath would sound like if transported to a Nordic fantasy realm? The Harp Twins and the Vølfgang Twins have the answer, turning “Paranoid” into a stunning fusion of mystical harp and battle-ready drums. It’s metal—reimagined for the mead hall.
MLB Network to Simulcast Final Hour of SiriusXM’s The Leadoff Spot Starting March 26
As part of a new chapter in the longtime and successful relationship between Major League Baseball and SiriusXM, it was announced today that MLB Network will simulcast the final hour of SiriusXM’s daily show, “The Leadoff Spot,” weekdays at 9 a.m. ET, beginning on “Baseball Eve,” Wednesday, March 26th, the day before Opening Day. Co-hosted by a combination of veteran baseball personalities and analysts — Steve Phillips, Xavier Scruggs and Eduardo Pérez — the simulcast will lead into MLB Network’s MLB Central at 10 a.m. ET, followed by MLB Now at 12 p.m. ET. As one of MLB Network Radio’s signature shows on SiriusXM, “The Leadoff Spot” delivers expert commentary, recapping the night’s action and previewing the day ahead, plus unfiltered interviews with baseball newsmakers and club personnel. With the addition of “The Leadoff Spot,” MLB Network will have the ability to roll out eight different daily studio programs depending on game action this season.
“Major League Baseball and SiriusXM have had a productive relationship for many years, so it’s only natural for us to expand our valuable platforms with this new endeavor,” said Bill Morningstar, President of MLB Network. “’The Leadoff Spot’ is an insightful and topical daily program that will only enhance our content and expand the variety of opinions and noteworthy interviews fans will consume on MLB Network.”
“’The Leadoff Spot’ is an entertaining and informative way for baseball fans to start their day,” said Eric Spitz, SiriusXM’s VP of Sports Programming. “SiriusXM listeners know that the insights you get from Steve, Eduardo and Xavier, with their exceptional experience in the front office and on the field, are second to none. We’re thrilled to work with Major League Baseball to expand the reach of the show and deliver that expertise to those tuning in on MLB Network.”
“The Leadoff Spot” airs live from 7 to 10 a.m. ET every weekday on MLB Network Radio (SiriusXM channel 89), with MLB Network set to simulcast the final hour of the show at 9 a.m. ET. MLB Network’s Emmy Award-winning MLB Tonight will continue to regularly simulcast on MLB Network Radio throughout the season, as it has for many years. In addition to their work on SiriusXM and other platforms, Phillips, the former Mets G.M. and Scruggs, a former major league first baseman and outfielder, have been MLB Network on-air analysts since 2022. Pérez, a 13-year major league veteran, has contributed to ESPN’s baseball coverage for many years, including on “Sunday Night Baseball” since 2022.
MLB and SiriusXM have teamed up for more than two decades to give fans across the country live broadcasts of every regular season and Postseason game, plus in-depth analysis and interviews on the MLB Network Radio channel 365 days a year.
SYML Shares “The White Light of the Morning” From ‘Nobody Lives Here’ And Announces Global Tour
Today, multi-platinum artist and producer SYML shares “The White Light of the Morning,” the latest offering from his forthcoming album, Nobody Lives Here (out April 4, 2025). Brian Fennell wrote the whispered hymn as a direct confrontation to the grief he felt after his father passed. He explains, “For months after my dad passed away, I would have these dreams where I am with him in this bright and peaceful place. The saddest part was that, in my dream, he didn’t know he had died. It felt profound and helpless. When we experience loss in any form, our brains try so hard to make sense of it, and this is another attempt.”
Nobody Lives Here marks Fennell’s clearest and crispest writing to date. With over four billion streams, the multi-platinum artist uses the record to look at grief, loss, and mortality directly in the eye, unwavering and harmonious. Written, recorded, and produced by him, it is fueled by the keen understanding that life is a contradiction, a fleeting moment. As he accepts the presence of loss, he still welcomes others into his space with melody, lyrics, a slide guitar, or a cello’s hum, reflecting on the passage of time, the weight of expectations, and the intimate, sometimes unsettling beauty of change.
On Nobody Lives Here, his music remains cinematic and visceral, taking the license to both gut and be gutted. “If the dark inspires the good, that’s a good thing to be honest about. All of these characters inside of me are fascinated by the same thing, which is: Why are humans even here and what is this ever-expanding universe that we’re floating through?”
To support the record, SYML heads out this week on the sold-out Spring European How It Was It Will Never Be Again Tour, which includes the Gatheryngs, five nights of intimate performances spanning the globe (NYC, Seattle, Paris, London) to celebrate the album release. He also has the extensive fall Nobody Lives Here headline tour on sale, which includes stops in Europe, Canada, and the UK. A full list of dates can be found below.
Welsh for “simple”—Brian Fennell makes music that taps into the instincts that drive us to places of sanctuary, whether that be a place or a person. It is a way for him to explore identity and belonging and embrace vulnerability and solace in the face of change. Born and raised in Seattle, Fennell studied piano and became a self-taught producer, programmer, and guitarist. He released his self-titled debut album in 2019, which included the multi-platinum song “Where’s My Love” and the Gold Record fan favorite “Girl.” His 2023 sophomore album, The Day My Father Died, described by NPR as “euphoric,” was recorded at Studio X with renowned producer Phil Ek and features collaborations with Elbow’s Guy Garvey, Lucius, Sara Watkins of Nickel Creek, and Charlotte Lawrence. His music has become the soundtrack to countless films and TV shows and was used by Lana Del Rey on the song “Paris, TX,” from her Grammy-nominated 2023 album. In 2024, he launched an imprint, FIN. Recordings, a collaboration with his label, Nettwerk Music Group, and management team, Good Harbor Music.
Nobody Lives Here
- A100
- Carry No Thing
- Careful
- Please Slow Down
- The White Light of the Morning
- Wake
- Heavy Hearts
- How It Was Will Never Be Again
- Something Beautiful and Bright
- Heartbreakdown
- Nobody Lives Here
SYML TOUR DATES:
How It Was It Will Never Be Again Tour
3/25 Eindhoven, NL Effenaar *SOLD OUT*
3/26 Rotterdam, NL LantarenVenster *SOLD OUT*
3/27 Frankfurt, DE Brotfabrik *SOLD OUT*
3/28 Enschede, NL Metropool Hertog Jan Zaal *SOLD OUT*
3/29 Groningen, NL Nieuwe Kerk *SOLD OUT*
3/31 Hannover, DE MusikZentrum *SOLD OUT*
4/2 Copenhagen, DK DR Koncerthouset, Studio 2 *SOLD OUT*
4/3 Berlin, DE Peter Edel *SOLD OUT
*4/6 Gent, BE Wintercircus *SOLD OUT*
8/15 Oslo, NO Langs Akerselva Festival
8/16 Bodø, NO Parkenfestivalen
Special acoustic album release Gatheryngs:
4/5 Paris, FR Le Consulat *SOLD OUT*
4/7 London, UK Omeara *SOLD OUT*
4/12 Seattle, WA Easy Street Records
5/7 Brooklyn, NY National Sawdust
5/8 Brooklyn, NY National Sawdust *SOLD OUT*
Nobody Lives Here Tour (on-sale Friday, Feb 7, 2025)
8/14 Stockholm, SE Nalen
9/16 Quebec City, QC Palais Montcalm
9/17 Sherbrooke, QC Théâtre Granada
9/18 Ottawa, ON Bronson Centre
9/19 Montreal, QC mTelus
9/20 Toronto, ON Danforth Music Hall
10/9 Manchester, UK Academy 2
10/10 London, UK Electric Brixton
10/11 Brighton, UK Chalk
10/12 Esch-sur-Alzette, LX Rockhal
10/14 Nijmegen, NL Doornroosje
10/15 Antwerpen, BE De Roma
10/17 Utrecht, NL Tivoli Vrendenburg
10/18 Tourcoing, FR Le Grand Mix
10/19 Lyon, FR Le Transbordeur
10/21 Paris, FR Le Trianon
10/22 Zurich, CH Kaufleuten
2026
1/29 Wiesbaden, DE Schlachthof
1/30 Milano, IT Santeria Toscana 31
1/31 Munich, DE Technikum
2/01 Vienna, AT WUK
2/03 Krakow, PL Kwadrat
2/04 Warsaw, PL Progresja
2/06 Berlin, DE Metropol
2/07 Hamburg, DE Docks
2/08 Cologne, DE Carlswerk Victoria
The 20 Best Album Opening Tracks of All Time (That Still Hit Like a First Cup of Coffee)
A great album opener is a mission statement. It’s the band kicking down the door and yelling “Strap in.” Think of it as the audio equivalent of the cold open in a Tarantino film: setting the tone, raising the stakes, and refusing to let you look away. Here are 20 of the most iconic, electrifying, and unforgettable album openers—tracks that made you need to hear what comes next.
1. “Smells Like Teen Spirit” – Nirvana (Nevermind)
What do you get when you combine angst, distortion, and a riff so good it probably started 100,000 bands? A revolution. This was grunge’s starter pistol, and it still sounds like a Molotov cocktail of teenage rebellion and feedback.
2. “Gimme Shelter” – The Rolling Stones (Let It Bleed)
If the apocalypse ever had a theme song, it would sound like this. That haunting intro? Merry Clayton’s blistering vocals? That ominous “storm is threatening”? You knew this wasn’t going to be a safe ride.
3. “Where the Streets Have No Name” – U2 (The Joshua Tree)
The slow build. The delay-drenched guitar. Bono summoning the heavens. It’s not just a song—it’s a sunrise. U2 didn’t just open an album; they opened a portal to something spiritual.
4. “Let’s Go Crazy” – Prince & The Revolution (Purple Rain)
It begins like a sermon. Ends like a guitar duel with the universe. Prince gives you funk, rock, philosophy, and sex in just over four minutes. It’s basically a résumé for what makes him untouchable.
5. “Like a Rolling Stone” – Bob Dylan (Highway 61 Revisited)
Six minutes of sneer and swagger. Dylan didn’t just change how an album opened—he changed what a song could be. From the opening snare crack, you knew he was done playing nice.
6. “Welcome to the Jungle” – Guns N’ Roses (Appetite for Destruction)
What’s that sound? Oh, just the sound of a band ready to devour the entire Sunset Strip. GnR didn’t just announce their arrival—they demanded your attention and then dragged you into the fire.
7.“Born to Die” – Lana Del Rey (Born to Die)
Strings swell. A beat drops. And suddenly we’re in Lana’s cinematic universe—tragic, glamorous, and doomed in the most beautiful way. This opener introduced a whole new brand of sad-girl mythology and pop noir.
8. “Baba O’Riley” – The Who (Who’s Next)
Synths? On a rock album in 1971? You bet. Add Pete Townshend’s power chords and Roger Daltrey’s primal scream, and you’ve got the soundtrack to youth, defiance, and that thing we call epic.
9. “Airbag” – Radiohead (OK Computer)
This is the sound of modern anxiety being born. The guitars loop, twist, and glitch like they’ve been coded in a basement. Thom Yorke sings like a ghost floating through a data breach. Perfection.
10. “London Calling” – The Clash (London Calling)
It’s not just an opener—it’s a warning siren. From the chugging bass to the apocalyptic lyrics, The Clash told the world the party was over. Punk grew up and got serious.
11. “Hells Bells” – AC/DC (Back in Black)
What better way to open an album than with… actual bells? Then the riff drops and it’s game over. A tribute to Bon Scott that somehow feels like resurrection through raw volume.
12. “Purple Haze” – The Jimi Hendrix Experience (Are You Experienced)
Three notes in, your brain is already melting. Jimi didn’t just open an album—he kicked open the gates to another dimension. Rock was never the same.
13. “Good Times Bad Times” – Led Zeppelin (Led Zeppelin)
First track. First album. And already, the world knew: this band was going to blow minds. John Bonham’s impossible drumming, Jimmy Page’s riffs—Zep came in hot.
14.“Get Ur Freak On” – Missy Elliott (Miss E… So Addictive)
Missy did not come to play. She opened her third album with a tabla beat, an iconic yell, and one of the most inventive rap tracks of all time. Nobody was doing it like Missy—still isn’t.
15.“American Idiot” – Green Day (American Idiot)
Billie Joe Armstrong kicks off this punk-rock opera with a grenade. Loud, political, and catchy as hell, it redefined Green Day for a new era—and gave us a whole album’s worth of rebellion in under three minutes.
16. “I Wanna Be Adored” – The Stone Roses (The Stone Roses)
It doesn’t rush. It swirls. It builds. And when it finally lands, you feel like you’re floating through a Manchester daydream. Psychedelic swagger in full bloom.
17.“Pink Convertible” – Chappell Roan (The Rise and Fall of a Midwest Princess)
With an opening synth line straight out of an ‘80s prom fantasy and lyrics that drip with glamour and grit, Chappell Roan revs the engine on a debut full of attitude. It’s theatrical, confident, and the kind of bold start that makes you stay for the whole ride.
18. “Just Dance” – Lady Gaga (The Fame)
Who knew this debut track would kickstart a pop dynasty? From the first beat, Gaga was in control. Electro-pop had a new queen, and she came dressed to kill.
19.“Pray You Catch Me” – Beyoncé (Lemonade)
Beyoncé starts her most personal, political, and powerful album not with fireworks, but with vulnerability. “You can taste the dishonesty” sets the tone for a journey of pain, truth, and reclamation. It’s poetry in motion—and a whisper before the storm.
20. “Time to Pretend” – MGMT (Oracular Spectacular)
It’s ironic. It’s euphoric. It’s tragic. All at once. That synth line is practically a thesis statement for millennial dreams: beautiful, but fading fast.
Ben Basile Honors NYC Ska Legacy with New Single “74 Leonard Street” Ahead of Solo Album ‘Benergy’
Ben Basile, best known for his work with Big D and the Kids Table, is thrilled to announce the release of his new single, “74 Leonard Street”, the second track from his debut solo album, ‘Benergy’, set to drop May 2nd via Sleep Walk Sounds.
A heartfelt tribute to the legendary Knitting Factory venue in Manhattan, “74 Leonard Street” reflects on the golden era of ska shows that shaped Basile’s musical journey. “I wrote this as a tribute to the old Knitting Factory when it was still in Manhattan in the early 2000s,” says Basile. “It was at this venue that my love and appreciation for the genre grew even deeper. This was where I first saw many artists who would influence my career: The Skatalites, New York Ska-Jazz Ensemble, Pilfers, Westbound Train, and Victor Rice. Fast forward ten years, and I would later have the chance to perform with both New York Ska-Jazz Ensemble and the Pilfers!”
The single features standout performances from longtime musical collaborators Matt Garrison (Saxophone) and Vince Tampio (Trumpet), delivering a vibrant sound that perfectly encapsulates the spirit of the genre.
‘Benergy’, the album’s title, originated from a lighthearted moment with one of Basile’s bass students. “When I play ska punk, like with Big D and The Kids Table, it’s all about playing on top, playing with momentum and energy. Pushing the music the entire time,” Basile explains. His student’s response? “Benergy?”-a phrase that stuck and ultimately became the album’s name.
Pink Floyd Releases “On The Run” 4K Video From Live at Pompeii Release
The legendary 1972 concert film Pink Floyd at Pompeii – MCMLXXII is returning to the big screen in a spectacular way. Beginning 24 April, Sony Music Vision and Trafalgar Releasing will bring this newly restored classic to cinemas and IMAX theaters worldwide, offering fans a once-in-a-generation opportunity to experience the band’s iconic performance in the haunting ruins of an ancient Roman amphitheater. Tickets go on sale March 5 at www.pinkfloyd.film, and fans can also pre-order the album release in multiple formats at www.Pinkfloyd.com.
Originally filmed in October 1971, Pink Floyd at Pompeii was a groundbreaking project that predated the band’s monumental The Dark Side of the Moon. Shot without a live audience, the film captures the raw and unfiltered energy of Pink Floyd in one of the most unique concert settings in rock history. Standout tracks such as “Echoes,” “A Saucerful of Secrets,” and “One of These Days” take on new life as they echo through the ruins.
The film has undergone an extraordinary transformation, meticulously restored frame-by-frame from the original 35mm cut negative—unearthed from Pink Floyd’s archives in five dubiously labeled cans. Director of Restoration Lana Topham led the digital remastering process in 4K, ensuring the highest visual quality while preserving the spirit of the original footage. Colors have been enhanced and grain minimized, breathing vivid new life into a timeless performance.
Adding to the visual brilliance is a powerful new mix by acclaimed producer Steven Wilson. His 5.1 and Dolby Atmos mixes elevate the sonic experience for both theater and home viewers, replicating the sound of Pink Floyd as they would have been heard in that amphitheater under the Italian sky. According to drummer Nick Mason, “Pink Floyd: Live At Pompeii is a rare and unique document of the band performing live in the period prior to The Dark Side of the Moon.”
The immersive film also offers a glimpse into the band’s creative process, including rare behind-the-scenes footage of Pink Floyd working at Abbey Road Studios on tracks that would later appear on The Dark Side of the Moon. A newly released teaser features Roger Waters experimenting with the synths on “On The Run,” giving fans a privileged look into music history in the making.
To accompany the cinematic release, Pink Floyd at Pompeii – MCMLXXII will be available as a full-length live album for the first time, remixed by Steven Wilson and available May 2 on 2xCD, 2xLP, Blu-ray, DVD, and digital platforms including Dolby Atmos. The tracklist includes the full original performance plus rare alternate takes and previously unreleased material such as “Hot For You Baby.”
Whether you’re a longtime Pink Floyd devotee or a new fan curious about the band’s mystique, this 40th anniversary edition is more than a film—it’s a resurrection of a musical moment frozen in time. Experience the magic of Pink Floyd at Pompeii – MCMLXXII in stunning 4K and surround sound this April. Pre-order now at www.Pinkfloyd.com and secure your cinema tickets beginning 5 March at www.pinkfloyd.film.
FLO and Chy Cartier Team Up for Bold “Get It Till I’m Gone” Remix Ahead of Massive North American Tour
FLO releases an official remix to “Get It Till I’m Gone” featuring rising British rapper Chy Cartier, lifted from their critically acclaimed debut album Access All Areas.
Following a surprise joint performance earlier this month, FLO has released the hotly anticipated remix to fan-favourite album track “Get It Till I’m Gone,” featuring rising rap artist Chy Cartier. The remix unites two trailblazing Black British artists who are shaping the future of UK Rap and R&B, for a powerful anthem of self-worth and undeniable confidence. Chy’s razor-sharp lyricism blends effortlessly with FLO’s signature vocals and harmonies, injecting the already standout track with bold new energy and intensity.
Speaking about the remix FLO said: “We’re so excited about this collab. Chy is a very special artist and exactly what the industry needs! We’re so happy that she added her signature flair to one of our favourite songs from AAA. BAP BAP BAP!”
Chy Cartier added: “As soon as I heard ‘GITIG,’ I knew I had to hop on it. FLO brings that real R&B vibe, so I had to match that energy in my own way. My verse is about a guy moving mad, catching attitudes like he’s the one in his feelings, then trying to spin back when it’s too late. You know I had to do my big one and keep it all the way real!”
The remix follows an incredible year for FLO, who released their debut album Access All Areas this past November. The album became the highest charting album for a British R&B girl group in 23 years, with The New York Times hailing them a “girl group for the new generation”. Alongside a Top 3 chart position in the UK, the trio debuted on Billboard Top 200, and achieved over 605 million all-time global streams under their belt. The well-received debut album saw Pitchfork give the album an 8/10 rating stating, “The UK trio’s debut delivers a confident vision of what a modern girl group can be: tender, headstrong, and unified, with a clear point of view and harmonies for days.” The Times and NME gave the album stellar 4* ratings, with NME labelling it as “a front row seat to the next big thing” whilst their cover story for Dazed called Access All Areas “a debut…that delivers on the promise of their hype”.
Next month, FLO will embark on their highly anticipated “Access All Areas” tour. Kicking off in North America, the 27-date tour marks their biggest yet and will see them play sold-out shows in New York, Atlanta, Toronto and more. Rescheduled UK and European dates will be announced soon.
North America Tour Dates
Apr 9th – Emo’s – Austin, TX
Apr 11th – South Side Ballroom – Dallas, TX
Apr 12th – House of Blues – Houston, TX
Apr 15th – Revolution Live – Fort Lauderdale, FL
Apr 16th – The Ritz Ybor – Tampa, FL
Apr 18th – The Ritz – Raleigh, NC
Apr 19th – Tabernacle – Atlanta, GA
Apr 21st – Brooklyn Paramount Theater – Brooklyn, NY
Apr 22nd – Brooklyn Paramount Theater – Brooklyn, NY [SOLD OUT]
Apr 23rd – The Fillmore Philadelphia – Philadelphia, PA
Apr 25th – The Fillmore Silver Spring – Silver Spring, MD [SOLD OUT]
Apr 26th – The NorVa – Norfolk, VA
Apr 28th – Citizens House of Blues – Boston, MA
Apr 28th – M Telus – Montreal, QC
May 1st – History – Toronto, ON
May – The Salt Shed – Chicago, IL
May 3rd – Saint Andrew’s Hall – Detroit, MI
May 6th – The Fillmore Minneapolis – Minneapolis, MN
May 8th – Summit – Denver, CO
May 10th – The Van Buren – Phoenix, AZ
May 11th – The Observatory North Park – San Diego, CA
May 12th – Ace of Spades – Sacramento, CA
May 15th – Roseland Theater – Portland, OR
May 16th – The Showbox Sodo – Seattle, WA
May 18th – Commodore Ballroom – Vancouver, BC
May 20th – The Masonic – San Francisco, CA
May 22th – Hollywood Palladium – Los Angeles, CA
Festival Dates:
June 14th – Parklife – Manchester, UK
July 12th – Lollapalooza – Berlin, DE
July 19th – Somerset House – London, UK
Tina Turner’s “Private Dancer” Celebrated with Expansive 40th Anniversary Edition
Parlophone Records releases a 40th Anniversary Edition of GRAMMY® Award-winning artist Tina Turner’s iconic breakthrough album, Private Dancer. Out now, this special anniversary edition offers a stunning array of previously unreleased tracks, live performances, and footage, honoring the legacy of an artist whose music transformed the world. Private Dancer (40th Anniversary Edition) is available as a 5CD/Blu-ray, 2CD, a 1LP Pearl vinyl, and a 1LP picture disc. BUY HERE.
The centerpiece of this release is the 5CD/Blu-ray set, which includes the newly upgraded 55-minute Private Dancer Tour show filmed at the NEC in Birmingham between two historic nights, March 23 and 24, 1985. Directed by David Mallet and featuring unforgettable performances with David Bowie and Bryan Adams, this landmark concert has been meticulously restored, offering a front-row experience of Turner at her electrifying best. Alongside the live performance, the set includes five upgraded music videos, with the “Private Dancer” fully restored to HD from its original 35mm film which is now available in 4K on YouTube.
Earlier this year, a surprise treasure from Turner’s vaults was unveiled: the previously unheard track “Hot For You Baby.” Written by Australian musicians George Young and Harry Vanda and produced by John Carter, the track was recorded at Capitol Studios in Hollywood and was originally intended to be an album track. It was thought to be lost to time, but this thrilling discovery introduces a fresh chapter in the Private Dancer story.
Listen to “Hot For You Baby” HERE.
Additional Private Dancer formats include a 2CD edition, a striking 1LP picture disc featuring the official UK/EU cover on one side and the US cover on the other, and a limited-edition 1LP pearl vinyl with a 12×12 art card of the US album artwork. Jason Draper has written the liner notes for the 5CD/BR set with insights from Paul Cox, Holly Knight, Arlene Phillips and Martyn Ware.
Originally released in May 1984, Private Dancer marked Turner’s triumphant comeback, becoming a cultural phenomenon. Dubbed by American Songwriter as “one of the most charismatic comebacks of modern rock” and AllMusic as “without question,… Turner’s finest hour as a solo artist.” The 5x platinum record peaked at [#2 on the UK Albums Chart] #3 and #1 on the Billboard 200 and Top R&B/Hip-Hop Albums charts. Turner would later bring home four GRAMMY® Award wins for Best Female Rock Vocal Performance for “Better Be Good To Me” and Best Female Pop Vocal Performance, Record of the Year, and Song of the Year for the top Billboard Hot 100 track, “What’s Love Got To Do With It?”
Tina Turner
Private Dancer (40th Anniversary Edition)
5CD/Blu-ray
CD1 – Private Dancer (2015 Remaster)
- I Might Have Been Queen
- What’s Love Got To Do With It
- Show Some Respect
- I Can’t Stand The Rain
- Private Dancer
- Let’s Stay Together
- Better Be Good To Me
- Steel Claw
- Help
- 1984
CD2 – B-Sides, Single Edits And Extended Versions
B-sides:
- I Wrote A Letter
- Rock ‘n’ Roll Widow
- Don’t Rush the Good Things
- When I Was Young
- Keep Your Hands Off My Baby
Single edits:
- Let’s Stay Together
- Help
- Better Be Good To Me
- Private Dancer
Extended versions:
- What’s Love Got to Do With It
- Better Be Good To Me
- I Can’t Stand the Rain
- Show Some Respect
CD3 – Previously Unreleased & Rare Tracks Plus Other Singles
Previously unreleased & Rare Tracks:
- Hot For You Baby*
- Let’s Stay Together (Alternative Radio Mix, 1983)
- Let’s Stay Together (TV Instrumental)*
- What’s Love Got to Do With It (Dub Mix)*
- Private Dancer (Sterling Version)
- Total Control
Non-Album singles:
- Ball of Confusion (That’s What the World Is Today) (with B.E.F.) – Remix
- We Don’t Need Another Hero (Thunderdome)
- One of the Living (Single Remix)
- We Don’t Need Another Hero (Extended Mix)
- One of the Living (Special Club Mix)
- We Don’t Need Another Hero (Instrumental Version)
- One of the Living (Dub version)
CD4 – World Tour ‘84 – Live At Park West, Chicago – August 2nd 1984*
- Let’s Pretend We’re Married
- Show Some Respect
- I Might Have Been Queen
- River Deep, Mountain High
- Nutbush City Limits
- What’s Love Got to Do With It
- I Can’t Stand the Rain
- Better Be Good to Me
- Private Dancer
- Let’s Stay Together
- Help
- Proud Mary
- Legs
CD5 – Private Dancer Tour – Live From Nec, Birmingham 1984
- Show Some Respect
- I Might Have Been Queen
- What’s Love Got To Do With It
- I Can’t Stand The Rain
- Better Be Good To Me
- Private Dancer
- Let’s Stay Together
- Help
- It’s Only Love (Feat. Bryan Adams)
- Tonight (Feat. David Bowie)
- Let’s Dance – Version I (Feat. David Bowie)
- Let’s Dance – Version II (Feat. David Bowie)
Blu-ray – Promo videos
- Let’s Stay Together
- What’s Love Got to Do With It (Colour version)
- What’s Love Got to Do With It (B/W version)
- Better Be Good to Me
- Private Dancer (Full-length version) (Restored from original 35mm film)
- Private Dancer (Restored from original 35mm film)
- Show Some Respect
*previously unreleased
2CD
CD1 – Private Dancer (2015 Remaster)
- I Might Have Been Queen
- What’s Love Got To Do With It
- Show Some Respect
- I Can’t Stand The Rain
- Private Dancer
- Let’s Stay Together
- Better Be Good To Me
- Steel Claw
- Help
- 1984
CD2 – Unreleased, B-Sides, Single Edits And Extended Versions
Unreleased:
- Hot For You Baby
B-sides:
- I Wrote A Letter
- Rock ‘n’ Roll Widow
- Don’t Rush the Good Things
- When I Was Young
- Keep Your Hands Off My Baby
- Nutbush City Limits (Live)
- Let’s Pretend We’re Married (Live)
Single edits:
- Let’s Stay Together
- Help
- Better Be Good To Me
- Private Dancer
Extended versions:
- What’s Love Got to Do With It
- Better Be Good To Me
- I Can’t Stand the Rain
- Show Some Respect
1LP
Private Dancer (2015 Remaster)
Side 1
- I Might Have Been Queen
- What’s Love Got To Do With It
- Show Some Respect
- I Can’t Stand The Rain
- Private Dancer
Side 2
- Let’s Stay Together
- Better Be Good To Me
- Steel Claw
- Help
- 1984
Andy Frasco & The U.N. Knock It Out of the Park with Motown-Inspired Single “Swinging for the Fences”
Andy Frasco & The U.N. continue their high-energy run into 2025 with the release of “Swinging for the Fences,” the latest single from their upcoming album, Growing Pains, out May 23. A swaggering, Motown-inspired jam featuring G. Love and Eric Krasno (Lettuce, Tedeschi Trucks Band, Soulive), the song is a playful but heartfelt meditation on aiming high in love-even when the odds (and your bank account) say otherwise.
Built around a grooving bassline, rich horn arrangements, and Frasco’s signature blend of humor and soul, “Swinging for the Fences” tells the story of someone daring to believe they can land the love of their dreams-even if they’re out of their league.
With lyrics like “Window shopping never got me anywhere / So I’m buying in and I’m flying in,” Frasco leans into his trademark mix of optimism, desperation, and self-awareness.
“I have been a friend and a fan of Andy Frasco for years now” says G. Love. “Andy’s wildly energetic and outrageous shows always tear the roof off. He’s a tremendous performer, writer, singer, and piano player. I’m really excited about our collaboration, and to have Kraz in the mix is next-level stuff. We really hit a home run with this one.”
“I always have a blast writing and working with Andy,” adds Krasno. “This tune is a really cool blend of Motown and Rock & Roll with Frasco’s unique voice and sound. He’s got a way of combining wit and style with a message that’s totally relatable.”
“Swinging for the Fences” follows the release of Growing Pains’ previous singles, each offering a distinct glimpse into the album’s dynamic range. First came “”Try Not To Die,” a groove-heavy, irreverent anthem that encouraged fans to embrace life’s chaos with humor and heart, blending infectious energy with an uplifting, tongue-in-cheek outlook. Then came “Crazy Things,” a wildly unhinged, storytelling-driven track that leans into the absurdities of love and relationships, packed with Frasco’s signature wit and larger-than-life personality.
“Swinging for the Fences” is the latest preview of Growing Pains, an album that sees Andy Frasco evolving as both a songwriter and a storyteller. While Frasco has long been known for his electrifying stage presence and party-starting anthems, Growing Pains explores themes of love, addiction, personal growth, and embracing life’s messiness-all without losing his signature humor and energy.
Music Docuementary ‘Dusty & Stones’ Set to Stream on Apple TV and Amazon
Coming to streaming on April 22, 2025, Dusty & Stones brings the inspiring journey of two African country music dreamers to Amazon & Apple TV—where passion meets the heart of Nashville.
For country music fans, Nashville is hallowed ground—a place where legends are made, where twang meets soul, and where dreams either fly or fall. But for Gazi “Dusty” Simelane and Linda “Stones” Msibi, a pair of country musicians from the tiny African kingdom of Swaziland, it’s more than just a city. It’s a destiny. Their incredible journey is captured in Dusty & Stones, a gripping and heartwarming documentary that follows their once-in-a-lifetime trip to record in Music City and battle it out in a Texas battle of the bands.
For years, Dusty and Stones poured their hearts into country music, inspired by the sounds of Johnny Cash, Willie Nelson, and George Strait—all from thousands of miles away. Their big break finally comes when an unexpected invitation arrives: Nashville wants them. Texas wants them. America is calling. What follows is a whirlwind ten-day pilgrimage through the American South, where they step into top-tier recording studios, immerse themselves in the culture they’ve idolized for years, and prepare for their first-ever U.S. performance.
But like any great country song, trouble finds its way into the story. When they arrive in Jefferson, Texas, their much-anticipated debut performance is suddenly thrown into chaos when issues with the local backing band threaten to ruin everything. With the odds stacked against them, Dusty and Stones have no choice but to dig deep, take the stage, and fight for Swaziland—proving that country music isn’t just about where you’re from, but where your heart belongs.
Praised as “one of the most compelling and joyful music documentaries of the year” (Living Life Fearless), Dusty & Stones is more than just a film—it’s a testament to passion, perseverance, and the power of music to connect worlds. Directed by Jesse Rudoy, produced by Melissa Adeyemo, and executive produced by Sam Bisbee and Cody Ryder, the documentary has already won multiple festival awards, including Best Documentary Feature at the Atlanta Film Festival and Best Director at RiverRun International Film Festival.
With standout performances, emotional highs and lows, and a soundtrack straight from the heart, Dusty & Stones is the must-watch music documentary of the year. Whether you’re a country fan or just love an underdog story, this is one journey you won’t want to miss.