Debbie Sings, the Berlin-via-Copenhagen singer and producer, has released her new EP ‘Oh My’ via BIG OIL Recordings, alongside its second single “Sucker Punch.” A largely self-written, self-produced, and self-recorded project created while moving between Copenhagen and Berlin, the eight-track EP was built primarily from bedrooms, borrowed studios, buses, and coffee shops, with Debbie relying on Logic, Nexus by reFX, distorted drums, and heavily processed vocals to create something raw, immediate, and deliberately imperfect. The exception is “Sucker Punch,” co-produced with her friend The Bird, which dials up the intensity with distorted synths, punchy club drums, and Debbie’s rawest vocal delivery to date. Her own description of the song lands with characteristic directness: “Sucker Punch is a song about being sick of bullshit. It is about feeling like kicking some ass and eating everything on the menu.”
‘Oh My’ follows Debbie’s February 2025 debut album ‘Debbie’s Songs,’ which earned the number one spot on Soundvenue’s Danish Albums of the Year list and introduced her as a genre-hopping force in the Scandinavian underground. Where that record ranged freely across electronic, punk, country, and pop, ‘Oh My’ sharpens the focus into something more uniform, more electronic, more punk, and more unapologetically club-oriented. Inspired by early-2010s electroclash and artists like Peaches and Uffie, the EP leans into escapism, humour, and restless energy. Debbie frames it plainly: “Oh My is a reflection of a lot of internal and external chaos channelled into eight tracks. It’s electro-pop-punk music for the dance floor or the floor of your bedroom, made for getting lost, letting go, and carrying on.” Listeners and critics alike are already responding with the kind of enthusiasm that greeted first single “Sunny Skies,” which earned editorial support from NME, CLASH, and The Line of Best Fit.
An alumna of Copenhagen’s Rhythmic Music Conservatory, Debbie joins a lineage of forward-thinking artists including Clarissa Connelly, ML Buch, Smerz, and Astrid Sonne. High-profile admirer Oklou has already taken notice, and Debbie’s chaotic, high-energy live show has reached eye-watering heights, most notably performing to a packed crowd at Roskilde Festival. With ‘Oh My,’ she positions herself as one of contemporary pop’s most boundary-less DIY forces, making music for fast bikes through the city, late-night clubs, and moments of invincibility that feel slightly delusional but deeply human.
