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Kevin Drew Announces New Solo Album, Shares Two New Singles

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Broken Social Scene’s co-founder and front man Kevin Drew is thrilled to announce his most vulnerable, minimal solo album to date – Aging – set for release on Arts & Crafts this fall. A physical version of the album will be released on September 22; a full digital version of the album will be released on November 3. Aging’s sonic profile sits in a similar place as beloved Broken Social Scene songs like “Lover’s Spit” and “The Sweetest Kill” – beautifully dark, richly melodic, and tinted with shades of melancholy and longing.

Where other Kevin Drew songs throughout his vast and incredible catalog – both with BSS and as a solo artist – lean into the exuberant fist-pump of being alive, Aging is an album best played at the end of the night; a collection for the stragglers left when the bar is about to close; a serenade for those who are coming down; songs that are quietly sad but ultimately ruminative and comforting.

Influenced by the passing of friends and mentors, as well as the health scares of friends and family, Aging brings together songs written over a decade marked by the signifiers of midlife – love, loss, and illness – all while wrestling with the hard truths of aging: How do you deal with the blunt-force impact of loss? What does it mean to look and feel different than you did before?

Two songs from the album – “Out In The Fields” and “Party Oven” can be heard now.

Aging was the inevitable title of Drew’s meditative new record – because he was living everything that comes with it. Compared to his shambolic solo debut Spirit If (2007), with its 23-piece band and romantic musings, to the black-light synth-pop-tinged Darlings (2014) and its carnal obsessions, Aging’s collection of minimalist piano ballads is more contemplative than anything Drew has released before.

The themes that have preoccupied much of Drew’s two-decades-long career are still present – the power of love, resisting apathy, the pursuit of connection – but the subject matter once exclaimed with the youthful fervor of a wide-eyed idealist now carries the weight of someone trying to make sense of the world in the throes of grief.

In 2021, Drew found himself at The Tragically Hip’s Bathouse studio near Kingston, Ont. where he had been making records for the last decade. The initial goal was to make a children’s album, but as Drew and longtime collaborator Nyles Spencer started recording, they found themselves working towards an album about getting older, pulling from a collection of songs that fit together sonically and thematically. “Pain is a hard thing to let go until you’re ready,” Drew explains. “And that’s kind of where I was at with this record. Music, for me, is a release – it’s a place where I can go and express what it is that I want to say.”

Aging finds the typically declarative Drew asking more questions than ever; late-night ruminations make up the beating heart of Aging. Even the most hopeful songs on the album sound less like a diagnosis of the times than a distressed recognition – the voice of someone who has imparted advice to people for years accepting that they may not have listened. There are times when it’s hard to know whether Drew is singing these songs to someone else or to himself. So much of the record is expressed outwardly to an audience – but given the sadness and loss at the core of the album, it’s possible these songs have become mantras for himself.

When he sings ‘I think you’re gonna get better / I think you’ll be back on your feet soon’ on the closing track, it’s as likely that he’s providing comfort to the listener as much as to himself. Indeed, therein lies the humility and vulnerability of Aging – an artist that has spent 20 years making empowering music and asking audiences to take care of each other is using the very same medium to take care of himself.

In addition to the release of Aging, Drew has compiled a collection of self-portraits and free verse “puke poems” into a 75-page book titled Towards Everything. The book will be available to purchase with pre-orders of the new record. Kevin Drew will be playing parts of Aging throughout this fall’s forthcoming Broken Social Scene tour.

Post Malone’s Tiny Desk Concert Was Astonishing

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Post Malone’s unexpected yet enchanting performance on NPR’s Tiny Desk Concert offered a fresh glimpse into the multifaceted artist’s musical universe. Stripped of the grandeur of arenas and elaborate production, Post Malone’s raw talent took center stage in an intimate setting.

TIFF Marks 40th Anniversary Of Talking Heads’ “Stop Making Sense” With A Special 4K Restoration Imax Screening With The Band Actually THERE

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The Toronto International Film FestivalⓇ announced today it will celebrate the 40th anniversary of Jonathan Demme’s Stop Making Sense with a special event screening on Monday, September 11, at Cineplex’s Scotiabank IMAX Theatre in Toronto. The special IMAX Live 40th anniversary event will include a screening of

the film followed by a Q&A, which will be live-streamed from TIFF to select IMAX theatres around the world, and moderated by filmmaker Spike Lee with all four original band members in attendance: David Byrne, Tina Weymouth, Chris Frantz, and Jerry Harrison. The band is able to appear at TIFF as the film was produced independently as a concert film/documentary not governed by the SAG-AFTRA agreements. The members of the Talking Heads are allies in the fight to achieve a fair and equitable contract for the union’s members.

Stop Making Sense, A24’s recently acquired, groundbreaking Talking Heads concert film, for which A24 has done a complete 4K restoration, will have its World Premiere at TIFF in a globally connected IMAX Live event.

The film will have a full theatrical run following the special premiere event, releasing exclusively in IMAX on September 22 and in theatres everywhere on September 29.

“Some people say you’ll never find a better concert documentary than Stop Making Sense,” said TIFF CEO Cameron Bailey. “I’m one of those people. Talking Heads is at the top of their form. Working with Jonathan Demme, they build their performance scene by scene, song by song into a work of pure, cathartic power. Maybe you’ve seen it before. But you’ve never seen it in IMAX.”

This highly anticipated special event promises to transport audiences into the heart of music history, immersing them in the electrifying performance of the Talking Heads’ legendary 1984 concert film.

Directed by the visionary Jonathan Demme and produced by Gary Goetzman (The Silence of the Lambs, Mamma Mia!, Band of Brothers), Stop Making Sense has left an indelible mark on the world of music and cinema, and its timeless allure continues to captivate new generations.

Whitney Houston’s Iconic Voice Enchants in Unforgettable 1980 Steak Restaurant Jingle

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In a captivating moment that fused the realms of advertising and musical artistry, the incomparable Whitney Houston lent her angelic voice to a classic 1980 Steak & Ale commercial jingle.

My Next Read: “Top Eight: How MySpace Changed Music” by Michael Tedder

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In extensive interviews with scene pioneers and mainstays including Chris Carrabba (Dashboard Confessional), Geoff Rickly (Thursday), Frank Iero (My Chemical Romance), Gabe Saporta (Midtown/Cobra Starship), and Max Bemis (Say Anything), veteran music journalist Michael Tedder has crafted a once-in-a-generation exploration of emo and The Scene that is as forthright as it is tenderly nostalgic, taking to task the elements of toxic masculinity and crass consumerism that bled out of the early 2000s cultural milieu and ultimately led to the implosion of emo’s first home and the best social media network, MySpace.

When MySpace thrived, the Internet was still fun. Top Eight recalls the excitement and freedom of the era, an unprecedented time when a generation of fans were able to connect directly with the bands and musicians they idolized, from Colbie Caillat to Lil Jon. MySpace changed everything, and Top Eight gives major voices of the era the chance to tell us why it couldn’t last.

Photo Gallery: Mastodon with Gojira and Lorna Shore at Toronto’s Budweiser Stage

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All photos by Mini’s Memories. You can contact her through Instagram or Twitter

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Photo Gallery: Sigur Rós at Toronto’s Roy Thomson Hall

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All photos by Sophie Bouquillon. You can contact her through Instagram or Twitter

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Fog Blues & Brass Band Unveils Captivating Single ‘Too Deep’ from Latest EP 12 Bar Prescription And Debuts #4 On Roots Music Report

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Fog Blues & Brass Band, the talented and charismatic 7-piece ensemble of Blues artists from Kitchener, Ontario, are excited to announce the release of their latest single, “Too Deep” – available now. The new track is featured on the blues/rock band’s latest EP – 12 Bar Prescription, debuting this week at #4 on the Roots Music Report’s Canadian Chart, including the #1 and #2 song on the Roots Music Report’s Canadian Song Chart this week.

Known for their infectious, high-energy live performances and creative twist on the classic rock and blues sound, Fog Blues & Brass Band continues to captivate audiences with their powerful rock-infused music. The songwriting process for the group has always been a collaborative effort, with one member coming up with an idea or demo for a song and then everyone contributing their ideas and talents to bring it to fruition. According to the band, this tune came together rather quickly.

“Too Deep” initially had a different working title but Fog Blues & Brass Band made a conscious decision to remove the expletive to keep their music clean and free of profanity.

“We’re a fun, easy-going type of band, and we like to keep our lyrics light and airy, poking fun at situational experiences we’ve encountered or stories about people we know,” says the band. “The subject matter of ‘Too Deep’ is something we all can relate to – those moments when a friend or family member falls head over heels for someone, but we know the relationship might not end well due to love blinders.”

After playing “Too Deep” live and witnessing the positive response from their audience, Fog Blues & Brass Band felt confident that the song would resonate with their fans. This confirmation inspired them to head straight to the recording studio to capture the magic of the song.

“Music is an art, and we always want to create something meaningful and enjoyable for our listeners,” says the band. “We might overthink things at times, but we’re considerate of people’s feelings, and we want to be good humans, spreading positivity through our music.”

Fog Blues & Brass Band exploded onto the music scene with their debut album, “Into The Fog!” in 2018, which attracted much fanfare as each track from the album received extensive airplay on live radio both locally and abroad. Comprised of a group of seasoned musicians, Fog Blues & Brass Band’s live performances are nothing short of spectacular as their signature mix of Classic Blues, R&B, and Rock creates a captivating and electrifying experience for all audiences.

To Be Human: Toronto Peruvian Artist Arturo Rojas Unveils Powerful Message in ‘Te Diré (Ser Humano)’

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Humans make mistakes, take things for granted, and experience pain. You cannot run from it. Embrace your missteps and march forward. Humanity demands it.

This is the message of Peruvian-born singer-songwriter, instrumentalist, and producer Arturo Rojas’s single, “Te Diré (Ser Humano),” part of the artist’s debut, self-titled album, “Arturo Rojas,” that dropped in April.

Rojas left Lima for New York City when he was 20, where he spent six years. He later crossed another border, relocating to Toronto to start in the Music Industry, Arts & Performance program at Centennial College. He’s found his home in the Canadian metropolis since.

Growing up, Rojas had a wide range of musical influences pulling him in multiple directions. His mother listened to Spanish pop ballads, his father preferred salsa, one uncle engaged with metal, another uncle obeyed classic rock, and his grandparents enjoyed traditional folklore music. They all imparted their styles on him from a young age, he said.

In “Te Diré (Ser Humano),” which translates in English to “I’ll Tell You to Be Human,” you can feel the musical mutt in Rojas. The Spanish influences are obvious given the entire song is in his native tongue, but you can feel that there’s more happening than that. At times, the vocals have a punk twist, while the instrumental borrows from the pop, folklore, jazz, and salsa realms.

Put simply, “Te Diré (Ser Humano)” delivers something you don’t expect.

“My style is a mix of pop, rock, and Latin,” Rojas said. “I’ve even heard some people refer to some of my songs as punk.”

Though “Arturo Rojas” was the artist’s first album, he has plenty of experience in the music world. So far, Rojas has performed live at venues in Toronto, New York City, and Peru, including Tapestry, The Free Times Cafe, Grossman’s Tavern, Supermarket, Not My Dog, and more. But when he came to Canada, he started from the very bottom.

“When I was new to Toronto, I didn’t know anyone, so I just started playing on the streets and in parks,” Rojas explained. “Eventually, people started handing me tips and inviting me to open mics. I grew from there, and eventually I was hosting the open mics and playing longer sets.”

The artist said his personal life is the main inspiration behind his original music. He uses the musical process to better grasp himself and life as a whole.

“A lot of my music came out of a time when there was a lot of fear and uncertainty in my life,” Rojas said. “Being ill makes you realize that we only have so much time and energy to live. Music helps us understand ourselves and life better, it protects you, and helps you to forgive yourself and others.”

That shines through brightly in “Te Diré (Ser Humano).” The song acknowledges the fear and pain behind knowing the wrong decisions you made in the past while insisting we must forge on anyway.

“Oh, si pudiera
Cambiar algunas escenas,
Como quisiera
Borrar aquellas escenas
Cuando no era yo el que actuaba
Y te hacía llorar

“Pero no llores tanto,
Levántate
Te necesito para poder seguir
Recorrer cantando,
Seguir cantando…”

Translated into English:

“Oh if I could
Change some scenes,
How I wish I could
Delete those scenes
When I wasn’t myself
And I made you cry

“But don’t cry so much
Get up
I need you to be able to continue rolling
To go around singing,
Keep singing…”

But you don’t need to know Spanish to appreciate or feel the mood of Rojas’s track. As the artist loves to point out, music doesn’t abide by the same rules as traditional languages.

“Music is the universal language,” Rojas said.

Go check out “Te Diré (Ser Humano)” and the full-length album “Arturo Rojas” to hear for yourself – both available now!

Canadian Composer Bill Brennan Releases Captivating Album ‘Kaleidoscope’ Showcasing Original Mallet Instrument Compositions

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Canadian composer and classical musician, Bill Brennan, is set to unveil the release of his new album “Kaleidoscope.” The St. John’s, Newfoundland native’s latest creation is a captivating collection of original compositions for mallet instruments, predominantly featuring the marimba and vibraphone.

“Kaleidoscope” draws from Brennan’s rich career as a performer of contemporary new music and jazz, and from his vast experience and appreciation of music from various cultures around the world. When describing the new album, the two-time MusicNL Jazz and Blues Album Award winner says, “I want to acknowledge the music of Ghana, Brazil, Indonesia, and India. I have been fortunate to have great teachers and mentors from these countries, and my musical life has been immensely enriched because of them and their music.”

Collaborating with highly acclaimed musicians Rob Power and Étienne Gendron, Brennan’s virtuoso performances resonate with beauty, sensitivity, and integrity revealing this album as a unique, one-of-a-kind musical experience.

Bill Brennan has been hailed as “a central figure in this country’s music” by The Toronto Star, as his musical talents as a pianist, percussionist, composer, arranger and producer can be heard on over 120 albums to date. With numerous accolades to his name, including the 2019 MusicNL Jazz and Blues Award for his album “I’ll Be Seeing You” with Andrea Koziol, and the MusicNL Instrumental Album of the Year in 2008 for “Solo Piano 2,” his contribution to the world of music is unparalleled.

Having collaborated with renowned artists and institutions, including the Evergreen Club Contemporary Gamelan, Andy Stochansky, Kevin Breit, Oliver Schroer, and Tafelmusik, Brennan’s versatility shines through in various genres, from classical to jazz, folk, and world music. He has performed with esteemed organizations such as the National Ballet, New Music Concerts, Continuum, and the Canadian Opera Company. Brennan has also been a composer for CBC’s The Nature of Things and musical director for The Vinyl Café and for countless stage productions including Chicago, Jesus Christ Superstar, and Evita which cemented his status as a prominent figure in Canadian culture.

Over the course of his illustrious 35+ year career as an entertainer, Brennan has graced audiences across the globe, captivating listeners in North America, Indonesia, Austria, Germany, France, Japan, Norway, the Czech Republic, England, Scotland, Portugal, and Switzerland. A relentless explorer of new ideas and creations, Brennan’s boundless curiosity ensures that his musical journey remains an ever-evolving and enlightening experience.