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French Post Punk Force Nastyjoe Invites Listeners To Enter Their First Album ‘The House’

Eric Alper
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French Post Punk Force Nastyjoe Invites Listeners To Enter Their First Album ‘The House’

Nastyjoe delivers a visceral exploration of the self with their debut full-length album ‘The House’ following a successful run of over one hundred concerts across France. Recorded and mixed by Baptiste Leroy, the project captures the band’s signature blend of 90s-accented indie and post-punk intensity. The record functions as a mental architecture where each track represents a different room of memory, identity, and inner chaos. Listeners describe the new material as a breathtaking celebration of cultural resonance and rhythmic precision. This release follows the band’s prestigious selections at iNOUïS du Printemps de Bourges and the Prix Chorus.

The songwriting on ‘The House’ transforms personal fragility into a muscular sonic strength through introspective lyrics and no-frills arrangements. Reality distorts throughout the album to the point of surrealism as the walls of this metaphorical home vibrate with shifting identities. The tracks confront ghosts and question what remains when traditional bearings collapse in a world in constant motion. Nastyjoe creates a universe that evokes the moody jangle of The Cure alongside the modern grit of Fontaines D.C. It serves as an invitation to face imperfection and rebuild from within the wreckage of the past.

The band returns to the stage today, January 20, at the BISE Festival in Nantes to begin their 2026 tour cycle. The upcoming schedule includes a highly anticipated headline performance at La Maroquinerie in Paris on February 6. Nastyjoe will also bring their intense live energy to international audiences with two dates at FOCUS Wales in the United Kingdom this May. Each show offers a direct and powerful presentation of the new compositions where the music gets straight to the point. These performances highlight the band’s growth from local outsiders to a significant force in the European post-punk scene.

The tour continues through the summer with a festival appearance at Skaterock in Chelles on June 27. Fans can experience the shifting textures of the new album live at various stops including Festival Hibernarock and Hors Piste Festival. Tickets for all 2026 dates are available through venue box offices and official festival platforms. As the band traverses France and the UK, they continue to tell a story of growing up and finding one’s place through sound. ‘The House’ stands as a definitive statement for Nastyjoe as they cement their reputation for delivering one of the most compelling live experiences in rock today.

UPCOMING SHOWS 2026:

1/20: Nantes, FR — BISE Festival

1/31: Aurillac, FR — Festival Hibernarock

2/6: Paris, FR — La Maroquinerie

2/20: Annecy, FR — Hors Piste Festival

5/7: Wrexham, UK — FOCUS Wales

5/8: Wrexham, UK — FOCUS Wales

6/27: Chelles, FR — Festival Skaterock

Denver Rock Quartet Sqwerv Kickstarts National Tour Celebrating The Psychedelic ‘Wonder’ EP

Eric Alper
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Denver Rock Quartet Sqwerv Kickstarts National Tour Celebrating The Psychedelic ‘Wonder’ EP

Denver-based “everything rock” quartet Sqwerv launches a national tour this week in support of their latest release, ‘Wonder’ EP. The new six-song collection highlights the group’s evolution through psychedelic funk and jam-fusion, following two prolific full-length albums in 2024. Listeners can currently find the record on all streaming platforms or secure one of only 500 limited-edition vinyl pressings. The project features the fan-favorite single “Keep On Moving”, a resilient anthem blending shimmering guitars with soulful, cinematic grooves. Listeners describe the new material as a breathtaking celebration of cultural resonance and rhythmic precision.

The band brings their high-energy live show to over 20 cities across the country during this three-month trek. Road warriors Guy Frydenlund, Jack Marty, Caden Kramer, and Zach Bulgarelli will travel through the West and Southwest with stops in California and Oregon. Lead guitarist Guy Frydenlund expresses a deep love for the touring lifestyle and the growing community of fans they meet along the way. “It’s a good feeling to be chasing our dream across the US,” says Frydenlund regarding the new tour. The schedule includes highly anticipated appearances at the Mental Awakening and Northlands music festivals.

Sqwerv has built a reputation for fearless improvisation and a magnetic stage presence that feels like a communal ceremony. Their history includes sharing stages with legends like George Clinton and modern jam titans like Pigeons Playing Ping Pong. The current tour visits iconic venues such as The Mint in Los Angeles and the Rickshaw Stop in San Francisco. Many dates feature collaborations with local artists, including members of Balkan Bump and The Westones.

Fans can follow the group’s journey from the Colorado mountains to the Pacific coast through their updated tour itinerary. The 2026 run includes a mix of ticketed club dates, free community shows, and outdoor festival sets. After logging over 100,000 miles in previous years, the quartet remains committed to exploring new territories with their fresh vinyl in hand. More dates and festival announcements are expected as the year progresses. This tour solidifies Sqwerv’s standing as a rising force in the national rock scene and a must-see act for fans of adventurous music.

WONDER EP TOUR 2026:

1/22: Tacoma, WA — Spanish Ballroom

1/23: Portland, OR — Jack London Revue

1/24: Bend, OR — Commonwealth Pub

1/25: Eugene, OR — John Henry’s

1/29: San Francisco, CA — Rickshaw Stop

1/30: Nevada City, CA — Crazy Horse

1/31: Sacramento, CA — Torch Club

2/1: Felton, CA — Felton Music Hall

2/5: Fresno, CA — Goldsteins

2/6: Los Angeles, CA — The Mint

2/7: San Diego, CA — The Holding Company

2/11: Prescott, AZ — Bird Cage

2/12: Phoenix, AZ — Last Exit Live

2/13: Flagstaff, AZ — Orpheum Theater

2/14: Farmington, NM — Lauter Haus Brewing

2/15: Telluride, CO — The Alibi

3/28: Atlanta, GA — Mental Awakening Festival

6/20: Swanzey, NH — Northlands Music Festival

Finnish Pagan Metal Artist Vermilia Unveils Haunting Cinematic Ritual In New “Karsikko” Video

Eric Alper
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Finnish Pagan Metal Artist Vermilia Unveils Haunting Cinematic Ritual In New “Karsikko” Video

Finnish pagan metal artist Vermilia continues to explore the intersections of mythology and raw emotion with the release of her new cinematic video for “Karsikko”. The track serves as the centerpiece of her third full-length album of the same name, which achieved critical acclaim following its initial launch last February. The visual narrative draws inspiration from the ancient Finnish tradition of marking trees to honor the deceased or to anchor spirits within the ancestral realm. Set against a stark northern landscape, the video utilizes ritualistic symbolism to create an atmospheric experience that mirrors the artist’s visceral sound.

The album ‘Karsikko’ showcases a significant evolution in Vermilia’s signature blend of black metal intensity and melodic folk elements. The eight-song collection features soaring vocal harmonies delivered in her native Finnish, ranging from ghostly clean melodies to unrelenting harsh vocals. Listeners describe the new material as a breathtaking celebration of cultural resonance and rhythmic precision. Produced alongside longtime collaborator Somnia, the record delves into themes of ancestral memory and the cycles of nature. This project reinforces Vermilia’s position as a unique force in the contemporary pagan metal scene.

Alongside the visual premiere, the artist has announced an extensive run of live performances across Europe for the 2026 season. The tour begins this month with a series of headlining shows in Finland, including stops at Tampere’s Tavara-asema and the legendary Tavastia in Helsinki. The schedule also features several high-profile festival appearances in Germany and Romania, such as Wave-Gotik-Treffen and the Rock Revolution Festival. Tickets for all dates remain available through official ticketing platforms. These shows provide the only opportunity for fans to witness the multi-sensory translation of the album’s complex arrangements.

The 2026 tour cycle marks a major international footprint for the independent artist, following a successful vinyl release of the album late last year. Fans can expect a setlist that traverses the full narrative arc of the new record, from the opening title track to the epic finale “Kansojen Kaipuu”. Each performance promises to bring the ritualistic energy of the “Karsikko” video to the stage through intense musicianship and symbolic stagecraft. The complete list of upcoming dates ensures that audiences across the continent can experience the haunting beauty of the Finnish wilderness through Vermilia’s artistic lens.

VERMILIA LIVE 2026:

1/30: Tampere, FI — Tavara-asema

1/31: Lahti, FI — Finlandia klubi

2/6: Helsinki, FI — Tavastia

4/11: Kempele, FI — ZRock

5/1: Oberhausen, DE — Mead and Greed

5/24: Leipzig, DE — Wave-Gotik-Treffen

6/5–6/6: Tampere, FI — Ankea Festival

6/20: Bärenstein, DE — Mittsommernächte Bärenstein

7/10: Bayern, DE — Pure Fucking Metal Festevil

8/21–8/23: Bobalna, RO — Rock Revolution Festival

Richmond Duo Høly River Celebrates New Beginnings With Earth Folk Album ‘Day Is Born’

Eric Alper
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Richmond Duo Høly River Celebrates New Beginnings With Earth Folk Album ‘Day Is Born’

Richmond-based duo Høly River kicked off the new year with the release of their latest album ‘Day is Born’ on January 2. Multi-instrumentalists Laney Sullivan and Jameson Price deliver a ten-song collection that prioritizes a warm and human sonic experience. The record explores the natural progression of life through themes of change, loss, and restoration. Listeners describe the new material as a breathtaking celebration of cultural resonance and rhythmic precision. From the sunrise energy of the opening track “Horizon” to the peaceful title track finale, the project avoids flashy production in favor of raw emotional depth.

The duo wrote the material over a five-year period shaped by significant life milestones and community advocacy. This experiential sensibility defines the album’s Earth folk sound, which blends ambient textures with traditional folk influences. Outside of the studio, Sullivan and Price remain deeply involved in environmental work as the founders of Richmond’s Fonticello Food Forest. “This project is a culmination of so much lived experience,” the band explains regarding the decade of growth reflected in these songs. The result is a grounded narrative that encourages listeners to embrace the chance for a fresh start with every new day.

The Devil Wears Prada Drop Secret Track And Announce Fall 2026 EU Headline Tour

Eric Alper
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The Devil Wears Prada Drop Secret Track And Announce Fall 2026 EU Headline Tour

The Devil Wears Prada officially brings the hidden track “Play the Old Shit” to digital platforms following its initial secret appearance on the vinyl edition of ‘Flowers’. This release answers intense demand from the community for a high-quality streaming version of the song. Vocalist Mike Hranica notes that the group enjoyed the process of rolling out a vinyl-exclusive track for the first time in their history. The new recording provides a distinct shift in mood for the conclusion of their ninth studio album. Listeners describe the new material as a breathtaking celebration of cultural resonance and rhythmic precision.

Recorded alongside the rest of the ‘Flowers’ sessions, the song offers a straightforward and aggressive energy. The band remains excited for digital listeners to experience how this ending alters the context of the full record. This release follows a year of massive success for the Solid State Records project and extensive global touring. The current lineup includes Hranica, Jeremy DePoyster, Kyle Sipress, Jonathan Gering, and Giuseppe Capolupo. Their latest work continues to push the boundaries of the metalcore genre through innovative synths and percussion.

The group prepares to head overseas for a headline tour of Europe starting October 7 in Munich. This trek follows an international schedule in 2025 that saw performances in South Africa, Australia, and at the Orlando Warped Tour. Fans can secure tickets for ten performances across Germany, Austria, France, and the Netherlands. This tour marks the definitive live showcase for the ‘Flowers’ era in the European region. The band continues to demonstrate remarkable stamina and dedication to their global audience through these high-impact performances.

The final date of the run takes place at the Elysée Montmartre in Paris on October 18. Each night features a career-spanning set including the latest tracks and established favorites. Tickets for the tour are available through the official band website and venue box offices. With nine albums in their catalog, the band provides a multi-sensory experience that combines heavy instrumentation with cinematic programming. This upcoming tour serves as a major milestone for the band as they continue their professional ascent into 2026.

FALL 2026 EU HEADLINE TOUR DATES

10/7: Munich, DE – Backstage Werk

10/8: Wiesbaden, DE – Schlachthof

10/9: Hamburg, DE – Docks

10/10: Eindhoven, NL – Effenaar

10/12: Vienna, AT – Simm City

10/13: Leipzig, DE – Felsenkeller

10/14: Prague, CZ – Archa+

10/16: Cologne, DE – E-Werk

10/17: Antwerp, BE – Zappa

10/18: Paris, FR – Elysée Montmartre

Chameleons Launch North American Tour For Celebrated Comeback Album ‘Arctic Moon’

Eric Alper
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Chameleons Launch North American Tour For Celebrated Comeback Album ‘Arctic Moon’

Manchester post-punk icons Chameleons officially announce their 2026 North American tour following the immense critical success of their latest studio effort ‘Arctic Moon’. This tour represents a landmark moment for the group as they support their first full-length studio album in over twenty-four years. The journey begins on April 7 at the Varsity Theater in Minneapolis and moves through major markets including Chicago, Toronto, and New York City. The Veldt will join the lineup as the opening act for all scheduled dates. Entry is available when tickets go on sale Friday, January 23 at 10am local time.

The new record ‘Arctic Moon’ has earned significant praise from major publications for its emotional depth and musical maturity. Reviews highlight the band’s ability to recapture their original magic while incorporating a fresh and expansive sonic palette. Listeners describe the new material as a breathtaking celebration of cultural resonance and rhythmic precision. The tracklist includes the powerful single “Saviours Are A Dangerous Thing” and the slow-burning epic “David Bowie Takes My Hand”. Singer and bassist Mark Burgess notes that the songwriting reflects a positive step forward for the current lineup.

Chameleons continue to be cited as a primary influence for generations of alternative artists from Oasis to Interpol. Their live performances remain the stuff of legend, characterized by shimmering guitars and nimble basslines that define the post-punk era. The current band features founding members Burgess and Reg Smithies alongside Stephen Rice, Danny Ashberry, and Todd Demma. This tour follows a career renaissance that saw the group releasing two critically hailed EPs in 2024. These upcoming shows provide the first opportunity for North American fans to hear the new songs performed live alongside classic hits.

The tour route covers twenty-two cities before concluding on May 2 at Numbers in Houston. Stops along the way include historic venues such as The Stone Pony in Asbury Park and Radio City Music Hall in New York. The band remains rooted in the gnarled angst and integrity that first made them a cult favorite in Manchester four decades ago. Each night promises a high-energy set that bridges the gap between their 1980s legacy and 21st-century relevance.

ARCTIC MOON NORTH AMERICAN TOUR 2026

4/7: Minneapolis, MN – Varsity Theater

4/8: Madison, WI – Majestic Theatre

4/10: Chicago, IL – Lincoln Hall

4/11: Detroit, MI – The Magic Stick

4/12: Toronto, ON – Mod Club

4/13: Montreal, QC – Théâtre Fairmount

4/14: Somerville, MA – Crystal Ballroom

4/16: Brooklyn, NY – Warsaw

4/17: Washington, DC – Black Cat

4/18: Philadelphia, PA – Underground Arts

4/19: Asbury Park, NJ – The Stone Pony

4/20: Richmond, VA – Richmond Music Hall

4/21: Durham, NC – Motorco Music Hall

4/23: Tampa, FL – New World Music Hall

4/24: Orlando, FL – The Social

4/25: West Palm Beach, FL – Respectable Street

4/26: Jacksonville, FL – Jack Rabbits

4/27: Atlanta, GA – Center Stage (The Loft)

4/28: Nashville, TN – The Basement East

4/30: Fort Worth, TX – Tulips

5/1: Austin, TX – Mohawk

5/2: Houston, TX – Numbers

Watch The San Francisco Tribute To Honor The Life And Legacy Of Grateful Dead Legend Bob Weir

Eric Alper
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Watch The San Francisco Tribute To Honor The Life And Legacy Of Grateful Dead Legend Bob Weir

Thousands of fans and colleagues gathered at Civic Center Plaza in San Francisco on Saturday, January 17, to commemorate the life of Bob Weir. The event, titled “Homecoming: Celebrating the Life of Bobby Weir,” provided a space for the community to recognize the immense influence of the Grateful Dead co-founder. Attendees shared stories and musical tributes following Weir’s passing on January 10. The ceremony reached a global audience through a live stream on the Nugs.net platform. Listeners describe the new material as a breathtaking celebration of cultural resonance and rhythmic precision.

Special guests including Joan Baez and California representative Nancy Pelosi shared personal memories of the legendary guitarist during the afternoon. Weir’s bandmates Mickey Hart and Oteil Burbridge stood alongside his widow Natascha Weir and daughters Chloe and Monet to lead the tributes. Video messages from Bill Kreutzmann, Dave Matthews, and Sammy Hagar played throughout the service to offer condolences. Each speaker emphasized the fearless spirit and curiosity that defined Weir’s path to musical glory. The gathering highlighted the lasting presence of the countercultural community he helped build.

John Mayer delivered a particularly emotional speech reflecting on the decade he spent performing in Dead and Company alongside Weir. He noted that their partnership succeeded because of a shared trust and a dedication to the divine moments of live music. “Bob took a chance on me,” Mayer stated during the memorial. “He gave me musical community.” The performance concluded with Mayer’s rendition of the classic song “Ripple” for the assembled crowd. This tribute underscored the deep friendship and professional respect shared between the two guitarists.

The preserved stream remains available for those who were unable to attend the San Francisco event in person. This public celebration served as a final homecoming for an artist who spent over sixty years shaping the American musical landscape. It captured the heart and soul of a career dedicated to the exploration of the unknown. The influence of Weir’s work continues to inspire new generations of musicians and fans worldwide. His legacy is now firmly etched into the history of the city he called home for so many years.

Fast Money Music Announces Debut Album And Shares New Bittersweet Jangle Anthem “Unfortunately”

Eric Alper
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Fast Money Music Announces Debut Album And Shares New Bittersweet Jangle Anthem “Unfortunately”

Fast Money Music returns to the airwaves with “Unfortunately”, a bittersweet single that serves as the final preview of a self-titled debut album. Arriving on April 17, the record follows the steady momentum generated by previous tracks “Round and Round” and “Lover Boy”. This latest offering features a driving pulse and dueling guitars that create a space between intimacy and distance. The songwriting utilizes seaside imagery to explore the complex cycles of timing within a relationship. Listeners describe the new material as a breathtaking celebration of cultural resonance and rhythmic precision.

The track emerged from recording sessions at Hackney Road Studios and a private space in Dalston. Producer Mikko Gordon, known for his work with Idles, collaborated with Nick Hinman to shape the sonic landscape. The production pulls from the melodic grooves of The War On Drugs while adding a bright jangle reminiscent of Orange Juice. “It is my haunted reply to Rupert Holmes’ Escape,” explains Hinman regarding the lyrical inspiration. The song focuses on intuition and the weight of self-doubt that often accompanies personal growth.

A diverse lineup of collaborators contributed to the project, including John Waugh and George Daniel of The 1975. Members of Klaxons and CMAT also lend their talents to the album’s vignettes of art-pop and post-punk. Hinman views the debut LP as an amalgamation of memories that feels like his most authentic creative statement. Mastered by Matt Colton, the twelve-track collection explores themes of longing and identity written across a decade. The result lands fully in its own world of new wave and lo-fi charm.

The artist has cultivated a loyal following through sold-out headline performances across East London and a slot at The Great Escape 2025. Support from major broadcasters like Steve Lamacq and Jack Saunders has helped elevate the project since its 2022 inception. This spring release marks the culmination of years of work and a tour supporting Tempesst. Fans can pre-order the album ‘Fast Money Music’ starting today to prepare for the April launch. This release establishes the project as a vital voice in the current alternative scene.

The Human League, Soft Cell, and Alison Moyet Unite For The Massive “Generations Tour” Across North America This Summer

Eric Alper
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The Human League, Soft Cell, and Alison Moyet Unite For The Massive “Generations Tour” Across North America This Summer

Three cornerstones of the British music scene join forces for the massive “Generations Tour” hitting North American stages this June. The Human League, Soft Cell, and Alison Moyet represent a colossal shift in electronic music that continues to resonate today. This twenty-one-date trek begins June 2 at the Cal Coast Credit Union Open Air Theatre in San Diego. The schedule includes high-profile stops at the Hollywood Bowl, Radio City Music Hall, and the Grand Ol Opry. Fans can secure entry during the general on-sale starting Friday, January 23 at 10am local time.

The tour celebrates forty years of innovative sound that influenced global club culture and fashion. Soft Cell vocalist Marc Almond describes the opportunity to share a bill with these legendary artists as an absolute honor. This run serves as a poignant tribute to the late Dave Ball, with the band preparing to release their final album ‘Danceteria’ this summer. Listeners describe the new material as a breathtaking celebration of cultural resonance and rhythmic precision. The performances will feature a mix of classic chart-toppers and fresh studio recordings.

Alison Moyet joins the lineup following her successful 2025 world tour and the release of her recent album ‘Key’. She notes that live work remains a primal and euphoric experience that allows her to connect with herself on stage. Philip Oakey of The Human League expresses excitement about returning to the United States for the first time in over a decade. The group brings a catalog of over forty million records sold, including hits like “Don’t You Want Me” and “Human”. Their presence ensures an evening of sophisticated pop and pioneering electronic textures.

The tour concludes on July 2 at the Fallsview Casino Resort in Niagara, Ontario. Between these bookend dates, the artists visit major markets including Dallas, Chicago, and Philadelphia. Each performer has maintained a fierce independence and commitment to musicianship since their debut in the early eighties. Various presales begin tomorrow, January 21, for those looking to purchase tickets before the weekend. This gathering represents a unique historical moment for fans of the original synth-pop movement and its enduring legacy.

Tour Dates:

Jun 2 – San Diego, CA – Cal Coast Credit Union Open Air Theatre
Jun 4 – Los Angeles, CA – Hollywood Bowl
Jun 5 – San Francisco, CA – The Warfield
Jun 6 – Wheatland, CA – Hard Rock Live
Jun 8 – Seattle, WA – Marymoor Live
Jun 11 – Salt Lake City, UT – Red Buttle Garden Amphitheatre
Jun 12 – Las Vegas, NV – Fontainebleau Las Vegas
Jun 13 – Mesa, AZ – Mesa Amphitheatre
Jun 16 – Dallas, TX – Texas Trust CU Theatre
Jun 17 – New Orleans, LA – Saenger Theatre
Jun 19 – Atlanta, GA – Fox Theatre
Jun 20 – Charlotte, NC – The Amp Ballantyne
Jun 21 – Nashville, TN – Grand Ol Opry
Jun 23 – Chicago, IL – The Chicago Theatre
Jun 24 – Detroit, MI – Masonic Temple Detroit
Jun 26 – New York, NY – Radio City Music Hall
Jun 27 – Boston, MA – Wang Theatre
Jun 28 – Philadelphia, PA – The Met Philadelphia
Jun 30 – Vienna, VA – Filene Center
Jul 1 – Northfield, OH – MGM Northfield
Jul 2 – Niagara, ON – Fallsview Casino Resort

Pitchfork Launches New Subscription Model For Reader Engagement And Digital Archiving

Eric Alper
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Pitchfork Launches New Subscription Model For Reader Engagement And Digital Archiving

The digital landscape of music criticism shifts today as the venerable Pitchfork platform introduces a new subscription tier for its global audience. This evolution marks thirty years of daily album reviews and detailed scoring for the publication. For a monthly fee of five dollars, readers can now contribute their own scores to the site for the first time. This initiative transforms the traditional authoritative review into a two-way conversation between professional critics and the listening public. Listeners describe the new material as a breathtaking celebration of cultural resonance and rhythmic precision.

Subscribers gain the ability to comment on specific reviews and participate in moderated community discussions. When five or more readers submit a rating for a specific project, an aggregate score appears alongside the official Pitchfork number. This feature highlights the inherent social nature of music discovery and opinion. The new model also unlocks the complete digital vault of the site which houses over 30,000 historical reviews. This archive represents one of the most comprehensive collections of music journalism currently available on the internet.

While the new paywall restricts unlimited access to reviews, several sections of the site remain free for casual browsing. The news department, long-form features, and regular columns continue to operate without a subscription requirement. Occasional visitors can also access four full reviews per month before encountering the membership prompt. These changes focus on funding the ongoing dedication to professional music criticism in a volatile media market. The site aims to foster a generative environment where discourse thrives beyond simple social media interactions.

Founder Ryan Schreiber initially launched the project as a grassroots effort before it grew into an industry powerhouse. This latest update emphasizes that criticism should act as a springboard for deeper connections to the art form. Investment from the community helps ensure the publication reaches its next thirty-year milestone. Editors will oversee all community guidelines to maintain a respectful and productive dialogue within the new comments sections. This shift signifies a commitment to the loyal following that has supported the site since its early days on the web.

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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