All photos by Mini’s Memories. You can contact her through Instagram or X.
































All photos by Mini’s Memories. You can contact her through Instagram or X.
































Between the Buried and Me are heading back across the United States. The progressive metal band has announced a 31-date headlining tour in support of ‘The Blue Nowhere,’ their 2025 album released via InsideOutMusic, kicking off May 15 in Richmond, Virginia and wrapping June 20 in Winston-Salem, North Carolina. Imperial Triumphant, Fallujah, Thank You Scientist, and The World Is A Beautiful Place & I Am No Longer Afraid To Die join on select dates. “I’m pumped to get back out on the road, especially with such phenomenal bands,” says vocalist Tommy Rogers. “Intensity in its full spectrum. It’s going to be a great night of music. Friends rule. Shows rule. This tour rules.”
The run follows a stretch of European performances through February and March, and comes on the heels of a live recording of album highlight “God Terror,” filmed in Denver during the band’s North American dates, with audio mixed and mastered by longtime collaborator Jamie King and filmed and edited by Randy Edwards. The full tour dates are as follows.
May 15 | Richmond, Virginia | The National
May 16 | Allentown, Pennsylvania | Archer Music Hall
May 17 | Worcester, Massachusetts | Palladium
May 18 | Washington, D.C. | 9:30 Club
May 20 | Buffalo, New York | Town Ballroom
May 21 | McKees Rocks, Pennsylvania | Roxian Theatre
May 22 | Detroit, Michigan | The Majestic Theatre
May 23 | Cleveland, Ohio | Globe Iron
May 24 | Cincinnati, Ohio | Bogart’s
May 26 | Indianapolis, Indiana | The Vogue
May 28 | St. Louis, Missouri | The Pageant
May 29 | Milwaukee, Wisconsin | The Rave
May 30 | Minneapolis, Minnesota | Varsity Theater
May 31 | Lincoln, Nebraska | Bourbon Theatre
June 2 | Boulder, Colorado | Boulder Theater
June 3 | Salt Lake City, Utah | Grand At The Complex
June 5 | Sacramento, California | Ace of Spades
June 6 | Los Angeles, California | The Fonda
June 7 | San Diego, California | Observatory North Park
June 8 | Phoenix, Arizona | Crescent Ballroom
June 10 | Austin, Texas | Mohawk
June 11 | Fort Worth, Texas | Tannahill’s Tavern
June 12 | Oklahoma City, Oklahoma | Tower Theatre
June 13 | Little Rock, Arkansas | The Hall
June 15 | Tampa, Florida | The Orpheum
June 16 | Jacksonville, Florida | FIVE
June 17 | Pensacola, Florida | Vinyl Music Hall
June 18 | Birmingham, Alabama | Saturn
June 19 | Pelham, Tennessee | The Caverns
June 20 | Winston-Salem, North Carolina | The Ramkat
Sophie Powers is back with her sharpest, most kinetic release yet. “klepto,” out now via Encore Recordings, is a collaboration with Chinese superstar Lexie Liu, and it arrives as a hyper-confident, late-night heist of a pop song, co-written with Jutes and Cam Hunter and produced by Mike Gonek. The companion video, filmed with both artists, plays out like a glamorous escape sequence, all bravado and momentum. “This song belongs in the Louvre and in your headphones,” Powers says. “There’s no shame in stealing the spotlight.” Liu is equally direct: “There’s real power in telling a story where no one has to play small.”
The Toronto-born, Los Angeles-based 21-year-old has been building toward this kind of moment since releasing her debut EP ‘Red in Revenge’ and following it with ‘Glitch: Lvl 1’ in 2024. She has accumulated over 80 million global streams, collaborated with Grimes, Dillon Francis, Baby Tate and K-pop acts IVE, ILLIT and NMIXX, and performed supporting sets for YUNGBLUD, Peaches and Waterparks across festival stages including Warped Tour, Slam Dunk and Seoul’s One Universe. A street performance with Crash Adams recently cracked 120 million views on TikTok, a number that speaks to just how wide her reach has grown. Critics have taken notice too, with outlets calling her “one of pop’s most powerful new voices” and “music’s new wunderkind.”
“klepto” is the latest in a streak of singles that includes “popoff,” “muddy” and “spiderwebs,” and Powers is already in the studio working on her first full-length project, due in 2026. The velocity here is real, and “klepto” makes it clear she is not slowing down.
SiriusXM will offer listeners nationwide season-long coverage of the 2026 NTT INDYCAR SERIES® season, starting with the season-opening Firestone Grand Prix of St. Petersburg this Sunday, March 1 (coverage starting at noon ET).
SiriusXM subscribers will have access to the live call of every one of the 18 events on the INDYCAR calendar, including the 110th Running of the Indianapolis 500 presented by Gainbridge, on Sunday, May 24th, at Indianapolis Motor Speedway, plus coverage of NTT INDYCAR SERIES qualifying and practice sessions.
INDYCAR coverage airs on the exclusive SiriusXM INDYCAR Nation channel, which is available in SiriusXM-enabled vehicles (channel 218) and on the SiriusXM app. For a schedule of races go to SiriusXM.com/IndySeries.
In addition to on-track coverage, SiriusXM offers fans weekly INDYCAR-focused shows and podcasts that keep them up-to-date on the latest news from the sport and deliver perspectives from true racing experts.
A new season of SiriusXM’s exclusive INDYCAR show, “Brick-by-Brick” — hosted by Jack Arute and 2013 Indy 500 champ Tony Kanaan airs every Wednesday (5 pm ET) on the SiriusXM INDYCAR Nation channel, and is available on demand on the SiriusXM app.
INDYCAR fans can also tune in to the podcast “Off Track with Hinch & Rossi,” hosted by James Hinchcliffe and Alexander Rossi. New episodes of “Off Track with Hinch & Rossi” debut weekly and can be heard on the SiriusXM app and all major podcast platforms. The podcast will also air on race days on SiriusXM INDYCAR Nation.
Meyer Shank Racing (MSR) and SiriusXM will continue its sponsorship collaboration this season, showcasing SiriusXM channels in eye-catching paint schemes on the track. The first collaboration of the 2026 INDYCAR season will see Felix Rosenqvist’s No. 60 Honda feature a special Tom Petty Radio livery – celebrating of the 50th anniversary of Tom Petty and the Heartbreakers – in Sunday’s season opener on the Streets of St. Petersburg.
Tom Petty Radio (SiriusXM channel 31) features music from the Rock & Roll Hall of Fame inductee, including exclusive tracks from Tom’s personal archives, as well as his acclaimed Buried Treasure radio show.
Hillbilly Vegas have a new single and video out now. “I Hope You Know” is the first release from the Oklahoma band’s upcoming album ‘A La Mode,’ due in May via Quarto Valley Records, and it hits exactly the way you would expect from a band with five Billboard Rock chart entries to their name. Driven by guitars and a blues-soaked southern rock groove, the track is about a relationship that has reached the point of no return, and vocalist Steve Harris wrote it from a real place. “It’s realizing the person you trusted isn’t in control anymore, and that you can’t fix it for them,” he says. “Sometimes the only thing left to do is let go and hope it gives them the motivation to fix themselves.”
The video, directed by GR1M and filmed at the band’s Oklahoma warehouse during what Harris describes as the worst snowstorm the U.S. had seen in 60 years, leans hard into the spirit of 1970s rock and roll. “We paid tribute to where we come from and the music that built us,” Harris says. “We kept it fun, like rock n’ roll is supposed to be.” The forced simplicity of the shoot, snowstorm and all, gives the whole thing an unforced authenticity that suits the song perfectly. Listeners are already pointing to it as one of the sharpest things the band has put out, calling it a locked-in, emotionally raw statement that shows exactly why Hillbilly Vegas has held a loyal audience for over a decade.
The band’s lineup brings serious pedigree to the project. Guitarist Geraldo Dominelli is a former member of Loverboy and has worked with Paul Rodgers, while bassist Todd Ronning comes from Bad Company. The group is managed by David Spero (Joe Walsh, Cat Stevens, Bad Company) and has built its reputation on relentless live work alongside acts ranging from Blackberry Smoke and The Kentucky Headhunters to Alabama, Travis Tritt and Blake Shelton. ‘A La Mode’ arrives in May. “I Hope You Know” is out now.
Gnarls Barkley are back. CeeLo Green and Danger Mouse have announced ‘Atlanta,’ their first album together since 2008’s ‘The Odd Couple,’ and it arrives March 6 via 10k Projects. The lead single “Pictures” is out now, inspired by the hours Green spent riding Atlanta’s MARTA transit system alone as an eighth grader after his middle school principal would send him home every Friday morning. It is a deeply personal entry point into what the duo is calling their final album together, and it lands like the duo never left.
‘Atlanta’ runs thirteen tracks. The full listing: “Tomorrow Died Today,” “I Amnesia,” “Pictures,” “Line Dance,” “Turn Your Heart Back On,” “Let Me Be,” “Cyberbully (Yayo),” “Perfect Time,” “Sweet Evil,” “Boy Genius,” “The Be Be King,” “Sorry,” and “Accept It.” In the years since ‘The Odd Couple,’ Green released solo records including ‘CeeLo Green is Thomas Calloway’ in 2020, while Danger Mouse kept busy with collaborative projects alongside Sparklehorse, Daniele Luppi, Karen O, and Black Thought. Now they’re together again, and by all accounts going out on their own terms. ‘Atlanta’ is out March 6.
The Country Music Association is heading to SXSW 2026 with two events on March 13 that put both the music and the people who make it front and center. The first is a panel discussion running from 11:30 a.m. to 12:30 p.m. CT at Downright Austin in Capitol Ballroom E, focused on how mental health support is being built directly into the touring ecosystem. Country artist Wyatt Flores, his manager William Dyer, and Dr. Chayim Newman, clinical psychologist and co-founder of Amber Health, will detail the model they developed together, with CMA Senior Vice President Tiffany Kerns joining to speak to the organization’s role in bringing it to scale. It is a rare, frank conversation about what sustainable artist care actually looks like on the road.
That evening, the CMA Songwriters Series takes over Central Presbyterian Church at 8 p.m. CT in the traditional writers round format, with Georgia Webster opening before Chase McDaniel, Ingrid Andress, Tiera Kennedy and Wyatt Flores each take their turns sharing the stories behind the songs and performing them as originally written. “Country Music has always been rooted in real stories and real emotion,” says Kerns. “Bringing an empowering conversation and a CMA Songwriters Series to SXSW gives us the opportunity to showcase that tradition in its most authentic form, while reinforcing our commitment to the well-being of the artists and industry professionals who make this music possible.”
Both events are presented in partnership with Amber Health, the music industry’s only full-service mental health and wellness provider, founded in 2020 by Dr. Newman and Zack Borer. Amber Health has supported tours behind Billie Eilish, Beyoncé, Olivia Rodrigo, Ed Sheeran and Shakira, and its partnership with CMA represents one of the most serious institutional commitments to proactive mental health care the country music world has seen.
Liquid Death and Spotify have joined forces to launch the Eternal Playlist Urn, the world’s first music-streaming burial urn, and only 150 exist. The premise is exactly what it sounds like: a fully functional urn that plays your favorite music for eternity, because apparently death does not have to mean the playlist stops. Leave it to Liquid Death to find the one product category nobody knew needed disrupting. The limited run is available now at the link in Liquid Death’s official channels, and given the brand’s track record with sold-out drops, these will not last long.
Waylon Hanel has a new music video out for “Tow Truck Driver,” and it lands exactly the way the song was always meant to. The 24-year-old Millington, Michigan native brings his lighthearted, good-ole-boy energy to the Bernie Nelson and Andrew Brockdorf-written track, which peaked at number nine on CDX’s True Indie Chart in 2025. Directed and produced by Karl Weidmann, the video is out now on Hanel’s YouTube channel, with network TV airings beginning Monday, March 2 at 8:34 a.m. EST and 9:12 p.m. EST on American Country Network, with additional support from The Heartland Network and The JMA TV Network.
“The real-life story told in ‘Tow Truck Driver’ shows that you can always find humor in some of life’s crazy things that happen to us all,” Hanel says. “On top of that, it also happens to be one of my favorite songs that I have ever recorded.” The track appears on his third studio album ‘When Waylon Came To Nashville,’ out now via CDX Records, a record that Saving Country Music named to its 2025 Essential Albums List. That kind of recognition from one of the genre’s most discerning outlets says everything about where Hanel sits right now.
‘When Waylon Came To Nashville’ is a full-commitment traditional country record, built on steel guitar, honest storytelling and a vocal twang that sounds like it was road-tested long before Hanel ever set foot in a studio. Recorded almost entirely at Dark Horse Recording Studio with producer Dave Hagen (Reba McEntire, Carrie Underwood, Keb’ Mo’), the album closes with “My Name,” produced by Josh Emmons at Omni Sound Studio in Nashville. “This album has everything a country record should have,” Hanel says. “Three chords and the truth, a steel guitar and a great story.”
The full track listing for ‘When Waylon Came To Nashville’ is as follows.