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Light in the Attic announces first-ever reissue for Nancy Sinatra and Lee Hazlewood’s ‘Nancy & Lee’

Eric Alper
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Light in the Attic announces first-ever reissue for Nancy Sinatra and Lee Hazlewood’s ‘Nancy & Lee’

Celebrated archival label Light in the Attic is thrilled to announce the first official reissue of Nancy & Lee: the highly-influential 1968 duet album from Nancy Sinatra and Lee Hazlewood. Set for release on May 20th, this definitive edition of Nancy & Lee features newly-remastered audio by the GRAMMY-nominated engineer John Baldwin and includes an array of exclusive content, including a new interview with Nancy, never-before-seen photos, and two bonus tracks from the album sessions: an ethereal cover of The Kinks’ “Tired of Waiting for You” and an up-tempo version of “Love Is Strange” (first made famous by Mickey & Sylvia in 1956). While the recordings – both captured in January 1968 – will make their official debut on vinyl in May, “Love Is Strange” is currently available now to stream across all digital platforms.

Nancy & Lee can be found in a variety of formats, including vinyl, cassette tape, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (RTI), is presented in an expanded gatefold jacket and features the iconic, original cover photo by Ron Joy. Inside, a 20-page booklet offers an array of photos from the legendary singer, actress, and activist’s personal collection, as well as an in-depth Q&A with Sinatra, conducted by the reissue’s GRAMMY-nominated co-producer, Hunter Lea (also available in the CD package). In addition to the classic black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

In celebration of the release, Nancy and fellow musician and longtime friend Don Randi (The Wrecking Crew) visited Record Technology, Inc. in Camarillo, CA to take a tour of the plant and get a sneak peek at the Bootique-exclusive pressing of Nancy and Lee. A short video piece documenting the day, including new interviews with Sinatra, Randi, and RTI plant manager, Rick Hashimoto, is available here.

Additionally, a limited-edition merchandise capsule including album art apparel, accessories, and more will accompany the release at Nancy’s Bootique at NancySinatra.com.

When Nancy – the eldest daughter of Frank Sinatra – first met Lee Hazlewood in 1965, she was a demure, 25-year-old divorcée, who was struggling to find her place as an artist amid the changing musical landscape. At the urging of her label, she was introduced to the Oklahoma-born songwriter, Lee Hazlewood, who had found success working with guitarist Duane Eddy. While Sinatra and Hazlewood hailed from vastly different worlds, they were about to embark on a partnership that would change the course of their lives. Just months after meeting, Sinatra scored her first No.1 hit with “These Boots Are Made For Walkin’.” Written and produced by Hazlewood, the song became Sinatra’s signature tune – transforming her into a confident and commanding feminist icon.

Initially, Hazlewood maintained a behind-the-scenes role with Sinatra, enlisting arranger and composer Billy Strange, as well as other members of The Wrecking Crew (the famed Los Angeles session musicians) for the singer’s best-selling 1966 debut LP, Boots. But when they returned to the studio later that year for Sinatra’s sophomore effort, How Does That Grab You?, Hazlewood joined the singer for a duet of his song, “Sand.” Over the next year, as Sinatra’s star rose, the artists continued to collaborate in the vocal booth, finding success with “Summer Wine,” “Lady Bird,” and the cinematic “Some Velvet Morning” (all penned by Hazlewood). In 1967, just months after Johnny Cash and June Carter Cash scored a country hit with “Jackson,” Sinatra and Hazlewood released a pop version of the offbeat song, landing in the Top Ten across Europe and peaking at No.14 in the US.

Recalling her duets with Hazlewood, Sinatra laughs, “We use to call it beauty and the beast!” Voices with no blend.” Indeed, no one could have predicted that these two contrasting voices (and personalities) would work together quite so well. Praising the duo’s “sonic alchemy,” Hunter Lea writes, “rarely in music has there been such an unlikely collaboration: Nancy, the sassy and sweet songstress contrasted by Lee, the gruff, psychedelic cowboy. A harmonic partnership that defies conventional logic yet yields so much beauty.”

Before long, it seemed only natural for the artists to release an entire album together. In addition to compiling their recent duets (many of which appeared on Sinatra’s solo LPs), the duo recorded several new covers and Hazlewood originals. Billy Strange and The Wrecking Crew provided lush orchestral arrangements, as the two artists performed a range of material, including folk, pop, and country songs, with a twist of psychedelia.

Throughout the album, a palpable chemistry can be heard between Sinatra and Hazlewood – from the frisky banter on “Greenwich Village Folk Song Salesman” to the tongue-in-cheek delivery of “I’ve Been Down So Long (It Looks Up To Me).” But the artists also reveal their softer sides – particularly in the romantic balladry of “Sand.” Their languid rendition of “You’ve Lost That Lovin’ Feeling,” meanwhile, is downright erotic, despite the lyrics. But, as Sinatra asserts, her decades-long relationship with Hazlewood was always platonic. “We had sort of a love/hate relationship,” she explains. “Maybe it was a sexual tension because we never had any kind of affair. I don’t know exactly what it was, but it worked.”

That je ne sais quoi certainly did work. Upon its release in the spring of 1968, Nancy & Lee became a critical and commercial hit on both sides of the Atlantic, peaking at No.13 on the Billboard 200 and No.17 in the UK. By 1970, the album was certified Gold by the RIAA. Over the decades, however, the appeal of Nancy & Lee has only grown, while the album has amassed an enduring cult status that few titles achieve. Multiple generations of artists, including Sonic Youth, Lana Del Rey, and the Jesus & Mary Chain, have cited Nancy & Lee as an influence.

In recent years, Nancy & Lee has also inspired a groundswell of recognition from such outlets as Rolling Stone, which ranked the pair at No.9 on their 20 Greatest Duos of All Time list. Pitchfork included Nancy & Lee in their “Best Albums of the 1960s” roundup, hailing the record as “a document of a flawless collaboration.” The UK’s Far Out Magazine declared Nancy & Lee to be “a masterpiece that still ripples in the sonic waves today.” NPR, meanwhile, noted that “Sinatra and Hazlewood masterfully marry sunshiny orchestral elements with lyrics that dig at something darker about the human condition.” They went on to praise Sinatra’s work on Nancy & Lee as “some of the best that she’s ever recorded…it proved that she would hardly allow herself to be pigeonholed into one-hit wonder territory. Here, she made it clear that she was capable of so much more.”

Today, Sinatra reflects fondly on her time with Hazlewood. “The most fun was when there were two mics in the studio, and Lee was on one and I was on one,” she recalls. When asked about the lasting appeal of Nancy & Lee, the artist credits much of its success to her partner. “Lee has a following that continues to this day. He’s beloved; people love him all over the world.”

Sinatra’s legacy, meanwhile, continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY Hall of Fame. That same year, Sinatra partnered with Light in the Attic for Nancy Sinatra: Start Walkin’ 1965-1976, a definitive survey of her most prolific period. At the end of 2021, LITA reissued Sinatra’s classic debut, Boots, while the label will continue to celebrate Sinatra with a variety of special releases, exclusive merch, and more.

Tracklist – Nancy & Lee:
1. You’ve Lost That Lovin’ Feeling
2. Elusive Dreams
3. Greenwich Village Folk Song Salesman
4. Summer Wine
5. Storybook Children
6. Sundown, Sundown
7. Jackson
8. Some Velvet Morning
9. Sand
10. Lady Bird
11. I’ve Been Down So Long (It Looks Like Up to Me)
12. Tired Of Waiting for You*
13. Love Is Strange*
* Bonus tracks

Randy Bachman Reveals How He Reunited With His Long-Lost Stolen Guitar

Eric Alper
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Randy Bachman Reveals How He Reunited With His Long-Lost Stolen Guitar

Randy Bachman tells a story about his stolen orange Gretsch guitar and why this guitar was so special to him.

Indigenous Pop-Rock Trio Low Budget Rock Star Unveil Cozy & Anthemic “Sunglasses”

Eric Alper
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Indigenous Pop-Rock Trio Low Budget Rock Star Unveil Cozy & Anthemic “Sunglasses”

Powerful Indigenous pop-rock trio from Opaskwayak Cree Nation, Manitoba-based Low Budget Rock Star deliver a fresh and invigorating power-rock single, “Sunglasses.”

Checking all the group’s self-designated boxes, “Sunglasses” is a bold new arena-rock sound smothered in a blanket of intimate yet catchy lyrical storytelling. Packed with feel-good lyrics and light-hearted chord progression, the song is teeming with plenty of lifts to pick spirits up and keep them high.

It’s not just high voltage sounds and riveting rolls through chords. This high-spirited anthem also holds a powerful message that Low Budget Rock Star holds close to their hearts.

“It’s important to acknowledge the insecurities we carry,” frontman Kennie Henderson shares. “And it is equally important that we do not allow them to consume the life we have.”

It’s always something bigger with this band.

It’s not just a song… It’s not just a band…

It’s life.

Low Budget Rock Star is a three-piece band comprised of Kennie Henderson (singer/guitarist), Harley Whitehead (bass), and Richie Cudmore (drums). This small band harnesses a mighty power that fights endlessly to breathe new life into a warry form of art – Rock N’ Roll.

Debuting in 2019, the band released their anthemic self-titled debut single cataloging the group’s humble upbringing. Because, never forget, naming a song after your band is VERY cool.

Henderson formed the band not just for fun, but for survival. “Growing up on the reservation, I used music as an outlet to help overcome the struggles of poverty, alcoholism, drug abuse, domestic family violence…” he shares.

Next to Henderson is Cudmore, a self-proclaimed 21st-century artistic poetic prophet whose experience and expertise help set the foundation and ultimate rise of Low Budget Rock Star. Cudmore is also lending his talents to Henderson when writing songs, although primarily focuses on drumming for the group.

Whitehead completes the trio, delivering love and nurturing through his prowess on bass. Harley’s love for music and songwriting contributes to Low Budget Rock Star’s overall identity.

When these guys get together to play, it’s seamless — almost like it’s one person doing multiple takes.

But alas, the reality is these are musicians who have effortless chemistry and training leading to smooth and passionate collaboration with each other.

It becomes a spiritual and intellectual encounter — which is also exactly how Low Budget Rock Star’s new single feels.

The Beach Boys Announce Yearlong 60th Anniversary Global Celebration

Eric Alper
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The Beach Boys Announce Yearlong 60th Anniversary Global Celebration

Upon signing to Capitol Records in 1962 and releasing their first album, Surfin’ Safari, that same year, the three young brothers, cousin, and friend from Hawthorne, Calif., known simply as The Beach Boys, soared to popularity with their ebullient sound that embodied the Southern California beach lifestyle with sunshiny vocal harmonies, twangy guitars, upbeat songs about surf culture, and their youthful exuberance. Propelled by the hits “Surfin’” and “Surfin’ Safari,” the album, which uncommon for its day, featured mostly original songs, spent 37 weeks on the Billboard chart and set the course for one of the most critically acclaimed and commercially successful bands of all time, who have gone on to sell more than 100 million records worldwide. With each album, The Beach Boys refined their songwriting and production skills, rapidly evolving from their early surf beginnings to create some of the most sonically exquisite and most important and beloved music ever made.

Sixty years after first transmitting their good vibrations around the globe, The Beach Boys, the first American pop band to reach the 60-year milestone, remain one of the most legendary and influential groups to date, with their timeless music reverberating through modern culture today as strong as ever. In celebration of their 60th anniversary, the group has released of some of the major initiatives planned to celebrate “America’s Band” throughout 2022-23.

The Beach Boys said: “It’s hard to believe it’s been 60 years since we signed to Capitol Records and released our first album, Surfin’ Safari. We were just kids in 1962 and could have never dreamed about where our music would take us, that it would have such a big impact on the world, still be loved, and continue to be discovered by generation after generation. This is a huge milestone that we’re all very honoured to have achieved. And to our incredible fans, forever and new, we look forward to sharing even more throughout the year.”

To kick off the yearlong celebration and provide the perfect summer soundtrack, Capitol Records, UMe, and Universal Music Canada will release a newly remastered and expanded edition of The Beach Boys career-spanning greatest hits collection, Sounds Of Summer: The Very Best Of The Beach Boys, on June 17. Originally released in 2003, the album soared to no. 16 in the US and stayed on the chart for 104 weeks. Now certified 4x platinum for sales of nearly four and a half million albums, the collection has been updated in both number of songs and audio quality, expanding the original 30-track best of with 50 more of the band’s most beloved songs for a total of 80 tracks that span their earliest hits to deeper fan-favourite cuts and from their 1962 debut album, Surfin’ Safari through to 1989’s Still Cruisin’.

Assembled by Mark Linett and Alan Boyd, the team behind 2013’s GRAMMY Award-winning SMiLE Sessions and last year’s acclaimed boxed set, Feel Flows – The Sunflower and Surf’s Up Sessions 1969-1971, Sounds Of Summer features nearly every US Top 40 hit of The Beach Boys’ incredible career, including “California Girls,” “I Get Around,” “Surfer Girl,” “Surfin’ U.S.A.,” “Fun, Fun, Fun,” “God Only Knows,” “Good Vibrations,” “Be True To Your School,” “Wouldn’t It Be Nice,” “Kokomo,” “Barbara Ann,” “Help Me, Rhonda,” “In My Room,” and many others. Fifty additional tracks showcase a broad mix of songs from across their wide-ranging catalog with some of the many highlights including “All Summer Long,” “Disney Girls,” “Forever,” “Feel Flows,” “Friends,” “Roll Plymouth Rock,” “Sail on Sailor,” “Surf’s Up,” and “Wind Chimes.”

The collection boasts 24 new mixes including two first-time stereo mixes, plus 22 new-and-improved stereo mixes, which in some cases feature the latest in digital stereo extraction technology, allowing for the team to separate the original mono backing tracks for the first time.

The expanded edition of Sounds Of Summer will be available in a variety of formats, including digitally, a 3CD softpack, and as a Super Deluxe Edition 6LP vinyl boxed set on 180-gram black vinyl in two options – a standard set or a numbered, limited edition version featuring a rainbow foil slipcase and four collectible lithographs. Both versions will feature colour printed sleeves that replicate the original “Capitol Catalog” sleeves that highlight the entire Beach Boys discography, and all formats will include a booklet with new liner notes and updated photos. The original 30-track version will also be available in its newly remastered and upgraded form on single CD or double gatefold LP on standard weight vinyl or as a higher-end limited edition numbered version pressed on 180-gram vinyl with a tip-on jacket and a lithograph.

Pre-order for Sounds Of Summer: The Very Best Of The Beach Boys is available now, and the set is being previewed with the new stereo mix of “Good Vibrations” which is now streaming and available for immediate download. Pre-order and listen now HERE.

Additionally, all 30 tracks on disc 1 of Sounds Of Summer have been mixed in immersive Dolby Atmos, joining the group’s Christmas Album which was mixed in spatial audio and released this past holiday season, and continuing the initiative to present the group’s catalog in the enveloping and exciting new audio format.

The timeless music of The Beach Boys will also be featured in several innovative official new music videos that are in the works along with a slate of lyric videos and visualizers to present these classic songs in the modern video era.

Following the release of Sounds of Summer, this fall Capitol/UMe/Universal Music Canada will release the next chapter in The Beach Boys’ archival releases, which will explore the bands often overlooked but pivotal albums, 1972’s Carl and the Passions – “So Tough” and 1973’s Holland. The deluxe multi-disc set follows last year’s acclaimed boxed set Feel Flows – The Sunflower and Surf’s Up Sessions 1969-1971 that topped many critic’s year-end lists and chronicled and explored the metamorphic and highly influential 1969-1971 period of the band’s career through tons of unreleased tracks, live recordings, radio promos, alternate versions, alternate mixes, isolated backing tracks and a cappella versions, culled from the album sessions. More details will be revealed at a later date.

Besides the new music releases from Capitol/UMe/Universal Music Canada, The Beach Boys are also catching new waves by participating in a feature length documentary currently in the works, a tribute special, prestigious exhibitions and events, unique brand partnerships, and much more to celebrate their 60th anniversary.

For six decades, The Beach Boys’ music has been an indelible part of American history. Their brilliant harmonies conveyed simple truths through sophisticated, pioneering musical arrangements. The Beach Boys transcended their music and have come to represent California culture. They provided fans around the world with a passport to experience love, youthful exuberance, and surf culture. Founded in Hawthorne, California in 1961, The Beach Boys were originally comprised of the three teenaged Wilson brothers: Brian, Carl, and Dennis, their cousin Mike Love, and school friend Al Jardine. In 1962, neighbour David Marks joined the group for their first wave of hits with Capitol Records, leaving in late 1963, and in 1965, Bruce Johnston joined the band when Brian Wilson retired from touring to focus on writing and producing for the group.

The Beach Boys signed with Capitol Records in July 1962 and released their first album, Surfin’ Safari, that same year. The band’s initial surf rock focus was soon broadened to include other styles and such themes as spirituality, meditation, and environmentalism, making The Beach Boys America’s preeminent band of the 1960s. The Wilson/Love collaboration resulted in many huge international chart hits.

The Beach Boys are one of the most critically acclaimed and commercially successful bands of all time, with over 100 million records sold worldwide. Between the 1960s and today, the group had over 80 songs chart worldwide, 36 of them in the US Top 40 and four topping the Billboard Hot 100. Their influence on other artists spans musical genres and movements. Countless artists have cited Pet Sounds as their inspiration for creating their own musical masterpieces. Rolling Stone ranked Pet Sounds No. 2 on its list of the “500 Greatest Albums of All Time,” and the Beach Boys No. 12 on its list of the “100 Greatest Artists of All Time.”

Inducted into the Rock & Roll Hall of Fame in 1988 and recipients of The Recording Academy’s Lifetime Achievement GRAMMY Award, The Beach Boys are a beloved American institution that remains iconic around the world.

Sounds Of Summer: The Very Best Of The Beach Boys – Expanded Edition
3CD/Digital Tracklisting

Disc 1
1. California Girls (1965)
2. I Get Around (1964)
3. Surfin’ Safari (1962)
4. Surfin’ U.S.A. (1963)
5. Fun, Fun, Fun (1964)
6. Surfer Girl (1963)
7. Don’t Worry Baby (1964)
8. Little Deuce Coupe (1963)
9. Shut Down (1963)
10. Help Me, Rhonda (1965)
11. Be True To Your School (Single Version) (1963)
12. When I Grow Up (To Be A Man) (1964)
13. In My Room (1963)
14. God Only Knows (1966)
15. Sloop John B (1966)
16. Wouldn’t It Be Nice (1966)
17. Getcha Back (1985)
18. Come Go With Me (1978)
19. Rock and Roll Music (1976)
20. Dance, Dance, Dance (1964)
21. Barbara Ann (1965)
22. Do You Wanna Dance? (1965)
23. Heroes And Villains (1967)
24. Good Timin’ (1979)
25. Kokomo (1988)
26. Do It Again (1968)
27. Wild Honey (1967)
28. Darlin’ (1967)
29. I Can Hear Music (1969)
30. Good Vibrations (1966)

Disc 2
1. All Summer Long (1964)
2. Good To My Baby (1965)
3. This Whole World (1970)
4. All I Wanna Do (1970)
5. Disney Girls (1971)
6. Kiss Me Baby (1965)
7. Let The Wind Blow (1967)
8. Forever (1970)
9. Sail On Sailor (1973)
10. Long Promised Road (1971)
11. Cotton Fields (1970)
12. Pom Pom Play Girl (1964)
13. Wind Chimes (Smile) (1966/1993)
14. I Went To Sleep (1968)
15. Farmer’s Daughter (1963)
16. Let Us Go On This Way (1977)
17. You Need A Mess Of Help To Stand Alone (1972)
18. The Night Was So Young (1977)
19. Marcella (1972)
20. You’re So Good To Me (1965)
21. Aren’t You Glad (1967)
22. Baby Blue (1979)
23. It’s About Time (1970)
24. Roll Plymouth Rock (1966/1993)
25. Surf’s Up (1971)

Disc 3
1. Add Some Music To Your Day (1970)
2. It’s Ok (1976)
3. Goin’ On (1980)
4. San Miguel (1969)
5. The Warmth Of The Sun (1964)
6. Everyone’s In Love With You (1976)
7. All This Is That (1972)
8. California Saga (1973)
9. Feel Flows (1971)
10. Wendy (1964)
11. Girl Don’t Tell Me (1965)
12. Let Him Run Wild (1965)
13. All I Want To Do (1968)
14. Susie Cincinnati (1970)
15. Vegetables (1967)
16. Time To Get Alone (1969)
17. Where I Belong (1985)
18. I Just Wasn’t Made For These Times (1966)
19. Little Bird (1968)
20. Til I Die (1971)
21. (Wouldn’t It Be Nice To) Live Again (1971)
22. Friends (1968)
23. Devoted To You (1965)
24. Can’t Wait Too Long (1968)
25. California Feelin’ (1978)

Sounds Of Summer: The Very Best Of The Beach Boys – Expanded Edition
6LP/Tracklisting

LP1
SIDE A
1. California Girls (1965)
2. I Get Around (1964)
3. Surfin’ Safari (1962)
4. Surfin’ U.S.A. (1963)
5. Fun, Fun, Fun (1964)
6. Surfer Girl (1963)
7. Don’t Worry Baby (1964)
8. Little Deuce Coupe (1963)

SIDE B
1. Shut Down (1963)
2. Help Me, Rhonda (1965)
3. Be True To Your School (Single Version) (1963)
4. When I Grow Up (To Be A Man) (1964)
5. In My Room (1963)
6. God Only Knows (1966)
7. Sloop John B (1966)
8. Wouldn’t It Be Nice (1966)

LP2
SIDE C
1. Getcha Back (1985)
2. Rock and Roll Music (1978)
3. Rock and Roll Music (1976)
4. Dance, Dance, Dance (1964)
5. Barbara Ann (1965)
6. Do You Wanna Dance? (1965)
7. Heroes And Villains (1967)
8. Good Timin’ (1979)

SIDE D
1. Kokomo (1988)
2. Do It Again (1968)
3. Wild Honey (1967)
4. Darlin’ (1967)
5. I Can Hear Music (1969)
6. Good Vibration (1966)

SIDE E
1. All Summer Long (1964)
2. Good To My Baby (1965)
3. This Whole World (1970)
4. All I Wanna Do (1970)
5. Disney Girls (1971)
6. Kiss Me Baby (1965)
7. Let The Wind Blow (1967)
8. Forever (1970)

SIDE F
1. Sail On Sailor (1973)
2. Long Promised Road (1971)
3. Cotton Fields (1970)
4. Pom Pom Play Girl (1964)
5. Wind Chimes (Smile) (1966/1993)
6. I Went To Sleep (1968)
7. Farmer’s Daughter (1963)

SIDE G
1. Let Us Go On This Way (1977)
2. You Need A Mess Of Help To Stand Alone (1972)
3. The Night Was So Young (1977)
4. Marcella (1972)
5. You’re So Good To Me (1965)
6. Aren’t You Glad (1967)
7. Baby Blue (1979)

SIDE H
1. It’s About Time (1970)
2. Roll Plymouth Rock (1966/1993)
3. Surf’s Up (1971)
4. Add Some Music To Your Day (1970)
5. It’s Ok (1976)
6. Goin’ On (1980)
7. San Miguel (1969)

SIDE I
1. The Warmth Of The Sun (1964)
2. Everyone’s In Love With You (1976)
3. All This Is That (1972)
4. California Saga (1973)
5. Feel Flows (1971)
6. Wendy (1964)
7. Girl Don’t Tell Me (1965)

SIDE J
1. Let Him Run Wild (1965)
2. All I Want To Do (1968)
3. Susie Cincinnati (1970)
4. Vegetables (1967)
5. Time To Get Alone (1969)
6. Where I Belong (1985)
7. I Just Wasn’t Made For These Times (1966)

SIDE K
1. Little Bird (1968)
2. Til I Die (1971)
3. (Wouldn’t It Be Nice To) Live Again (1971)
4. Friends (1968)
5. Devoted To You (1965)
6. Can’t Wait Too Long (1968)
7. California Feelin’ (1978)

Sounds Of Summer: The Very Best Of The Beach Boys
1CD Tracklisting

1. California Girls (1965)
2. I Get Around (1964)
3. Surfin’ Safari (1962)
4. Surfin’ U.S.A. (1963)
5. Fun, Fun, Fun (1964)
6. Surfer Girl (1963)
7. Don’t Worry Baby (1964)
8. Little Deuce Coupe (1963)
9. Shut Down (1963)
10. Help Me, Rhonda (1965)
11. Be True To Your School (Single Version) (1963)
12. When I Grow Up (To Be A Man) (1964)
13. In My Room (1963)
14. God Only Knows (1966)
15. Sloop John B (1966)
16. Wouldn’t It Be Nice (1966)
17. Getcha Back (1985)
18. Come Go With Me (1978)
19. Rock and Roll Music (1976)
20. Dance, Dance, Dance (1964)
21. Barbara Ann (1965)
22. Do You Wanna Dance? (1965)
23. Heroes And Villains (1967)
24. Good Timin’ (1979)
25. Kokomo (1988)
26. Do It Again (1968)
27. Wild Honey (1967)
28. Darlin’ (1967)
29. I Can Hear Music (1969)
30. Good Vibrations (1966)

 

Neneh Cherry’s New Album ‘The Versions’ Gets Released June 10

Eric Alper
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Neneh Cherry’s New Album ‘The Versions’ Gets Released June 10

Neneh Cherry announces a new project titled The Versions out June 10th, a collaboration album of covers from her expansive catalogue by an all female lineup of some of the most exciting and revered artists of our time. Listen to superstar songwriter Sia’s version of Neneh’s hit “Manchild” out today.

The Versions is a 10-track album featuring Neneh Cherry reworks from artists that have a personal connection to the artist and her music. Sia expresses her love for Neneh and her family saying, “Neneh was my favorite artist when she hit the scene. I saved my pocket money for red filas and dreamt one day we would meet. When I was struggling with my mental health in my early twenties, I somehow ended up in their house being taken care of as if I was one of their own children. I called her husband during a suicide attempt, who had been mentoring me as an incredible music producer, and they gave me all the love I could have dreamt of. I owe them a huge thanks and would sing ‘a-b-c’ for them if they asked.

Neneh, my very first queen, Cameron my bonus dad, I love you forever amen!”

Other artists involved include long-time friend, one of pop’s treasured musical geniuses and woman behind some of the most memorable songs of recent decade, Robyn who teamed up with Mapei to re-imagine the seminal track “Buffalo Stance” into a slinky, scandipop song with the help of Dev Hynes on production. Pop provocateur, ANOHNI lends her haunting vocals to “Woman”, delivering an arresting remake of the empowering track and south London nomad Greentea Peng transforms “Buddy X” into a garage infused number. Singer-songwriter and poet Jamila Woods adds her soulful touch on “Kootchi” with artist and violinist Sudan Archives completely reconstructing “Heart” into a sparse and delicate offering. Seinabo Sey adds Scandinavian soul to “Kisses On The Wind”, Kelsey Lu’s ethereal vocals on her version of “Manchild” transports the track into unworldly heights with Neneh’s daughter TYSON bringing her own sensual attitude to “Sassy” before Honey Dijon wraps things up, taking things to the dancefloor with her house remix of “Buddy X”.

Neneh Cherry has continued to define and redefine culture, style and music, releasing five studio albums, including 2018’s Broken Politics, produced by Four Tet, which was met with critical acclaim by the likes of The Guardian, Rolling Stone, The Times, Q and Pitchfork. 2020 saw her reissue her radically influential debut album Raw Like Sushi to celebrate its 30th anniversary and recently received the honorary Icon Award at the NME Awards 2022.

Tracklisting:
Buffalo Stance (Robyn feat. Mapei)
Manchild (feat. Sia)
Woman (feat. ANOHNI)
Buddy X (feat. Greentea Peng)
Kootchi (feat. Jamila Woods)
Sassy (feat. TYSON)
Heart (feat. Sudan Archives)
Kisses On The Wind (feat. Seinabo Sey)
Manchild (feat. Kelsey Lu)
Buddy X (Honey Dijon Remix)

Live Nation’s Annual Concert Week Is Here: Get $25 Tickets To More Than 3,700 Concerts

Eric Alper
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0
Live Nation’s Annual Concert Week Is Here: Get $25 Tickets To More Than 3,700 Concerts
Live Nation today announced the return of Concert Week, offering fans access to $25 all-in tickets to more than 3,700 shows across North America this year. The week-long program celebrates one of the biggest and most exciting years for live music and marks the kick-off to an epic summer concert season.

The ticket offer includes performances in clubs, theaters, amphitheaters, arenas, and stadiums, featuring some of today’s biggest acts across a large variety of genres, including Country, Hip-Hop, Latin, Metal, Pop, Rock, and more. Artists include, but are not limited to: Alicia Keys, Backstreet Boys, Florence + The Machine, Halsey, Keith Urban, OneRepublic, Swedish House Mafia, Wu-Tang Clan & Nas, Zac Brown Band, and many more. See list below for additional artists included.

Concert Week gives all live music fans access to participating Live Nation events with a special $25 ticket offer, including taxes and fees. For $25 flat, any fan can enjoy seeing their favorite artist live at their local venue this year.

TICKETS:  $25 Concert Week tickets will be available starting Wednesday, May 4th at 10 a.m. ET at livenation.com/concertweek through Tuesday May 10th, or while supplies last.

5 Seconds of Summer Haim Primus
Action Bronson Halsey REO Speedwagon
Airbourne Hanson Rod Stewart
Alicia Keys Heaven 17 Russ
Arkells Home Free Santana
Avril Lavigne Il Volo Sasha Alex Sloan
Bachman Cummings Jack Harlow Sebastian Yatra
Backstreet Boys Jack Johnson Shakey Graves
BANKS Jack White Shinedown
Barenaked Ladies Jacob Banks Slipknot
Bastille Jacob Collier Stereos
Big Time Rush James Taylor Swedish House Mafia
Bill Burr Jann Arden Tash Sultana
Billy Talent Jason Mraz The Beaches
Black Pistol Fire Jesse Cook The Black Crowes
Blackie and The Rodeo Kings Jessi Cruickshank The Black Keys
Bleachers John Fogerty The Chicks
Blue Rodeo Josh Groban The Doobie Brothers
Booba Josh Ramsay The Head and The Heart
Brett Kissel Keith Urban The Killers
Brit Floyd King Princess The Marcus King Band
Car Seat Headrest LANY The Sheepdogs
Celeste Barber Lauren Sanderson The Tea Party
Charlotte Cardin Lawrence The Tenors
Charlotte Day Wilson Maren Morris The Trews
Chelsea Handler Mastodon Tim Baker
Chris Rock Maverick City Music Together Again: Celebrating the Music of the Guess Who
Clannad Metric TONES AND I
Coheed and Cambria mewithoutYou Tori Amos
COIN Miranda Lambert Train
Colin James Modest Mouse Vance Joy
Dallas Smith Moist Walk off the Earth
David Gray Mother Mother Weird Al Yankovic
Deftones Nation Extreme Wrestling (NEW Wrestling) Welcome to Night Vale
Diljit Dosanjh OneRepublic Wu-Tang Clan
EarthGang Our Lady Peace Yungblud
Edwin Raphael Pam Ann Zac Brown Band
Florence + The Machine Peaches ZZ Top
Gerry Dee Pink Martini
Goo Goo Dolls Pitbull

Special 50th Anniversary Vinyl Editions Of David Bowie’s ‘Ziggy Stardust’ Will Be Released On June 17

Eric Alper
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Special 50th Anniversary Vinyl Editions Of David Bowie’s ‘Ziggy Stardust’ Will Be Released On June 17

Today marks the 50th anniversary of the release of David Bowie’s STARMAN, the first single from THE RISE AND FALL OF ZIGGY STARDUST AND THE SPIDERS FROM MARS. To celebrate, Parlophone Records is proud to announce release details for two very special vinyl releases to mark the album’s Golden Jubilee.

On 17th June, 2022, 50 years and one day after the original U.K. release date, THE RISE AND FALL OF ZIGGY STARDUST AND THE SPIDERS FROM MARS will be issued as a limited edition 50th anniversary half speed mastered LP and a picture disc, featuring the same master and a replica promotional poster for the album.

This new pressing of THE RISE AND FALL OF ZIGGY STARDUST AND THE SPIDERS FROM MARS was cut on a customised late Neumann VMS80 lathe with fully recapped electronics from 192kHz restored masters of the original Trident Studios master tapes, with no additional processing on transfer. The half speed was cut by John Webber at AIR Studios.

THE RISE AND FALL OF ZIGGY STARDUST AND THE SPIDERS FROM MARS is the breakthrough album that catapulted David Bowie into the international spotlight. Over the past 50 years it has remained a touchstone record, growing in stature with each passing year. It is now ingrained in popular culture, its undeniable influence spanning musicians from Arcade Fire to Lady Gaga, to Harry Styles’s androgynous fashion sense to Noel Fielding’s shirts on The Great British Bake-Off to Ziggy make-up challenges on Tik-Tok.

David Bowie laid to rest the Ziggy Stardust persona in July 1973 at his infamous last show with the Spiders From Mars at London’s Hammersmith Odeon, but Ziggy’s impact reverberates to this day.

DAVID BOWIE – THE RISE AND FALL OF ZIGGY STARDUST AND THE SPIDERS FROM MARS Tracklisting
SIDE ONE
Five Years – 4:42
Soul Love – 3:34
Moonage Daydream – 4:40
Starman – 4:10
It Ain’t Easy – 2:58

SIDE TWO
Lady Stardust – 3:22
Star – 2:47
Hang On To Yourself – 2:40
Ziggy Stardust – 3:13
Suffragette City – 3:25

Rock ’n’ Roll Suicide – 2.58

Faouzia Announces New Project ‘Citizens’ Out May 19

Eric Alper
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Faouzia Announces New Project ‘Citizens’ Out May 19

Internationally acclaimed Moroccan-Canadian singer/songwriter/multi-instrumentalist Faouzia has announced her new project, CITIZENS due Thursday, May 19. Pre-save is now HERE. On the prequel to her forthcoming debut album, Faouzia explores what it means to be a citizen. Born in Morocco and growing up in Canada, the tri-lingual artist takes a vulnerable approach in exploring how it feels to be “swallowed” up by the power of a big city and living as insignificant as a citizen.

The announcement of the project will include Faouzia’s recent single, “RIP, Love,” alongside a lyric video streaming now HERE. The track – which incorporates elements of Moroccan and Arabic music styles, inspired by the music of Faouzia’s upbringing – has proven an immediate global smash, with over 14.3M worldwide streams spanning such far-flung countries as the US, Indonesia, Malaysia, Canada, Morocco, Germany, Singapore, Egypt, France, the United Kingdom, Algeria, Saudi Arabia, the Philippines, India, and the Netherlands, to name only a few. The track has been prominently featured a stunning range of high profile global playlists, including Spotify’s “Women of Pop,” “Arab X,” “Global X,” and “Pop Rising,” Apple Music’s “Today’s Pop,” “New In Pop,” and “Future Hits,” and Amazon Music’s “Breakthrough Pop,” “Fresh Pop,” and “Girl Squad,” Deezer’s “Pop Top,” Tidal’s “Pop Queens” and “Pop Life,” and many more around the world.

Written by Faouzia and co-written and produced by Jakke Erixsen and Tor Eimon (Lauren Spencer Smith’s “Fingers Crossed”), “RIP, Love” has also drawn ecstatic praise from such top outlets as Rolling Stone, PEOPLE, Billboard, Entertainment Tonight, UPROXX, and more. Faouzia initially teased “RIP, Love” on her hugely popular TikTok – currently boasting over 3M followers – and quickly racked up over 430K individual video creates, 10M engagements and 707M total views. An official companion video is currently in production, featuring local creator Selvi who kicked off the “RIP, Love” TikTok dance trend.

Currently nominated for a prestigious JUNO Award for “Breakthrough Artist Of The Year,” Faouzia kicked off her run of new music with the empowering single, “Puppet,” joined by an electrifying official music video, directed by Emmy Award-winning filmmaker Kyle Cogan (Charlie Puth, Machine Gun Kelly, Madison Beer) and streaming now HERE.

Recently gracing the cover of VULKAN, Faouzia stunned at this year’s New York Fashion Week sitting front row at shows for Christian Cowan, Alice + Olivia, Carolina Herrera, Tory Burch, Markarian, and more. Her incredible looks were featured in VOGUE, Harper’s Bazaar, TMRW, WWD and more.

Named one of Variety’s “Artists to Watch for the 2022 Grammys,” Vogue’s “Style Stars Set to Make 2022 Exciting,” PEOPLE’s “Talented Emerging Artists Making Their Mark on the Musical Landscape,” and Entertainment Weekly’s “Artist to Watch in 2022,” the 21-year-old artist also made an exclusive visit to Genius’s influential Verified series, following earlier appearances including ELLE’s Song Association, Seventeen’s Tik Tok Reacts, Cosmopolitan’s TikTok Reacts and Refinery 29’s Spill It. Faouzia made her television debut in 2019 on The TODAY Show + The Kelly Clarkson Show alongside John Legend for stunning performances of their rising single “Minefields.” Currently boasting over 220M streams, “Minefields” continues to rise, still streaming over 2.5M times per week after over a year after release.

A true global artist, Faouzia has found fans in VOGUE Arabia, GQ Middle East, Gazelle Magazine, and more. Faouzia recently performed “Minefields” with Legend at an exclusive Chanel Event in Dubai. The Canadian-Moroccan artist was also featured in a YouTube Canada campaign “Every Day, Canadians Count on YouTube” and recently nominated for “Breakthrough Artist of the Year” at Canada’s JUNO Awards and “International Breakthrough of the Year” at France’s NRJ Awards.

With over 775M global streams to date, Faouzia has a combined social reach of over 8M followers. Boasting over 1.8M YouTube subscribers, 1.9M Instagram followers and more than 3.1M Tik Tok followers, Faouzia has cemented herself as a surefire artist to watch. With collaborations with John Legend, Kelly Clarkson, David Guetta, and more, the landmark star has been praised in global publications spanning VOGUE, Harper’s Bazaar, PEOPLE, ELLE, Rolling Stone, Genius, Seventeen, Billboard, and UPROXX, to name but a few. Currently hard at work on her eagerly awaited debut album, Faouzia remains focused on turning her unbridled self-expression into a powerful outlet for her audience.

“My favorite thing is hearing that one of my songs helped someone feel motivated or empowered, or even helped them to have a good cry – which sometimes is all you need,” Faouzia says. “I really believe that immersing yourself in music can help you through the tough times in life, and I always hope that my songs can do that for everyone.”

FAOUZIA – CITIZENS Tracklist
RIP, Love
Thick and Thin
Anybody Else
SoLie
I Know
Don’t Tell Me I’m Pretty
Minefields
Puppet

Gavin Stephens’ Hilarious Observation of Middle Age, ‘All Inclusive Coma’ Gets JUNO Nominated For Best Comedy Album

Eric Alper
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A lot of fun things happen when you’re over 40… You look down at your belly and realize you’re not as svelte as you used to be; you can no longer wear ironic cat T-shirts without seeming very weird; you’re easily irked by younger generations… It’s with blistering, spot-on humor that Canadian comic Gavin Stephens deals with the indignities of middle age on All Inclusive Coma — nominated for a 2022 JUNO award for Comedy Album of the Year.

“My process on this one was very Yoda,” Stephens reveals. “I think at surface-level, this is an album about age, but also creatively it was my age that helped to create it. I was very patient working on bits for months at a time until I felt they were exactly how I wanted them. It was an album where I really began to know myself.”

Stephens jokes on All Inclusive Coma about being reclusive now that he’s “old,” but the discipline to stay in rather than go out worked to his advantage; home became his sanctuary, which allowed him to concentrate.

“I’ve been in comedy for a long time,” he shares. “I’m at the point where younger comics refer to you as a ‘legend’ — which is a nice way of saying you’re old.

“It’s fine; I’m old,” he continues. “What are you gonna do? But with age comes craft, I think, because as an older comic there’s less reason to go out and grind.”

Besides dealing with the topic of age, Stephens employs a stream-of-consciousness style on All Inclusive Coma to riff on topics as diverse as corporate HR departments, the uncoolness of Ottawa, late-night tattooing, Millennial business ideas like axe-throwing locales, and some of the unexpected, um, messiness that comes with childbirth. The result is non-stop, side-stitching laughs, no matter how random or even gross the topic.

Some of the randomness he jokes about even recently proved itself to be wholly true: “I riffed about Ottawa being an HR town so, for me, it was funny to see that HR mentality in real-time with the Truckers Convoy,” he said. “Ottawa didn’t riot or burn down buildings to get the truckers out — they filed papers.”

Stephens regularly hosts Uncolonized, a comedic leftist podcast that deals with topics of racism, social issues, and politics in Canada. When he’s not performing or hosting his podcast, he can be found practicing his knitting or cheering on the Raptors. His perfect day includes watching cartoons, reading comic books, and watching indie wrestling.

Stephens was voted by Star TV as one of the “10 Funniest Canadians” and, for five seasons, he was a star and writer on the Gemini-nominated sketch show Comedy Inc. on CTV. A multi-media sensation, Stephens has filmed multiple one-man specials for The Comedy Network and has appeared at international festivals like Montreal’s Just For Laughs and Austin’s SXSW with indie comedy legends Margaret Cho, Janeane Garofalo, and Andy Kindler.

He has toured throughout Canada, England, the United States, and South Africa as a highly sought headliner with his one-man show “Meeting Of The Audio Visual Squad,” his Lenny Bruce tribute nights “The Ghosts of Lenny Bruce,” and as an acclaimed opening act for Russell Peters. He was also chosen as “Best Local Stand-Up Comic” in NOW Magazine’s Readers Choice poll.

Macabre & Mysterious, Canadian Alt-Electronic Artist Rick Christian’s New “Contagious” Taunts & Teases Danger

Eric Alper
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Macabre & Mysterious, Canadian Alt-Electronic Artist Rick Christian’s New “Contagious” Taunts & Teases Danger

While his previous single asked if you’ll “Dance With Death,” Canadian alt-electronic artist Rick Christian now gets up close and personal with more macabre-meets-music themes in this, his new single, “Contagious.”

No stranger to the thrill of horror-savvy songs that invite listeners into a dark realm of fantasy-meets-nightmare, “Contagious” is plucked from the twisted inner workings of Christian’s mind to both taunt and tease with danger.

He has, in his words, “escaped from the depths below to spread his Dark Jams into your mind in an attempt to regain a soul” and admitted to tapping into the dark recesses of his mind while penning the track.

“I decided to write a song that was very honest for the listener,” Christian says. “In that process, I’ve exposed my emotions in a vulnerable way…

“Relationships can be very volatile at moments, the energy you put out is contagious and malicious at times.”

The result is a contorting, synth-heavy exchange of Eurobeat and industrial. Christian succeeds in masterfully homing in on minor chords, with beats you can dance and lose yourself inside.

The pièce de résistance is the static scattered throughout the track. Don’t turn down your speakers. Don’t check your headphone wire. It’s Christian and his ability to inhabit each of your senses.

“The undertaking of producing and recording the song was the most involved of any song I have ever done,” Christian reveals. “The post-production was the most time-consuming aspect, using old vintage Roland drum machine emulators while layering and blending more synth tracks than I have previously attempted.”

“Contagious” also captures — quite literally — with a visual component that gives audiences an intimate peek behind the curtain to gaze inside his visceral commitment to the track.

“The majority of the filming was done in ‘The Foundry on Whyte’ — a beautiful room with modern industrial styling,” he shares. “The wallpaper alone offered us a creepy Victorian vibe that channeled the movie ‘The Shining’.”

Christian once again collaborated with Dan Gadowski of DBG Visuals, All Over Your Face YEG for makeup effects, and Amanda Brown returned to play the protagonist, portraying the “contagious and malicious relationship that takes place in reality and a dark mental realm.”

The benevolent journey down Rick Christian’s devious and delicious music is a rock and roll of the dice with the devil. Whether you turn up snake eyes or doubles, allow it to invoke you with a Cheshire smile.

Rick Christian is, as we know, “Contagious.”

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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