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STEVE NEVILLE Releases Low-Fi Love Letter “Going Home”

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Through an atmospheric and groove-laden lens, Métis alt-rocker Steve Neville parses the perseverance of the human spirit with the release of his new single, “Going Home.”

The song’s cover art faces a freight train head-on; apt, considering the single lands ahead of the artist’s raw and vulnerable forthcoming album, Off Track, detailing his journey surviving cancer.

“Off Track documents the trajectory of my illness, from my time in the ICU to being discharged after receiving my stem cell transplant,” Neville explains — adding that the tracks dive deep into his darkest moments, spinning together stories of spending five months in hospital, let alone during a pandemic and with an infant son at home who he was unable to see.

The fluidity of the album in its unbridled honesty and laid-bare authenticity delivers an unmissable story of the struggle to success, sparing no ebb and flow that comes with recovery.

“Many of the lyrics are about my physical state, and do this often by turning to a central theme on the album,” says Neville. “I compare my body to a broken-down train that has somehow been derailed on the path I thought my life would follow.”

The release is a highly anticipated examination in the test of the human spirit. For Neville — though weak and exhausted — the creativity to document his journey only grew stronger. And while in hospital, he began penning the songs that would eventually cultivate in Off Track, set for release March 25th, 2022. “Ultimately, the album is about moving on in life and accepting that maybe there’s something bright and beautiful beyond the horizon of what initially feels like an accursed departure,” he says.

Neville’s solo project comes years after leaving the now-disbanded Canadian rock outfit, The Balconies. The former group, co-founded by Neville and his sister, Jacquie, had been a mainstay in the country’s indie alternative community for a decade, releasing three albums. Neville would spend five years in hiatus before branching out as a solo musician — and his penchant for songwriting returned during the fight for his life after being diagnosed with Leukemia.

“I had my acoustic guitar with me as my constant companion and confidant,” Neville reflects on his stay in a Hamilton hospital, without the luxury of visitors due to the pandemic. “Now that these songs are out for others to hear, my goal with this music is to act as a friend for anyone in need, whether they’re sick or otherwise struggling in life and with their mental health.”

Neville enlisted producer Liam Jaeger (The Balconies) to flesh out the recording process of the songs he penned while in hospital. The pair took an unconventional approach to assemble the project as a way to capture the spirit of Neville being alone in his fight. “We wanted my voice to honestly reflect what it sounded like when I was singing alone in my hospital room,” Neville reveals, explaining the pair began the process by recording Neville’s voice and guitar before adding layers of instrumentation to the track until it became what we hear on the finished project. “We did this by doing remote sessions, which involved me recording my parts in Hamilton while in and out of the hospital, before sending it over to Liam in Toronto to complete the arrangements and instrument performances.”

“Going Home” is a testament to the emotional rollercoaster he felt in physically leaving the hospital and returning home to his partner and son. “For me, my family is most important,” he shares. “But my illness has also reminded me to appreciate every moment in life by being more present, by connecting with nature, by writing music, or whatever. I’m reminded here of a piece of wisdom from Pema Chödrön in When Things Fall Apart, who teaches that we can accept the most challenging things in life as a gift. ‘Going Home’ is about becoming more aware of what matters and finally following a path that is authentic and fulfilling.”

The track is a low-fi love letter, dripping in Neville’s signature vox and layered with electric guitar and rushing percussion. While the song may be Neville’s deeply intimate ode to success after a life-altering, changing, and redefining chapter, it is what ultimately coaxes each of us to be thankful every day.

And that’s why it hits so hard: Steve Neville may be the one “Going Home” but, on some level, so are each of us.

Drummer MARITO MARQUES Marries Portugal’s Music Traditions with Two of its Newest Singing Stars in “Amor Ao Longe”

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Bridging the gap between old and new, traditional and modern, and classic and contemporary is always a challenge — especially in the constantly changing soundscape of the music world. Multi-GRAMMY, Latin GRAMMY, and JUNO Award-nominated contributing drummer, composer, and producer Marito Marques passionately rose to that challenge with respect and ingenuity on his new album A Ponte (The Bridge), and its rapturous new single, “Amor Ao Longe” (Love in the Distance) — both available now.

Featuring two of Portugal’s most celebrated new voices, MARO, a solo artist who also performs with multi-GRAMMY winning UK artist Jacob Collier, and Salvador Sobral, the winner of the 2017 Eurovision Song Contest, “Amor Ao Longe” is a spellbinding, romantic journey of longing.

“‘Amor Ao Longe’ tells us about a love lived at a distance through a melody that immediately captivates, guided by the voices of MARO and Salvador Sobral,” says Marques. “This is the first time where these two stars sing together.”

Marques is the sole composer of “Amor Ao Longe” with lyrics by the renowned lyricist Paulo Abreu Lima, who has worked with Sting and the Portuguese Fado star Mariza. With Lima’s lyrics, MARO’s dusky alto and Sobral’s soulful tenor weave back and forth beautifully in a dance of two lovers desperately longing to close the distance of time and space between them. Marques’ subtle to dramatic percussion, Francisco Sales’ and Carlos Garcia’s gorgeous and complimentary guitar and piano work, along with the superb string trio of Nicole Marques on violin, Aleksandar Gajic on viola, and Bryan Holt on cello provide an exquisite bed to carry the achingly romantic story on.

Recorded at Toronto’s GMP Studios, “Amor Ao Longe” is the second single from Marques’ third full-length album, A Ponte.

“The album is based on the essence of traditional Portuguese music, reinventing it without any barriers or prejudices,” explains Marques.

With 11 tracks including the previous single “Manjerico”, A Ponte is based on an artistic residency that Marques participated in Arganil, Portugal with the traditionally Alentejo singing group ‘Os Vocalistas” and accordionist João Frade. Recorded in both Portugal and Toronto, where Marques is now based, the album also features renowned fado singer Marco Rodrigues and Luís Trigacheiro, the winner of The Voice Portugal 2021 and now considered among the top 10 voices of The Voice Program Worldwide.

By fusing timeless music with modern style and a decision to produce the album by collaborating with both Portuguese and Canadian musicians, Marques has made his latest project accessible to both international Portuguese communities, and the greater public.

“I want to show to the Canadian audience, and the world, this beautiful music genre presented in a modern way,” explains Marques about A Ponte. “I’ve always had respect and admiration for traditional Portuguese music and, since I moved to Canada in 2013, this fascination grew even more.

Born in Arganil, Portugal, Marito Marques is a prodigious musician who began playing live at only 5 years old, His talent quickly garnered the attention of musical legends such as Donna Grantis (guitarist, Prince), Jeff Coffin (saxophonist, Dave Matthews Band), and Fado icon Carlos do Carmo, along with Grammy nominations for Afro Peruvian Jazz orchestra – Best Latin Jazz Album, Tradiciones 2021, and Latin Grammy nomination for Afro Peruvian Jazz orchestra – Best Arrangement – La Flor De La Canela 2021.

Collective Soul And Switchfoot Band Together For Summer Tour

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Multi-Platinum Atlanta rockers Collective Soul–Ed Roland (vocals/guitar), Dean Roland (rhythm guitar), Jesse Triplett (lead guitar/background vocals), Will Turpin (bass/background vocals), Johnny Rabb (drums/background vocals)–didn’t let the pandemic get in the way of their 26-year tradition of non-stop touring, and now they’re getting ready to head out on the road again. In addition to various headlining shows, the band will join forces with Switchfoot–for the very first time—for a massive summer tour that will launch Friday, July 15 in Gary, IN at the Hard Rock Casino.

Collective Soul singer/guitarist Ed Roland can’t wait to get the tour started. “It’s always a thrill to go on tour, but this year is going to be so special because we get to be with not only our friends but a great band, Switchfoot! Southern boys meet Southern California boys, which will be a fun time for all!”

Switchfoot singer/guitarist Jon Foreman couldn’t agree more. “Been fans of Collective Soul and their songs from day one. Can’t believe it took this long for us to finally tour together. Psyched it’s finally happening!”

Collective Soul’s highly anticipated and critically acclaimed tenth studio album, BLOOD, was released June 21, 2019 on Fuzze-Flex Records/ADA as a download or CD on any of these digital retailers. Vinyl copies of the album are currently available on the band’s official website. It garnered impressive debuts on various Billboard’s charts, including #3 on the “Alternative Albums” chart. Elsewhere, it debuted at #4 on the “Independent Albums” chart, #5 on the “Rock Albums” chart, #12 on the “Digital Albums” chart, #15 on the “Top Current Albums” chart, and #19 on the “Internet Albums” chart. Last year, the band announced a visually powerful and socially purposeful collaboration with eco-lifestyle brand One Golden Thread through the launch of an exclusive limited edition lyrical “tree-shirt, created to express the golden thread that connects all our collective souls.” It’s available now on One Golden Thread’s website. A portion of the t-shirt’s proceeds will benefit Alzheimer’s care, support, and research.

Switchfoot — Jon Foreman (vocals, guitar), Tim Foreman (bass), Jerome Fontamillas (keys, guitar) and Chad Butler (drums)–has sold almost 10 million copies worldwide of their twelve studio albums (including their 2003 double-platinum breakthrough THE BEAUTIFUL LETDOWN and 2009’s Grammy Award-winning HELLO HURRICANE), racked up a string of Alternative radio hit singles, and performed sold-out tours with over 5 million concert tickets sold in over 40 countries around the world. Switchfoot has raised over $2 million dollars to aid kids in their community through their BRO-AM Foundation. Through their unique blend of emotionally intelligent and uplifting brand of Alternative Rock, Switchfoot has earned a devoted and loyal global fan base.

Check out Collective Soul and Switchfoot at any of the following stops:

DATE CITY VENUE

With Switchfoot:

Fri 7/15 Gary, IN Hard Rock Casino
Sat 7/16 Council Bluffs, IA Harrah’s Council Bluffs – Stir Cove
Sun 7/17 Maryland Heights, MO Saint Louis Music Park
Tue 7/19 Cleveland, OH Jacobs Pavilion at Nautica
Wed 7/20 Columbus, OH KEMBA Live! – Indoor Music Hall
Sat 7/23 Fond du Lac, WI Fond du Lac Fair
Sun 7/24 Wabash, IN Honeywell Center
Tue 7/26 Newport, KY PromoWest Pavilion at OVATION
* Wed 7/27 Midlothian, VA AfterHours Southside
Sat 7/30 Grantville, PA Penn National Racecourse – Hollywood Casino
Sun 7/31 Hampton, NH Hampton Beach Casino Ballroom
Tue 8/2 Silver Spring, MD The Fillmore Silver Spring
Wed 8/3 Huntington, NY The Paramount
Thu 8/4 New York, NY Palladium Times Square
Sat 8/6 Webster, MA Indian Ranch
Sun 8/7 Pittsburgh, PA Stage AE
Mon 8/8 Jackson, MI Jackson County Fairgrounds
* Sat 8/13 Billings, MT MetraPark – First Interstate Arena
Sun 8/14 Denver, CO The Mission Ballroom
Mon 8/15 Sandy, UT Sandy City Amphitheater
Wed 8/17 Jacksonville, OR Britt Pavilion
Sat 8/20 Paso Robles, CA Vina Robles Amphitheatre
* Sun 8/21 Saratoga, CA The Mountain Winery
Tue 8/23 Inglewood, CA YouTube Theater
Wed 8/24 San Diego, CA Cal Coast Credit Union Open Air Theatre
Fri 8/26 Henderson, NV Sunset Station Outdoor Amphitheater
Sat 8/27 Flagstaff, AZ Fort Tuthill Park – Pepsi Amphitheater
Mon 9/5 New Haven, KY The Amphitheater at Dant Crossing
Wed 9/7 Cary, NC Koka Booth Amphitheatre at Regency Park
Fri 9/9 Charleston, SC The Riviera Theater – Sottile Ballroom
Sat 9/10 Atlanta, GA Cadence Park Amphitheatre at Chastain Park
Sun 9/11 Nashville, TN Grand Ole Opry House
Tue 9/13 Jacksonville, FL Florida Theatre
Wed 9/14 Clearwater, FL Ruth Eckerd Hall
Fri 9/16 Orlando, FL Hard Rock Live
Sat 9/17 Pompano Beach, FL Pompano Beach Amphitheatre
Tue 9/20 New Orleans, LA Mahalia Jackson Theater
Wed 9/21 Sugar Land, TX Smart Financial Centre
Fri 9/23 Austin, TX Austin City Limits Live
Sat 9/24 San Antonio, TX Majestic Theatre

Taking Back Sunday celebrates 20th Anniversary Of ‘Tell All Your Friends’ With Bonus-Filled Reissue

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Craft Recordings celebrates the 20th anniversary of Taking Back Sunday’s landmark debut album, Tell All Your Friends, with a variety of special reissues and bonus content. Set for release on May 27th, all formats offer newly remastered audio, while the vinyl, CD and digital editions feature four previously unreleased demos of “Mutual Head Club,” “Bike Scene,” “The Blue Channel,” and “Great Romances of the 20th Century.”

The deluxe, 2-LP vinyl set is housed in a gatefold jacket, offering the remastered original album plus a bonus etched 10-inch disc with the four demos. Various limited edition color pressings will also be available, each offering a unique color for LP1, along with the standard black 10-inch. Fans can pick these up via the band’s webstore and on tour (Blue Smoke and Forest Green vinyl), Craft Recordings (Fog vinyl), Revolver (Orange Crush vinyl), and Urban Outfitters (Sangria vinyl). Rounding out the LP and CD formats are new liner notes from journalist Glenn Gamboa, who covered music for the Long Island-based Newsday during the band’s rise to fame. Additionally, a limited cassette edition will deliver the classic 10-track album, which includes such iconic hits as “Cute Without the ‘E’ (Cut from the Team)” and “You’re So Last Summer.”

Originally released in 2002, Tell All Your Friends not only propelled Taking Back Sunday to global stardom but also became a defining album in the alt-rock canon. Yet, as the Long Island band readied to record their debut, their expectations were modest—evidenced by the album’s tongue-in-cheek title. After solidifying their line-up in 2001 and recording a five-song demo, Adam Lazzara (vocals), Eddie Reyes (guitar), John Nolan (guitar + vocals), Mark O’Connell (drums), and Shaun Cooper (bass) caught the ears of Victory Records, who signed them promptly that December. Not long after, the band entered New Jersey’s Big Blue Meenie studio with producer Sal Villanueva (Thursday, Murphy’s Law) to record Tell All Your Friends.

Released in March 2002, the album delivered a blend of hardcore, punk, and pop-forward anthemic melodies with heartfelt lyricism and an emotionally charged delivery. Relatable, angsty, and cathartic, Taking Back Sunday’s music touched a nerve with a new generation of alt-rock fans. In his liner notes, Gamboa argues that the album’s songs “capture universal feelings that don’t generally get much play. We can all name a dozen love songs right now, sure. But how many songs can you name about wanting to be the one to betray your ‘best friend’ to ensure his downfall? What about the power of frenemies?”

He continues, “The feelings that Tell All Your Friends conjures up don’t even have to come from the hyper-literate lyrics, from a thousand clever lines unread on clever napkins. That mosh pit of emotions, which were extra raw in those angst-ridden days, starts with the driving rhythms from Mark O’Connell’s drum and Shaun Cooper’s bass. It soars on the triumphant guitar riffs from John Nolan and Eddie Reyes. Soon, you’re screaming along with Adam Lazzara. That is magic.”

Initially, fans were drawn in by “Cute Without the ‘E’ (Cut from the Team)”—the first track off Tell All Your Friends to be released online, and now, perhaps the band’s most enduring song. Following the album’s announcement, two more singles arrived: “Great Romances of the 20th Century,” which chronicled the end of a doomed relationship, followed by “You’re So Last Summer,” which served as an ode to summer flings. Eventually, “Cute Without the ‘E’” was officially released as a single and the high-energy (and utterly infectious) track spread quickly across the airwaves, helping to popularize the post-hardcore sound that would become mainstream in years to come.

In its first week, Tell All Your Friends sold nearly 2,400 copies—no small feat for a relatively unknown act. Over the following months, sales began to increase steadily, and mightily, thanks to the grassroots efforts of the band, their label, and their fanbase. The album’s title proved to be eerily prophetic, as the emerging power of online fan communities (particularly on Myspace) and peer-to-peer sharing fueled the band’s popularity. Tastemakers took notice as well, including MTV and alternative radio stations across the country, while the band performed on late-night TV shows, including Last Call with Carson Daly and Jimmy Kimmel Live!, during breaks from their busy tour schedule.

Within a year of its release, Tell All Your Friends had surpassed 100,000 units—a number that would double by the end of 2003. In 2005, it was certified Gold by the RIAA. Today, Tell All Your Friends has sold over one million copies and continues to be a fan favorite in Taking Back Sunday’s lengthy body of work. The band revisited the title in 2012 with a 10th-anniversary tour, followed by a live, acoustic version of the album, TAYF10 Acoustic, a year later.

Two decades after its release, the legacy of Tell All Your Friends cannot be underestimated. Among its many accolades, the title was ranked among Rolling Stone’s “40 Greatest Emo Albums of All Time” and NME’s “20 Emo Albums That Have Resolutely Stood the Test of Time” lists. Alternative Press called Tell All Your Friends “The record that changed everything,” adding that it was “As close as it gets to a modern masterpiece, capturing not just a band at their apex, but an entire scene. It will never be duplicated.” The BBC praised the band’s “ability to write fantastically catchy songs that are poppy and fun as they are upbeat and emotionally aggressive,” while Drowned in Sound simply declared it to be “the start of a movement.”

For the band, however, Tell All Your Friends represented something more. During an era when indie bands were still limited in their reach, Taking Back Sunday defied the odds, breaking through to the mainstream—and staying there. It also proved the power of the fanbase (and the internet) years before social media reached its apex. Most importantly, Tell All Your Friends launched the band’s 20+ year career, a benchmark that few acts can achieve.

When reflecting on the last 20 years since the album’s release, Nolan says, “During our live shows, there is a part during ‘Cute Without the ‘E’’ where we stop and let the crowd sing, ‘Why can’t I feel anything from anyone other than you.’ That has become an unbelievably moving moment for me. The connection between us and the audience is so apparent and so strong. The crowd screams it at us, we stand back from our mics screaming it at them, and the lyrics take on more significance than we ever imagined they could. In a lot of ways, that moment is a distillation of what Tell All Your Friends has meant. It sums up the mind-boggling psychological and emotional connection we made with people 20 years ago that’s still going strong today.”

The current line-up—vocalist Adam Lazzara, guitarist and vocalist John Nolan, drummer Mark O’Connell, and bassist Shaun Cooper—have been through a lot together. The band, in its various formations, has released seven albums to date (four of which were in the Billboard 200 Top Ten and three of which earned gold records). In 2018, Taking Back Sunday joined such iconic artists as Billy Joel, Joan Jett, and Lou Reed as inductees of the Long Island Music Hall of Fame, while in 2019, they celebrated their 20thanniversary as a band with an extensive tour and a career-spanning compilation, Twenty. In addition to working on a new album this year, the band is readying for an extensive summer tour across the U.S. with Third Eye Blind (see dates below). They also look forward to performing at Las Vegas’ highly anticipated When We Were Young festival in October.

Tour Dates (with Third Eye Blind):
22 June — Troutdale, OR — Edgefield
23 June — Auburn, WA — White River Amphitheatre
24 June — Bonner, MT — KettleHouse Amphitheater
25 June — Sandy, UT — Sandy Amphitheater
27 June — Morrison, CO — Red Rocks Amphitheatre
29 June — Council Bluffs, IA — Harrah’s Stir Concert Cove
30 June — Kansas City, MO — Starlight Theatre
1 July — Prior Lake, MN — Mystic Lake Casino Mystic Amphitheater
6 July — Newport, KY — Ovation
7 July — Indianapolis, IN — TCU Amphitheater at White River State Park
8 July — Chicago, IL — Huntington Bank Pavilion at Northerly Island
9 July — Sterling Heights, MI — Michigan Lottery Amphitheatre at Freedom Hill
12 July — Columbus, OH — KEMBA Live! Outdoor Amphitheater
13 July — Pittsburgh, PA — Stage AE
15 July — Philadelphia, PA — The Mann Center Skyline Stage
16 July — Mansfield, MA — XFINITY Center
17 July — Wantagh, NY — Northwell Health at Jones Beach Theater
21 July — Uncasville, CT — Mohegan Sun Arena
22 July — Holmdel, NJ — PNC Bank Arts Center
23 July — Columbia, MD — Merriweather Post Pavilion
26 July — Atlanta, GA — Cadence Bank Amphitheatre
27 July — Franklin, TN — FirstBank Amphitheater
29 July — Houston, TX — White Oak Music Hall
30 July — Del Valle, TX — Germania Insurance Amphitheater
31 July — Irving, TX — The Pavilion at Toyota Music Factory
1 Aug — Oklahoma City, OK — The Zoo Amphitheatre
4 Aug — Phoenix, AZ — Arizona Federal Theatre
5 Aug — Inglewood, CA — YouTube Theater
11 Aug — San Diego, CA — Cal Coast Credit Union Amphitheater
12 Aug — Las Vegas, NV — Virgin Hotels Las Vegas
13 Aug — Irvine, CA — FivePoint Amphitheatre

Tracklist (CD/digital editions):
1. You Know How I Do
2. Bike Scene
3. Cute Without The ‘E’ (Cut From The Team)
4. There’s No ‘I’ In Team
5. Great Romances Of The 20th Century
6. Ghost Man On Third
7. Timberwolves At New Jersey
8. The Blue Channel
9. You’re So Last Summer
10. Head Club
11. Great Romances Of The 20th Century (Demo)
12. The Blue Channel (Demo)
13. Bike Scene (Demo)
14. Mutual Head Club (Demo)

Tracklist (vinyl edition):
A1. You Know How I Do
A2. Bike Scene
A3. Cute Without The ‘E’ (Cut From The Team)
A4. There’s No ‘I’ In Team
A5. Great Romances Of The 20th Century

B1. Ghost Man On Third
B2. Timberwolves At New Jersey
B3. The Blue Channel
B4. You’re So Last Summer
B5. Head Club

C1. Great Romances Of The 20th Century (Demo)
C2. The Blue Channel (Demo)
C3. Bike Scene (Demo)
C4. Mutual Head Club (Demo)

Tracklist (cassette edition):
1. You Know How I Do
2. Bike Scene
3. Cute Without The ‘E’ (Cut From The Team)
4. There’s No ‘I’ In Team
5. Great Romances Of The 20th Century
6. Ghost Man On Third
7. Timberwolves At New Jersey
8. The Blue Channel
9. You’re So Last Summer
10. Head Club

Delmore Recordings announces all-new Karen Dalton collection ‘Shuckin’ Sugar’

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Musical archaeologist and record label Delmore Recording Society is honored to announce an all-new collection, Shuckin’ Sugar, from legendary blues and folk singer Karen Dalton.

Available April 23rd on vinyl as a Record Store Day exclusive, followed by a wide release in CD and digital formats on May 6th, Shuckin’ Sugar is a riveting 12-track live set recorded in 1963-1964, featuring the earliest known duets of Dalton (with then-husband, guitarist, and songwriter Richard Tucker) and seven never-before-heard solo performances. The collection is accompanied by an 8-page (LP)/24-page (CD) booklet featuring a treasure trove of newly discovered unseen and rare photos, as well as newspaper clippings, artwork by Dalton, and a heartfelt 6,000-word essay by veteran UK journalist and author Kris Needs.

Limited to 3,500 copies worldwide, the RSD release was pressed at Third Man Records on transparent, natural vinyl which comes housed in an old style, tip-on jacket. Click here to find your nearest participating record store. The CD and digital editions will be available to pre-order on April 25th at Delmore Recordings on Bandcamp and at most digital retailers.

Since falling completely under the spell of Karen Dalton in the 1990s, Delmore has been on a mission to unearth previously unheard Dalton recordings, including acting as North American liaison for Cotton Eyed Joe and Green Rocky Road, and in 2012, releasing the intimate cabin recordings Karen Dalton – 1966. Now, Delmore is incredibly proud to present a never-before-heard performance by Dalton, offering an unprecedented glimpse of a cult legend in the making. Label founder and release producer Mark Linn shares, “To describe the record would take a poet, but all I can say is that unveiling a missing chapter in the Karen Dalton story─with six songs we’ve never heard her sing before─is cause for celebration in Delmore’s world.”

In his essay, Needs writes, “Shuckin’ Sugar is of major significance for several reasons. Most obviously because it adds to a catalogue with even less official releases than her close friend and biggest champion, Fred Neil (if larger on the excavated tape front). It also illuminates a missing piece of Karen’s story, capturing rarely documented duets with partner Richard Tucker at full throttle, along with several superlative solo flights…From her opening jaw-dropping lift-off with early blues standard ‘Trouble In Mind,’ the unique otherworld Karen conjured springs into vivid life. Playing to audiences inevitably bound to the era’s formalities and traditions, Karen instinctively pushed the envelope, straying into uncharted territory beyond the established borders. She must have bewildered many who came to see her in those winsome Peter, Paul and Mary times.”

Shuckin’ Sugar comes on the heels of the internationally acclaimed documentary film Karen Dalton: In My Own Time (released last fall on Greenwich Entertainment) and the 50th anniversary celebration from Light in the Attic (featuring a highly-praised, expanded release of Dalton’s second and final album In My Own Time, along with a separate 7”/digital single featuring award-winning singer/songwriter Angel Olsen covering Dalton’s iconic “Something on Your Mind”). Directed by Robert Yapkowitz and Richard Peete, and executive produced by Delmore, Wim Wenders, and Light in the Attic, Karen Dalton: In My Own Time chronicles the life, music, and legacy of Dalton and features interviews with family, friends, collaborators, and a variety of artists (including Peter Walker, Nick Cave, Lacy J. Dalton, and Vanessa Carlton). Angel Olsen lends her voice to the film as the principle narrator, reading aloud from Dalton’s personal journal. Praise for the film includes: The Hollywood Reporter (“In sync with a singular musical artist. In tune with the haunting poetics of her work.”), The Guardian (“An unvarnished authenticity that cannot be mass-manufactured.”), The New York Times (“Critic’s Pick: An Elemental Musical Force.”), and The Washington Post (“The new film spotlights a fascinating tale of a singularly talented and complex woman.”).

Karen Dalton was a remote, mercurial creature, a hybrid of tough and tender with an otherworldly voice that seemed to embody a time long past. As is often the case with such fragile beings, she instinctively understood that if she wanted to survive the harshness of the world around her, she would have to keep herself hidden. It comes as no great surprise that she rarely sang in public or ventured into the unnatural setting of a recording studio. Only twice was she coaxed into formal studio settings, for 1969’s It’s So Hard To Tell Who’s Going To Love You The Best and then again for 1971’s In My Own Time. The rest of the time she made undocumented music at home, during late nights, sitting around with friends, singing songs until the sun came up.

Looking back to 1962, Dalton summoned her then-husband Richard Tucker to join her in Colorado, extolling the healthier lifestyle and plentiful gigs at Boulder folk club The Attic. Upon Tucker’s arrival, the pair solidified their personal and professional relationship, riding horses in the mountains and performing as a duo at parties and venues throughout Denver and Boulder. Stories of the spell they conjured, and rumors of tapes, have circulated among friends and musicians who witnessed them, but until now, no recorded evidence had turned up.

Shuckin’ Sugar is the glorious result of three reel-to-reel tapes that miraculously found their way to Delmore in November 2018, featuring two complete shows from The Attic in January 1963 and a benefit concert for The Congress of Racial Equality (CORE) recorded the following February (1964). In addition to the duets, Dalton and Tucker’s gigs would often include brief solo sets by each. All seven solo songs of Dalton’s found on the three reels are included on Shuckin’ Sugar, as well as five duets, sequenced as close to how it all went down as humanly possible.

Tracklist (vinyl edition):
Side A:
Trouble In Mind
If You’re A Viper*
When First Unto This Country*
Shiloh Town
Shuckin’ Sugar Blues*
Everytime I Think Of Freedom

Side B:
Ribbon Bow
Blues Jumped The Rabbit
Lonesome Valley*
When I Get Home*
In The Pines*
Katie Cruel
* previously unheard Karen Dalton rendition

Video: Tom Jones, Crosby, Stills, Nash & Young Perform “Long Time Gone” In 1969

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Tom Jones & Crosby, Stills & Nash performing Long Time Gone on Tom’s TV show This Is Tom Jones in 1969.

Film Footage Of Tower Records From 1971 Is REALLY Making Me Miss The Store

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Watch this video, filmed and produced by Sacramento City College professor Darrell Forney, to travel back in time when Tower Records was THE place to be in the 1970s.

Audiences are Taken On A Musical Road Trip with Bobby Cameron & Jamie Oppenheimer’s “White Car”

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Performed by Bobby Cameron and written by Jamie Oppenheimer, “White Car” is an auditory road trip and you’re invited along for the ride!

The song is what Oppenheimer refers to as in-part autobiographical; inspired by the first car he ever drove, he says this track represents the freedom and escape of getting behind the wheel of his mother’s 1968 Buick Skylark convertible.

Ignition turned, and brakes released; in one spin of the track, you’re transported to the open highway, Wayfarers blocking out the sun, and the music washing you down the road.

“Generally, I gave Bobby the freedom to interpret the songs as he saw fit, and I think he did a great job,” Oppenheimer says. “As the album Songs From Room 421 evolved, we both knew that, as musicians and songwriters, we were going to be as proud of the work in 10 years as we are now.”

Oppenheimer reveals “I have been writing songs since the late 80s, but after five years of failed efforts to interest others in my music, I finally took the hint. I never quit writing songs, I just did it for my own enjoyment, and I concentrated on my day job. Now, 30 years later, having retired and moved to Katrine, Ontario, where my wife and I built a log home on the site of the old family cottage, I have resurrected that passion.”

While Oppenheimer spent his formative years working as an industrial real estate broker, retirement has provided him the opportunity to put pen to paper and let the lyrics flow out of him. Bobby Cameron has been a mainstay in Canada’s music landscape, gaining notoriety and recognition after winning the MuchMusic’s Guitar Warz competition in 1990. That win gave this East Coast musician the opportunity to take the stage alongside the great Jeff Healey, and led to his eponymous first release in 1994. A heavily decorated musician, he has lent his talent to collaborations with Luke McMaster (Rihanna, Nick Lachey), Stan Meisnner (Celine Dion, Starship), Long John Baldry, and many others. He’d scoop the JUNO alongside co-writers Jully Black and Keith Harris (Black-Eyed Peas) for Black’s album Reunion.

Released in December 2021, the track reflects the power of a strong song performed by an outstanding musician and producer. The acoustic-heavy, roots/country upbeat diddy speaks to the truth of leaving it all in the rearview. Oppenheimer’s lyrics cover the universal theme of wanderlust, a story of allowing yourself the opportunity to drop down the convertible top and head out to where the road takes you. Cameron’s delivery is honky-tonk roadhouse; his commitment to remaining authentic to the spirit of the song brings the package to life.

Suddenly, it’s summertime. And as the wheels roll, the windows roll down, and the landscape rolls past you, you’ve found the perfect soundtrack to a destination unknown.

Maggie Rogers Unveils “That’s Where I Am” The First Single From Her New Album, Surrender Out July 29

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GRAMMY Award-nominated producer/songwriter/performer Maggie Rogers returns with “That’s Where I Am,” the explosive first single from her new album, Surrender through Capitol Records/Universal Music Canada, the country’s leading music company. Her powerful, emotive vocals glide over a shapeshifting sound that melds electronic, acoustic and electric elements to joyous effect. Rogers wrote and produced “That’s Where I Am” with Kid Harpoon. The track was recorded at Electric Lady Studios in New York City and at Peter Gabriel’s Real World Studios near Bath, England.

The official video for “That’s Where I Am,” co-directed by Rogers, Michael Scanlon and Warren Fu (Daft Punk, Dua Lipa, The 1975), is a love letter to Rogers’ adopted hometown of New York City and its vibrant, diverse energy. She strides confidently through the city, engulfed in crowds and encountering a few notable New Yorkers – GRAMMY, Oscar and Tony award winning artist David Byrne, photographer Quil Lemons and singer-songwriter Hamilton Leithauser – on her way to a powerful, skyscraper-lit nighttime performance.

Maggie Rogers, who will perform at the Coachella Valley Music and Arts Festival on April 17 and 24, said, “That’s Where I Am” is a story I’d been carrying around for many years, the story of a love that had been with me and unfolding for a long time. A lot of the events that Surrender chronicles take place in New York City. In the stark solitude and distance of covid, it was the backdrop for all my claustrophobic fantasies. The proximity and pleasure of just staring at strangers. The way a night could unfold. Events that interrupt your day instead of having to consciously and deliberately make each decision. I longed for someone to sweat on me. Spill their beer on my shoes. Be too tall for me to see at the concert. The city’s music and attitude was a big source of inspiration for the record. For all these reasons, there was only ever one place we could shoot the video. I’ve always said that New York is the city that winks back. It’s a main character. It’s a friend, a lover, an enemy sometimes. In many ways, the music video is about that New York love story. And on those filming days, it felt like the city was on our side. We got our first taste of true New York spring. That feral downtown explosion when suddenly everyone’s smoking on the sidewalks in short sleeves and drinking gin and tonics. The appearance of a few classic New York characters – David Byrne, The Walkmen’s Hamilton Leithauser, and photographer Quil Lemons – made the daydream feel complete.”

Surrender, which will be released by Capitol Records/Universal Music Canada on July 29, is available for pre-order HERE. Fans who pre-order the digital album will instantly receive “That’s Where I Am.” Surrender is the follow-up to Heard It in a Past Life, her massively beloved 2019 album, which entered Billboard’s Top Album Sales chart at No. 1 and debuted at No. 2 on the Billboard 200. Praised by the likes of NPR, The New York Times, Rolling Stone, Pitchfork, TIME Magazine, and many others, Heard It in a Past Life landed Rogers a nomination for Best New Artist and went on to amass over one billion combined global streams.

In early 2020 – after multiple sold-out headline tours and major festival performances in support of Heard It in a Past Life – Rogers retreated to the coast of Maine. As she immersed herself in deliberate stillness, she eventually felt called to create music with the same sense of playful, open exploration and internal discovery that made her fall in love with writing and producing music back in high school. Channeling the ocean’s unruly energy, she soon arrived at the controlled chaos and ecstatic physicality that would come to define Surrender.

Over the course of 12 unfettered yet exactingly crafted tracks, Rogers fully captures the frenetic intensity of the last two years of her life, bringing her bracing honesty to stories of anger and peace and self-salvation, transcendence through sex and freedom through letting go. Surrender is her most joyful output yet: a body of work built for the sweaty immediacy of live performance, raw and revelatory and primed for shared abandon. View the album trailer, which Rolling Stone described as “a poetic retelling of the album’s journey,” below.

Folk & Roots Artist James Culleton Totally Rocks at Child’s Play with “Superfun” New Single

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Everyone can agree childhood years are a full-on, multi-sensory experience with much time spent in the pursuit of pure, unadulterated fun. In celebration of such, Winnipeg’s children’s music innovator James Culleton releases his high-energy new anthem, “Superfun.”

Fresh from Culleton’s forthcoming album of the same name, the release builds on the folk/roots artist’s first children’s offering, Unusual Friendships (2020), where he created a multi-sensory experience for the ears, eyes, mind, and heart.

And builds, he does; “Superfun” roars out of the backyard gate with a title track and lead single that sets the garage rockin’ tone for the ultimate, all-day playdate. With joyfully raucous guitar work from revered guitarist/producer Grant Siemens (Corb Lund, Del Barber), “Superfun” cranks the volume all the way up to the top for glee.

According to Culleton, it’s a tune with a singular and simply irresistible mission: “It’s a song about everyone playing and having fun!”

That said, things started out quite differently when Culleton, Siemens, and the rest of the musicians tackled recording the tune. “When we were recording all the songs, it was the last one on the list,” recalls Culleton. “It was near the end of the day, everyone was pretty tired. But when that guitar lick started, the whole band just got revved up and it blew all our hair back, becoming the title track.”

“Superfun,” the song, was written by Roger Mollot; Superfun, the album, was recorded in Winnipeg at The Song Shop, and engineered, mixed, and mastered by Jamie Sitar. In addition to Siemens on guitar and keyboards, the release features Al Simmons on banjo, harmonica, and sound effects, Keri Latimer on theremin, Paul Balcain on saxophone, flute, and clarinet, Tom Fodey on bass, and Joanna Miller on drums. The joy of jumping into playing and creating without inhibitions, just like most kids do, is evident throughout the new collection.

“A lot of the songs on the album are about making art and music and how fun that can be,” explains Culleton. “How there are no mistakes, or how you’ll be a lot of things in life and it’ll be the people you meet that are important.”