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2022 SOCAN Songwriting Prize Finalists Showcase Canada’s Diverse Homegrown Talent

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Today, the 17th annual SOCAN Songwriting Prize celebrates emerging Canadian creators whose songs were declared the best of 2021.

The 10 English and 10 French finalists for the 2022 SOCAN Songwriting Prize continue to show the world that Canada is home to tremendous talent and diverse sounds. The next generation of great Canadian songwriters deliver exceptional songs in a wide range of genres, from rap, rock, dance, and folk/roots, to alternative rock, R&B and instrumental.

The SOCAN Songwriting Prize, and the equivalent Prix de la chanson SOCAN for Francophone songwriters, are the only major songwriting awards in Canada where fans determine the results with online voting at socansongwritingprize.ca.

“Music creators across the country, including our SOCAN Songwriting Prize nominees, are putting out remarkable bodies of work. However, ensuring this work is not only recognized, but also compensated, is critical to keeping this thriving sector going,” said Jennifer Brown, SOCAN CEO. “The SOCAN Songwriting Prize supports the next generation of songwriters, and by lobbying for the modern-era Online Streaming Act, SOCAN aims to strengthen their and all Canadian songwriters’ place in a digital world.”

The English and French grand prize winners receive $5,000 each, a Yamaha workstation and a $500 gift card from Long & McQuade. Each of the other nominated songs will be awarded a $500 cash prize and $50 gift card from Long & McQuade.

The 10 finalists for the SOCAN Songwriting Prize (English):

  • “24hrs” – written by Johann Deterville, Adam Pondang, Savannah Ré Simpson; performed by Savannah Ré; Savannah Ré and Johann Deterville published by Sony Music Publishing, Adam Pondang published by Warner Chappell Music Canada Ltd.
  • “By Myself” – written by Kahdijah Payne; performed by DijahSB and Harrison.
  • “Can’t Let Go” – written by Jeanne Gariépy, Gabrielle Godon; performed by Laroie; published by Arts & Crafts Music Publishing.
  • “Container” – written by Liam Cole, Thomas Gill, Dorothea Paas, Paul Saulnier; performed by Dorothea Paas.
  • “Find A Home” – written by Andrew Lennox, Eric Lourenco, Kirsten Kurvink Palm, Adam Sturgeon, Joe Thorner; performed by Status/Non-Status.
  • “Paper Thin” – written by Brendan Grieve, Nemah Hasan, Stevie Solomon; performed by Nemahsis.
  • “Stacy” – written by Kevin Ekofo, Jordon Manswell, Jonathan Martin, Evan Miles, Jon Vinyl, Corey Wong; Kevin Ekofo published by ST Music Circle, Jon Vinyl published by Warner Chappell Music Canada Ltd; performed by Jon Vinyl.
  • “Trust Issues” – written by Erik Fintelman, Robyn Ottolini, Mark Schroor; performed by Robyn Ottolini; published by  Warner Chappell Music Canada Ltd.
  • “want you more” – written by Amaka Queenette, Joshua Stanberry; performed by Amaka Queenette.
  • “Welcome to the Garden” – written by Emily Steinwall; performed by Emily Steinwall.

Fans can vote daily in both the English and French competitions from June 1 to June 8, 2022, for their favourite song by the nominees by visiting socansongwritingprize.ca.

The winning songs are scheduled to be announced the week of June 13, 2022.

Every year, two independent panels, each comprising 15 music industry influencers, nominate long lists of 30 English and 30 French songs by emerging Canadian songwriters and composers released in the previous year that they feel were artistically superior and meet eligibility criteria. All long-listed songs are then voted on by the panels to determine each list of 10 finalists in English and French.

SOCAN does not have a role in determining nominees or winners.

The 10 song finalists for the 2022 Prix de la chanson SOCAN, the Francophone counterpart to the SOCAN Songwriting Prize:

  • “Ce n’est pas de la chance” – written by Ariane Roy, Dominique Plante; performed by Ariane Roy.
  • “Bouge ton thang” – written by Michael Mlakar, Adel Kazi-Aoual, Émile Désilets, Clément Langlois-Légaré, Pascal Boisseau; performed by Clay and Friends.
  • “Normal de l’Est” – written by Steve Casimir, Marc Vincent, Alex Guay; performed Connaisseur Ticaso; published by Joy Ride Records.
  • “Écoute” – written by Étienne Coppée; performed by Étienne Coppée; published by Simone Records
  • “Indigo” – written by Laurence-Anne; performed by Laurence-Anne.
  • “Qu’est-ce que tu m’fais?” – written by Vincent Roberge, Félix Petit; performed by Les Louanges; published by Éditions Bonsound Inc.
  • “Entre mes jambes” – written by Lou-Adriane Cassidy and Alexandre Martel; performed by Lou-Adriane Cassidy; published by Éditions Bravo Musique.
  • “J’aimerais d’avoir un John Deere” – written by Jonah Richard Guimond; performed by P’tit Belliveau; published by Éditions Bonsound Inc.
  • “Les gens” – written by Arthur Gaumont-Marchand; performed by Robert Robert.
  • “Secret” – written by Hubert Chiasson, Félix Petit, Julien Chiasson; performed by Hubert Lenoir; published by Leclerc Lenoir Inc.

Jennifer Brown commented, “It has been a pleasure to witness the genuine love and passion for music that these nominated artists and their colleagues in the industry have. They never fail to inspire, make Canada proud and put their love of the craft above anything else.”

Dennis Chambers Hears Tool For The First Time

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What if funk/fusion drummer Dennis Chambers was the drummer for Tool?

Dennis is known for his legendary backbeat and funky style. So of course we felt mischievous and we dared him to try playing “Schism”, one of Tool’s biggest songs. It’s full of odd time signatures, quick, complex changes and unexpected accents, and Dennis had never heard it before.

But we didn’t ask him to learn the real drum parts: we wanted to see what he’d come up with on his own after hearing the song once. While you’ll hear the song with drums in this video, Dennis was actually listening to a drumless track.

“This is not me,” he warned us as he listened through the track, but “in my younger days, this would’ve been up my alley!”

How will Dennis Chambers not only learn a song he’s never heard before, but in a style he’s unfamiliar with – and in odd time, at that?

Since the song doesn’t have a drum track, he listens for two things: the style and the time signature. Watch Dennis’ playthrough where he gives it his own spin. It’s solid, it’s groovy, and there’s some unexpected footwork later on. It’s amazing how much a song can change with a different approach on the drums.

You’ve never heard Schism played like this before!

Roger Miller’s Beloved And Influential Classic Albums To Be Made Available Digitally For First Time Ever

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Over the course of his wildly successful four-decade long career, Country Music Hall of Famer, Roger Miller, recorded and released hundreds of songs across 19 studio albums, including a remarkable 52 singles. Best known for his chart-topping hits “King of the Road,” “Dang Me,” “Chug-A-Lug” and “England Swings” from the mid-1960s Nashville sound era, Miller released his debut album, Roger And Out, in 1964 on Smash Records after several years of playing with, and becoming a hit songwriter for country greats like George JonesJimmy DeanRay PriceErnest Tubb, and Faron Young, along with releasing a dozen singles of his own. On the strength of the back-to-back hits “Dang Me” and “Chug-A-Lug,” the album was a smash and set the stage for a peerless career that included 11 Grammy Awards, two Tony Awards, Academy of Country Music’s Pioneer Award, multiple hit records, several movie soundtracks, a television show, induction into Nashville Songwriters Hall of Fame, and so much more.

The year 2022 marks 65 years since Roger Miller first burst onto the Nashville songwriter’s scene in 1957 with his big break when then-rising country star George Jones recorded and released “Tall, Tall Trees,” which they co-wrote together on a road trip to Texas. Nearly 40 years later, and three years after Miller tragically passed away following a short battle with lung cancer, Alan Jackson had a No. 1 country hit with the song in 1995, the year Miller was posthumously inducted into the Country Music Hall of Fame.

To honor Miller’s life, legacy, and timeless music, Capitol Nashville/UMe will be making several of his classic albums originally released on Smash Records, Mercury Records, and MCA Records available digitally for streaming and download for the first time ever. Beginning tomorrow, Friday, May 27th, three albums will be released once a month throughout August, starting with 1970’s A Trip In Country, Miller’s recordings of hit country songs he wrote for George JonesErnest TubbRay Price and others; 1979’s Making A Name For Myself, featuring his single “The Hat” which he memorably performed on “The Muppet Show,” and 1985’s eponymous Roger Miller, featuring his recording of “River In The Rain” which he wrote for the seven Tony Award-winning play, “Big River;” and his last-ever single, “Some Hearts Get All The Breaks.”

“I’m excited that these classic albums of Rogers are being made available digitally for all to enjoy,” said Miller’s widow, Mary Miller. “As I revisit his wonderful catalog of songs, I’m reminded how much I like hearing his lighthearted ones like “Hey Would You Hold It Down?” as well as how poignant his ballads are. I hope these songs bring you a laugh, a tear, but most of all, a smile.”

In all, 12 albums will be made available throughout the summer months, including three of Miller’s biggest records: 1964’s Roger And Out (later to become known as Dang Me) and 1965’s The Return Of Roger Miller and The 3rd Time Around. Miller’s Gold-certified debut, Roger And Out, made him a household name with his first No. 1 country song and Top 10 pop crossover hit, “Dang Me,” which along with the hit single, “Chug-A-Lug,” garnered him his first five Grammys, including Best Country Song; Best Country and Western Recording, Single; Best Country and Western Performance, Male; Best Country and Western Album; and Best New Country and Western Artist. His 1965 follow-up, The Return Of Roger Miller, also quickly went Gold on the power of his signature song, “King of the Road,” the Top 40 hit “Do-Wacka-Do,” and the beloved novelty tune, “You Can’t Roller Skate In A Buffalo Herd.” In addition to “King of the Road” hitting the top of the Country and Adult Contemporary chart in the U.S. and No. 4 on the Billboard Hot 100, it also went to No. 1 in the UK, and was awarded five Grammys in both the “Country” and “Rock ‘N Roll” categories; the album, meanwhile, took home the Grammy Award for Best Country and Western Album. Miller’s third LP and second of 1965, The 3rd Time Around, continued his ascent to pop and country stardom giving him a No. 1 country album, that also soared to No. 13 on the Billboard 200, as a result of the four unforgettable singles: the Top 10 crossover hit, “Engine Engine #9,” and the country Top 10 hits, the “One Dyin’ And A Buryin’” and “Kansas City Star,” plus the melancholy “The Last Word In Lonesome Is Me,” which went on to become a hit for Eddy Arnold the following year and a decade later became a surprising hit for football great Terry Bradshaw.

The digital album releases will also include Miller 1966’s Words And Music, with the four notable singles “Husbands And Wives,” which peaked at No. 5 on the country chart and No. 26 on the Hot 100; the Top 20 hit, “I’ve Been a Long Time Leavin’ (But I’ll Be a Long Time Gone);” and the tracks “My Uncle Used to Love Me But She Died” and Miller’s take on Elvis Presley’s “Heartbreak Hotel;” his two albums from 1967, Walkin’ In The Sunshine, with the top 10 country title track; and Waterhole #3 (Code Of The West), the soundtrack to the James Coburn-starring Western comedy film of the same name which saw Miller collaborating with jazz composers Dave Grusin and Robert Wells for an orchestrated pop-western style exemplified in the Top 200 crossover hit, “The Ballad of Waterhole #3 (Code of the West).

The releases will be rounded out with 1968’s romantic-themed A Tender Look At Love, featuring Miller’s covers of songs like “By The Time I Get To Phoenix,” “Gentle On My Mind,” and the Top 10 country hit, “Little Green Apples;” and his 1969 and 1970 self-titled albums, which continued his rein on the country charts, peaking at No. 20 and No. 33 respectively. The 1969 record features the Kris Kristofferson-penned classic, “Me And Bobby McGee,” before Kristofferson, Kenny Rogers or most notably, Janis Joplin, recorded their versions. The song peaked at No. 12 on the country chart and was one of three singles, joining “Vance” and “Where Have All The Average People Gone,” as Top 20 country hits from the album. Roger Miller 1970 includes the Top 40 country single, “The Tom Green County Fair.”

For a list of all the albums and the dates they will be released see the schedule below.

Three decades after his passing and more than six decades after releasing his first song, Roger Miller’s music remains beloved by fans of cleverly written country, honky-tonk and pop and continues to influence generation after generation of songwriters and performers. Country greats Alison KrausAlan Jackson, Brooks and Dunn, and Randy Travis all had hits with his songs, and a who’s who of artists from across the musical spectrum have recorded his songs, including Ringo StarrDolly PartonWillie NelsonKacey MusgravesEric ChurchBrad Paisley, REM, Huey LewisRodney Crowell, She and Him, Lyle Lovett, Cake, Dwight YoakamAlison Kraus, Toad The Wet Sprocket, actor John Goodman, Colter Wall, and Shooter Jennings, a testament to his undying influence and love amongst the music community.

As All Music exclaimed, “Roger Miller was in fact one of the finest country songwriters of the ’60s and ’70s, and an important influence on the progressive country movement. Blending country with jazz, blues, and pop, he utilized unusual harmonic and rhythmic devices in his sophisticated songcraft, creating timeless, widely covered gems (‘King of the Road,’ ‘Husbands and Wives’) that have been tackled by everyone from Dean Martin to Giant Sand.” And now his finest albums will be available for all to enjoy in full however one listens to music.

A songwriter, singer, guitarist, fiddler, drummer, TV star, humorist, honky-tonk man, Broadway composer, and perhaps above all else, one of the wittiest personalities in country music – Roger Miller was all of these and more.

Known for his chart-topping hits “King of the Road,” “Dang Me,” “Chug-A-Lug” and “England Swings,” all from the mid-1960s Nashville sound era, Miller continued to record and tour internationally into the 1990s, charting his final top 20 country hit “Old Friends” with Ray Price and Willie Nelson in 1982.

With a diverse career spanning beyond music, he was the first artist to have his own prime time variety show, “The Roger Miller Show,” which aired on NBC from 1966-1967. Miller also wrote and performed several of the songs from the 1973 Disney animated film “Robin Hood.” Later in his life, he wrote the music and lyrics for the 1985 seven Tony Award−winning Broadway musical “Big River,” in which he also acted.

Miller died on October 25, 1992, at the age of 56. In 1995, he was posthumously inducted into the Country Music Hall of Fame.

Revered by his peers and recognized as a standard bearer by the generations of singer/songwriters to follow him, his legacy stands the test of time. His hits continue to be re-recorded in homage, including Alan Jackson with “Tall, Tall, Trees” and Brooks & Dunn recording “Husbands and Wives.”

May 27
Roger Miller-1985-MCA
Making A Name For Myself
A Trip In The Country

June 24
Roger Miller 1970
Roger Miller 1969
A Tender Look At Love

July 29
Waterhole #3
Walkin’ In The Sunshine
Words and Music

August 26
The 3rd Time Around
Return Of Roger Miller
Roger And Out

Paul Weller’s ’22 Dreams’ Double-LP With Exclusive Booklet And Poster To Be Released July 22, 2022

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Paul Weller’s Platinum selling ’22 Dreams’ album is to be re-issued on vinyl as a double-LP set, and will be available on July 22.

’22 Dreams’ is Weller’s ninth solo studio album. At the time of release (2008) the album received huge critical acclaim – The Guardian calling it “… a triumph of the most unexpected kind”, Uncut… “easily Weller’s finest solo album to date”, Q Magazine saying “… constantly rewarding musical odyssey”, Rolling Stone “…a genre-leaping set of 21 tracks”, Allmusic “…it’s rich in sound and feeling, possessing a shimmering dreamy quality” and the Observer Music Monthly “…a set of distinctive, strangely addictive songs”, ” – to name but a few.

Featuring a host of guest appearances throughout including Noel Gallagher, Gem Archer and Graham Coxon, it went straight in at number one in the U.K. album chart. A double-LP with gatefold sleeve, this first-time-on-vinyl version includes a 12″ x 36″ black and white poster with printed lyrics, tracklist and credits on the back side and includes an 8-page booklet titled “The Missing Dream AKA Dream # 22” by Simon Armitage.

’22 Dreams’

Side 1
Light Nights
22 Dreams
All I Wanna Do (Is Be With You)
Have You Made Up Your Mind
Empty Ring

Side 2
Invisible
Song For Alice
Cold Moments
The Dark Pages Of September Lead To The New Leaves Of Spring
Black River

Side 3
Why Walk When You Can Run
Push It Along
A Dream Reprise
Echoes Round The Sun
One Bright Star
Lullaby Für Kinder

Side 4
Where’er Ye Go
God
111
Sea Spray
Night Lights

National Music Centre Announces Buffy Sainte-Marie: Pathfinder Exhibition, Opening on June 3

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The National Music Centre (NMC) is pleased to announce Buffy Sainte-Marie: Pathfinder, a new retrospective exhibition by an innovator of digital art, which will make a stop at Studio Bell, from June 3 to August 1. The travelling exhibition is in partnership with NMC and Paquin Entertainment.

NMC will also host a public lecture with Buffy Sainte-Marie on Saturday, June 18 at 8:00 pm. The living legend will discuss her retrospective exhibition and the stories behind her digital artworks. Tickets for the lecture are $40 and on sale now at studiobell.ca/whats-on. Tickets for NMC Members are $35. To become an NMC Member, visit studiobell.ca/members.

Buffy Sainte-Marie is a world-renowned Oscar-winning composer, musician, visual artist, activist, educator. The Cree singer-songwriter has been an informative pathfinder and advocate for Indigenous rights, a continually evolving artist, and a contributor of positive thinking and resiliency amid difficult issues. She has spent her whole life creating, and her artistry, humanitarian efforts, and Indigenous leadership have made her a unique force in multidisciplinary arts.

Buffy Sainte-Marie’s retrospective exhibition, Pathfinder, presents a rare and unique window into the evolution of one of the early innovators of digital art starting with the purchase of her first Macintosh personal computer in 1984. Within this unassuming cube, Sainte-Marie quickly discovered the power, flexibility, potential, and infinite possibilities presented to her through this sudden democratization of technology. The Macintosh presented a transformational and enlightened way of developing and processing a lifetime’s worth of imagery and memory. The works presented in this exhibition provide a unique insight into her creative process, and represent the most comprehensive survey of her digital paintings to date.

The exhibition will take over the Cloud Lounge on Studio Bell’s fifth floor. Featuring 16 of her digital paintings, this exhibition compiles personal photos, sketches, and items such as her son’s Wolf Child cradle board, her hand-embellished performance jacket, and handmade instruments such as the bird whistle Buffy played on the iconic recording, “Now That the Buffalo’s Gone.”  Her humble 128K Macintosh computer – the very terminal on which many of the images were created – leaves a lasting impression. This mindful selection of articles and artifacts speak directly to this respected icon’s unique perspective of her own multidisciplinary life and culture and the experiences that inspired her to create these dynamic visual pieces.

“Buffy Sainte-Marie is one of Canada’s most revered artists and a three-time Canadian Music Hall of Famer,” said Andrew Mosker, NMC President and CEO. “Her body of work, from music to activism to visual art, is inspiring and truly remarkable. While Buffy’s music and advocacy work are currently featured in NMC’s Speak Up! exhibition, the Pathfinder exhibition will reveal a lesser-known side to the artist through her digital artworks. This is also the first travelling exhibition that NMC has sought out for Calgary, and we look forward to bringing many more to Studio Bell in the future.”

“This exhibition acknowledges Buffy as an innovator at the forefront of the digital era, framing her multidisciplinary creative contribution as a cultural leader, educator, and advocate through the lens of digital visual art,” said Natasha Lowenthal, Curator of Buffy Sainte-Marie: Pathfinder. “Whether you are a lifelong fan of Buffy’s music or are discovering her art and activism for the first time, you will leave enriched by her heart and humour and inspired by her art and intellect.”

Sainte-Marie’s approached the digital medium as she has with every facet of her diverse career — with trailblazing ingenuity. Reflect back to 1984—a time when the internet was almost unheard of and home computers were in their infancy— Sainte-Marie was there, building pieces of this collection within the confines of the very first versions of MacPaint on the earliest Macintosh models. The technology was nothing like the digital production resources we have today, and was used primarily as tools for marketing and graphic design rather than for creating fine art with emotional impact. Being void of prefabricated filters or options for multiple layers, the process of creating artful images required dexterity and patience. Rising above the limitations of the software, she injected as much depth of tradition and attention to detail with pixels as one would with intricate beadwork or classic oils. Meticulously blending scanned images of her wet studio paintings and in-progress drawings and sketches with those of real fibers, feathers and beads, Sainte-Marie crafted these digital tapestries with the precision and care of a natural-born storyteller. The visual and intellectual brilliance of this collection is undeniably ahead of its time.

Buffy Sainte-Marie: Pathfinder opens on June 3 and runs until August 1. It is accessible with pay-what-you-can admission. Studio Bell is open with extended spring hours, Thursday to Sunday, from 10:00 am to 5:00 pm, allowing music fans more opportunities to see this exhibition and several others.

Pink Floyd Has Joined TikTok

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Pink Floyd will today join TikTok for the first time with the Pink Floyd catalogue launching globally on the platform at 2pm BST.

Users will be able to access official Pink Floyd sounds from each track featured across Pink Floyd’s 15 studio albums. They can acquire a comprehensive library of official Pink Floyd music for their own TikTok video creations.  Each user will be able to utilise audio clips from the band’s career including tracks such as See Emily Play, Money, Another Brick in the Wall (Part II), Comfortably Numb, Wish You Were Here and High Hopes to name just a few.

As well as featuring in the TikTok Sound Library, the band will use the platform to regularly post unique video content. Throughout the band’s long and distinguished career, Pink Floyd has always used spectacular visuals and their introduction to the TikTok platform will see them extend their reach digitally.

The 30th May also denotes an important moment in the Pink Floyd timeline, marking 50 years to the day since the band entered the studio to start recording The Dark Side Of The Moon.

TikTok is a market leader in short-form video-based social networking, and is currently utilised by over 1 billion users. It’s global reach has seen it grow rapidly as a platform, and has subsquently launched the careers of many of its users. In joining the platform, Pink Floyd adds their name to a long, diverse list of notable acts whose music can also be accessed via the app.

In giving the global platform access to their music, Pink Floyd encourages innovative film making through these unique mediums.

 

Guitar Market recorded a 7.50% Y-O-Y Growth Rate in 2021

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The guitar market size is expected to grow by USD 1.14 billion from 2020 to 2025. However, the growth momentum is likely to decelerate at a CAGR of 5.38% as per the latest market report by Technavio. The guitar market is the growing popularity of music-related leisure activities. People across the globe are opting for various leisure activities, such as music, traveling, and sports. These activities offer a break from their hectic and monotonous lifestyles. One of the leisure activities gaining popularity across the globe is learning to play musical instruments. People belonging to all age groups are gradually taking part in music-related leisure activities, such as playing guitar. Many parents are also encouraging their children to adopt music as their career or extracurricular activity for their overall development. Moreover, the rising disposable income of people is supporting the adoption of different musical instruments and their enrollment in music classes. In addition, the number of live music shows and those attending such shows is overgrowing across the world. This is further motivating people to adopt music as a career and encouraging them to learn to play different types of guitars. Thus, the growing popularity of music-related leisure activities across the world is likely to augment the growth of the global guitar market during the forecast period.

The competitive scenario provided in the Guitar Market report analyzes, evaluates, and positions companies based on various performance indicators. Some of the factors considered for this analysis include the financial performance of companies over the past few years, growth strategies, product innovations, new product launches, investments, growth in market share, etc.Don’t wait, Make a strategic approach & boost your business goals with our Guitar Market Forecast Report –  Buy Now!

Guitar Market: Product Landscape

The guitar market share growth by the acoustic will be significant for revenue generation. The dominant share of this segment is attributed to the high adoption of acoustic guitars in developing countries. Acoustic guitars are designed so that they do not require any electric amplification for modulation or the projection of sound. Acoustic guitars have a hollow body that amplifies the string vibration and projects sound acoustically through the air. The demand for acoustic guitars is almost stagnant in developed markets, such as the US and the UK.

Guitar Market: Geographic Landscape

40% of the market’s growth will originate from North America during the forecast period. US and Canada are the key markets for guitar in North America. Market growth in this region will be faster than the growth of the market in Europe regions. The launch of innovative products, the growing use of online platforms to shop for guitars, and the surging demand for designer guitars will facilitate the guitar market growth in North America over the forecast period.

Companies Covered:

The guitar market is fragmented and the vendors are deploying growth strategies such as focussing on procuring high-quality raw materials and product-related R&D to compete in the market.

  • C. F. Martin & Co. Inc.
  • Fender Musical Instruments Corp.
  • Gibson Brands Inc.
  • HOSHINO GAKKI Co. Ltd.
  • Karl Höfner GmbH & Co. KG
  • Paul Reed Smith Guitars
  • Rickenbacker International Corp.
  • Schecter Guitar Research Inc.
  • Taylor-Listug Inc.
  • Yamaha Corp.

Americana Singer/Songwriter Doug Schmude is “On The Run” in Adventurous New Single

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Brimming with emotion and a wink of southern charm, Orange County troubadour, multi-instrumentalist and singer/songwriter Doug Schmude draws on his journey crossing state lines to reveal his adventurous new single, “On The Run.”

Eloquently plucked guitars fill the ears as Schmude’s latest single instantly evokes the open road and the myriad of new experiences that await the bold. A pseudo-road trip song about fearless couples who hit the highway together for months with no direction in mind, the new song is the latest to land from the troubadour’s recently released 2022 EP, One Shy Of A Six Pack.

The song’s sentiment touches on a chapter-change fast-approaching for Schmude, and his admiration for uninhibited travel has inspired the exploration of a more nomadic lifestyle that favours life’s simple pleasures. “My kids are approaching college age, and my wife and I keep talking about buying a Sprinter van,” he reveals. “I’m not sure if it will happen, but this tune always takes me to that life, regardless.”

His latest in a series of singles, Schmude has been refining his songwriting chops and musicianship with each subsequent release. “Finding my voice both literally and figuratively has been a journey, for sure.”

Accompanying the rhythmically satisfying guitar and percussion work is Schmude’s distinct vocal style punctuated by first-hand experience and a lyrically imaginative landscape.

“We’ve been watching the thunderheads form
The driver’s side since the morn
The lightning’s sure putting on a show
But were too far off to hear the thunder roll.”

Doug Schmude’s natural ability to conjure relatable worlds through music is being recognized by a multitude of radio hosts and music publications from across the globe.

Americana UK says “Doug displays a wealth of talent on a plethora of instruments, not least of which his voice, which simmers like a snake threatening but never quite needing to strike,” while Music City Blues Society says “Doug Schmude’s guitar work has that certain energy about it, a feeling that makes you believe that these things come just plain ole naturally for him.”

Hailing from Baton Rouge, Louisiana, Doug Schmude (rhymes with moody) has been honing his craft as a musician and songwriter in the Colorado area around the dawn of the new millennium. Having spent considerable time living across a number of states has provided a unique perspective on life and art that Schmude doesn’t take for granted.

Currently residing in southern California, Schmude’s debut album, A New Century, was nominated for an Orange County Music Award. Outside of his own music outfit, Schmude is an accomplished session guitarist and producer that has lent his talents to a number of recordings.

Pop-Country Artist Sylvia Kay Pens Nostalgic Ode to Coming of Age in Shimmering New Single, “Legacy”

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There’s that wistful, scary realization many of us have on the cusp of becoming adults that nothing – absolutely nothing – is going to stay the same. Canadian pop-country songbird Sylvia Kay captures that heady mix of emotions so beautifully in her new single “Legacy” — available now.

“Legacy” starts out shimmering with mellow beats underneath, and then Kay’s voice comes in ethereal and crystalline, painting a watercolor of her hometown — the blue skies, the violets, the dusty, tree-lined backroad where her dad used to speed. She’s looking around, soaking it in, taking mental snapshots, and taking us along on this journey to adulthood. “What does living on the edge of seventeen even mean? / All these people tryna tell me who they want me to be,” she sings.

It was in the process of sitting down to write “Legacy” that the realization came to the Caledon East, Ontario-based artist that she was right on the precipice of a whole new life. “In August of 2021, the songwriting process really began and it hit me that this was my last year of high school, my last year in this hometown, and the last time I’d see a lot of these people ever again,” Kay recalls. “The whole first half of the song is exactly that: reminiscing and the nostalgia behind it all. The second half is all about the process to maturity — that there was something so much greater beyond, a whole world I hadn’t discovered yet.”

Fittingly, she started writing the song on an old piano in her parents’ basement, which she had had since she was five years old. She finished the song with VEC Entertainment Group’s Bruno Vecchio and Acrylic Recording’s Harley Tamblin, who helped her focus the lyrics and add a killer guitar line and some gorgeous harmonies.

Sylvia Kay is a bright new talent who lived most of her life in a small town in Ontario. As a child, she had terrible stage fright, but with the help of some beloved music teachers, Lisa and Nick Carione at INKey Music Studio, she overcame her shyness. Ten years later, the stage feels like her home, and she is a Music Minister at her parish and writes music any chance she gets.

Kay got her start playing live shows last year at Bolton’s Journey of Hope and, in February 2021, released her first single, “Wild,” a direct reflection of her feelings, a diary in the shape of song lyrics and melodies.

Dan Frechette & Laurel Thomsen Say “Money Shouldn’t Talk That Strong” in Folk-Roots Single

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Under the soaring redwood forest canopies of Bonny Doon, California, folk-roots artists Dan Frechette and Laurel Thomsen tell the tale of dark money interests within the hopeful and positive community call-to-action that is their new single, “Money Shouldn’t Talk That Strong.”

Complete with an accompanying video, the new song accompanies a list of harmonic pleasures on the duo’s recent studio album, After The Fire. Drawing on their collective experience traveling the American landscape and witnessing the devastating effects of poverty and addiction, the verses about nonspecific problems set the stage for the shift, “in the vibe of the song, of course — but hopefully also in policy, focus, and more,” they share.

While heading back to California from a Canadian prairies tour in 2019, the impending US presidential election, combined with hostile economic conditions, made the issue hard to turn away; “from politics to the housing and homelessness crises, to climate and catastrophes, the common thread seemingly being that money often gets the last word.”

Accompanying Dan Frechette’s moody guitar playing are Laurel Thomsen’s inspirational lyrics — which are derived from the hope of those negatively affected by public policy in a non-partisan way. With ease, the song emphasizes “universal sentiments, dreams, and goals rather than putting weight into past grievances or the stance of any particular race, religion, or side of the political spectrum.”

“Overall, the song is intended to leave people feeling uplifted and inspired and — with Dan’s rocking backing band and my violin, viola, and cello trio — reinvigorated to do what they can to help create a fairer world,” Thomsen adds.

“Just bubbles in a bathtub
But poison was seeping to the bone, alone
In times the sages warned
No sign of a savior, we mourn, no
When selling off our decency ain’t a crime
Sends empathy cowering to the corners of our minds”

After meeting in 2012 and forming a once-in-a-lifetime connection Pinawa, Manitoba’s Dan Frechette and Monterey, California’s Laurel Thomsen have been dazzling audiences across North America. Frechette and Thomsen’s lush sonic palette has also taken them across international borders to several European countries, further proving the duo’s resilience and dedication to their harmonic craft. Between Frechette’s experience as an established songwriter and Thomsen’s classically informed compositional work as an accomplished violinist, this duo has only scratched the surface of their collaborative potential.

Their fifth studio album release, California’s Covid-19 stay-at-home order gave Frechette and Thomsen the necessary time to form After The Fire.

The potent title of the album comes from the forest fires that continue to sweep the California region; the duo was directly impacted after a freak lightning storm located near Frechette’s home studio led to several hundred houses being consumed by a ferocious blaze. Thankfully, all the band equipment and music were rescued before the studio fell to ash.

“After our evacuation to the safe haven of a friend’s home, After the Fire marks the end of an era, and a fresh start,” they share.