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Starring Fred Armisen, Anime-Punk Rock Collective OSAKA POPSTAR Reveal Animated Music Video for “Lost & Found”

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Following this month’s release of their new album EAR CANDY via Misfits Records in collaboration with Demented Punk, anime-meets-NY punk rock collective OSAKA POPSTAR are excited to reveal the animated video for its rocking and infectiously sweet original single, “Lost & Found.”

Written, produced, and directed by OSAKA POPSTAR’s frontman and longtime Misfits and Ramones collaborator John Cafiero, the cartoonized video for “Lost & Found” stars actor/comedian/musician Fred Armisen (Portlandia, SNL, Documentary Now) as the main character — a lost and lonely soul seeking out an unattainable love, all while paying homage to Saturday morning breakfast cereals, the Partridge Family, the Archies, and the Monkees — all of which are artists OSAKA POPSTAR cover throughout EAR CANDY.

Find an exclusive Q&A with Cafiero below outlining the process of creating the video.

EAR CANDY is fronted and produced by Cafiero (vocals), with Dean Rispler (The Voluptuous Horror of Karen Black) on guitar and bass, Jon Wurster (Superchunk, The Mountain Goats, Bob Mould) on drums, and features guest backing vocals from indie rocker Colleen Green. It is available now across all digital platforms and on CD and Limited-Edition candy swirl ‘bite’ vinyl (as seen in the above cover art and included featured in the “Lost & Found” video). Its CD and vinyl versions also include a download card with MP3s and a digital full-color 32-page variant first issue of the upcoming “Sweetie Candy Vigilante” comic book exclusive to this release. Get your copy now at https://store.osakapopstar.com.

OSAKA POPSTAR recently unveiled a deluxe expanded and remastered edition of their debut album, OSAKA POPSTAR AND THE AMERICAN LEGENDS OF PUNK, which features a backing lineup of punk rock legends Jerry Only (The Misfits), Marky Ramone (Ramones), Dez Cadena (Black Flag) and Ivan Julian (Richard Hell & The Voidoids) along with a special guest appearance from the late outsider music icon Daniel Johnston. The band followed up its release with a collaboration with Grammy Award-winning artist “Weird Al” Yankovic for Record Store Day Black Friday 2021 to release a “blistering, accordion-tinged cover” (Rolling Stone) exclusive 12-inch split, BEAT ON THE BRAT which immediately sold out and was listed as one of the Top 5 and Top 10 Record Store Day releases across several notable media outlets including iHeart Radio News.

Q&A WITH OSAKA POPSTAR’s JOHN CAFIERO

— Congrats on creating the “Lost & Found” animated video, which you wrote, produced, and directed. What inspired you to take this approach and why do you feel it’s the best visual to represent the song? 

“Thanks. I’m a bit of an art junkie, and over time, have amassed an extensive roster of surreal characters in the Osaka Popstar universe. I like to weave them into the fabric of what we do, and animation is an excellent outlet for that. In fact, to date, every Osaka Popstar music video has been fully animated. The irony here being that initially, I was planning to do this particular video in live-action, but the more time passed, it eventually evolved into a fully animated video.

“Although I have a background producing and directing live-action, I’m a former animator as well, and I’ve always loved the medium. There are no limits, no boundaries, and anything can happen beyond the confines of reality. I love making the impossible possible and spinning things into surreality tends to be a lot of fun.

“I think the video distills the core of the song into terms everyone can relate to, but in a fun and entertaining way, while simultaneously capturing the vibe of not only the song itself but Osaka Popstar generally — and the new record. I’m thrilled with how it turned out, and I hope others enjoy it as much as I do when they see it. So far, the reaction from those who’ve seen it has been amazing, and the guys in the band were blown away by it.”

— In creating the video, were there any challenges and how did you handle them? 

“Some of the challenges were ensuring my key concepts would be realized within the storyline, and also ensuring we captured not only the likenesses, but the essence of everyone that was transported into animated form. Not to mention, wrapping it all by the record’s release date, while living up to my high standards and expectations. I’m genuinely passionate about everything I do, and I believe that’s the key to making it all gel in the end. The process is fun, but it’s hard work and involves a lot of hours and extreme attention to detail. I tend to be relentless in ensuring the end result lives up to its full potential, and I think we accomplished that with this video, in a fairly quick turnaround time too.”

— The video stars the animated Fred Armisen. Can you tell us about how you know Fred and what inspired you to ask him to use his likeness in the video? 

“Fred and I have mutual friends and met briefly at the first Misfits reunion show in 2016. On the flight home, we ran into each other at the gate in the airport. As fate would have it, our seats were assigned right next to each other on the flight, and we’ve kept in touch ever since. I’ve always liked his work, and we have a lot of common interests. His favorite bands are my favorite bands, (bands who would turn out to become an integral part of my life and career), and we’ve both been huge John Waters fans from an age many would consider too young to have seen his films. John jokingly once told me he could have been arrested for me seeing Pink Flamingos when I did!

“The basic premise of the video was inspired by real-life events! I was waiting in my car parked outside of a supermarket in NYC, and a guy in a business suit passing by, stopped at the picture glass window of the storefront and, while gesturing to someone inside, started doing all these absolutely crazy and ridiculous dances — and I’m talking full throttle! I had no idea what he was up to, but I was mesmerized by it. It turned out that he was trying to get the attention of a girl working the checkout line. Making it more bizarre is that he was well dressed and very reserved looking; someone you’d never expect to behave that way. He was so over the top, it was absolutely absurd and surreal, like a scene from a movie. As I was watching it, I thought… this is my music video… and I immediately had Fred in mind to play the main character. Starting with that basic premise, I embellished on it, and developed it into what you see.

“While Fred has done a lot of incredible work, and given a lot of amazing performances, it was his role in an episode of the IFC series ‘Documentary Now’ called the Globesman, that would impress on me that he was the perfect person to play this character.

“Fred and I ran into each other when I was in the process of mixing Ear Candy. I played him a rough mix of the song and told him the concept I had in mind. At the time I was considering shooting this as a live-action music video. He dug it and immediately agreed. When I later switched gears and decided to do the video fully animated, I still wanted Fred to star in the role. I explained and asked if he remained interested. He was, and the rest is history.”

— Are you able to tell us what Fred has said about the video after he saw it? 

“Fred said that he loved the video and thought the song was great. I was thrilled. Fred was the first person to see it.”

— Can you give us a few sentences about the storyline of the video? 

“A lost and lonely soul wanders through a world of faceless people and things, but the one constant dynamic he sees everywhere he goes are the vibrant ads for his favorite red licorice. He falls for the poster girl who appears in the ad campaign, thinking she’s beyond his reach, if not beyond reality… Until he wanders past the storefront window of a supermarket and spots her working the register inside. He sets out to win her over in his own, goofy, but charming way. All the while Osaka Popstar appears in animated form, popping up in the most unlikely of places, providing the soundtrack to the story—which features cameos from the Osaka Popstar Devil Dogs, the Kawaii Black Metal Trio, Sweetie Candy Vigilante, and more, including homages to Saturday morning breakfast cereals, the Partridge Family, the Archies, and the Monkees. The latter three bands all having a kinship with Osaka Popstar in that they reach beyond the confines of the average band, existing in a universe of their own, while simultaneously existing in ours.”

 

DAVID BRAY with Lorraine Reid, Bill King, Garth Hudson, Bob Babbitt and More Completes Trilogy with ‘Land of Extremes’

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In his much-anticipated and latest album focusing on the inequities of life in North America housed in his most musically eclectic collection to date, Canadian artist, songwriter, and producer David Bray releases his new album, Land of Extremes.

The 18-track LP features the newly unveiled single, “Some Day (feat. Lorraine Reid),” and is the final installment in the Toronto-based musician’s ‘Crowded Isolation’ trilogy of three separate releases. Including Land of Extreme’s predecessors — 2016’s Night Rains and 2018’s Crowded Isolation — the project has been in the works for more than a decade and ranges musically from contemporary R&B to Soul, rock, and folk.

As a poet and a storyteller, David Bray’s unique artistic vision has established him as one of Canadian music’s leading songwriters. Approaching his craft more like an author than that of a normal tunesmith, the quality of the words and more traditional concept of literacy enhancing context and story structure are key goals for Bray.

As such, his compelling lyrical flair combined with an ear for musical hooks has been hailed by critics and industry veterans alike. With his work airing on 100+ stations around the world, in addition to online streaming sites, it’s clear Bray never compromises on the superb infectious music which is the bedrock of the collection.

Land of Extremes has multi-JUNO Award-winning and Platinum-selling producer and composer Chris Birkett (Steve Earle, Sinead O’Connor) on board as associate producer and engineer.

Helping flesh out his songs are some of Bray’s illustrious friends — including Bill King (Linda Ronstadt, Pointer Sisters, Martha Reeves, Janis Joplin), Garth Hudson (The Band), Justin Abedin (Jacksoul, Nelly Furtado), Colin Linden (Bruce Cockburn, Bob Dylan), David Bradstreet, John Dymond, Gary Craig (Bruce Cockburn, Jann Arden), Paul Reddick, and The Extreme Horns that are Gene Hardy, Christian Overton, and William Sperandei — as well as Motown legend Bob Babbitt (Marvin Gaye, Gladys Knight, Stevie Wonder), who passed away after recording with Bray, plus Bray’s longtime partner and collaborator, Lorraine Reid.

From his early work with Daniel Lanois, Eugene Martynec, and John Capek, to his more recent work with Jeff Healey, Kim Mitchell, Daniel Lanois (U2, Bob Dylan, Peter Gabriel), and a host of other all-star musicians — including those who contributed on the album — David Bray has earned his well-deserved reputation.

Land of Extremes — including “Some Day (feat. Lorraine Reid)” — is available now via The Pangaea Music House and Under Duress Music.

// Land of Extremes Tracklisting

1. Who Can You Trust? 4:36
2. I’ll Be Flying 3:10
3. Claustrophobic 3:57
4. What Comes Next 3:16
5. Normal Is 3:36
6. Some Day featuring Lorraine Reid 3:43
7. Overdue featuring Lorraine Reid 3:17
8. Live It Up A Little 3:38
9. Land Of Extremes 3:46
10. Furious World 3:00
11. Only You featuring Lorraine Reid 3:35
12. Under Duress 3:36
13. Speaking As One 3:30
14. So, In Conclusion 3:58
15. Come The Fall 4:37
16. Child Mother 3:11
17. I Don’t Know Why 5:17
18. Nothing Left featuring Lorraine Reid 3:44

North By Northeast Music Festival Announces Initial Lineup of Performers June 14-19, 2022

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The countdown is on; North by Northeast Music Festival (NXNE) has announced its initial list of Showcasing Artists invited to perform at this year’s music festival June 14th – 19th in Toronto.

The annual cultural explosion featuring music and more is set to feature over 300+ of the world’s best artists of today and tomorrow — including Omega Mighty, Osé, Balto, Dallas, Broken Islands, Vicky R, Jeremy Voltz, and hundreds more!

“We’re back and taking over more than 20 of Toronto’s top live music venues,” NXNE Founder and President Michael Hollett reveals. “We want to make it very easy for people to come back to live music and experience stage-hopping like festivals used to be.”

The festival is committed to gender equity and BIPOC representation, boasting a diverse lineup that reflects the festival’s core theme, ‘Talent is Everywhere.’ NXNE also makes great music accessible and inclusive to all; no artists are asked to pay to apply, all performers are paid, and admission to Club Shows in 2022 is extremely low-cost.

Full festival five-day passes are just $20 — an inflation-defying $9.99 less than in 1995 when NXNE launched. “That’s actually cheaper than when it first started,” Hollett notes. “Given the pummeling the live music scene has taken over the last two years, we wanted to remove financial barriers to attending NXNE to best connect artists with audiences. You can see live music all week for the price of a movie ticket and popcorn.

“We can’t wait to present these great acts to the world,” Hollett continues. “It’s time to experience live music again – and listen to the future at NXNE.” While further announcements of NXNE’s full lineup will follow, passes are currently available for sale at nxne.com.

A partial list of artists invited to perform include: 

3409- Toronto, ON
Ana Lía- Toronto, ON
Anna Smyrk- Melbourne, Australia
Atay & JAX- Halifax, NS
B.Knox- Toronto, ON
Balto- Los Angeles
Bealby Point- Vancouver, BC
Big Smoke Brass Band- Toronto, ON
Black Pontiac- Vancouver, BC
Broken Fires- London, UK
Brooklyn Doran- Peterborough, ON
Buffalo Bill- Toronto, ON
Cam Maclean- Montreal, ON
Chad Price- Toronto, ON
December Rose- Montreal, QC
DESIIRE- Toronto, ON
Diane Coffee- Indiana, Usa
Dover Lynn Fox- Toronto, ON
dwi- Vancouver, BC
Emma Campbell- Toronto, ON
Erez Zobary- Toronto, ON
Faeya- Canada
Fjord Mustang- Toronto, ON
Foolproof- St Catharines, ON
FRANKIE FLOWERS- Waterloo, ON
GETCHNAH- Toronto, ON
GROWERS- Toronto, ON
I, the Mountain- Kitchener, ON
INNR CIRCLE- Toronto, ON
Jeff Beadle- Niagara, ON
Jeremy Voltz- Toronto, ON
Jhyve- Toronto, ON
Joan Smith & the Jane Does- Toronto, ON
Jordan Astra- Toronto, ON
Just Costa- Montreal, On
Kingdom Of Birds- Toronto, ON
Kyara Tetreault- Toronto, ON
Kydd Jones- Austin
Late Night Thoughts- Brooklyn/NYC
Late Night Trouble- Montreal, QC
Lexxicon- Toronto, ON
Lindsey & The Lonelies- London, ON
LOR- Toronto, ON
Luxe- Toronto, ON
Maddisun- Vancouver, BC
Majo- Toronto, ON
Mattie Leon- Hamilton, ON
Mear- Toronto, ON
Mélissa Vales- Ottawa, ON
Michaela Slinger- Vancouver, BC
Mighloe- Toronto, ON
MY ØWN MØNEY- Toronto, ON
Newby- Toronto, ON
No Tourists- Toronto, ON
Olivia Khoury- Montreal, ON
Omega Mighty- Toronto, ON
Osé- Toronto, ON
Paige Warner- Owen Sound, ON
Peter Peres- Toronto, ON
prettyboys- Montreal, QC
Pyramid Theorem- Richmond Hill, ON
Raeshaun- Mississauga, ON
Rise Carmine- Toronto, ON
Sabby Sousa- Toronto, ON
Sleepy Gonzales- Vancouver, BC
Spitty- Brampton, ON
TAKAAYLA- Toronto, ON
Talking Violet- Windsor, ON
The Broken Islands- Vancouver, BC
The Crease Rule- Toronto, ON
The Free Label- Toronto, ON
The Holy Gamblers- Toronto, ON
The Midnight Echo- Vancouver, BC
The Redhill Valleys- Hamilton, ON
The Sarandons- Toronto, ON
Toebow- Brooklyn/NYC
Tripper and the Wild Things- Hamilton, ON
Twice Bleached- Cambridge, ON
Victory- Toronto, ON
Vintage Boring- Toronto, ON

 

NXNE is proud to work with their supporting partners of this year’s festival including Slaight Music, Indie88, Gladstone House, Steam Whistle, Bulova, White Claw Hard Seltzer, Long & McQuade, Yamaha, Exclaim, Grassroots, along with showcase sponsors KW TheMuseum, The City of Brampton, Music Manitoba, and WKBO The Bridge — with funding made possible by FACTOR, Canada Summer Jobs.

 

NXNE will take place Tuesday, June 14th – Sunday, June 19th in Toronto.

Canadian Alt-Indie Rock Duo BLACKOUT ORCHESTRA Unveil “Unfound”

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Rooted in pulsating beats and flowing vocals, Canadian alt-indie rock duo Blackout Orchestra masterfully deliver a soothing shoegazer with the release of their new single, “Unfound.”

Like its recently released predecessors, the new single represents yet again the lavish eclecticism solidified on their forthcoming album, Beauty Sleep; “It’s Fine” and “Tongues” lead the charge of singles between last year and Valentine’s Day 2022, with each providing introspective insight into Blackout Orchestra as songwriters and their ability to vocalize the full range of the human experience. “Unfound” continues that journey, breaking out in unassuming, melodic undertones — soon blending the lush harmonies of Ben VanBuskirk (vocals, music) and Morgan Thompson-Reid (vocals).

“‘Unfound’ was a bit of a turning point in making the record, coming late in the game,” says VanBuskirk. “I knew a girl in high school — she transferred in and back out within about a month, but we became really close in that time.

“We were the only ‘grunge’ kids at our school, listening to Fugazi and Velvet Underground,” he continues. “I remember she had Kid A on vinyl and I thought she was just the coolest person ever. After she moved, she was quite transient — going from city to city so I never knew how to reach her, but for years every now and then a package would arrive in the mail with these beautiful ramblings, art, knick-knacks, and mixtapes.

“Eventually they stopped coming, and I honestly have no idea what happened to her. The song is sort of a fictionalized look at where we ended up — these idealized punk rock kids who thought we’d never ‘sell out’; that we’d always be these creative weirdos and never compromise.

“I wonder if she ever found a way to navigate the ‘adult’ world, and what each of us might have gained and lost along the way.”

Blackout Orchestra burst onto the scene in 2021 with the release of their debut album, I Will Want You When We Are Ghosts. A self-described chronicling of heartbreak and recovery, their upcoming sophomore release Beauty Sleep navigates “finding your footing after a fresh start.”

“The last album was very much about hitting bottom and the slow climb back up,” VanBuskirk explains. “This record is the continuation of that — when you get your life together, it isn’t ‘happily ever after’… Life keeps happening; there are still the ups and downs of day-to-day life, those quieter battles that happen between the big moments of your life.

“I was particularly interested in taking softer acoustic sounds and marrying them with minimal electronic beats and flourishes, to further add to the feeling of being between two worlds,” VanBuskirk continues.

The morose realization that you’re alone is a sentiment explored on the track. But this satisfying prose from Blackout Orchestra churns the tides of “longing” to satisfaction in being “Unfound.”

2022 SOCAN Songwriting Prize Finalists Showcase Canada’s Diverse Homegrown Talent

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Today, the 17th annual SOCAN Songwriting Prize celebrates emerging Canadian creators whose songs were declared the best of 2021.

The 10 English and 10 French finalists for the 2022 SOCAN Songwriting Prize continue to show the world that Canada is home to tremendous talent and diverse sounds. The next generation of great Canadian songwriters deliver exceptional songs in a wide range of genres, from rap, rock, dance, and folk/roots, to alternative rock, R&B and instrumental.

The SOCAN Songwriting Prize, and the equivalent Prix de la chanson SOCAN for Francophone songwriters, are the only major songwriting awards in Canada where fans determine the results with online voting at socansongwritingprize.ca.

“Music creators across the country, including our SOCAN Songwriting Prize nominees, are putting out remarkable bodies of work. However, ensuring this work is not only recognized, but also compensated, is critical to keeping this thriving sector going,” said Jennifer Brown, SOCAN CEO. “The SOCAN Songwriting Prize supports the next generation of songwriters, and by lobbying for the modern-era Online Streaming Act, SOCAN aims to strengthen their and all Canadian songwriters’ place in a digital world.”

The English and French grand prize winners receive $5,000 each, a Yamaha workstation and a $500 gift card from Long & McQuade. Each of the other nominated songs will be awarded a $500 cash prize and $50 gift card from Long & McQuade.

The 10 finalists for the SOCAN Songwriting Prize (English):

  • “24hrs” – written by Johann Deterville, Adam Pondang, Savannah Ré Simpson; performed by Savannah Ré; Savannah Ré and Johann Deterville published by Sony Music Publishing, Adam Pondang published by Warner Chappell Music Canada Ltd.
  • “By Myself” – written by Kahdijah Payne; performed by DijahSB and Harrison.
  • “Can’t Let Go” – written by Jeanne Gariépy, Gabrielle Godon; performed by Laroie; published by Arts & Crafts Music Publishing.
  • “Container” – written by Liam Cole, Thomas Gill, Dorothea Paas, Paul Saulnier; performed by Dorothea Paas.
  • “Find A Home” – written by Andrew Lennox, Eric Lourenco, Kirsten Kurvink Palm, Adam Sturgeon, Joe Thorner; performed by Status/Non-Status.
  • “Paper Thin” – written by Brendan Grieve, Nemah Hasan, Stevie Solomon; performed by Nemahsis.
  • “Stacy” – written by Kevin Ekofo, Jordon Manswell, Jonathan Martin, Evan Miles, Jon Vinyl, Corey Wong; Kevin Ekofo published by ST Music Circle, Jon Vinyl published by Warner Chappell Music Canada Ltd; performed by Jon Vinyl.
  • “Trust Issues” – written by Erik Fintelman, Robyn Ottolini, Mark Schroor; performed by Robyn Ottolini; published by  Warner Chappell Music Canada Ltd.
  • “want you more” – written by Amaka Queenette, Joshua Stanberry; performed by Amaka Queenette.
  • “Welcome to the Garden” – written by Emily Steinwall; performed by Emily Steinwall.

Fans can vote daily in both the English and French competitions from June 1 to June 8, 2022, for their favourite song by the nominees by visiting socansongwritingprize.ca.

The winning songs are scheduled to be announced the week of June 13, 2022.

Every year, two independent panels, each comprising 15 music industry influencers, nominate long lists of 30 English and 30 French songs by emerging Canadian songwriters and composers released in the previous year that they feel were artistically superior and meet eligibility criteria. All long-listed songs are then voted on by the panels to determine each list of 10 finalists in English and French.

SOCAN does not have a role in determining nominees or winners.

The 10 song finalists for the 2022 Prix de la chanson SOCAN, the Francophone counterpart to the SOCAN Songwriting Prize:

  • “Ce n’est pas de la chance” – written by Ariane Roy, Dominique Plante; performed by Ariane Roy.
  • “Bouge ton thang” – written by Michael Mlakar, Adel Kazi-Aoual, Émile Désilets, Clément Langlois-Légaré, Pascal Boisseau; performed by Clay and Friends.
  • “Normal de l’Est” – written by Steve Casimir, Marc Vincent, Alex Guay; performed Connaisseur Ticaso; published by Joy Ride Records.
  • “Écoute” – written by Étienne Coppée; performed by Étienne Coppée; published by Simone Records
  • “Indigo” – written by Laurence-Anne; performed by Laurence-Anne.
  • “Qu’est-ce que tu m’fais?” – written by Vincent Roberge, Félix Petit; performed by Les Louanges; published by Éditions Bonsound Inc.
  • “Entre mes jambes” – written by Lou-Adriane Cassidy and Alexandre Martel; performed by Lou-Adriane Cassidy; published by Éditions Bravo Musique.
  • “J’aimerais d’avoir un John Deere” – written by Jonah Richard Guimond; performed by P’tit Belliveau; published by Éditions Bonsound Inc.
  • “Les gens” – written by Arthur Gaumont-Marchand; performed by Robert Robert.
  • “Secret” – written by Hubert Chiasson, Félix Petit, Julien Chiasson; performed by Hubert Lenoir; published by Leclerc Lenoir Inc.

Jennifer Brown commented, “It has been a pleasure to witness the genuine love and passion for music that these nominated artists and their colleagues in the industry have. They never fail to inspire, make Canada proud and put their love of the craft above anything else.”

Dennis Chambers Hears Tool For The First Time

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What if funk/fusion drummer Dennis Chambers was the drummer for Tool?

Dennis is known for his legendary backbeat and funky style. So of course we felt mischievous and we dared him to try playing “Schism”, one of Tool’s biggest songs. It’s full of odd time signatures, quick, complex changes and unexpected accents, and Dennis had never heard it before.

But we didn’t ask him to learn the real drum parts: we wanted to see what he’d come up with on his own after hearing the song once. While you’ll hear the song with drums in this video, Dennis was actually listening to a drumless track.

“This is not me,” he warned us as he listened through the track, but “in my younger days, this would’ve been up my alley!”

How will Dennis Chambers not only learn a song he’s never heard before, but in a style he’s unfamiliar with – and in odd time, at that?

Since the song doesn’t have a drum track, he listens for two things: the style and the time signature. Watch Dennis’ playthrough where he gives it his own spin. It’s solid, it’s groovy, and there’s some unexpected footwork later on. It’s amazing how much a song can change with a different approach on the drums.

You’ve never heard Schism played like this before!

Roger Miller’s Beloved And Influential Classic Albums To Be Made Available Digitally For First Time Ever

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Over the course of his wildly successful four-decade long career, Country Music Hall of Famer, Roger Miller, recorded and released hundreds of songs across 19 studio albums, including a remarkable 52 singles. Best known for his chart-topping hits “King of the Road,” “Dang Me,” “Chug-A-Lug” and “England Swings” from the mid-1960s Nashville sound era, Miller released his debut album, Roger And Out, in 1964 on Smash Records after several years of playing with, and becoming a hit songwriter for country greats like George JonesJimmy DeanRay PriceErnest Tubb, and Faron Young, along with releasing a dozen singles of his own. On the strength of the back-to-back hits “Dang Me” and “Chug-A-Lug,” the album was a smash and set the stage for a peerless career that included 11 Grammy Awards, two Tony Awards, Academy of Country Music’s Pioneer Award, multiple hit records, several movie soundtracks, a television show, induction into Nashville Songwriters Hall of Fame, and so much more.

The year 2022 marks 65 years since Roger Miller first burst onto the Nashville songwriter’s scene in 1957 with his big break when then-rising country star George Jones recorded and released “Tall, Tall Trees,” which they co-wrote together on a road trip to Texas. Nearly 40 years later, and three years after Miller tragically passed away following a short battle with lung cancer, Alan Jackson had a No. 1 country hit with the song in 1995, the year Miller was posthumously inducted into the Country Music Hall of Fame.

To honor Miller’s life, legacy, and timeless music, Capitol Nashville/UMe will be making several of his classic albums originally released on Smash Records, Mercury Records, and MCA Records available digitally for streaming and download for the first time ever. Beginning tomorrow, Friday, May 27th, three albums will be released once a month throughout August, starting with 1970’s A Trip In Country, Miller’s recordings of hit country songs he wrote for George JonesErnest TubbRay Price and others; 1979’s Making A Name For Myself, featuring his single “The Hat” which he memorably performed on “The Muppet Show,” and 1985’s eponymous Roger Miller, featuring his recording of “River In The Rain” which he wrote for the seven Tony Award-winning play, “Big River;” and his last-ever single, “Some Hearts Get All The Breaks.”

“I’m excited that these classic albums of Rogers are being made available digitally for all to enjoy,” said Miller’s widow, Mary Miller. “As I revisit his wonderful catalog of songs, I’m reminded how much I like hearing his lighthearted ones like “Hey Would You Hold It Down?” as well as how poignant his ballads are. I hope these songs bring you a laugh, a tear, but most of all, a smile.”

In all, 12 albums will be made available throughout the summer months, including three of Miller’s biggest records: 1964’s Roger And Out (later to become known as Dang Me) and 1965’s The Return Of Roger Miller and The 3rd Time Around. Miller’s Gold-certified debut, Roger And Out, made him a household name with his first No. 1 country song and Top 10 pop crossover hit, “Dang Me,” which along with the hit single, “Chug-A-Lug,” garnered him his first five Grammys, including Best Country Song; Best Country and Western Recording, Single; Best Country and Western Performance, Male; Best Country and Western Album; and Best New Country and Western Artist. His 1965 follow-up, The Return Of Roger Miller, also quickly went Gold on the power of his signature song, “King of the Road,” the Top 40 hit “Do-Wacka-Do,” and the beloved novelty tune, “You Can’t Roller Skate In A Buffalo Herd.” In addition to “King of the Road” hitting the top of the Country and Adult Contemporary chart in the U.S. and No. 4 on the Billboard Hot 100, it also went to No. 1 in the UK, and was awarded five Grammys in both the “Country” and “Rock ‘N Roll” categories; the album, meanwhile, took home the Grammy Award for Best Country and Western Album. Miller’s third LP and second of 1965, The 3rd Time Around, continued his ascent to pop and country stardom giving him a No. 1 country album, that also soared to No. 13 on the Billboard 200, as a result of the four unforgettable singles: the Top 10 crossover hit, “Engine Engine #9,” and the country Top 10 hits, the “One Dyin’ And A Buryin’” and “Kansas City Star,” plus the melancholy “The Last Word In Lonesome Is Me,” which went on to become a hit for Eddy Arnold the following year and a decade later became a surprising hit for football great Terry Bradshaw.

The digital album releases will also include Miller 1966’s Words And Music, with the four notable singles “Husbands And Wives,” which peaked at No. 5 on the country chart and No. 26 on the Hot 100; the Top 20 hit, “I’ve Been a Long Time Leavin’ (But I’ll Be a Long Time Gone);” and the tracks “My Uncle Used to Love Me But She Died” and Miller’s take on Elvis Presley’s “Heartbreak Hotel;” his two albums from 1967, Walkin’ In The Sunshine, with the top 10 country title track; and Waterhole #3 (Code Of The West), the soundtrack to the James Coburn-starring Western comedy film of the same name which saw Miller collaborating with jazz composers Dave Grusin and Robert Wells for an orchestrated pop-western style exemplified in the Top 200 crossover hit, “The Ballad of Waterhole #3 (Code of the West).

The releases will be rounded out with 1968’s romantic-themed A Tender Look At Love, featuring Miller’s covers of songs like “By The Time I Get To Phoenix,” “Gentle On My Mind,” and the Top 10 country hit, “Little Green Apples;” and his 1969 and 1970 self-titled albums, which continued his rein on the country charts, peaking at No. 20 and No. 33 respectively. The 1969 record features the Kris Kristofferson-penned classic, “Me And Bobby McGee,” before Kristofferson, Kenny Rogers or most notably, Janis Joplin, recorded their versions. The song peaked at No. 12 on the country chart and was one of three singles, joining “Vance” and “Where Have All The Average People Gone,” as Top 20 country hits from the album. Roger Miller 1970 includes the Top 40 country single, “The Tom Green County Fair.”

For a list of all the albums and the dates they will be released see the schedule below.

Three decades after his passing and more than six decades after releasing his first song, Roger Miller’s music remains beloved by fans of cleverly written country, honky-tonk and pop and continues to influence generation after generation of songwriters and performers. Country greats Alison KrausAlan Jackson, Brooks and Dunn, and Randy Travis all had hits with his songs, and a who’s who of artists from across the musical spectrum have recorded his songs, including Ringo StarrDolly PartonWillie NelsonKacey MusgravesEric ChurchBrad Paisley, REM, Huey LewisRodney Crowell, She and Him, Lyle Lovett, Cake, Dwight YoakamAlison Kraus, Toad The Wet Sprocket, actor John Goodman, Colter Wall, and Shooter Jennings, a testament to his undying influence and love amongst the music community.

As All Music exclaimed, “Roger Miller was in fact one of the finest country songwriters of the ’60s and ’70s, and an important influence on the progressive country movement. Blending country with jazz, blues, and pop, he utilized unusual harmonic and rhythmic devices in his sophisticated songcraft, creating timeless, widely covered gems (‘King of the Road,’ ‘Husbands and Wives’) that have been tackled by everyone from Dean Martin to Giant Sand.” And now his finest albums will be available for all to enjoy in full however one listens to music.

A songwriter, singer, guitarist, fiddler, drummer, TV star, humorist, honky-tonk man, Broadway composer, and perhaps above all else, one of the wittiest personalities in country music – Roger Miller was all of these and more.

Known for his chart-topping hits “King of the Road,” “Dang Me,” “Chug-A-Lug” and “England Swings,” all from the mid-1960s Nashville sound era, Miller continued to record and tour internationally into the 1990s, charting his final top 20 country hit “Old Friends” with Ray Price and Willie Nelson in 1982.

With a diverse career spanning beyond music, he was the first artist to have his own prime time variety show, “The Roger Miller Show,” which aired on NBC from 1966-1967. Miller also wrote and performed several of the songs from the 1973 Disney animated film “Robin Hood.” Later in his life, he wrote the music and lyrics for the 1985 seven Tony Award−winning Broadway musical “Big River,” in which he also acted.

Miller died on October 25, 1992, at the age of 56. In 1995, he was posthumously inducted into the Country Music Hall of Fame.

Revered by his peers and recognized as a standard bearer by the generations of singer/songwriters to follow him, his legacy stands the test of time. His hits continue to be re-recorded in homage, including Alan Jackson with “Tall, Tall, Trees” and Brooks & Dunn recording “Husbands and Wives.”

May 27
Roger Miller-1985-MCA
Making A Name For Myself
A Trip In The Country

June 24
Roger Miller 1970
Roger Miller 1969
A Tender Look At Love

July 29
Waterhole #3
Walkin’ In The Sunshine
Words and Music

August 26
The 3rd Time Around
Return Of Roger Miller
Roger And Out

Paul Weller’s ’22 Dreams’ Double-LP With Exclusive Booklet And Poster To Be Released July 22, 2022

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Paul Weller’s Platinum selling ’22 Dreams’ album is to be re-issued on vinyl as a double-LP set, and will be available on July 22.

’22 Dreams’ is Weller’s ninth solo studio album. At the time of release (2008) the album received huge critical acclaim – The Guardian calling it “… a triumph of the most unexpected kind”, Uncut… “easily Weller’s finest solo album to date”, Q Magazine saying “… constantly rewarding musical odyssey”, Rolling Stone “…a genre-leaping set of 21 tracks”, Allmusic “…it’s rich in sound and feeling, possessing a shimmering dreamy quality” and the Observer Music Monthly “…a set of distinctive, strangely addictive songs”, ” – to name but a few.

Featuring a host of guest appearances throughout including Noel Gallagher, Gem Archer and Graham Coxon, it went straight in at number one in the U.K. album chart. A double-LP with gatefold sleeve, this first-time-on-vinyl version includes a 12″ x 36″ black and white poster with printed lyrics, tracklist and credits on the back side and includes an 8-page booklet titled “The Missing Dream AKA Dream # 22” by Simon Armitage.

’22 Dreams’

Side 1
Light Nights
22 Dreams
All I Wanna Do (Is Be With You)
Have You Made Up Your Mind
Empty Ring

Side 2
Invisible
Song For Alice
Cold Moments
The Dark Pages Of September Lead To The New Leaves Of Spring
Black River

Side 3
Why Walk When You Can Run
Push It Along
A Dream Reprise
Echoes Round The Sun
One Bright Star
Lullaby Für Kinder

Side 4
Where’er Ye Go
God
111
Sea Spray
Night Lights

National Music Centre Announces Buffy Sainte-Marie: Pathfinder Exhibition, Opening on June 3

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The National Music Centre (NMC) is pleased to announce Buffy Sainte-Marie: Pathfinder, a new retrospective exhibition by an innovator of digital art, which will make a stop at Studio Bell, from June 3 to August 1. The travelling exhibition is in partnership with NMC and Paquin Entertainment.

NMC will also host a public lecture with Buffy Sainte-Marie on Saturday, June 18 at 8:00 pm. The living legend will discuss her retrospective exhibition and the stories behind her digital artworks. Tickets for the lecture are $40 and on sale now at studiobell.ca/whats-on. Tickets for NMC Members are $35. To become an NMC Member, visit studiobell.ca/members.

Buffy Sainte-Marie is a world-renowned Oscar-winning composer, musician, visual artist, activist, educator. The Cree singer-songwriter has been an informative pathfinder and advocate for Indigenous rights, a continually evolving artist, and a contributor of positive thinking and resiliency amid difficult issues. She has spent her whole life creating, and her artistry, humanitarian efforts, and Indigenous leadership have made her a unique force in multidisciplinary arts.

Buffy Sainte-Marie’s retrospective exhibition, Pathfinder, presents a rare and unique window into the evolution of one of the early innovators of digital art starting with the purchase of her first Macintosh personal computer in 1984. Within this unassuming cube, Sainte-Marie quickly discovered the power, flexibility, potential, and infinite possibilities presented to her through this sudden democratization of technology. The Macintosh presented a transformational and enlightened way of developing and processing a lifetime’s worth of imagery and memory. The works presented in this exhibition provide a unique insight into her creative process, and represent the most comprehensive survey of her digital paintings to date.

The exhibition will take over the Cloud Lounge on Studio Bell’s fifth floor. Featuring 16 of her digital paintings, this exhibition compiles personal photos, sketches, and items such as her son’s Wolf Child cradle board, her hand-embellished performance jacket, and handmade instruments such as the bird whistle Buffy played on the iconic recording, “Now That the Buffalo’s Gone.”  Her humble 128K Macintosh computer – the very terminal on which many of the images were created – leaves a lasting impression. This mindful selection of articles and artifacts speak directly to this respected icon’s unique perspective of her own multidisciplinary life and culture and the experiences that inspired her to create these dynamic visual pieces.

“Buffy Sainte-Marie is one of Canada’s most revered artists and a three-time Canadian Music Hall of Famer,” said Andrew Mosker, NMC President and CEO. “Her body of work, from music to activism to visual art, is inspiring and truly remarkable. While Buffy’s music and advocacy work are currently featured in NMC’s Speak Up! exhibition, the Pathfinder exhibition will reveal a lesser-known side to the artist through her digital artworks. This is also the first travelling exhibition that NMC has sought out for Calgary, and we look forward to bringing many more to Studio Bell in the future.”

“This exhibition acknowledges Buffy as an innovator at the forefront of the digital era, framing her multidisciplinary creative contribution as a cultural leader, educator, and advocate through the lens of digital visual art,” said Natasha Lowenthal, Curator of Buffy Sainte-Marie: Pathfinder. “Whether you are a lifelong fan of Buffy’s music or are discovering her art and activism for the first time, you will leave enriched by her heart and humour and inspired by her art and intellect.”

Sainte-Marie’s approached the digital medium as she has with every facet of her diverse career — with trailblazing ingenuity. Reflect back to 1984—a time when the internet was almost unheard of and home computers were in their infancy— Sainte-Marie was there, building pieces of this collection within the confines of the very first versions of MacPaint on the earliest Macintosh models. The technology was nothing like the digital production resources we have today, and was used primarily as tools for marketing and graphic design rather than for creating fine art with emotional impact. Being void of prefabricated filters or options for multiple layers, the process of creating artful images required dexterity and patience. Rising above the limitations of the software, she injected as much depth of tradition and attention to detail with pixels as one would with intricate beadwork or classic oils. Meticulously blending scanned images of her wet studio paintings and in-progress drawings and sketches with those of real fibers, feathers and beads, Sainte-Marie crafted these digital tapestries with the precision and care of a natural-born storyteller. The visual and intellectual brilliance of this collection is undeniably ahead of its time.

Buffy Sainte-Marie: Pathfinder opens on June 3 and runs until August 1. It is accessible with pay-what-you-can admission. Studio Bell is open with extended spring hours, Thursday to Sunday, from 10:00 am to 5:00 pm, allowing music fans more opportunities to see this exhibition and several others.

Pink Floyd Has Joined TikTok

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Pink Floyd will today join TikTok for the first time with the Pink Floyd catalogue launching globally on the platform at 2pm BST.

Users will be able to access official Pink Floyd sounds from each track featured across Pink Floyd’s 15 studio albums. They can acquire a comprehensive library of official Pink Floyd music for their own TikTok video creations.  Each user will be able to utilise audio clips from the band’s career including tracks such as See Emily Play, Money, Another Brick in the Wall (Part II), Comfortably Numb, Wish You Were Here and High Hopes to name just a few.

As well as featuring in the TikTok Sound Library, the band will use the platform to regularly post unique video content. Throughout the band’s long and distinguished career, Pink Floyd has always used spectacular visuals and their introduction to the TikTok platform will see them extend their reach digitally.

The 30th May also denotes an important moment in the Pink Floyd timeline, marking 50 years to the day since the band entered the studio to start recording The Dark Side Of The Moon.

TikTok is a market leader in short-form video-based social networking, and is currently utilised by over 1 billion users. It’s global reach has seen it grow rapidly as a platform, and has subsquently launched the careers of many of its users. In joining the platform, Pink Floyd adds their name to a long, diverse list of notable acts whose music can also be accessed via the app.

In giving the global platform access to their music, Pink Floyd encourages innovative film making through these unique mediums.