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U.K. Blues Rockers Elta Wave Dive into “Deep Water” Funk-First with New Single

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The old adage “plenty of fish in the sea” only rings true if the previous one you hooked up with doesn’t leave you drowning in despair… Still, if you’re a songwriter, bad relationships can provide inspiration for some of the best songs, and so, with their super-funky take on moving on, soulful U.K. blues-rock band Elta Wave ride the tide of growing popularity with their new single, “Deep Water” — available now.

“This song is about how we keep going after being gaslit in a messy relationship, and how you keep doubting yourself after someone has blurred your grip of reality,” explains lead vocalist, rhythm guitarist, and principal songwriter, Elta Nice.

It’s been such a long chase, such a long search
And I’m not sure I’m right at all
I mean I’m just second guessing every second person that might have caused to this fall

While being in “Deep Water” usually means ‘deep trouble,’ in this case, Elta wanted to focus on providing comfort for those reaching for the surface and the fresh air feeling of starting over again. “I want to make people feel good, accepted, and understood however they are,” she says, “giving them an uplifting song when they are in deep water, and a song to cry with when needed.”

I’m in deep water
Trying to catch a grip
But I’ve had enough
I’m too long on this trip

The song’s theme of doubting your beliefs after your reality has been messed with by someone else parallels how young adults are given a toned-down view of environmental issues for the eco-conscious Elta and the rest of the London-based band — lead guitarist Jezney Holllis, drummer Patrick Stultz, bassist Conor Cotterill, and Louie Berey on keyboards and ‘sound effects.’

“I feel that equates to how we think about climate change… How our generation is told we don’t really know how it will go, when in reality we know how it’s going.”

Dripping with hip-shaking groove, “Deep Water” is propelled by Elta’s dusky, soulful vocal, a bouncy Rhodes riff on the keys, and an intention to get listeners singing along with lots of whoa-ohs and yeah-ahs. Mission most accomplished with a song Elta wrote while working sound for an open mic night in West London called The Island Experiment. In true jam fashion, she worked out the tune with the band there that night.

“I literally told the band what the chords were and that it has the groove of ‘Hit The Road Jack’,” she recalls. “They just followed my rhythm guitar — which frankly, back then, I had just started playing, but the song was born just like that.”

Elta kept bringing “Deep Water” to various open mic stages and jams, and the song grew with each new group of musicians adding their input. She finally took it into the studio with lifelong friend and former keyboard player Edward Abela, also a producer who has impacted the European charts.

“We wanted to add a real funky vibe with the bass line,” remembers Elta, who reached out to London composer and multi-instrumentalist Lef Germenlis, who remotely recorded the song’s thumping, anchoring bass part.

Elta Wave takes their name from frontwoman Elta Nice (she/they) who, at just 26, has spent over seven years embedded in the London music scene working as a live sound person, writing, meeting like-minded musicians, and playing every gig she could. Originally from Jerusalem, Elta left home at 19 and headed for Londontown with nothing but a guitar and a suitcase after she was given a pass from joining the mandatory national military service in Israel for health reasons; a severe allergic reaction to an ingredient in an inoculation given by their dentist almost cost Elta their life eight years ago. Add that to the experience of living amid war and military conflict, and Elta’s youth was certainly fraught with peril.

“My journey so far hasn’t been the easiest,” she says. “I was born in Jerusalem and lived through the terrorful second Intifada war and a few other militant operations. Some were frontlined by my age group. I was lucky enough not to serve due to my health conditions, however, the war still left its marks on me in the form of grief and PTSD.”

Music and making a new home in a vibrant city ripe with opportunities have pulled Elta out of their own deep water and into flourishing creativity. “The feeling of the crowd when they get to enjoy the fruits of hard-working musicians fills me with hope,” she says. “It fueled my self-confidence and inner belief in the power one person has on an entire arena or even a whole society. So imagine what can one society do for our planet?”

With a debut album on the way, a very infectious first single, and new gigs starting to pile up post-pandemic, Elta and the rest of Elta Wave will keep on affecting positive change for the world, one great song at a time.

“My songs are linked to a tough past but have the belief of a bright future ahead, for all of us as a living fabric on this wonderful planet.”

Alt-Rockers The Midnight Echo Launch a Clear “View of an Astronaut” with New Single

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Canadian alt-rockers The Midnight Echo are defying gravity and shattering sound waves with the launch of their latest single, “View of an Astronaut.”

The four-piece from Vancouver are an electrifying pop-punk throwback of 2000s nostalgia. Featuring the high octave and octane vocals of Joel Lalonde, seemingly effortless lead guitar of Tyler Rayman, inspired bass lines and vocal harmonies of Matt Gibson, and dynamic and entertaining beats provided by Aaron Passek, the group hook listeners track by track, show by show.

Having formed in 2016, The Midnight Echo exploded on the scene with their debut album Voyager in early 2017. They followed up the release with their sophomore effort, Dichotomy in 2019, followed by a string of singles including “How To Escape Reality,” “Paris in 39,” and finally “Carbon Copy” in 2019, and 2020 respectively.

With a US tour to their credit, The Midnight Echo are back with their triumphant return, “View of an Astronaut” — and one spin of the song will remind their fans they’ve only grown stronger, and louder.

“I wrote the lyrics and concept for ‘View of an Astronaut’ after moving to Vancouver from Toronto,” reveals Lalonde. “I was reflecting on my decision to move out here and was thinking quite a bit about the reasoning behind it. I realized that many of the decisions I have made in my adult life thus far had been based around the idea of ‘I’ve got one life, I might as well live it and go after what I truly desire.’”

“View of an Astronaut” was recorded as part of a two-package set back in the late spring of 2021. Continuing with their former producer, Terry Benn, the band flew to Napanee to bring the song to fruition. “The bridge chords were actually initially the chorus in 2019,” explains Lalonde, adding, “After realizing they probably weren’t anthemic enough, we moved them aside. However, I always really liked them. I remember when I wrote them thinking, hey this is giving off major Boxcar Racer vibes. Once I had the chorus, I threw these chords in after and it just meshed perfectly.”

The track comes complete with a visual component. The concept slogan, they say, was “think Austin Powers, but on a budget.” “View of an Astronaut” features a struggling company being sent to Mars in the hopes of creating buzz — but without the financial backing, the company is forced to fake their way to outer space. The sheer absurdity and creativity of the shoot enticed Dave Benedict of Square Egg Visions who shared the band’s passion. “Dave took a liking to the idea right away and we could tell that we all just clicked,” the band says.

Between the music video that could, and the track that threatens global domination, The Midnight Echo are going to great heights to pursue the next phase of attack on soundscapes everywhere — a tour. “We are super stoked to play the new songs live!” says Lalonde. “We haven’t had a chance to play with a full band since 2019. I can’t wait to hear the thump of a mic’d up kick drum! Canada, we’re coming for ya!”

No word yet if they’ll be touring in a spaceship. But from this view, it’s clear skies ahead.

Timothy Street Captures A Universal Longing for Home in New Single, “My Home Town”

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‘Home’ can sometimes be more of a feeling or a concept than an actual place, and Canadian folk-rock artist Timothy Street captures the comfort and stability of a conceptual hometown, the kind of place that doesn’t really change, in his new single “My Home Town.”

Having grown up in a military family that moved around a lot, Street always envied the people who had stayed in one place and couldn’t wait to leave and see the world. “That’s what I was daydreaming about when I wrote ‘My Home Town’,” he shares of the song — new from his 2022 full-length album release, Folk Town. “It’s about having roots somewhere, a sense of belonging, and a stable home that I never really got to have.”

The result is an easy, jangly guitar-and-harmonica tale sung in whiskey-smooth tones about a town where the narrator drank his first beer, bought his first guitar and kissed a girl in the back of a police car.

Sometimes I still wonder why
I ever said good bye
And left this old town behind
But here I am
I’m back again

It’s not total fairy-tale nostalgia, however; Street lived in Halifax for many years — which is where he learned to play music and became a part of the music community until it became a hometown of sorts. “That city will forever have a huge place in my heart,” Street says.

Then, when city life became too expensive, Street moved in 2016 to Grand Manan Island, New Brunswick where he has some family connections, to buy a piece of land; he lives there now and is where he recorded the entirety of the album.

The music video for “My Home Town” was shot along the roads and beaches of the island. “I think you’d be hard-pressed to find a place with friendlier people than here in the Maritimes,” he reveals, “but, even still, I’ll probably forever be seen as an outsider in such a small, close-knit community like this one — even with family connections and having spent a lot of time here growing up — and that’s ok.

To me, it’s my hometown.”

Eight songs in total, Folk Town combines the personal and the political, and includes songs about timeless struggles and the pursuit of love and belonging. The album deals with holding onto hope in this modern age of political division, and with the ever-growing chaotic state of the world.

It’s filled with songs that are nostalgic for the good times, and it glorifies small-town living, the influence of a tight-knit community, and the simple joys of life. The songs will have you reminiscing about your youthful mistakes and the carefree feeling of falling in love.

Tyler Meacham Explores Love and Vulnerability in Danceable New Single, “No Running Away”

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Love can be nerve-wracking and, sometimes, it just feels easier to retreat than to stick around and deal. Richmond, VA-based pop songstress Tyler Meacham tackles this thorny theory in her infectious new synth-heavy single, “No Running Away” from her brand-new album, Into The Fray – both available now.

“‘No Running Away” is a song about the struggle with vulnerability and trust I felt while falling in love with someone,” Meacham reveals. “It’s a story about anxiety and overcoming past heartbreaks cleverly disguised as an upbeat, synth-y pop song.”

The song is indeed upbeat, with an earworm hook, head-bopping groove, and a fist-pumping chorus that will make you want to dance or sing along in your car. It was inspired by some of Meacham’s favorite artists and hit-making producers, like Sara Bareilles, Jack Antonoff of Bleachers, and Ryan Tedder of OneRepublic.

Meacham pulled the title of the album from the song’s chorus. “The phrase ‘into the fray’ usually has to do with entering into some sort of conflict,” she says. “Love requires vulnerability, self-examination, and hard work. In some ways doing that work can feel like being at war with yourself, and I think that’s a major thread throughout the album.”

Into The Fray was written, produced, and recorded almost entirely in Meacham’s home studio, just prior to the start of the pandemic. The 10-song album explores, as its overarching theme, love, vulnerability, self-awareness, and self-worth. “I was writing a lot of these songs during a time of grief and trying to remind myself of my reasons for waking up every day,” Meacham shares. “I kept coming back to the idea that the people I love matter the most to me and taking up the work required to love them best is my reason for being.”

Prior to dedicating herself to music, Meacham was climbing the glorified ladder of success and able to secure her dream job, yet she found herself incredibly unhappy. She had followed a very clear-cut path for her life — get good grades, get into a good college, pick a major that could result in a well-paying job, get the job, and be comfortable forever. She ended up in an amazing corporate job that she really wanted to love. However, she had made the unconscious choice to put aside songwriting and any dream she had of being a musician for the security of a good paycheck, a good job title, and a plannable future.

That wasn’t sustainable.

So she moved back to her hometown of Richmond, VA and immersed herself in the open-mic scene — which is where she met her bandmates. The result was her 2019 debut EP, Property, and an East Coast tour.

Now, in the wake of a tumultuous year and an ongoing pandemic, Meacham is ready to continue her forward momentum into the fray of life.

Eddie Vedder of Pearl Jam Speaks with Astronauts in Space

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Grammy-winning recording artist Eddie Vedder made a special long-distance phone call to the International Space Station (ISS), in celebration of Earth Day.

Orbiting more than 250 miles (402 kilometers) above Earth aboard the ISS, NASA astronauts Kayla Barron, Raja Chari, Thomas Marshburn, and Mark Vande Hei, as well as ESA (European Space Agency) astronaut Matthias Maurer, have enjoyed a unique view of our planet. They share their thoughts on having a front-row seat to the global effects of climate change, reflect on stewardship of our planet, as well as space’s remarkable ability to unite all of us in shared humanity.

Daniel Caesar Releases New Single “Please Do Not Lean” Feat. Badbadnotgood

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Today, multi-platinum GRAMMY Award-winning singer, songwriter, multi-instrumentalist and producer Daniel Caesar releases his brand-new single, “Please Do Not Lean” feat. Badbadnotgood. Featuring introspective lyrics and Caesar’s signature soulful sound, PDNL is the first single to be released off his highly anticipated third studio album, which is due out later this year.

Caesar took the stage last Friday night at the iconic Coachella Valley Music and Arts Festival to debut the single in a critically acclaimed set, which also featured fan-favourites including “Cyanide,” “Who Hurt You?” and “Get You.” Caesar was then joined onstage by Justin Bieber in a surprise cameo to perform their worldwide mega-hit “Peaches” – watch HERE. Tonight, Caesar returns for Coachella’s second weekend and is expected to deliver yet another epic performance.

“‘Please Do Not Lean’ represents a deeper understanding of myself and acknowledging the responsibilities I currently hold, respecting them and knowing my limits of when I can take on more,” says Caesar. “This is an introduction to the sound and tone of the next chapter in my career.”

“Please Do Not Lean” follows a whirlwind 2022 for the hitmaker, who recently performed “Peaches” at the GRAMMY Awards alongside Justin Bieber and Giveon. “Peaches” received four GRAMMY nominations, two Billboard Music Award nominations, amassed over two billion streams, and also landed Caesar his first number 1 on the Billboard 100 chart. Earlier this month, Caesar announced his new deal with Republic Records/Universal Music Canada, helping kick off the next chapter of his career and new music to come.

Five Alarm Funk Release “The Band Came Back” With Fred Penner

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Five Alarm Funk have collaborated with Fred Penner for their first new single since the pandemic titled “The Band Came Back”. Growing up in the 1980s, Penner’s music had a substantial influence on Five Alarm Funk. Tom Towers, the band’s conga player had the first encounter with Penner when he met him at the 2013 JUNO Awards in Regina, Saskatchewan. They realized they shared the same birthday and later Penner helped Towers get out of the freezing cold and into an industry party. Later in 2017 and 2018, the band performed some renowned Canadian music festivals and Penner was on the line up. Five Alarm Funk was so floored by his performance that they approached him for a collaboration right away.

“One thing we knew is that when you think of Fred Penner, you think ‘fun’, and that definitely resonates with Five Alarm Funk and our mission. We couldn’t be more excited to get this song out to the world! It’s fun, danceable and really feels like we caught the essence of Fred and FAF! I think what we’re looking forward to most is playing a festival with Fred and performing this tune live with such a legend!”

The track is a spin off of Penner’s most famously known song “The Cat Came Back” with which he originally credits to an encyclopedia of folk songs dated back to 1893. Part of the original track was written by Tin Pan Alley composer Harry S. Miller.

Fred Penner says: “This collaboration has been a welcome creative journey during these challenging Covid years.”

Five Alarm Funk is an 8-piece horn-powered, percussion-fuelled sonic and visual assault. Over 17 years of hard funking, the band has burned up stages on four continents, released eight studio albums and received two Juno Award nominations. Their latest album “Big Smoke” gets right to the roots of what Five Alarm Funk is all about: epic, intense arrangements, heavy groove and a ton of fun. Five Alarm Funk’s epic live show is still what defines the band. The sweat-drenched concerts are infused with an intense spirit of fun that breaks down barriers between band and audience and moves both into a manic dance party. Wild costumes, props, and choreography compliment the seriously tight arrangements and genre-mashing grooves. That live show has taken Five Alarm Funk on dozens of North American coast to coast tours, performing at over 100 festivals in the last three years alone. The band has also begun to break ground abroad, with performances in Taiwan, Mexico, and a performance for international peacekeeping forces in Mali. Five Alarm Funk plans to keep the momentum going in 2022 with a string of Canadian shows and festival dates.

Fred Penner is a gentle man with an undeniable ability to make you feel good about yourself. This musical master brings more than 40 years of commitment, consistency and depth to a career that blends the many genres of performing and communication. Fred continues to grow and create music for his generations of “Fred Heads”. From hosting the United Way National conference in Saskatoon to emceeing the renowned Polaris Music Awards and being part of the C3 Legacy Expedition supporting the truth and reconciliation process in remote parts of Canada, apparently retirement is not in the cards for our Fred. The phone is still ringing! And his concert touring continues. His latest Juno Award, Canadian Folk Music Award, Western Canadian Music Award winning album project, Hear The Music is dedicated to all who have travelled with him on his musical journey. In his career Fred has delivered a prolific 13 albums to families across North America and countless energetic live shows for eager audiences. In his television life Fred composed the music for YTV’s Tipi Tales and is especially known for over 900 episodes in 13 seasons of acclaimed “Fred Penner’s Place” TV series – CBC (Canada) and Nick. Jr. (USA). Fred’s visibility has allowed him the privilege and joy of using his voice to support organizations like UNESCO, World Vision, UNICEF and the Canadian Down Syndrome Society. In 2005, Fred journeyed to Zambia, Africa with World Vision to host a program for Child Sponsorship in the Western World. Expanding his connection to dedicated teachers, as keynote presenter at numerous early childhood conferences, he has, without a doubt, established himself as a fundamental part of the North American family educational/entertainment scene. Fred has received two honorary doctorates and received the Order of Canada for his life’s work. Whether it’s through his albums, concerts, videos, books or television, his cornerstone philosophy remains the same: “Never underestimate your ability to make a difference in the life of a child”.

‘Make Music Day’ to Mark 40th Anniversary on Tuesday, June 21

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Make Music Day, the global celebration of music held annually on the summer solstice, today announced that this year’s vast program will observe the festival’s 40th anniversary and feature a full return to in-person events, with more than 5,000 live, free music-making events held nationwide on Tuesday, June 21.

Launched in France in 1982 as the Fête de la Musique, Make Music Day has been growing across the United States for the last 15 years, since the debut of Make Music New York in 2007. This year’s celebration will feature participation from more than 100 U.S. cities – including the flagship event in New York City – and the entire states of ConnecticutHawaiiVermont and Wisconsin, with concerts, performances, music lessons, jam sessions and other musical events occurring throughout the day, from dawn to dusk. For the first time, the cities of Atlanta (Georgia), Columbia (Missouri), and Fargo-Moorhead (North Dakota) will join in.

“Make Music Day is thrilled to celebrate its historic 40th anniversary with one of our most impressive, comprehensive programs to date, which truly spans the country and seeks to inspire participation by music lovers of all experience levels,” said Make Music Alliance President Aaron Friedman. “At a time when music, togetherness and artistic expression is more important than ever, it is our hope that everyone – amateurs to professionals, from coast to coast – can find an event to take part in and celebrate the positive and profound effect that music has on our lives.”

Completely different from a traditional music festival, Make Music Day celebrates and promotes the natural music maker in everyone, regardless of ability. Reimagining their cities and towns as stages, every kind of musician – young and old, amateur and professional, of every musical persuasion – pours onto streets, parks, plazas, porches, rooftops, gardens and other public spaces to celebrate, create and share their music with friends, neighbors, and strangers.

In homage to its French roots, Make Music Day will celebrate its 40th anniversary with a kick-off event in New York City on the morning of Tuesday, June 21, with French and American elected officials and dignitaries at Battery Park in the shadow of the Statue of Liberty, symbolizing the friendship and connections between France and the United States. The event will include a performance of Carnival of the Animals by French composer Camille Saint-Saëns, written in 1886, the same year the Statue of Liberty was inaugurated. Following the kick-off, dozens of French-themed concerts will be held all day throughout New York Harbor, with additional concerts, inspired by the presence of Lady Liberty, featuring contributions by the city’s immigrant communities. As usual, hundreds of other concerts and music-making activities, of every kind, will also take place across the city for Make Music New York on June 21.

Other highlights of Make Music Day 2022 in the United States will include:

  • Flowerpot Music – Participants around the country will be invited to perform a composition by celebrated composer Elliot Cole and directed by percussionist Peter Ferry using an unlikely but beautiful percussion instrument: the flowerpot. Appropriate for musicians and non-musicians alike, participants can join a group and create outdoor soundscapes through easy-to-learn games.
  • Global Livestreams – Musicians in the U.S. will broadcast their performances on a shared livestream, together with others celebrating Make Music Day in AustraliaCyprusNigeria, and the United Kingdom. Among other programs will be a series of remote jam sessions hosted by jazz pianist Dan Tepfer called “Round Midnight Around the World,” with collaborators in different time zones playing the Thelonious Monk standard together using low-latency FarPlay audio software.
  • Mass Appeal – People of all ages and skills levels will join together to make music in large, single-instrument groups. This year, leading music brands are donating thousands of free instruments so that any member of the public can stop by these events and join the band. Mass Appeal programs will benefit from 2,400 free harmonicas from Hohner, 1,600 ukulele songbooks from Alfred Music, 500 pairs of drumsticks from Promark, and over 1,000 hand percussion instruments from Rhythm Band Instruments.
  • #MySongIsYourSong – Songwriters and composers of all styles and walks of life will join in a global song swap where they’ll learn a song by another artist, and hear theirs covered in return.
  • Sousapalooza – In multiple cities, large groups of brass and wind musicians will assemble in parks and plazas to play the music of “March King” John Philip Sousa. Anyone is invited to download the music, bring their horn, and join the band.
  • Uncommon Instruments – The public will discover new and unusual instruments thanks to partnerships with several innovative companies. With the Makey Makey, performers of all levels will turn everyday objects into touchpads and use them to make music. Makey Makey will supply kits to dozens of Make Music Day chapters – including Anaheim (CA), Kansas City (MO), and Platteville (WI) – and work with them to devise new, fun ways to incorporate this technology into collaborative music making and learning through play. In another partnership, Panyard will supply Jumbie Jams, an entry level steel pan designed to be easily playable by anyone, to chapters in Atlanta (GA), Hartford (CT), Houston (TX), Kansas City (MO), New Haven (CT), Ridgefield (CT), Santa Fe (NM), and Syracuse (NY), enabling them to introduce the instrument to a wider audience.
  • Young Composers Contest – Make Music Alliance is partnering with the five-time Grammy-winning vocal group The Swingles to present this year’s contest in which composers aged 13-21 will submit a written song using the text of the poem, “A Jelly-Fish,” by Marianne Moore. The winning piece will be recorded by The Swingles and released on June 21. The contest is presented with support from Notefight, which will provide entrants with a free three-month trial of the software.

City-specific highlights around the United States will include:

  • Cincinnati (OH) – Musicians will perform on the Cincinnati Bell Connector, the city’s streetcar, switching bands every half-hour between three different vehicles.
  • Houston (TX) – To kick off the local celebration, a series of performances by Bayou City Funk and others will take place on the steps of City Hall after remarks by Houston Mayor Sylvester Turner and Consulate General of France in Houston Valerie Baraban.
  • Madison (WI) – Musical performances will take place on all four corners of the Capitol Squareand the Yid Vicious Klezmer Ensemble will perform on a boat floating down the Yahara River.
  • Miami (FL)  An RV known as “The Toad” will rove around mainland Miami, with multiple bands performing in and around the vehicle at several stops.
  • Nashville (TN) – A tambourine jam will be held at Nashville International Airport, with tambourines given away to airline passengers as they arrive and depart.

Additionally, in accordance with an annual tradition, and in a show of visual harmony, iconic buildings and landmarks across the United States will light up and shine orange – a color evoking the sun and the first day of summer – in honor of Make Music Day.

All Make Music Day events are free and open to the public. Participants who wish to perform, or to host musical events, may register at www.makemusicday.org. A full schedule of virtual and in-person events will be posted on the website in early June.

Mike Shinoda Is Now Warner Music’s Community Innovation Advisor

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Warner Recorded Music (WRM) has enlisted Linkin Park co-founder and music tech pioneer Mike Shinoda as Community Innovation Advisor. In this first-of-its-kind post, Shinoda will work closely with Warner Music’s leadership and business development teams to help shape the company’s artist-centric approach to Web3. With Shinoda’s support, WRM will continue to partner with artists to bring their creative visions to life and build communities across new platforms, products, and experiences, while exploring new revenue streams.

Max Lousada, CEO, Warner Recorded Music, said: “Central to our DNA at Warner is that we start with the artist experience. A passionate creative who’s deeply embedded in the rapidly evolving world of Web3, Mike’s perspective here will be invaluable. As we continue to accelerate deals and build out our expertise across the company, together we’ll navigate the possibilities at the intersection of music and technology with thoughtfulness and authenticity – to the benefit of our entire musical community.”

“There’s no one-size-fits-all approach when it comes to Web3; every artist and community is unique,” added Shinoda. “Warner has made some strong first steps in this space, and I look forward to playing a role in further exploration—supporting artists in creating new opportunities, and connecting with fans in unimaginable new ways.”

Widely acknowledged as a go-to voice highlighting the connections between music and tech, Shinoda will serve as a sounding board for Warner Recorded Music as the company looks to experiment with new and emerging technologies alongside its artists. From his early days as co-founder, vocalist, and writer-producer with Linkin Park, to blazing new paths on Twitch and in Web3, Shinoda has made a career innovating in music, fan communities, and content. His most recent explorations include “Happy Endings,” the label’s first single to debut as an NFT, and “Ziggurats,” the world’s first generative NFT mixtape—5,000 unique mini-albums created from Shinoda’s original audio and visual layers (ziggurats.xyz).

In the last few years, Warner Music’s industry-leading approach has led to partnerships with the likes of Roblox, The Sandbox, Genies, Griffin Gaming, Blockparty, OneOf, and Splinterlands. Already, Warner Music has been behind massively popular metaverse and Web3 experiences, from Twenty One Pilots to David Guetta in Roblox; digital avatars via Genies for artists such as Michael Bublé, Cardi B, and CKay; and the sale of a slew of NFTs including a hi-res digital image of the original lyric sheets from Matchbox Twenty’s megahit “Unwell” and Rico Nasty’s “OHFR?” NFT drop on SuperRare, to name a few.

Paul McCartney Brings Johnny Carson A Birthday Cake In 1984

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Paul McCartney brings Johnny Carson a birthday cake to celebrate on The Tonight Show in 1984.