Home Blog Page 1571

Iconic Song Inspires Upcoming Children’s Book ‘Don McLean’s American Pie: A Fable’

0

Award-winning singer/songwriter Don McLean’s iconic anthem “American Pie” has inspired a new children’s book about a young boy’s journey to uncover his passion for music.

Commemorating the fiftieth anniversary of one of the top songs of the twentieth century, ‘Don McLean’s American Pie: A Fable’ weaves themes from the iconic song with experiences from McLean’s early life and, like the musical hit that inspired it, offers meaningful elements open to interpretation in a lushly illustrated tale.

“As ‘American Pie’ celebrates 50 years, I’m very happy to have a children’s book based on the premise of the song,” McLean said. “Everyone has a different interpretation of it. Releasing this fable brings another perspective to the lyrics, along with some backstory for when I wrote it. I hope every child gets to imagine in their own mind what ‘American Pie’ means to them and know that dreams can become reality.”

“Don McLean’s American Pie: A Fable” is the story of a newspaper delivery boy in the late 1950s who discovers the joy of friendship and music, eventually learning that when you recognize what makes you happy, you are never truly alone.

The June 7 book release also serves as the launch of IPG Publishing and of a partnership between the Chicago-based publisher and Los Angeles-based media company Meteor 17.

“I’m especially proud that this timely fable is the first release in our partnership with IPG Publishing,” Proffer said. “It echoes the spirit and sentiment of Don’s ‘American Pie’ and will leave the reader contemplating and feeling, just like the song that inspired it. After fifty years, the song maintains its relevance and the book will introduce its magic to a new generation.”

Released in 1971, “American Pie” was named one of the top five songs of the century by the National Endowment for the Arts and the Recording Industry Association of America, and the original recording was selected for preservation in the National Recording Registry by the Library of Congress as being “culturally, historically or artistically significant.” The song is also the subject of an upcoming documentary.

“At its heart, Don McLean’s iconic song was about real events that impacted a generation, and our book is similar in spirit,” said Richard T. Williams, Vice President, Business Development, Publishing & Licensing for IPG. “It doesn’t tell the literal story of The Day the Music Died, but it hints at how a young boy may have found inspiration from it, resulting in a lifetime of music and artistry—just as Don may have.”

He added that by pairing an emotionally resonant story with elaborate and whimsical illustrations, the publishing team hoped to inspire children to find their inner creative voices.

Find more information on ‘Don McLean’s American Pie: A Fable,’ including illustration examples, at Edelweiss.

Kicking Off Jazz Month To Honour Charles Mingus’ “Mingus Three” In A Deluxe Edition

0

This year, Rhino / Parlophone is kicking off Jazz Appreciation Month with one of the most influential figures in 20th-century American music, Charles Mingus, who would have turned 100 on April 22. This year, Mingus’ legacy will be in the spotlight with the release of a deluxe edition of his album, Mingus Three, just in time for his centenary as a virtuoso bass player, an accomplished pianist, bandleader, and composer.

Rhino/Parlophone will salute Mingus with an updated version of his 1957 trio recording with pianist Hampton Hawes and drummer Dannie Richmond. The seven original tracks have been expanded for the upcoming release, with eight previously unreleased session recordings discovered by chance recently in the London Parlophone vaults. The bonus tracks include different takes for all but one album track (“Laura”), plus two blues originals.

MINGUS THREE: DELUXE EDITION will be available on April 22 – Mingus’ birthday – as a 180-gram double-LP set and as a double-CD set. The music will also be available from digital and streaming services on the same day.

The music comes in a replica of the original record sleeve issued by Jubilee Records and a booklet featuring photos from the era. The set also includes new liner notes written by jazz arranger and pianist Sy Johnson, who collaborated with Mingus in the 1970s and helped arrange his 1972 album, Let My Children Hear Music.

He writes: “The Mingus Three session was booked for July 9, 1957. Mingus and Hawes brought their histories to the studio: Mingus with a long, powerful record of activism, outrage, and political attack anchored in serious music-making, and Hawes’ fanfare of jazz awards and huge success—and he could play!! The date would ultimately become a dialogue between Mingus and Hawes with punctuation from Richmond.”

Mingus recorded the session in a day with Hawes, a childhood friend who’d been in bands with Charlie Parker and Dexter Gordon, and drummer Dannie Richmond, whose association with the bassist lasted over two decades. Mingus Three included four standards (“Yesterdays,” “I Can’t Get Started,” “Summertime” and “Laura”), two Mingus originals (“Back Home Blues” and “Dizzy Moods”), and a group jam “Hamp’s New Blues.”

The bonus material provides a fresh glimpse into the principal players and offers alternate – not lesser – versions of album tracks, including swinging takes of “Summertime” and “Hamp’s New Blues.”

Mingus’s music continues to reach new audiences through artists like Mingus Big Band (directed by his widow Sue Mingus), Kamasi Washington, Chrissie Hynde (whose latest album includes a Mingus cover), Candace Springs, Elvis Costello, Gang Starr (who samples him), and Joni Mitchell (who wrote lyrics to his music). His musical legacy is still ongoing and will continue to play an essential role in music history for many generations to come.

MINGUS THREE

LP Track Listing:

Disc One: Original LP
Side A
1. “Yesterdays”
2. “Back Home Blues”
3. “I Can’t Get Started”
4. “Hamp’s New Blues”

Side B
1. “Summertime”
2. “Dizzy Moods”
3. “Laura”

Disc Two: The Outtakes
Side A
1. Untitled Blues
2. Untitled Blues – Take 2
3. “Back Home Blues” – Take 6
4. “Hamp’s New Blues” – Take 4

Side B
1. “I Can’t Get Started” – Take 1
2. “Yesterdays” – Take 2 (Incomplete)
3. “Dizzy Moods” – Take 2
4. “Summertime” – Take 3

CD Track Listing
Disc One: Original LP
1. “Yesterdays”
2. “Back Home Blues”
3. “I Can’t Get Started”
4. “Hamp’s New Blues”
5. “Summertime”
6. “Dizzy Moods”
7. “Laura”

Disc Two: The Outtakes
1. Untitled Blues
2. Untitled Blues – Take 2
3. “Back Home Blues” – Take 6
4. “Hamp’s New Blues” – Take 4
5. “I Can’t Get Started” – Take 1
6. “Yesterdays” – Take 2 (Incomplete)
7. “Dizzy Moods” – Take 2
8. “Summertime” – Take 3

600 Songs From The 1990s Remixed Into 34 Minutes

0

The Hood Internet does it again, blending 600 songs, mixed chronologically (grouped by year anyway) from 1990 through 1999 for Tim Burgess’ Twitter Listening Party. Astounding.

Alt-Pop New Wave Rockers EVIL TONGUES Unleash Synth-Infused New Single in “Fine”

0

Alt-pop new wave rockers Evil Tongues are delivering a synth-infused message in a banger bottle with the release of their new single, “Fine.”

The debut drop from the Canadian duo was born of the global pandemic that pushed the pair to the top of their songwriting prowess. “Fine”’s lyrics evoke a somber, devastated Jennifer Di coping with isolation, depression, anxiety; and the cinematic inspired soundscape is delivered by engineer Mike Allain. “Mike wrote the foundation for the song,” explains Di, “I asked him to make something that sounded like it would be in the movie Tron.”

Evil Tongues forged forward in 2017, growing from a passion project into a fully developed songwriting duo. Having spent the better portion of 2020 dedicated to penning, the pair relocated to the west coast in 2021 and went into recording. Linking up with acclaimed platinum-certified producer/sound engineer, Nygel Asselin, at NYG Studios (Vancouver) Evil Tongues began the arduous journey of discovering their sound and establishing themselves as the newest rising rock export. Their debut track, “Fine”, would go on to be mixed by JUNO Award-winning engineer Kevin Dietz (Toronto), and mastered by GRAMMY Award-winning Emily Lazar and Chris Allgood at The Lodge Mastering (NYC).

“I wrote the chorus lyrics for ‘Fine’ while lying on my floor on a sunny, freezing cold Edmonton winter day,” reveals Di, citing pandemic-ridden isolation as the driving force behind her creativity. “Picture someone wandering aimlessly around their house, talking to themselves, playing guitar in the middle of the night, and lying on their floor during the day. That’s probably a pretty accurate mental picture of where I was at,” she says.

The results are a pure fire debut. “Fine” merrily juxtaposes upbeat electronic alt-rock synth new wave pop with menacingly honest vulnerable vox. Where Mother Mother and Dragonette open the door, Evil Tongues laps up, walks through and commands. Mesmerizing rushing verses welcome a pulsating, ear-worm-inducing chorus. As the bridge nears, Di trades in her signature vocals for a spoken word twist – an effective, eerie, madness-questioning move. On “Fine”, it’s Di begging to be released. It’s the listener begging it not to stop.

The pair have also released an official lyric video to accompany the song, available now on YouTube. “I had the lights in the vocal booth turned completely off, so it was just me alone in the studio, in the dark, with only my words,” Di recollects, adding, “Each take was like a slow-building volcano of emotions.”

In a world when an “endemic” feels imminent and then sloughed further down the road — for the first time, humanity feels something as one. Evil Tongues describes it as “Fine.”

My Next Read: “The Philosophy of Modern Song” by Bob Dylan

0

The Philosophy of Modern Song is Bob Dylan’s first book of new writing since 2004’s Chronicles: Volume One — and since winning the Nobel Prize for Literature in 2016. It gets released on November 8, 2022.

Dylan, who began working on the book in 2010, offers a master class on the art and craft of songwriting. He writes over sixty essays focusing on songs by other artists, spanning from Stephen Foster to Elvis Costello, and in between ranging from Hank Williams to Nina Simone. He analyzes what he calls the trap of easy rhymes, breaks down how the addition of a single syllable can diminish a song, and even explains how bluegrass relates to heavy metal. These essays are written in Dylan’s unique prose. They are mysterious and mercurial, poignant and profound, and often laugh-out-loud funny. And while they are ostensibly about music, they are really meditations and reflections on the human condition. Running throughout the book are nearly 150 carefully curated photos as well as a series of dream-like riffs that, taken together, resemble an epic poem and add to the work’s transcendence.

In 2020, with the release of his outstanding album Rough and Rowdy Ways, Dylan became the first artist to have an album hit the Billboard Top 40 in each decade since the 1960s. The Philosophy of Modern Song contains much of what he has learned about his craft in all those years, and like everything that Dylan does, it is a momentous artistic achievement.

Florence + The Machine Shares New Song “Heaven Is Here”

0

Written in spite of lockdown one, Florence channeled her frustrations at being creatively chastised into this immediately arresting, 2 minutes 8 seconds of powerful choral chant set to primal drums and vocal percussion.

The Autumn de Wilde directed video shows a cast of dancers led in possessed procession by Florence. Choreographed by Ryan Heffington with chilling precision to bring the music to life, the short burst of bewitching, other-worldly energy – audibly and visually – takes your breath away.

Joy, grief, breath, the body, movement, the soul, power, rage, powerlessness, spirituality and escapism are all at play in this flash of pure brilliance.

Josh Ramsay Announces 2022 Canadian Tour

0

During the start of the pandemic, Josh Ramsay needed something to do while in isolation. He indulged himself by writing songs in as many different genres as possible. Josh explains, “my goal was to try and do as many genres as possible, so it feels kind of like a variety show. I see it as my ‘calling card’ – not just as a songwriter, but as a producer and arranger.”

Presenting The Josh Ramsay Show, the first solo album from a blazing talent rebooting himself as a brand-new artist. Not that Marianas Trench are kaput. It’s just that when singers with big guitar bands undertake personal projects, they’re often, as Ramsay puts it, what we might expect: “a quiet, introspective, singer-songwriter album. That’s just not me, man!”

The album is a sweeping exploration of musical styles featuring collaborations with a wide range of Canadian singers from across the musical spectrum that rings in at 18 tracks in all. This album is a love letter to music as a whole, never sticking to the same genre twice.

“I’d always planned to do this at some point, and this seemed like the right opportunity,” Ramsay explains. “If the pandemic hadn’t happened, I would have been busy with Marianas Trench. But I needed something to do in quarantine, and with no deadlines I could just tinker away at it.”

No stranger to bold collaborations, Ramsay has worked with marquee names throughout his multifaceted career, including writing and performing credits with Carly Rae Jepsen, Nickelback, and 5 Seconds of Summer to name a few. In true Ramsay style, fans can expect a music offering that is nothing less than spectacular with plenty of familiar faces featured on the new album. These include JUNO Award winner Chad Kroeger, JUNO and CCMA Award winner Dallas Smith, DJ Sharkpocalypse, Fefe Dobson, Fionn, Ria Mae, Sara Ramsay, JUNO Award winner Serena Ryder, and Tyler Shaw.
As with every project he takes on, Ramsay wanted to push his personal limitations and challenge himself as a songwriter, singer, player, and producer. He played every instrument on the album (except horns), produced it, and co-mixed it with longtime friend, Dave “Rave” Ogilvie. That’s always been a defining characteristic of his output as with Marianas Trench, and in his role as producer and songwriter for artists like Carly Rae Jepsen, whose worldwide hit, ‘Call Me Maybe’ garnered Ramsay a Grammy nomination and a SOCAN Award for “Most Performed Song” in SOCAN history.

Ramsay has toured with Marianas Trench extensively in North America, Europe, Australia and Asia. When not on the move, the multi-instrumentalist runs his own recording studio, The Umbrella Factory, in Vancouver, BC.

WEDNESDAY, MAY 25, 2022
DANFORTH MUSIC HALL – TORONTO, ON

FRIDAY, MAY 27, 2022
EMPIRE THEATRE – BELLEVILLE, ON

SATURDAY, MAY 28, 2022
BRONSON CENTRE – OTTAWA, ON

MONDAY, MAY 30, 2022
SANDERSON CENTRE – BRANTFORD, ON

WEDNESDAY, JUNE 1, 2022
GRAND THEATRE – KINGSTON, ON

THURSDAY, JUNE 2, 2022
RIVER RUN CENTRE – GUELPH, ON

SATURDAY, JUNE 4, 2022
THE GRAND THEATRE – LONDON, ON

SiriusXM Joins Forces With The Smithsonian’s National Museum Of African American History And Culture

0

SiriusXM announced a gift of $2 million to the Smithsonian’s National Museum of African American History and Culture (NMAAHC). A one-of-a-kind cultural destination in Washington D.C., NMAAHC offers the U.S.’s largest and most comprehensive exploration and showcase of the African American story and its impact both domestically and globally.

As the leading audio entertainment company in North America, SiriusXM is proud to support NMAAHC’s mission, documenting African American life, history, and culture, specifically exhibiting how African American music plays a central role in the history of American music. The donation to NMAAHC, funded by the company’s charitable arm, SiriusXM Cares, will help the museum continue its critical work and welcome in new and returning visitors. In recognition of this gift, NMAAHC will designate its Neighborhood Record Store, an interactive destination housed within the permanent “Musical Crossroads” exhibition, as the SiriusXM Neighborhood Record Store.

In the SiriusXM Neighborhood Record Store, museum goers are joined together by their interest in music and encouraged to make new discoveries about their favorite artists and genres, recall fond memories, and share stories. Included within the exhibit are record covers for individual browsing and a digital interactive station that links songs and artists to various genres, themes, regions, and time periods.

“The Neighborhood Record Store is the centerpiece of the Musical Crossroads exhibition and was designed to be a place where museum visitors could explore the role music has in building community,” said Dwandalyn Reece, Associate Director for Curatorial Affairs at NMAAHC. “We are very thankful for SiriusXM’s support of this particular section of the exhibition. It will ensure that the newly-named SiriusXM Neighborhood Record Store continues to be a vibrant space that connects visitors through the power of music.”

“Since it first opened its doors to the public more than five years ago, the National Museum of African American History and Culture has played a critical role in not only exhibiting, but recognizing and celebrating the impact of the contributions that African American music has given to the world,” said Nicole Hughey, Senior Vice President and Head of Diversity, Equity & Inclusion at SiriusXM. “At SiriusXM, we are proud to use our platform to showcase the power of music from all cultures, and we’re thrilled to provide this donation to help support the museum’s mission.”

This is not the first time SiriusXM and NMAAHC have collaborated to amplify African American stories. In 2021, the two organizations teamed up to create the Anthem Award-winning original podcast All Music is Black Music, which explores how African American music and culture have shaped the wider contemporary music landscape.

Since opening Sept. 24, 2016, the National Museum of African American History and Culture has welcomed more than 7.5 million in-person visitors and millions more through its digital presence. Occupying a prominent location next to the Washington Monument on the National Mall in Washington, D.C., the nearly 400,000-square-foot museum is the nation’s largest and most comprehensive cultural destination devoted exclusively to exploring, documenting, and showcasing the African American story and its impact on American and world history. For more information about the museum, visit nmaahc.si.edu.

 

Hope Solo to Launch New SiriusXM Podcast – Hope Solo Speaks

0

SiriusXM announced today that Hope Solo, the World Cup champion and Olympic gold medalist goalkeeper, will launch a new and original SiriusXM podcast, Hope Solo Speaks, that will debut across all podcast platforms March 2. A trailer for the new podcast can be heard HERE.

Solo will bring the same energy and passion she displayed on the soccer pitch to the microphone as she discusses a variety of topics on her mind, including her relentless fight for women’s rights and gender equality, motherhood and family, changing trends in sports and much more. Solo will be joined on episodes of the podcast by guests from various walks of life including world-class athletes, artists, and influencers for candid conversations on their experiences, passions and topics of the day.

Listeners can hear new episodes of the Hope Solo Speaks podcast every Wednesday on the SXM App, Stitcher, Pandora and other major podcast listening platforms. Hope Solo Speaks will also air on SiriusXM’s dedicated soccer channel, SiriusXM FC (channel 157), which subscribers nationwide can listen to in their car and on the SXM App.

In this week’s debut episode, Solo will discuss the recently settled equal pay dispute between U.S. Soccer and the U.S. Women’s National Team, and will be joined by special guest and her former teammate, Carli Lloyd. Highlights from the episode include:

“The reason for my sadness, the reason I feel gutted, kicked in the stomach, the reason why I feel betrayed and a bit hopeless is because the settlement is pathetic.” – Hope Solo

“After fighting for years for equal pay starting in 2015, the players still went on and agreed to a less than equal CBA. They continued to believe in the promises of the federation. They were outclassed, out maneuvered, and then finally, after pumping the brakes and doing a 180 in the fight of our life, they decided to show up to the party and they got hustled.” – Hope Solo

“It was really tough and challenging to play these last several years. To be quite honest I hated it. It wasn’t fun going in. It was only for love of the game, really, for me. I wanted to win and wanted to help the team, but the culture within the team was the worst I had ever seen it.” – Carli Lloyd

“The perceptions of me have been off target time and time again, and now it is time for me to speak my truths on my new SiriusXM podcast, Hope Solo Speaks,” said Solo. “Most people know me as a two-time Olympian and World Cup champion goalkeeper, but I am so much more than that and can’t wait to dive into the most important issues in sports and beyond with my weekly guests and listeners.”

“Throughout her illustrious playing career, Hope was always one of the most candid and spirited voices among her peers, and now she’ll be one of the most outspoken voices in podcasting,” said Steve Cohen, SiriusXM’s SVP of Sports Programming and Podcasts.  “Her experiences in life and sports give her an important perspective on many matters on and off the field, and we’re looking forward to her sharing what’s on her mind on Hope Solo Speaks.”

Solo is the most decorated goalkeeper in U.S. soccer history, having amassed 202 appearances, 153 wins and 102 shutouts, all of which remain U.S. Women’s National Team records. Solo was the starting goalkeeper for the 2015 World Cup champion U.S. Women’s National Team, as well as Team U.S.A.’s 2008 and 2012 Olympic gold medal winning teams. Since stepping away from the pitch in 2016, Solo has looked outside the world of soccer to continue to make her mark and has assumed a prominent role in the fight for women’s rights and gender equality.

SXM Media, the combined advertising revenue organization of Sirius XM Holdings Inc., has exclusive global ad sales rights to Hope Solo Speaks. Access to this podcast for brands and marketers is only available through the advertising and sales arm of SiriusXM, Stitcher, and Pandora.

Travis Announce Select US Tour Dates For November 2022

0

Multi-platinum Scottish rock band Travis are going on tour this November in select US cities, with tickets and VIP packages on sale Friday, March 4th via the band’s website attravisonline.com. The tour includes show dates in San Francisco, Los Angeles, Philadelphia, New York City and Washington DC. The select string of performances are set to commemorate the 20th anniversary reissue of their worldwide chart topping album The Invisible Band, now available as a deluxe box set, as well as LP, CD, and digital formats via Craft Recordings.

Earlier this year, Travis were forced to cancel their extensive US tour dates due to an unexpected hand injury incurred when frontman Fran Healy rescued a dog caught amongst a multi-car accident outside of his home. Following Fran’s recovery, the band are excited to announce new select tour dates in the US for the fall and hope to return for more shows across the States in 2023.

In his own words, Healy shares, “In an attempt to save a dog, my finger was mashed up and so we had to cancel the April 2022 US tour. Now, we’re happy to announce 5 dates in the US in November. We will come around again for more but our recording schedule meant we could only do part of the tour. We look forward to seeing you there.”

On getting to revisit the album with a tour, Healy also remarked “To support the reissue of The Invisible Band on vinyl on its 20th birthday we are excited to bring it all back home… well, home to where the album was recorded, to the US. It’s been such a long time since we toured America. We cannot wait to get out there and play the album live.”

Travis has recently appeared on The Kelly Clarkson Show with a performance of their major hit single “Sing” from The Invisible Band. The electric performance of “Sing” took place inside the historic Saint Luke’s Church in Glasgow. Clarkson showed her appreciation for the musical guests, citing the longevity of Travis’ career as a “mainstay on the British rock scene for decades.” The band also recently appeared on The Late Late Show with James Corden.

The Invisible Band is an iconic album from Travis, one that inspired the careers of Keane and Coldplay, along with many others, while charting at #1 on the UK Albums Chart and holding rank on the Billboard 200 Chart for seven weeks in the US. After only one year of the album’s release, it was certified 4x platinum, marking Travis as one of the most influential bands of the era.

The deluxe reissue of The Invisible Band is out now and features the original album remastered by GRAMMY® Award-winning engineer Emily Lazar, as well as original B-sides, previously unreleased demos, live sessions and alternate takes.

The special limited-edition 20th Anniversary box set features the material across two CDs and two 180-gram, ultra-clear vinyl LPs, cut at London’s Air Studios. The set includes an extensive book with unseen session photography, handwritten lyrics and essays from the band plus contributions from the original producer Nigel Godrich. A limited number of hand-numbered postcards, signed by all four of the band, are available via the Travis official store here.

The Invisible Band reissue is also available on standard black vinyl for the first time on the format since its original release. A limited green vinyl pressing is available via independent record stores, as well as a 2-CD standard edition.

Formed in Glasgow in 1990, Travis (Fran Healy, vocals, guitar; Andy Dunlop, lead guitar; Dougie Payne, bass; Neil Primrose, drums) came of age during Britpop’s heyday, but always stood at a remove from that scene’s barely contained mania. When the Britpop hangover kicked in at the end of the ’90s, Travis’ gentle, uplifting songs were the perfect antidote for the chaos of the preceding years. From its title on down, Good Feeling set the mood: an upbeat album unafraid to wear its emotions on its sleeve. By the time Travis took to Glastonbury’s Pyramid Stage in 1999, delivering a career-defining performance, they were poised to become household names, opening the door for a new generation of introspective songwriters to come through.

Entering the new millennium as one of the biggest bands in the UK following the success of sophomore album, 1999’sThe Man Who (now certified 9x platinum, with over 2.7 million albums sold in the UK), Travis spent the remainder of the ’00s developing their sound without ever forgetting their core commitment to songwriting. The Invisible Band (2001) consolidated the group’s status as the grown-ups’ indie rock band of choice, while 2003’s 12 Memories revealed a newfound electronica influence. 2007’s The Boy With No Name was the band’s most eclectic album to date, and, in the years since, the group have only continued to build on their enduring appeal. 2008’s Ode to J Smith included the fan-favorite single ‘Something Anything’, while Where You Stand (2013) and Everything At Once (2016) returned Travis to the UK Top 5. Travis’ emotionally charged and deeply heartfelt ninth studio album, 10 Songs (2020), marked another new chapter in the band’s extraordinarily prolific and unflappable career. 10 Songs is yet another body of work that showcases the band as one of the UK’s finest song writing exports.

2022 US TOUR DATES:
Fri Nov 04 – San Francisco, CA – Fillmore
Sat Nov 05 – Los Angeles, CA – Theatre at The Ace
Mon Nov 07 – Philadelphia, PA – Union Transfer
Tue Nov 08 – New York, NY – Webster Hall
Wed Nov 09 – Washington, DC – 9:30 Club