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Andrea Bocelli Announces December 2022 US Tour Dates

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Today globally-renowned Italian tenor Andrea Bocelli announced new US tour dates for December 2022. Andrea Bocelli In Concert includes eleven new show dates in major cities across the nation, including San Francisco, Las Vegas, Boston, Miami, New York and Columbus with the support of the highly-regarded Columbus Symphony Orchestra. The tour also finds Bocelli performing for the first time ever in Bridgeport, CT, Savannah, GA, Indianapolis, IN with the Indianapolis Symphony Orchestra, and for the first time at the new venue UBS Arena in Long Island, NY. He is also set to return to the legendary Madison Square Garden in New York City on December 14.

Andrea Bocelli In Concert will feature performances from Bocelli’s uplifting album Believe, a poignant and personal collection of songs, celebrating the power of music to soothe the soul, as well as a selection of arias, his beloved crossover hits, famed love songs, and music in honor of the Holiday Season.

As one of the most recognizable voices in the industry, and revered by fans internationally, Andrea Bocelli has been entertaining audiences for over 20 years, counting nearly 90 million records sold worldwide. In addition to his sold-out arena-sized concert events and record-breaking live-streams, Bocelli has shared his talents at major events including the Olympic Games, the World Cup, and Global Citizen. He has earned a Golden Globe, seven Classical BRITs and seven World Music Awards, plus a star on the Hollywood Walk of Fame. His 2018 album, Si, reached No.1 on both the US and UK charts.

December 2022 US Andrea Bocelli In Concert Tour
DECEMBER 1, 2022 / San Francisco, CA / Chase Center
DECEMBER 3, 2022 / Las Vegas, NV / MGM Grand Garden
DECEMBER 4, 2022 / Anaheim, CA / Honda Center
DECEMBER 7, 2022 / Indianapolis, IN / Gainbridge Fieldhouse
DECEMBER 8, 2022 / Columbus, OH / Nationwide Arena
DECEMBER 10, 2022 / Boston, MA / TD Garden
DECEMBER 11, 2022 / Bridgeport, CT / Total Mortgage Arena
DECEMBER 13, 2022 / Long Island, NY / UBS Arena
DECEMBER 14, 2022 / New York, NY / MSG
DECEMBER 16, 2022 / Savannah, GA / enMarket Arena
DECEMBER 18, 2022 / Miami, FL / FTX Arena

June 2022 US Believe Tour *previously announced
JUNE 15, 2022 / San Diego, CA / Pechanga Arena
JUNE 16, 2022 / Los Angeles, CA / Hollywood Bowl
JUNE 18, 2022 / San Jose, CA / SAP Center **
JUNE 22, 2022 / Austin, TX / Moody Center
JUNE 23, 2022 / Oklahoma City, OK / Paycom Center
**San Jose, CA is officially a rescheduled show from June 2020 and all tickets originally purchased are still valid for the new 2022 event.

Cory Henry Announces 2022 World Tour

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Off the heels of his “‘Best’ Year Yet” (SPIN) and four 2022 Grammy nominations, keyboard virtuoso, producer, and multi-instrumentalist Cory Henry announces his 2022 world tour kicking off on April 13 in Australia. While down under, Cory will perform at the famous Byron Bay Bluesfest and headline shows in Melbourne and Sydney. In May, he’ll make a short return statewide to play at Beale Street Music Festival and Ground Up Music Festival, and then head to Japan for a run of dates at Billboard Live in Tokyo, Yokohama and Osaka. His summer rounds out with a series of includes festival performances including Bonnaroo, Summerfest, Electric Forest, Summer Camp, Festival International de Jazz de Montréal, Ottawa Jazz Festival, Madrid’s Noches del Botánico, and shows at Red Rocks, KOKO (London), Amsterdam Bostheater, and Tel Aviv’s Barby. This fall, Los Angeles fans can catch a hometown performance on October 15 when Cory headlines The Fonda.

Arriving alongside the tour announcement is Cory’s latest single “The Fool.” “The Fool” sees Cory continue to push soul music forward into uncharted territory while paying homage to great soul visionaries such as Stevie Wonder and Prince. Cory’s unique “future soul” sound earned him a Grammy nomination this year for his 2020 solo album Something to Say, nominated in the Best Progressive R&B Album category. The first body of work solely produced by Henry, Something to Say showcases his multi-instrumental skills and powerfully mines 2020’s challenging emotional terrain.

One of the music industry’s most in-demand collaborators, Cory earned three more Grammy nominations this year for his contributions as a co-producer/writer on Ye’s DONDA, nominated for both Album of the Year and Best Rap Album, and Eric Bellinger’s New Light, nominated in the Best Progressive R&B Album category. Cory’s soulful organ soundscapes can also be heard on Imagine Dragons’ “Follow You,” Frank Ocean’s “Come On World, You Can’t Go!,” Rosalía’s “G3 N15,” and the new Red Hot Chili Peppers single “Poster Child.”

World-renowned artist, composer, producer, multi-instrumentalist, and all-around keyboard master Cory Henry was born to be a musician. Picking up the organ at age two and becoming a permanent fixture of his church’s choir by five, it wasn’t long before he was sharing the stage with the likes of Ms. Lauryn Hill, Quincy Jones, and The Roots, and winning a Grammy Award as a vital part of the instrumental collective Snarky Puppy. Cory has made a name for himself as a vocalist, instrumentalist, and writer for icons spanning generations, but his work at the helm of his own band, Cory Henry and the Funk Apostles, is what shot him into superstardom. Cory Henry and the Funk Apostles are known for consistently enchanting live performances, and their viral NPR Tiny Desk show is a testament to this. NPR’s All Things Considered raved that Henry “can glide through just about any song on the Hammond with the ease of someone taking the family car out for a Sunday drive.” With over 100 million aggregated YouTube views, the Brooklyn-born and LA-based “future soul” maestro’s far-reaching impact is undeniable.

Cory Henry 2022 World Tour
April 13 — 170 Russell — Melbourne, AUS
April 14 — The Factory Theatre — Sydney, AUS
April 16-18 — Byron Bay Bluesfest — Byron Bay, AUS
May 1 — Beale Street Music Festival — Memphis, TN
May 6 — Groundup Music Festival — Miami, FL
May 16 — Billboard Live — Tokyo, JPN
May 17 — Billboard Live — Tokyo, JPN
May 18 — Billboard Live — Tokyo, JPN
May 20 — Billboard Live — Yokohama, JPN
May 23 — Billboard Live — Osaka, JPN
May 27 — Red Rocks — Morrison, CO
May 28 — Summer Camp — Chillicothe, IL
June 4 — Capital Jazz Festival — Columbia, MD
June 17 — Brown’s Island: Friday Cheers — Richmond, VA
June 18 — Bonnaroo — Manchester, TN
June 23 — Electric Forest — Rothbury, MI
June 25 — Summerfest — Milwaukee, WI
June 30 — Ottawa Jazz Festival — Ottawa, ON
July 1 — Festival International de Jazz de Montréal — Montreal, QC
July 6 — KOKO — London, GB
July 8 — Bospop — Weert, NLD
July 10 — Amsterdamse Bostheater — Amsterdam, NLD
July 12 — Noches del Botánico — Madrid, ESP
July 14 — Barby — Tel Aviv, ISR
September 3 — Jazz Aspen Snowmass — Aspen, CO
October 15 — The Fonda — Los Angeles, CA

Mandy Moore Shares New Single “Little Dreams”

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Today, Mandy Moore debuts “Little Dreams,” the latest single from her forthcoming full-length studio album In Real Life, out on May 13 via Verve Forecast. This summer, Moore will headline an extensive tour of North America in support of the new album. It is her first tour in over a decade and tickets are on sale now.

The wildly glittering “Little Dreams,” which features a lavish string arrangement by composer Trey Pollard (Snail Mail, Faye Webster), takes on a heady velocity as Moore pays homage to the tiny moments that make up the patchwork of our lives.

Mandy shares, “Instead of getting lost in ruminating on the bigger picture. I wanted to write a song about how a life is comprised of these seemingly mundane moments that ultimately all piece together to form something greater. It’s about the little things we look back on with such nostalgia when we’re reflecting on a particular point in time: the walk you took with someone right after it had rained, or the drive when someone introduced you to a record that wound up becoming one of your favorites. It doesn’t always have to be about the flashy things that scream out to us—it’s all those quieter, simpler moments that are worth recognizing and celebrating too.”

The new album, In Real Life, brings a heightened sense of self-possession to Moore’s songwriting, imbuing each track with both detailed storytelling and lucid self-reflection. Produced by Mike Viola (Andrew Bird, Ondara, Lori McKenna), the album expands on the whirlwind creative momentum Moore first set into motion on 2020’s Silver Landings. To that end, Moore matches the album’s potent emotional current with a gloriously unpredictable sound, touched with elements of everything from jangly college-rock to cinematic synth-pop to classic singer/songwriter simplicity. Thanks to the charmed camaraderie and playful experimentation of Moore and her collaborators—including Goldsmith and his brother/Dawes bandmate Griffin Goldsmith, Jess Wolfe and Holly Laessig of Lucius, keyboardist Lee Pardini (The War on Drugs, Aimee Mann), and bassist Sebastian Steinberg (Sharon Van Etten, Phoebe Bridgers)—In Real Life embodies a dreamy effervescence even in its most heavy-hearted moments.

IN REAL LIFE TRACKLIST
1. In Real Life
2. Heartlands
3. Little Dreams
4. Just Maybe
5. Living In The In Between
6. In Other Words
7. Four Moons
8. Little Victories
9. Heavy Lifting
10. Brand New Nowhere
11. Every Light

MANDY MOORE 2022 TOUR DATES
Friday, June 10 – Variety Playhouse – Atlanta, GA
Saturday, June 11 – The Charleston Music Hall – Charleston, SC
Sunday, June 12 – The Carolina Theatre of Durham – Durham, NC
Tuesday, June 14 – 9:30 Club – Washington, DC
Wednesday, June 15 – Webster Hall – New York, NY
Friday, June 17 – The Lawn of the Art Museums of Colonial Williamsburg – Williamsburg, VA
Saturday, June 18 – Music Box at the Borgata – Atlantic City, NJ
Sunday, June 19 – Royale – Boston, MA
Tuesday, June 21 – The Ridgefield Playhouse – Ridgefield, CT
Wednesday, June 22 – The Danforth Music Hall – Toronto, ON, Canada
Thursday, June 23 – Roxian Theatre – McKees Rocks, PA
Saturday, June 25 – Ryman Auditorium – Nashville, TN
Wednesday, July 06 – AT&T Performing Arts Center – Strauss Square – Dallas, TX
Thursday, July 07 – The Heights Theater – Houston, TX
Friday, July 08 – The Paramount Theatre – Austin, TX
Sunday, July 10 – Uptown Theater – Kansas City, MO
Monday, July 11- The Vic Theatre – Chicago, IL
Tuesday, July 12 – First Avenue – Minneapolis, MN
Thursday, July 14 – The Gothic Theatre – Englewood, CO
Friday, July 15 – The Depot – Salt Lake City, UT
Sunday, July 17 – The Showbox – Seattle, WA
Monday, July 18 – Aladdin Theater – Portland, OR
Wednesday, July 20 – The Fillmore – San Francisco, CA
Thursday, July 21 – Belly Up – Solana Beach, CA
Friday, July 22 – The Fonda Theatre – Los Angeles, CA
Sunday, July 24 – Newport Folk Festival – Newport, RI

Renowned Jazz Artist Jean-Michel Pilc Releases New Album ‘Alive – Live at Dièse Onze, Montréal’ Featuring The Beatles’ “Eleanor Rigby”

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Spontaneity may well be the most important element of jazz expression — the immediacy of creativity in its purest and most adventurous manifestation. For extraordinary pianist Jean-Michel Pilc, the live performance represents the pinnacle of that level of spontaneity and, in his outstanding new release on Justin Time Records, Alive – Live at Dièse Onze, Montréal, Pilc and his bandmates Rémi-Jean LeBlanc and Jim Doxas on bass and drums respectively, splendidly offer proof of this concept.

Available now, the liner notes of Alive reveal Pilc describing this state as “improvising musicians in their natural habitat, the jazz club, playing music for the sake of music, never repeating themselves, and creating sounds that they will never replicate.”

“Improvisation is often associated with freedom, but beware of appearances,” Pilc expands. “When inspiration strikes, music has a way to lead you from one moment to the next that gives you no choice but to follow the flow. And when all the members of the band hear the same sound, all of it, and react not as individuals but as part of that sound, then it feels like home, or family.”

This concert, recorded in June 2021, marked the trio’s first performance since the onset of the COVID pandemic. “The music was vital, to us and to the audience, and we experienced the full gamut of human emotions,” Pilc shares. “When we played that night for the first time since the beginning of the pandemic, that feeling of evidence was palpable, more than ever; Montreal is lucky to have such a beautiful club as Diese Onze, and I’m sure the listener will feel the warmth and swinging atmosphere of the place.”

As intense as the emotions may have been, the music is brilliantly crafted and totally cohesive – a testament not only to the mastery of the musicians but also to the deep understanding and sensitivity to each other and the pursuit upon which they embarked as a unified force.

It’s also an example of collective improvisation at its highest level.

“Since a while ago, all my concerts are totally improvised — no setlist, nothing prepared, just let the music lead the way,” Pilc reveals. “I come on stage as a newborn, ready for a new life, a new journey, a new experience every time. My bandmates are part of that experience as much as I am myself, every note they play becomes part of this life we are living together on the stage.”

Collective improvisation is often dismissed as a method of haphazardness and serendipity, hoping that things may work out and expecting the audience to simply enjoy the adventure. But in the hands of superb musicians united by purpose, the results can be exhilarating, utterly captivating, and tremendously uplifting.

That is certainly the case here. As the legendary Harry Belafonte has said of Pilc: “Beyond all that can be said about his masterful technique and his beauty of touch, it is the unpredictability that is central to his remarkable talent.”

At its higher levels, jazz tells vivid stories, and those told by the trio are fascinating, multi-nuanced, intricately woven tales of rich texture, color, and unexpected plot twists.

Reflecting this, the music travels roads that are remarkably winding and varied in steepness and direction, but always totally focused on the ultimate destination. Through this journey – as Pilc goes on to say “unpredictability becomes evidence.”

The music here contains endlessly delightful surprises woven seamlessly into the intricate fabric within the individual pieces themselves. Two Miles Davis classics provide excellent examples, from the sheer simplicity of lyricism in “Nardis,” like a consistently evolving, but persistently gentle snowfall of filigreed delicacy, to the rumbling and rolling “All Blues,” escalating into a two-fisted romp that culminates in a scalding rapid-fire explosion of breathtaking intensity and ferocity.

The Hammerstein/Romberg song that became a jazz standard “Softly, as in a Morning Sunrise” passes through so many stages of musical evolution, from its fragments of melody Tristano-ish opening through thunderous crescendos that never lose the sensitivity of the song, and culminating in a tantalizingly slow bluesy swing evoking the territories explored by Bud Powell and Herbie Nichols.

A pair of Pilc originals are also included – “11 Sharp,” a highly rhythmic, somewhat Monkishly grooved excursion, consistently evolving in melodic variety and emotional intensity, and the title piece “Alive,” an evocative, persistently explorative foray in gently insistent lyricism, which ends this wonderful album on a subtly provocative note.

Music like this can only be achieved by such consummately impeccable musicians as these three gentlemen. LeBlanc and Doxas are not simply sidemen by any means, as Pilc’s music demands far more ownership of the music by all the collaborators. Throughout the album, the bass and drums solos are never just there to give them some playing space but are fully woven into the textural fabric of each piece.

Seven additional exceptional pieces cover a wide spectrum, including three more Miles Davis affiliated items — a highly exciting spin on Eddie Harris’ “Freedom Jazz Dance” and two standards, a jauntily swinging “Someday My Prince Will Come” and an appropriately moody, atmospheric “My Funny Valentine”; along with a complex take on Lennon & McCartney’s “Eleanor Rigby”; a delightfully whimsical version of Jerome Kern’s “All the Things You Are”; a lovely version of Rodgers & Hart’s “My Romance”; and a dynamically Latin-tinged and often explosive journey into John Coltrane’s “Mr. P.C.”

Enormously prolific and multi-faceted as composer and pianist, including musical directorship for Harry Belafonte; a duet performance with operatic legend Jessye Norman; a large-scale commissioned work based upon a major inspiration Charlie Chaplin; and over a dozen albums as a leader and almost as many as co-leader, Jean-Michel Pilc has become one of the most highly respected pianist/composers of the past 25 years.

Alive – Live at Dièse Onze, Montréal is available via Justin Time Records now.

JUNO & GRAMMY Award-Contributing Winning Producer Chin Injeti Mixes Feel Good Vibes With Old School Synths In “YUH”

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Chin Injeti’s new song “YUH” feels like warm air and blooming fields, almost as if winter is ending and a new wave of spring is preparing to unfurl itself. In other words, exactly as the JUNO and GRAMMY Award-contributing winning producer intended it to be.

Featuring Iman Wamboi for the lead vocals, “YUH” — available now — infuses Injeti’s passion for funk and boogie music into a fresh-feeling classic-in-the-making. “I was trying to elicit the feeling of springtime and endless possibilities,” Injeti shares. “Something that could usher in the feeling of seasons changing; I think we achieved this with Iman Wamboi’s voice and her overall vibe as a creator.”

One of the things that makes “YUH” such an interesting production is its use of vintage samples with new wave-producing methods to create a time capsule that preserves everything you love about your favorite oldies while introducing new players to the music industry; the song samples a Galanti organ as well as the Casio Bossa Nova drums, both prominent figures in producer’s synth libraries during the 70’s/late 80s. “I’ve always been a huge fan of Stereo Lab & The Style Council. I wanted to make a track that was charming and reminiscent of samba with a light-hearted Casio Drum feel.”

“YUH”s potential to be a timeless hit is rooted in its natural fluid feeling. Like a spring runs down a mountain, “Yuh” trickles down through the listener’s ear and into the feet as they find the groove and passion put into Injeti’s newest single. The feel-good vibe that Injeti and Wamboi can manufacture effortlessly on their most recent collaboration is paired with relatable down-to-earth messages that will hit home for listeners across the board.

“Wish I’d never met you / Sometimes I regret it bad
But those eyes, they hit me so hard / I never had a chance”

Chin Injeti is a key player in the established music culture we all know and love. His career took off in the ’90s when he fronted for Bass is Base — a Canadian R&B group. The group went on to create hits such as “Funkmobile” — a production that went on to win a JUNO for Best R&B Record as well as a MuchMusic Video Award. Injeti was then awarded a Songwriter of the Year award by SOCAN. Landing a deal with Universal Music and Island Records was merely the beginning of this soundscaper’s career.

As Bass is Base came to an end, Injeti spent his time creating, touring, and performing all over North America with groups such as The Fugees, The Roots, Jamiroquoi, A Tribe Called Quest, De La Soul, and many more. Through his extensive tenure, he honed in on carving out frequencies while observing the importance of impactful lyrics and melodies.

Injeti finessed his production skills, finding himself behind a mixing board more frequently. Teaming up with DJ Khalil, Injeti went on to make music for Dr. Dre, Eminem, Drake, Pink, Aloe Blacc, The Clipse, Lecrae, K’Naan, and artists of the like. Chin Injeti received multiple JUNO Awards nominations, was namechecked as a producer on several albums winning GRAMMY Awards, finding his music slowly impacting the culture within music production as his records went Gold and Platinum.

STEVE NEVILLE Releases Low-Fi Love Letter “Going Home”

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Through an atmospheric and groove-laden lens, Métis alt-rocker Steve Neville parses the perseverance of the human spirit with the release of his new single, “Going Home.”

The song’s cover art faces a freight train head-on; apt, considering the single lands ahead of the artist’s raw and vulnerable forthcoming album, Off Track, detailing his journey surviving cancer.

“Off Track documents the trajectory of my illness, from my time in the ICU to being discharged after receiving my stem cell transplant,” Neville explains — adding that the tracks dive deep into his darkest moments, spinning together stories of spending five months in hospital, let alone during a pandemic and with an infant son at home who he was unable to see.

The fluidity of the album in its unbridled honesty and laid-bare authenticity delivers an unmissable story of the struggle to success, sparing no ebb and flow that comes with recovery.

“Many of the lyrics are about my physical state, and do this often by turning to a central theme on the album,” says Neville. “I compare my body to a broken-down train that has somehow been derailed on the path I thought my life would follow.”

The release is a highly anticipated examination in the test of the human spirit. For Neville — though weak and exhausted — the creativity to document his journey only grew stronger. And while in hospital, he began penning the songs that would eventually cultivate in Off Track, set for release March 25th, 2022. “Ultimately, the album is about moving on in life and accepting that maybe there’s something bright and beautiful beyond the horizon of what initially feels like an accursed departure,” he says.

Neville’s solo project comes years after leaving the now-disbanded Canadian rock outfit, The Balconies. The former group, co-founded by Neville and his sister, Jacquie, had been a mainstay in the country’s indie alternative community for a decade, releasing three albums. Neville would spend five years in hiatus before branching out as a solo musician — and his penchant for songwriting returned during the fight for his life after being diagnosed with Leukemia.

“I had my acoustic guitar with me as my constant companion and confidant,” Neville reflects on his stay in a Hamilton hospital, without the luxury of visitors due to the pandemic. “Now that these songs are out for others to hear, my goal with this music is to act as a friend for anyone in need, whether they’re sick or otherwise struggling in life and with their mental health.”

Neville enlisted producer Liam Jaeger (The Balconies) to flesh out the recording process of the songs he penned while in hospital. The pair took an unconventional approach to assemble the project as a way to capture the spirit of Neville being alone in his fight. “We wanted my voice to honestly reflect what it sounded like when I was singing alone in my hospital room,” Neville reveals, explaining the pair began the process by recording Neville’s voice and guitar before adding layers of instrumentation to the track until it became what we hear on the finished project. “We did this by doing remote sessions, which involved me recording my parts in Hamilton while in and out of the hospital, before sending it over to Liam in Toronto to complete the arrangements and instrument performances.”

“Going Home” is a testament to the emotional rollercoaster he felt in physically leaving the hospital and returning home to his partner and son. “For me, my family is most important,” he shares. “But my illness has also reminded me to appreciate every moment in life by being more present, by connecting with nature, by writing music, or whatever. I’m reminded here of a piece of wisdom from Pema Chödrön in When Things Fall Apart, who teaches that we can accept the most challenging things in life as a gift. ‘Going Home’ is about becoming more aware of what matters and finally following a path that is authentic and fulfilling.”

The track is a low-fi love letter, dripping in Neville’s signature vox and layered with electric guitar and rushing percussion. While the song may be Neville’s deeply intimate ode to success after a life-altering, changing, and redefining chapter, it is what ultimately coaxes each of us to be thankful every day.

And that’s why it hits so hard: Steve Neville may be the one “Going Home” but, on some level, so are each of us.

Drummer MARITO MARQUES Marries Portugal’s Music Traditions with Two of its Newest Singing Stars in “Amor Ao Longe”

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Bridging the gap between old and new, traditional and modern, and classic and contemporary is always a challenge — especially in the constantly changing soundscape of the music world. Multi-GRAMMY, Latin GRAMMY, and JUNO Award-nominated contributing drummer, composer, and producer Marito Marques passionately rose to that challenge with respect and ingenuity on his new album A Ponte (The Bridge), and its rapturous new single, “Amor Ao Longe” (Love in the Distance) — both available now.

Featuring two of Portugal’s most celebrated new voices, MARO, a solo artist who also performs with multi-GRAMMY winning UK artist Jacob Collier, and Salvador Sobral, the winner of the 2017 Eurovision Song Contest, “Amor Ao Longe” is a spellbinding, romantic journey of longing.

“‘Amor Ao Longe’ tells us about a love lived at a distance through a melody that immediately captivates, guided by the voices of MARO and Salvador Sobral,” says Marques. “This is the first time where these two stars sing together.”

Marques is the sole composer of “Amor Ao Longe” with lyrics by the renowned lyricist Paulo Abreu Lima, who has worked with Sting and the Portuguese Fado star Mariza. With Lima’s lyrics, MARO’s dusky alto and Sobral’s soulful tenor weave back and forth beautifully in a dance of two lovers desperately longing to close the distance of time and space between them. Marques’ subtle to dramatic percussion, Francisco Sales’ and Carlos Garcia’s gorgeous and complimentary guitar and piano work, along with the superb string trio of Nicole Marques on violin, Aleksandar Gajic on viola, and Bryan Holt on cello provide an exquisite bed to carry the achingly romantic story on.

Recorded at Toronto’s GMP Studios, “Amor Ao Longe” is the second single from Marques’ third full-length album, A Ponte.

“The album is based on the essence of traditional Portuguese music, reinventing it without any barriers or prejudices,” explains Marques.

With 11 tracks including the previous single “Manjerico”, A Ponte is based on an artistic residency that Marques participated in Arganil, Portugal with the traditionally Alentejo singing group ‘Os Vocalistas” and accordionist João Frade. Recorded in both Portugal and Toronto, where Marques is now based, the album also features renowned fado singer Marco Rodrigues and Luís Trigacheiro, the winner of The Voice Portugal 2021 and now considered among the top 10 voices of The Voice Program Worldwide.

By fusing timeless music with modern style and a decision to produce the album by collaborating with both Portuguese and Canadian musicians, Marques has made his latest project accessible to both international Portuguese communities, and the greater public.

“I want to show to the Canadian audience, and the world, this beautiful music genre presented in a modern way,” explains Marques about A Ponte. “I’ve always had respect and admiration for traditional Portuguese music and, since I moved to Canada in 2013, this fascination grew even more.

Born in Arganil, Portugal, Marito Marques is a prodigious musician who began playing live at only 5 years old, His talent quickly garnered the attention of musical legends such as Donna Grantis (guitarist, Prince), Jeff Coffin (saxophonist, Dave Matthews Band), and Fado icon Carlos do Carmo, along with Grammy nominations for Afro Peruvian Jazz orchestra – Best Latin Jazz Album, Tradiciones 2021, and Latin Grammy nomination for Afro Peruvian Jazz orchestra – Best Arrangement – La Flor De La Canela 2021.

Collective Soul And Switchfoot Band Together For Summer Tour

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Multi-Platinum Atlanta rockers Collective Soul–Ed Roland (vocals/guitar), Dean Roland (rhythm guitar), Jesse Triplett (lead guitar/background vocals), Will Turpin (bass/background vocals), Johnny Rabb (drums/background vocals)–didn’t let the pandemic get in the way of their 26-year tradition of non-stop touring, and now they’re getting ready to head out on the road again. In addition to various headlining shows, the band will join forces with Switchfoot–for the very first time—for a massive summer tour that will launch Friday, July 15 in Gary, IN at the Hard Rock Casino.

Collective Soul singer/guitarist Ed Roland can’t wait to get the tour started. “It’s always a thrill to go on tour, but this year is going to be so special because we get to be with not only our friends but a great band, Switchfoot! Southern boys meet Southern California boys, which will be a fun time for all!”

Switchfoot singer/guitarist Jon Foreman couldn’t agree more. “Been fans of Collective Soul and their songs from day one. Can’t believe it took this long for us to finally tour together. Psyched it’s finally happening!”

Collective Soul’s highly anticipated and critically acclaimed tenth studio album, BLOOD, was released June 21, 2019 on Fuzze-Flex Records/ADA as a download or CD on any of these digital retailers. Vinyl copies of the album are currently available on the band’s official website. It garnered impressive debuts on various Billboard’s charts, including #3 on the “Alternative Albums” chart. Elsewhere, it debuted at #4 on the “Independent Albums” chart, #5 on the “Rock Albums” chart, #12 on the “Digital Albums” chart, #15 on the “Top Current Albums” chart, and #19 on the “Internet Albums” chart. Last year, the band announced a visually powerful and socially purposeful collaboration with eco-lifestyle brand One Golden Thread through the launch of an exclusive limited edition lyrical “tree-shirt, created to express the golden thread that connects all our collective souls.” It’s available now on One Golden Thread’s website. A portion of the t-shirt’s proceeds will benefit Alzheimer’s care, support, and research.

Switchfoot — Jon Foreman (vocals, guitar), Tim Foreman (bass), Jerome Fontamillas (keys, guitar) and Chad Butler (drums)–has sold almost 10 million copies worldwide of their twelve studio albums (including their 2003 double-platinum breakthrough THE BEAUTIFUL LETDOWN and 2009’s Grammy Award-winning HELLO HURRICANE), racked up a string of Alternative radio hit singles, and performed sold-out tours with over 5 million concert tickets sold in over 40 countries around the world. Switchfoot has raised over $2 million dollars to aid kids in their community through their BRO-AM Foundation. Through their unique blend of emotionally intelligent and uplifting brand of Alternative Rock, Switchfoot has earned a devoted and loyal global fan base.

Check out Collective Soul and Switchfoot at any of the following stops:

DATE CITY VENUE

With Switchfoot:

Fri 7/15 Gary, IN Hard Rock Casino
Sat 7/16 Council Bluffs, IA Harrah’s Council Bluffs – Stir Cove
Sun 7/17 Maryland Heights, MO Saint Louis Music Park
Tue 7/19 Cleveland, OH Jacobs Pavilion at Nautica
Wed 7/20 Columbus, OH KEMBA Live! – Indoor Music Hall
Sat 7/23 Fond du Lac, WI Fond du Lac Fair
Sun 7/24 Wabash, IN Honeywell Center
Tue 7/26 Newport, KY PromoWest Pavilion at OVATION
* Wed 7/27 Midlothian, VA AfterHours Southside
Sat 7/30 Grantville, PA Penn National Racecourse – Hollywood Casino
Sun 7/31 Hampton, NH Hampton Beach Casino Ballroom
Tue 8/2 Silver Spring, MD The Fillmore Silver Spring
Wed 8/3 Huntington, NY The Paramount
Thu 8/4 New York, NY Palladium Times Square
Sat 8/6 Webster, MA Indian Ranch
Sun 8/7 Pittsburgh, PA Stage AE
Mon 8/8 Jackson, MI Jackson County Fairgrounds
* Sat 8/13 Billings, MT MetraPark – First Interstate Arena
Sun 8/14 Denver, CO The Mission Ballroom
Mon 8/15 Sandy, UT Sandy City Amphitheater
Wed 8/17 Jacksonville, OR Britt Pavilion
Sat 8/20 Paso Robles, CA Vina Robles Amphitheatre
* Sun 8/21 Saratoga, CA The Mountain Winery
Tue 8/23 Inglewood, CA YouTube Theater
Wed 8/24 San Diego, CA Cal Coast Credit Union Open Air Theatre
Fri 8/26 Henderson, NV Sunset Station Outdoor Amphitheater
Sat 8/27 Flagstaff, AZ Fort Tuthill Park – Pepsi Amphitheater
Mon 9/5 New Haven, KY The Amphitheater at Dant Crossing
Wed 9/7 Cary, NC Koka Booth Amphitheatre at Regency Park
Fri 9/9 Charleston, SC The Riviera Theater – Sottile Ballroom
Sat 9/10 Atlanta, GA Cadence Park Amphitheatre at Chastain Park
Sun 9/11 Nashville, TN Grand Ole Opry House
Tue 9/13 Jacksonville, FL Florida Theatre
Wed 9/14 Clearwater, FL Ruth Eckerd Hall
Fri 9/16 Orlando, FL Hard Rock Live
Sat 9/17 Pompano Beach, FL Pompano Beach Amphitheatre
Tue 9/20 New Orleans, LA Mahalia Jackson Theater
Wed 9/21 Sugar Land, TX Smart Financial Centre
Fri 9/23 Austin, TX Austin City Limits Live
Sat 9/24 San Antonio, TX Majestic Theatre

Taking Back Sunday celebrates 20th Anniversary Of ‘Tell All Your Friends’ With Bonus-Filled Reissue

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Craft Recordings celebrates the 20th anniversary of Taking Back Sunday’s landmark debut album, Tell All Your Friends, with a variety of special reissues and bonus content. Set for release on May 27th, all formats offer newly remastered audio, while the vinyl, CD and digital editions feature four previously unreleased demos of “Mutual Head Club,” “Bike Scene,” “The Blue Channel,” and “Great Romances of the 20th Century.”

The deluxe, 2-LP vinyl set is housed in a gatefold jacket, offering the remastered original album plus a bonus etched 10-inch disc with the four demos. Various limited edition color pressings will also be available, each offering a unique color for LP1, along with the standard black 10-inch. Fans can pick these up via the band’s webstore and on tour (Blue Smoke and Forest Green vinyl), Craft Recordings (Fog vinyl), Revolver (Orange Crush vinyl), and Urban Outfitters (Sangria vinyl). Rounding out the LP and CD formats are new liner notes from journalist Glenn Gamboa, who covered music for the Long Island-based Newsday during the band’s rise to fame. Additionally, a limited cassette edition will deliver the classic 10-track album, which includes such iconic hits as “Cute Without the ‘E’ (Cut from the Team)” and “You’re So Last Summer.”

Originally released in 2002, Tell All Your Friends not only propelled Taking Back Sunday to global stardom but also became a defining album in the alt-rock canon. Yet, as the Long Island band readied to record their debut, their expectations were modest—evidenced by the album’s tongue-in-cheek title. After solidifying their line-up in 2001 and recording a five-song demo, Adam Lazzara (vocals), Eddie Reyes (guitar), John Nolan (guitar + vocals), Mark O’Connell (drums), and Shaun Cooper (bass) caught the ears of Victory Records, who signed them promptly that December. Not long after, the band entered New Jersey’s Big Blue Meenie studio with producer Sal Villanueva (Thursday, Murphy’s Law) to record Tell All Your Friends.

Released in March 2002, the album delivered a blend of hardcore, punk, and pop-forward anthemic melodies with heartfelt lyricism and an emotionally charged delivery. Relatable, angsty, and cathartic, Taking Back Sunday’s music touched a nerve with a new generation of alt-rock fans. In his liner notes, Gamboa argues that the album’s songs “capture universal feelings that don’t generally get much play. We can all name a dozen love songs right now, sure. But how many songs can you name about wanting to be the one to betray your ‘best friend’ to ensure his downfall? What about the power of frenemies?”

He continues, “The feelings that Tell All Your Friends conjures up don’t even have to come from the hyper-literate lyrics, from a thousand clever lines unread on clever napkins. That mosh pit of emotions, which were extra raw in those angst-ridden days, starts with the driving rhythms from Mark O’Connell’s drum and Shaun Cooper’s bass. It soars on the triumphant guitar riffs from John Nolan and Eddie Reyes. Soon, you’re screaming along with Adam Lazzara. That is magic.”

Initially, fans were drawn in by “Cute Without the ‘E’ (Cut from the Team)”—the first track off Tell All Your Friends to be released online, and now, perhaps the band’s most enduring song. Following the album’s announcement, two more singles arrived: “Great Romances of the 20th Century,” which chronicled the end of a doomed relationship, followed by “You’re So Last Summer,” which served as an ode to summer flings. Eventually, “Cute Without the ‘E’” was officially released as a single and the high-energy (and utterly infectious) track spread quickly across the airwaves, helping to popularize the post-hardcore sound that would become mainstream in years to come.

In its first week, Tell All Your Friends sold nearly 2,400 copies—no small feat for a relatively unknown act. Over the following months, sales began to increase steadily, and mightily, thanks to the grassroots efforts of the band, their label, and their fanbase. The album’s title proved to be eerily prophetic, as the emerging power of online fan communities (particularly on Myspace) and peer-to-peer sharing fueled the band’s popularity. Tastemakers took notice as well, including MTV and alternative radio stations across the country, while the band performed on late-night TV shows, including Last Call with Carson Daly and Jimmy Kimmel Live!, during breaks from their busy tour schedule.

Within a year of its release, Tell All Your Friends had surpassed 100,000 units—a number that would double by the end of 2003. In 2005, it was certified Gold by the RIAA. Today, Tell All Your Friends has sold over one million copies and continues to be a fan favorite in Taking Back Sunday’s lengthy body of work. The band revisited the title in 2012 with a 10th-anniversary tour, followed by a live, acoustic version of the album, TAYF10 Acoustic, a year later.

Two decades after its release, the legacy of Tell All Your Friends cannot be underestimated. Among its many accolades, the title was ranked among Rolling Stone’s “40 Greatest Emo Albums of All Time” and NME’s “20 Emo Albums That Have Resolutely Stood the Test of Time” lists. Alternative Press called Tell All Your Friends “The record that changed everything,” adding that it was “As close as it gets to a modern masterpiece, capturing not just a band at their apex, but an entire scene. It will never be duplicated.” The BBC praised the band’s “ability to write fantastically catchy songs that are poppy and fun as they are upbeat and emotionally aggressive,” while Drowned in Sound simply declared it to be “the start of a movement.”

For the band, however, Tell All Your Friends represented something more. During an era when indie bands were still limited in their reach, Taking Back Sunday defied the odds, breaking through to the mainstream—and staying there. It also proved the power of the fanbase (and the internet) years before social media reached its apex. Most importantly, Tell All Your Friends launched the band’s 20+ year career, a benchmark that few acts can achieve.

When reflecting on the last 20 years since the album’s release, Nolan says, “During our live shows, there is a part during ‘Cute Without the ‘E’’ where we stop and let the crowd sing, ‘Why can’t I feel anything from anyone other than you.’ That has become an unbelievably moving moment for me. The connection between us and the audience is so apparent and so strong. The crowd screams it at us, we stand back from our mics screaming it at them, and the lyrics take on more significance than we ever imagined they could. In a lot of ways, that moment is a distillation of what Tell All Your Friends has meant. It sums up the mind-boggling psychological and emotional connection we made with people 20 years ago that’s still going strong today.”

The current line-up—vocalist Adam Lazzara, guitarist and vocalist John Nolan, drummer Mark O’Connell, and bassist Shaun Cooper—have been through a lot together. The band, in its various formations, has released seven albums to date (four of which were in the Billboard 200 Top Ten and three of which earned gold records). In 2018, Taking Back Sunday joined such iconic artists as Billy Joel, Joan Jett, and Lou Reed as inductees of the Long Island Music Hall of Fame, while in 2019, they celebrated their 20thanniversary as a band with an extensive tour and a career-spanning compilation, Twenty. In addition to working on a new album this year, the band is readying for an extensive summer tour across the U.S. with Third Eye Blind (see dates below). They also look forward to performing at Las Vegas’ highly anticipated When We Were Young festival in October.

Tour Dates (with Third Eye Blind):
22 June — Troutdale, OR — Edgefield
23 June — Auburn, WA — White River Amphitheatre
24 June — Bonner, MT — KettleHouse Amphitheater
25 June — Sandy, UT — Sandy Amphitheater
27 June — Morrison, CO — Red Rocks Amphitheatre
29 June — Council Bluffs, IA — Harrah’s Stir Concert Cove
30 June — Kansas City, MO — Starlight Theatre
1 July — Prior Lake, MN — Mystic Lake Casino Mystic Amphitheater
6 July — Newport, KY — Ovation
7 July — Indianapolis, IN — TCU Amphitheater at White River State Park
8 July — Chicago, IL — Huntington Bank Pavilion at Northerly Island
9 July — Sterling Heights, MI — Michigan Lottery Amphitheatre at Freedom Hill
12 July — Columbus, OH — KEMBA Live! Outdoor Amphitheater
13 July — Pittsburgh, PA — Stage AE
15 July — Philadelphia, PA — The Mann Center Skyline Stage
16 July — Mansfield, MA — XFINITY Center
17 July — Wantagh, NY — Northwell Health at Jones Beach Theater
21 July — Uncasville, CT — Mohegan Sun Arena
22 July — Holmdel, NJ — PNC Bank Arts Center
23 July — Columbia, MD — Merriweather Post Pavilion
26 July — Atlanta, GA — Cadence Bank Amphitheatre
27 July — Franklin, TN — FirstBank Amphitheater
29 July — Houston, TX — White Oak Music Hall
30 July — Del Valle, TX — Germania Insurance Amphitheater
31 July — Irving, TX — The Pavilion at Toyota Music Factory
1 Aug — Oklahoma City, OK — The Zoo Amphitheatre
4 Aug — Phoenix, AZ — Arizona Federal Theatre
5 Aug — Inglewood, CA — YouTube Theater
11 Aug — San Diego, CA — Cal Coast Credit Union Amphitheater
12 Aug — Las Vegas, NV — Virgin Hotels Las Vegas
13 Aug — Irvine, CA — FivePoint Amphitheatre

Tracklist (CD/digital editions):
1. You Know How I Do
2. Bike Scene
3. Cute Without The ‘E’ (Cut From The Team)
4. There’s No ‘I’ In Team
5. Great Romances Of The 20th Century
6. Ghost Man On Third
7. Timberwolves At New Jersey
8. The Blue Channel
9. You’re So Last Summer
10. Head Club
11. Great Romances Of The 20th Century (Demo)
12. The Blue Channel (Demo)
13. Bike Scene (Demo)
14. Mutual Head Club (Demo)

Tracklist (vinyl edition):
A1. You Know How I Do
A2. Bike Scene
A3. Cute Without The ‘E’ (Cut From The Team)
A4. There’s No ‘I’ In Team
A5. Great Romances Of The 20th Century

B1. Ghost Man On Third
B2. Timberwolves At New Jersey
B3. The Blue Channel
B4. You’re So Last Summer
B5. Head Club

C1. Great Romances Of The 20th Century (Demo)
C2. The Blue Channel (Demo)
C3. Bike Scene (Demo)
C4. Mutual Head Club (Demo)

Tracklist (cassette edition):
1. You Know How I Do
2. Bike Scene
3. Cute Without The ‘E’ (Cut From The Team)
4. There’s No ‘I’ In Team
5. Great Romances Of The 20th Century
6. Ghost Man On Third
7. Timberwolves At New Jersey
8. The Blue Channel
9. You’re So Last Summer
10. Head Club

Delmore Recordings announces all-new Karen Dalton collection ‘Shuckin’ Sugar’

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Musical archaeologist and record label Delmore Recording Society is honored to announce an all-new collection, Shuckin’ Sugar, from legendary blues and folk singer Karen Dalton.

Available April 23rd on vinyl as a Record Store Day exclusive, followed by a wide release in CD and digital formats on May 6th, Shuckin’ Sugar is a riveting 12-track live set recorded in 1963-1964, featuring the earliest known duets of Dalton (with then-husband, guitarist, and songwriter Richard Tucker) and seven never-before-heard solo performances. The collection is accompanied by an 8-page (LP)/24-page (CD) booklet featuring a treasure trove of newly discovered unseen and rare photos, as well as newspaper clippings, artwork by Dalton, and a heartfelt 6,000-word essay by veteran UK journalist and author Kris Needs.

Limited to 3,500 copies worldwide, the RSD release was pressed at Third Man Records on transparent, natural vinyl which comes housed in an old style, tip-on jacket. Click here to find your nearest participating record store. The CD and digital editions will be available to pre-order on April 25th at Delmore Recordings on Bandcamp and at most digital retailers.

Since falling completely under the spell of Karen Dalton in the 1990s, Delmore has been on a mission to unearth previously unheard Dalton recordings, including acting as North American liaison for Cotton Eyed Joe and Green Rocky Road, and in 2012, releasing the intimate cabin recordings Karen Dalton – 1966. Now, Delmore is incredibly proud to present a never-before-heard performance by Dalton, offering an unprecedented glimpse of a cult legend in the making. Label founder and release producer Mark Linn shares, “To describe the record would take a poet, but all I can say is that unveiling a missing chapter in the Karen Dalton story─with six songs we’ve never heard her sing before─is cause for celebration in Delmore’s world.”

In his essay, Needs writes, “Shuckin’ Sugar is of major significance for several reasons. Most obviously because it adds to a catalogue with even less official releases than her close friend and biggest champion, Fred Neil (if larger on the excavated tape front). It also illuminates a missing piece of Karen’s story, capturing rarely documented duets with partner Richard Tucker at full throttle, along with several superlative solo flights…From her opening jaw-dropping lift-off with early blues standard ‘Trouble In Mind,’ the unique otherworld Karen conjured springs into vivid life. Playing to audiences inevitably bound to the era’s formalities and traditions, Karen instinctively pushed the envelope, straying into uncharted territory beyond the established borders. She must have bewildered many who came to see her in those winsome Peter, Paul and Mary times.”

Shuckin’ Sugar comes on the heels of the internationally acclaimed documentary film Karen Dalton: In My Own Time (released last fall on Greenwich Entertainment) and the 50th anniversary celebration from Light in the Attic (featuring a highly-praised, expanded release of Dalton’s second and final album In My Own Time, along with a separate 7”/digital single featuring award-winning singer/songwriter Angel Olsen covering Dalton’s iconic “Something on Your Mind”). Directed by Robert Yapkowitz and Richard Peete, and executive produced by Delmore, Wim Wenders, and Light in the Attic, Karen Dalton: In My Own Time chronicles the life, music, and legacy of Dalton and features interviews with family, friends, collaborators, and a variety of artists (including Peter Walker, Nick Cave, Lacy J. Dalton, and Vanessa Carlton). Angel Olsen lends her voice to the film as the principle narrator, reading aloud from Dalton’s personal journal. Praise for the film includes: The Hollywood Reporter (“In sync with a singular musical artist. In tune with the haunting poetics of her work.”), The Guardian (“An unvarnished authenticity that cannot be mass-manufactured.”), The New York Times (“Critic’s Pick: An Elemental Musical Force.”), and The Washington Post (“The new film spotlights a fascinating tale of a singularly talented and complex woman.”).

Karen Dalton was a remote, mercurial creature, a hybrid of tough and tender with an otherworldly voice that seemed to embody a time long past. As is often the case with such fragile beings, she instinctively understood that if she wanted to survive the harshness of the world around her, she would have to keep herself hidden. It comes as no great surprise that she rarely sang in public or ventured into the unnatural setting of a recording studio. Only twice was she coaxed into formal studio settings, for 1969’s It’s So Hard To Tell Who’s Going To Love You The Best and then again for 1971’s In My Own Time. The rest of the time she made undocumented music at home, during late nights, sitting around with friends, singing songs until the sun came up.

Looking back to 1962, Dalton summoned her then-husband Richard Tucker to join her in Colorado, extolling the healthier lifestyle and plentiful gigs at Boulder folk club The Attic. Upon Tucker’s arrival, the pair solidified their personal and professional relationship, riding horses in the mountains and performing as a duo at parties and venues throughout Denver and Boulder. Stories of the spell they conjured, and rumors of tapes, have circulated among friends and musicians who witnessed them, but until now, no recorded evidence had turned up.

Shuckin’ Sugar is the glorious result of three reel-to-reel tapes that miraculously found their way to Delmore in November 2018, featuring two complete shows from The Attic in January 1963 and a benefit concert for The Congress of Racial Equality (CORE) recorded the following February (1964). In addition to the duets, Dalton and Tucker’s gigs would often include brief solo sets by each. All seven solo songs of Dalton’s found on the three reels are included on Shuckin’ Sugar, as well as five duets, sequenced as close to how it all went down as humanly possible.

Tracklist (vinyl edition):
Side A:
Trouble In Mind
If You’re A Viper*
When First Unto This Country*
Shiloh Town
Shuckin’ Sugar Blues*
Everytime I Think Of Freedom

Side B:
Ribbon Bow
Blues Jumped The Rabbit
Lonesome Valley*
When I Get Home*
In The Pines*
Katie Cruel
* previously unheard Karen Dalton rendition