Home Blog Page 158

Yeat Joins Liverpool’s EsDeeKid For Cross-Atlantic Collab “Made It On Our Own”

0

Following his surprise appearance at EsDeeKid‘s sold-out Los Angeles debut show, multi-platinum artist Yeat has joined forces with the Liverpool rapper for “Made it On Our Own” – out now via Lyfestyle Corporation / Field Trip / Capitol RecordsStream “Made It On Our Own” HERE.

Produced by Lucid and BNYX® signee Mathaius Young, this long-awaited collaboration represents the meshing of two distinct regional superpowers: Yeat’s galactic rage rap meets EsDeeKid’s scouse style. The accompanying video–directed by the legendary Director X–was shot on site at Drake’s Toronto home, The Embassy, with cameos from long-time friends Caleb Williams and Cole Bennett. Watch official music video HERE.

For Yeat, the track arrives amid the rollout of his highly anticipated forthcoming album, ADL (A Dangerous Lyfe). Last week, commuters in New York City were met with Yeat’s arm hanging out of the back of a taxi—an ode to the infamous Sopranos marketing campaign—with a bumper sticker beside it reading “LYFE IS DANGEROUS”. On Tuesday, he continued the momentum by hosting Twizz City Night at the Portland Trail Blazers game, sitting courtside and handing out custom Yeat bobbleheads and Twizz City promo shirts. This rollout comes off the back of a run of singles and features, including a verse on Quavo’s “New Trip” (feat. BNYX®), “PIXELATED KISSES” (Remix) with Joji, and “Rendezvous” off Don Toliver’s #1 Billboard charting album OCTANE.

Yeat’s last album, the #1 Billboard 200 charting LYFESTYLE, launched in 2024 with a three-show run across New York, Los Angeles, and Portland, debuting at No. 1 with over 89K equivalent album units sold — marking his highest first-week sales and fifth top 10 debut in under three years following Lyfë (No. 10 in 2022), 2 Alivë (No. 6 in 2022), AftërLyfe (No. 4 in 2023), and 2093 (No. 2 in 2024). He continued that momentum into 2025, previewing “Feël no wayz (Yeat mix)” during his Coachella Sahara Stage set beneath a towering golden bell, releasing standout singles including “The Bell” and his feature on “Work” with Anyma, and completing a nine-city EU and UK tour capped by his first-ever London headline show, which The Guardian called a “ribcage-reverberating success”. His first and only EP of 2025, DANGEROUS SUMMER –with features from FKA twigs, Don Toliver, SahBabii, NGeeYL, and BNYX®– capped off his biggest summer yet, including a co-headlining performance with Don Toliver at Lyrical Lemonade’s Summer Smash Festival, a gold certification for “COMË N GO”, a surprise appearance with Drake at Wireless Festival in London, drawing a 120K+ crowd at Romania’s Beach, Please! Festival, and closing out the three-day Clout Festival in Poland. Following this, Yeat linked with Drake and Julia Wolf for the single “Dog House”, and expanded his cultural footprint with his first Nike collaboration, the Nike Air Goadome Twizz, which coincided with a headlining “Yeat & Friends” set at ComplexCon Las Vegas featuring surprise appearances from Quavo, Lil Yachty, Don Toliver, Sexyy Red, xaviersobased, and Che.

Low-fi melodies, clever cutting lyrics, and a distinctly mysterious persona are all highlights that build up the enigma that is Yeat, one of the most interesting rises in music. The prolific rapper broke through in 2021 when his song “Gët Busy” began appearing in TikTok videos. The track became so ubiquitous that it caught the attention of heavyweight rappers, including Drake, Lil Uzi Vert, Gunna, and many more. As his fame skyrocketed, so did the mania surrounding the artist’s cult-like following which led to the shutdown of a show in Los Angeles at The Roxy. Now, with two headlining tours under his belt, four Billboard Top 10 Album Debuts, and over 8 billion global streams, the young talent is well on his way to superstardom. Yeat was born Noah Smith in 2000. He began releasing music around 2015, taking notes from Young Thug’s melodic strangeness and the inventive production styles of rappers who were rising to prominence as he grew up. He started out using the moniker Lil Yeat, but shortened it to Yeat in 2018. That year, he released his first mixtape, Deep Blue Strips. From then on, he was in hyperdrive. As his fame skyrocketed, Yeat released the mixtapes Alivë and 4L, and the Trëndi EP, before the release of his first proper studio album. Up 2 Më was issued in September 2021 followed by a second studio LP, 2 Alivëin early 2022. Just last year, Yeat was tapped by superstar Drake to collaborate on record “IDGAF” which is featured on Drake’s album For All The Dogs. The song, which was an instant hit, debuted at #2 on the Billboard Hot 100, and #1 on the Billboard Global 200. Recently, Yeat’s LYFESTYLE reached #1 on the Billboard 200 chart selling 89K equivalent album units –– LYFESTYLE marked Yeat’s fourth entry into the Top 10 in only two years: Lyfë (No. 10 in 2022), 2 Alivë (No. 6 in 2022), AftërLyfe (No. 4 in 2023), 2093 (No. 2 in 2024) and now LYFESTYLE (No. 1 in 2024).

Nine Inch Nails Expands The TRON Universe With ‘TRON Ares: Divergence,’ A 20-Track Remix And Score Collection

0

Out today, TRON Ares: Divergence reimagines the original TRON: Ares soundtrack with 20 songs – a mix of previously unreleased TRON: Ares score material from Nine Inch Nails alongside remixes from ARCA, Mark Pritchard, Boys Noize, Lanark Artefax, Chilly Gonzales, Danny L Harle, Jack Dangers, Pixel Grip, Working Men’s Club, The Dare and Schwefelgelband. See below for track listing. Stream / download TRON Ares: Divergence HERE. The 2-LP vinyl and CD editions are available for pre-order HERE.

TRON: Ares (Original Motion Picture Soundtrack) – featuring all original music created by Nine Inch Nails for the third installment in the groundbreaking TRON film franchise – debuted at No. 1 on Billboard’s Top Rock & Alternative Albums and Top Dance Album charts and in the top five of the Billboard 200 last fall. In the UK, it  claimed the top spot on the Official Soundtrack Albums Chart. The soundtrack, which marked the first-ever film score by the pioneering group, is a bracing departure from the acclaimed scores that bandmates Trent Reznor and Atticus Ross have composed under their own names, winning two Oscars, three Golden Globes, a GRAMMY® and an Emmy in the process.

Lead single “AS ALIVE AS YOU NEED ME TO BE,” which won a GRAMMY for Best Rock Song., was hailed by The New York Times as “a return to the buzz-bomb synthesizers, stomping march beat, stereo ricochets and gut-wrenching vocals of the band’s heyday.”  View the official video HERE.

Earlier this month, Nine Inch Nails launched the second North American leg of their critically acclaimed Peel It Back Tour with shows in such cities as New Orleans, Jacksonville, Charlotte, Washington, DC, Boston, Newark, Montreal, and Hamilton. The run follows last year’s sold-out global tour across Europe, the UK, and North America, which drew more than 450,000 fans and earned widespread praise. The Times, in an opening night review, said, “The show was a revelation — a thrilling onslaught that combined angst, sincerity and a nightmarish otherworldliness…” UPROXX hailed it as “a triumph of sound, obviously, but also sight. It could have been a movie, and Nine Inch Nails were the stars.”

The tour continues tonight with a show in Tulsa, OK at BOK Center before making additional stops in Austin, Las Vegas, San Diego, and more. The run concludes on Monday, March 16, in Sacramento, CA at Golden 1 Center.

Founded in 1988 by Reznor, Nine Inch Nails is widely considered one of the most innovative, influential acts in modern music. Known for fusing industrial, electronic, rock and ambient sounds into emotionally raw and sonically aggressive compositions, the GRAMMY®-winning, Rock & Roll Hall of Fame inductees have redefined the boundaries of what mainstream music could be, selling over 20 million records worldwide, including over 11 million albums in the United States alone. Nine Inch Nails was named Live Act of the Year in 2025 by Consequence.

Track Listing – TRON Ares: Divergence
1. Converge
2. I Know You Can Feel It (Mark Pritchard Remix)
3. Godmode
4. A Question of Trust (Boys Noize Remix)
5. Operand
6. Zero State
7. Empathetic Response (Lanark Artefax Remix)
8. 100% Expendable (Chilly Gonzales Remix)
9. Who Wants to Live Forever? (Danny L Harle Remix)
10. Infiltrator (Jack Dangers Remix)
11. A Framework
12. Ghost In The Machine (Boys Noize Remix)
13. What Have You Done? (Boys Noize Remix)
14. As Alive As You Need Me To Be (Pixel Grip Remix)
15. The First Betrayal
16. I Know You Can Feel It (Working Men’s Club Remix)
17. Shadow Over Me (The Dare Remix)
18. Terminal
19. Forked Reality (Schwefelgelb Remix)
20. As Alive As You Need Me To Be (Arca Remix)

J Balvin and Ryan Castro Team Up With DJ Snake On Cinematic New Single “Tonto”

0

There’s an electricity that follows J Balvin and Ryan Castro lately: red carpets, surprise appearances, a quiet but undeniable alignment. Fans have been asking the same question: why have they been moving in tandem? With “TONTO,” the answer begins to surface.

As a collaboration between J Balvin, Ryan Castro, and global architect DJ Snake, the track feels less like a standalone release and more like the opening scene of a larger narrative – a record that understands the past while designing its own future. J Balvin moves with measured melodic cadence, gliding between sung hooks and rhythmic phrasing, while Ryan Castro counters with a slightly grittier, street-rooted tone that adds texture without overcrowding the mix. Nothing feels forced; their chemistry feels deliberate, each verse folding naturally into the next. As the track unfolds, slightly warped synths begin to surface, a subtle yet unmistakable touch from DJ Snake that broadens the sound without disrupting its pulse.

Directed by UN JACKALOPE and produced by BROKEN MINDS, “TONTO” unfolds like a gangster musical fantasy. It opens with a stark title card: “Érase una vez en paz” (once upon a time in peace). A quiet domestic moment unfolds as Valentina Ferrer holds their son, Río, the calm subtly interrupted by a man delivering a simple message: it’s time to go. Set against the streets of New York, J Balvin and Ryan Castro move in fur trench coats with a deliberate cool, channeling 1930s noir. The video revisits iconic films through a modern cinematic prism – echoes of Pulp Fiction, the playful coexistence of humans and cartoon characters from Who Framed Roger Rabbit, and the era’s cinematic textures that inspire mood and framing reminiscent of Once Upon a Time in Hollywood. There’s choreography, restraint, and theatricality, a visual conversation with Michael Jackson’s “Smooth Criminal,” with J Balvin leaning into the anti-gravity tilt as a salute to pop mythology reframed in their own style. “TONTO” feels meticulously staged without ever feeling stiff, a carefully controlled chaos that’s entirely intentional.

Which brings us back to the question: why now? Why this pairing, this aesthetic? If “TONTO” is the opening act, what story are they about to tell?

J Balvin and Ryan Castro recently premiered “TONTO” during this year’s Premio Lo Nuestro Awards, delivering one of the night’s most talked-about moments. Looking ahead, J Balvin is preparing to embark on a Mexico arena tour this spring, reinforcing his status as one of the most in-demand live performers worldwide. With a career defined by innovation and global influence, he continues to shape music trends and set the standard for contemporary urban and pop music.

Every detail in “TONTO” feels deliberate, a puzzle whose next piece is waiting to be revealed.

Holly Cole Brings ‘Dark Moon’ To Toronto And New York City With Two Landmark Performances

0

Holly Cole continues to illuminate around the world with ‘Dark Moon,’ setting two major dates on the horizon: March 27 at the Winter Garden Theatre in Toronto and June 26 at Joe’s Pub in New York City. These performances arrive as the album’s reach expands across Japan, Germany and the United States, where audiences have embraced the record’s atmosphere, imagination and masterful ensemble playing. All of Holly’s live tour dates can be found – HERE.

Released to widespread acclaim, Dark Moon showcases Cole’s singular ability to reshape material from the New American Songbook with smoky phrasing, inventive arrangements and an unmistakable sense of drama. The expanded edition deepens that vision, featuring the vibrant “Comin’ Home Baby” alongside richly textured performances from longtime collaborators Aaron Davis, George Koller, Davide Direnzo, John Johnson and Kevin Breit, with additional contributions that enhance the album’s layered, ensemble-driven sound.

Across continents, the record has connected with listeners drawn to Cole’s interpretive depth and emotional clarity. In Japan, where she has long maintained a devoted following, Dark Moon continues her legacy of chart-topping success. In Germany and throughout the United States, the album’s cinematic sweep and intimate storytelling have resonated reaffirming her stature as another one of Canada’s internationally celebrated vocalists.

The next chapter unfolds with “Where Flamingos Fly,” a track that captures the album’s dreamlike spirit. “Rarely does a song come along with such idiosyncratic charm and imagination,” Cole shares. “I was drawn to it because of the beautiful idea at its heart: a peaceful, serene place that only flamingos can reach. It captures a sense of romance and dreamlike wonder, an elusive escape that exists just beyond the ordinary world.” The song extends the world of Dark Moon, offering listeners a transportive moment suspended between jazz tradition and modern storytelling.

With performances at Toronto’s storied Winter Garden Theatre and New York’s iconic Joe’s Pub, Holly Cole brings the global journey of Dark Moon home to two cities that have long celebrated her artistry. The album’s continued international success and the arrival of “Where Flamingos Fly” underscore a creative period defined by imagination, elegance and enduring connection.

TOUR DATES: ‘Dark Moon’ Tour:

Friday March 27 — Toronto, ON — Winter Garden Theatre

Friday June 26 — New York, NY — Joe’s Pub

About Holly Cole
Holly Cole is a renowned Canadian / International jazz singer who began her career in 1989 with the release of her 4-song EP Christmas Blues under indie label Alert Music, followed by her debut album Girl Talk in 1990.

 In 1992, she signed with Blue Note’s Manhattan imprint and released Blame It on My Youth which achieved Platinum + sales in Canada, over 200,000 copies internationally, and based on the success of the single “Calling You”, a number 1 charted single and album in Japan. The next album based on her hit rendition of Johnny Nash’s, “I Can See Clearly Now” and its accompanying video cemented her success internationally setting up her following release, the critically acclaimed, Temptation, an album made up of material exclusively written by Tom Waits, one of Holly favourite songwriters.

With 12 albums to her name, Cole has achieved multi-platinum sales and received numerous awards, including 2 Juno Awards (out of 8 nominations) and 2 Gemini Awards. She has also won two Japanese Grand Prix Gold Disc Awards and the prestigious Ella Fitzgerald Award from the Montreal Jazz Festival, joining the ranks of Aretha Franklin, Diana Krall and Etta James. In 2014, she was awarded an honorary doctorate from Queen’s University.

In 2019, Holly Cole reunited the original Holly Cole Trio, with David Pitch on bass and Aaron Davis on piano, to celebrate the 40th anniversary of the Festival International de Jazz de Montreal. They performed at the cabaret Lion d’Or in Montreal, and these special shows were recorded and became the 2021 album ‘Montreal’.

For Christmas 2022, Cole released a remastered compilation combining her holiday releases from 1989 and 2001, titled anew Baby It’s Cold Outside and I Have the Christmas Blues.

Holly Cole isn’t one of those artists who falls into any one category. Her smoky voice is sultry, her arrangements smart and sexy and all the while she and her musicians very uniquely reshape traditional Jazz, Pop and Country standards this time particularly from the New American Songbook writers including Marty Balin, Peggy Lee, Hal David, Burt Bacharach and Johnny Mercer.

Holly Cole’s 13th studio album Dark Moon was released on January 24th, 2025, via Rumpus Room / Universal Music Canada.

Avery Anna Announces Rock-Tinged EP ‘forgive, forget.’ And Drops New Track “Man Downstairs”

0

Avery Anna announces her new EP ‘forgive, forget.,’ due March 13th, and releases new track “Man Downstairs” today. The six-song set includes “Fear In God,” a faith-inspired duet with Sam Barber, their second collaboration following the Platinum-certified “Indigo,” which hit the Top 10 on Billboard’s Hot Country Songs chart and landed them on The Kelly Clarkson Show. “This EP is unlike anything I’ve done so far,” Anna says. “It touches on extreme emotions I’ve had in the past couple of years and reached a new level of vulnerability. No calculation or manufacturing, just pure honesty.” Listeners are already calling “Man Downstairs” her most electrifying release yet, a rock-edged gut punch that signals a bold new chapter.

Anna hits the road March 12th for her headlining Girl Of Constant Sorrow Tour, running through May, with her sophomore album ‘let go letters’ named one of Billboard’s “50 Best Albums of 2025” and over one billion global streams to her name. Pre-order and pre-save for ‘forgive, forget.’ are live now.

TRACK LISTING: ‘forgive, forget.’:

  1. “Fear In God”
  2. “Man Downstairs”
  3. “lonestar alone”
  4. “Life Ain’t Like The Radio”
  5. “Blood Runs Thicker”
  6. “forgive, forget.”
  7. TOUR DATES: Girl Of Constant Sorrow Tour:
  8. Thu March 12 — Cincinnati, OH — Bogart’s
  9. Fri March 13 — St. Louis, MO — Ballpark Village
  10. Sat March 14 — Tulsa, OK — Cain’s Ballroom
  11. Thu March 19 — Portland, ME — Aura
  12. Fri March 20 — Uncasville, CT — Mohegan Sun Wolf Den
  13. Sat March 21 — Sayreville, NJ — Starland Ballroom
  14. Thu March 27 — Rosemont, IL — Joe’s Live
  15. Fri March 28 — Chattanooga, TN — The Signal
  16. Thu April 9 — Little Rock, AR — The Hall
  17. Fri April 10 — Sioux City, IA — Anthem Hard Rock Hotel & Casino
  18. Thu April 17 — Oxford, MS — The Lyric Oxford
  19. Fri April 18 — Baton Rouge, LA — Texas Club
  20. Thu May 7 — Columbus, OH — The Bluestone
  21. Fri May 8 — Milwaukee, WI — The Rave
  22. Sat May 9 — Grand Rapids, MI — The Intersection

UK Art-Pop Visionary Erin LeCount Releases Self-Produced EP ‘Pareidolia’ And Announces Roundhouse Headline Show

0

Erin LeCount, the 23-year-old self-taught artist and producer from the UK, releases her debut EP ‘Pareidolia’ today via Atlantic Records. The six-track project was written, recorded, and produced entirely by LeCount herself, traversing art-pop and baroque-pop across heavy synth basses, live strings, and synthetic shimmery harps. The music video for single “Alice” is out now alongside the release. “Pareidolia is a self-written and produced EP that tells the story of a downward spiral,” LeCount says. “The tale of falling down a rabbit hole, a willing return to self destruction.”

The EP takes its name from the psychological phenomenon of perceiving meaningful connections between unrelated things, seeing shapes in clouds, a face in the moon, a distorted lens through which LeCount has written every track. “I have lived vicariously through these songs the last year, crafting them in their intensity and heart and impulse, writing through that distorted lens and playing the unreliable, occasionally paranoid narrator,” she says. Listeners and critics alike are already calling ‘Pareidolia’ one of the most fully realized debut EPs in recent UK music, a statement of artistic vision that arrives fully formed.

LeCount takes the EP on the road in May with four UK headline dates, culminating at the London Roundhouse, her largest headline show to date. She also joins Lorde’s All Points East date on August 22nd in London. Tickets are on sale now.

TRACK LISTING: ‘Pareidolia’

  1. “I Believe”
  2. “Don’t You See Me Trying?”
  3. “808 Hymn”
  4. “American Dream”
  5. “Machine Ghost”
  6. “Alice”

TOUR DATES: ‘Pareidolia’ Tour:

Tuesday May 12 — Manchester, UK — O2 Ritz

Thursday May 14 — Glasgow, UK — SWG3

Friday May 15 — London, UK — Roundhouse

Saturday May 16 — Bristol, UK — Bristol Electric

Saturday August 22 — London, UK — All Points East

Jason Aldean Announces ‘Songs About Us’ 2026 Summer Tour and Releases Three New Tracks From Upcoming ‘Songs About Us’ Album

0

On the heels of his milestone 31st career #1 at Country radio, Grammy-nominated entertainer Jason Aldean today announced his upcoming 22-city 2026 Songs About Us Tour, sponsored by Patriot Mobile. After topping the charts with his hit single, “How Far Does A Goodbye Go,” last week, the award-winning singer/songwriter today released three surprise tracks from his forthcoming album Songs About Us, out April 24th. Produced by Live Nation, the Songs About Us Tour begins Thursday, July 16 at Maine Savings Amphitheater in Bangor, Maine and continues through the end of September with numerous stops across North America including Fresno, Kansas City, Hamilton, Ontario and more. Artist presale tickets are available starting March 3rd, with general on-sale March 6th at LiveNation.com. Chase Matthew, Mackenzie Carpenter and Dee Jay Silver serve as support.

Continuing momentum towards his highly-anticipated Songs About Us album release, Aldean shared “Drinking About You,” “Dust on the Bottle,” and his next single, “Don’t Tell On Me,” which is officially set to impact radio March 2nd. Having cemented his status as one of the format’s most consistent hitmakers, the ACM Artist of the Decade’s latest studio album Songs About Us will be released the day before the Georgia native returns to headline University of Georgia’s Sanford Stadium alongside fellow Georgia native Luke Bryan. The concert marks a historic return for Aldean, who 13 years ago became the first-ever, and to date only, artist to headline the venue. Pre-save, pre-add and pre-order the new album, Songs About Us, here.

Songs About Us follow’s Aldean’s career-spanning collection 30 Number One Hits, which debuted last year at No. 4 on the Billboard Top Country Albums chart — marking Aldean’s 13th Top 10 country album in 20 years. His legacy of chart-topping success and record-breaking milestones is currently showcased on the international extension of his 2026 Full Throttle World Tour, where he recently wrapped his first-ever headlining run in New Zealand and made his highly-anticipated return to Australia for the first time in over a decade.

TICKETS: Tickets will be available starting with Aldean Army presale beginning Tuesday, March 3 at 10am local. Additional presales will run throughout the week ahead of the general on sale beginning Friday, March 6 at 10am local time at LiveNation.com.

VIP: The tour will also offer a variety of different VIP packages and experiences for fans to take their concert experience to the next level. Packages vary but include premium seats, invitation to the Jason Aldean VIP Lounge featuring a pre-show acoustic performance and Q&A with Jason, exclusive VIP gift item, early entry & more. For more information, visit vipnation.com!

SONGS ABOUT US 2026 TOUR DATES:

Thu July 16 – Bangor, ME – Maine Savings Amphitheater^

Fri July 17 – Holmdel, NJ – PNC Bank Arts Center^

Sat July 18 – Bethel, NY – Bethel Woods Center for the Arts^

Thu July 23 – Wichita, KS – INTRUST Bank Arena^

Fri July 24 – Oklahoma City, OK – Paycom Center^

Sat July 25 – Kansas City, MO – Morton Amphitheater^

Thu July 30 – Ridgefield, WA – Cascades Amphitheater^

Fri July 31 – Nampa, ID – Ford Idaho Center Amphitheater^

Fri Aug 14 – Wheatland, CA – Toyota Amphitheatre^

Sat Aug 15 – Fresno, CA – Save Mart Center at Fresno State^

Sat Aug 22 – Cincinnati, OH – Riverbend Music Center#%

Thu Aug 27 – Bossier City, LA – Brookshire Grocery Arena^

Fri Aug 28 – Brandon, MS – Brandon Amphitheater^

Sat Aug 29 – Orange Beach, AL – The Wharf Amphitheater^

Thu Sep 10 – Virginia Beach, VA – Veterans United Home Loans Amphitheater at Virginia Beach^

Fri Sep 11 – Wantagh, NY – Northwell at Jones Beach Theater^

Sat Sep 12 – Hartford, CT – The Meadows Music Theatre^

Thu Sep 17 – Hamilton, ON – TD Coliseum^

Fri Sep 18 – Syracuse, NY – Empower Federal Credit Union Amphitheater at Lakeview^

Sat Sep 19 – Camden, NJ – Freedom Mortgage Pavilion^

Fri Sep 25 – Gilford, NH – BankNH Pavilion^

Sat Sep 26 – Gilford, NH – BankNH Pavilion^

^ with Chase Matthew, Mackenzie Carpenter and Dee Jay Silver

# with Chase Matthew and Dee Jay Silver

% with Elizabeth Nichols

Songs About Us (Album Tracklist):

  1. Anytime Soon (Kurt Allison, John Edwards, Tully Kennedy, John Morgan)
  2. Drinking About You (Kurt Allison, John Edwards, Tully Kennedy, John Morgan)
  3. Don’t Tell On Me (Kurt Allison, Tully Kennedy, John Morgan, Lydia Vaughan)
  4. How Far Does A Goodbye Go (Kurt Allison, John Edwards, Tully Kennedy, John Morgan)
  5. Songs About Us [Jason Aldean & Luke Bryan] (Kurt Allison, Tully Kennedy, John Edwards, John Morgan)
  6. Good Thing Going (Kurt Allison, Tully Kennedy, John Morgan, Lydia Vaughan)
  7. She’s Why (Kurt Allison, Tully Kennedy, John Morgan, Lydia Vaughan)
  8. Backroads Of My Memory (Kurt Allison, Tully Kennedy, John Morgan, Lydia Vaughan)
  9. Dust on the Bottle [Jason Aldean & David Lee Murphy] (David Lee Murphy)
  10. The High Road (Jason Aldean, Kurt Allison, Tully Kennedy, Brandon Kinney, Josh Thompson)
  11. Easier Gone [Jason Aldean & Brittany Aldean] (Charles Kelley, Josh Kerr, Dave Haywood, Jimmy Robbins)
  12. Help You Remember (Jason Aldean, Kurt Allison, Tully Kennedy, John Morgan, Lydia Vaughan)
  13. Country Into Rock ‘n’ Roll (Kurt Allison, Tully Kennedy, John Morgan, Lydia Vaughan)
  14. What’s A Little Heartache (Kurt Allison, John Edwards, Tully Kennedy, John Morgan)
  15. One Last Look (Kurt Allison, Tully Kennedy, John Morgan, Lydia Vaughan)
  16. Fight A Fire (Kurt Allison, Tully Kennedy, Neil Thrasher, Lydia Vaughan)
  17. Hard To Love You (Kurt Allison, Tully Kennedy, John Morgan, Lydia Vaughan)
  18. Little Hometown Left (Jordan Gray, Ben Hayslip, Danny Majic, Cole Taylor)

Her Favorite Color (Kurt Allison, Tully Kennedy, Lee Thomas Miller

Award-Winning UK Singer-Songwriter John Galea Shares Gospel-Tinged Love Song “Songwriter” Ahead Of Debut Album

0

John Galea, the award-winning singer-songwriter from the UK, releases his new single “Songwriter” on March 27th. The gospel-inspired love song was written by Galea, co-produced by John and Oscar Lo Brutto (who has worked with Wretch32 and Scorcher), and remixed by Matt Pop and OLB. Its official music video was filmed on location in Central London. The track is the first single from his long-awaited debut album, set for release in early 2027.

Galea has been building toward this moment for over a decade. He started songwriting at 13 after winning a UK National Songwriting Contest with “I Am Not An Angel,” went on to write for Lao Ra, Thea Garrett, and Gianluca Bezzina, scored a Top 10 Commercial Chart hit with “When You Truly Love Someone” in 2017, and hit No. 1 on iTunes in 2020 with “Hero Within You,” recorded with Hannah Long. Along the way he has toured the UK supporting McFly and Boyzlife, and performed on the main stages at London Pride, Birmingham Pride, Northern Pride, Norwich Pride, and The Sundown Festival.

“Songwriter” is the product of years of work. “It’s taken literally years,” Galea says. “I have had so many versions that have had different hooks or vibes and they just didn’t feel right, then finally writing my first album, I sat down at my piano and the song just fell into place. The song is all about sharing whatever you have with the most special person in the world.” “Songwriter” arrives March 27th.

Lecx Stacy Explores Anxiety and Idealized Love On New Single “Safe In Your Hands, I Clasp”

0

Lecx Stacy, the first-generation Filipino-American artist from San Diego now based in Los Angeles, releases his new single “Safe In Your Hands, I Clasp,” a track he describes as “a soundtrack to my anxieties. It’s about clinging to idealized versions of life and love for comfort, only to feel that comfort slip further away and swallowed by noise and distortion.” The song opens with plucky acoustic guitar, subtle strings, and breathy ethereal vocals before layered textures build into a swell of distortion and density, then pull back just as quickly into something stripped and bare. That push and pull is the whole point.

The single sits alongside recent releases “Winter, A Wilted Flower” and “With You, I’d Be Closer to God,” continuing Stacy’s exploration of emotional extremes through dynamic shifts in sound and structure. His music draws from emo-folk, folktronica, noise, and ambient textures, rooted in a personal history that runs from beat-making sessions with his older brother to his father’s stories of Filipino folkhouses where men sang John Denver after long nights of drinking. Listeners are responding to the track as one of his most emotionally precise releases yet, intimate and overwhelming in equal measure.

Stacy has toured alongside Eartheater, Jean Dawson, and Sega Bodega, and his live performances carry the same devotional intensity as his recordings. “Safe In Your Hands, I Clasp” is out now.

Best AI Music Video Tool for Musicians: Why Freebeat Stands Out

0

By Mitch Rice

There’s a version of this story every working musician knows. You finish a track you’re proud of, you’re ready to put it out, and then someone asks: what’s the video situation? And the honest answer is that there isn’t one, because making a proper music video when you’re doing everything yourself is a project in its own right — one that can take as long as the song did to record.

The tools available to independent artists have improved dramatically over the last few years, but the visual content side has lagged. Posting a static image to YouTube while your audio plays is still common. A lot of artists make do with a lyric video knocked together in Canva. The gap between what streaming platforms reward visually and what a solo artist can realistically produce has been a persistent reality of independent music.

Freebeat is built directly for that gap. It goes well beyond what most people mean when they say AI audio visualizer — rather than generating abstract waveform animations over your track, it produces structured, cinematic music videos with actual shot planning, character performance, beat-synced editing, and narrative visual logic. For musicians who have been waiting for AI video tools to catch up to the quality their music deserves, Freebeat is the closest thing yet. Here’s what it actually does, and why it works for musicians specifically.

It Listens to Your Music Before It Does Anything Else

The single most important thing about Freebeat from a musician’s perspective is that the visual generation is built around the audio structure — not applied on top of it after the fact. When you bring in a track, the platform analyzes it before a single frame is generated: BPM and tempo set the base visual rhythm, beat and bar markers determine where cuts and transitions fall, and the system maps the full song structure so the intro, verse, chorus, bridge, and outro each get different visual treatment.

What this means in practice is that a chorus feels like a chorus. A beat drop hits the way it should. A slow atmospheric verse doesn’t get cut up like a high-energy section. The video moves with your music the way a good editor would make it move — because the system understands the song structurally, not just as a waveform. For musicians who’ve spent time getting every element of a track right, that responsiveness matters.

Three Modes Depending on the Kind of Track You’ve Made

Freebeat gives you three creation modes, and the choice meaningfully shapes the kind of video you get — not just the look, but the entire visual logic of the piece.

  • Storytelling Mode builds narrative-driven videos with scene-to-scene emotional continuity. The visuals follow the arc of the song — mood shifts, build-up, resolution. Best suited to singer-songwriters, R&B, indie, and folk where the song itself tells a story.
  • Stage Performance Mode goes the other way entirely: concert energy, dramatic lighting, tight singing close-ups, instrument detail shots, high-cut editing timed to the beat. If your track is built to move people, this mode is built for it. Think pop, electronic, hip-hop, rock.
  • Automatic Mode handles every creative decision without input from you. Useful when you’re working fast or want to see what the platform does with a track before you start customising.

The distinction between modes matters more than a style toggle would. A piano ballad and an EDM track need fundamentally different visual languages — different pacing, different shot logic, different emotional register. Having three modes that encode those differences means the platform is actually thinking about what kind of music video your song needs, not just what colour palette to apply.

Your Look, Locked In Across Every Shot

One of the most legitimate complaints about AI video tools is that they can’t maintain a consistent character appearance across different shots. The face that looks right in one scene looks wrong in the next. For artists building a visual identity — and that’s most artists releasing music — that inconsistency is a dealbreaker.

Freebeat’s character system is designed specifically to solve this. You upload a single reference photo, and the platform anchors the avatar to your likeness across every shot in the video — close-ups, wides, performance angles, detail shots — with stable facial identity throughout. It supports up to two characters, which covers duos and featured artist situations. Lip sync accuracy is benchmarked at over 90%, meaning mouth movement stays aligned to your vocals across the whole track without manual correction afterward.

Visual Style That Matches Your Sound

The style system covers genuine range. Eight presets — cinematic, anime, cyberpunk, neon noir, digital art, realistic, fantasy, illustration — each carry their own lighting logic, color treatment, and motion aesthetic, so selecting one changes the visual language of the whole video, not just a surface filter. Beyond the presets, you can define your own aesthetic direction entirely through custom text prompts: specific color palettes, atmosphere, mood, and any visual references you have in mind. Color tone and emotional mood can be set independently of the base style, which means the creative space is considerably wider than eight options suggests.

For musicians who already have a strong visual identity — specific colors associated with a project, a particular aesthetic they’ve developed across artwork and social content — the custom prompt system is where you align the video with the rest of your visual world rather than choosing the closest preset and hoping it fits.

Every Visual You Need for a Release, From One Session

A complete release in 2026 requires more than one video. It requires a main music video, a lyric video, a Spotify Canvas, and platform-specific short-form content for TikTok, Reels, and YouTube Shorts. In a traditional workflow, each of those is a separate production task. In Freebeat, they all come out of the same session.

The lyrics video system is a full creative tool in itself — not just a text overlay. You get control over fonts, sizing, positioning, word-by-word or line-by-line timing, highlight animations, and dynamic text motion effects. Export comes out as MP4 for posting or as a .LRC file for streaming platforms that support synchronized lyrics. Animated album covers for Spotify Canvas and Apple Music motion visuals are generated in the same workspace. Multi-format export in 16:9, 9:16, and 1:1 is built into the generation with correct platform framing from the start, not a crop applied after the fact.

For a solo artist managing their own release, that consolidation is the practical difference between having a complete set of visual assets ready on release day and having a YouTube upload with a static image.

Input From Wherever You Already Work

Freebeat accepts direct links from Suno, Udio, TikTok, YouTube, YouTube Music, and SoundCloud, alongside MP3, WAV, and MP4 file uploads. If you made a track on an AI music platform and you’re ready to turn it into a video, you paste the link and start. No downloading, no file conversion, no extra steps between the end of your audio session and the beginning of your video session.

The platform also includes AI-assisted prompt expansion — useful when you know what you want visually but aren’t practiced at translating that into prompt language. The system can take a vague direction and elaborate it into something more specific, suggest alternatives, and help you refine your visual brief before generation begins. It’s the equivalent of having a conversation with a creative director about what the video should feel like, without needing one.

What Actually Makes the Best AI Music Video Tool for Musicians

The test for any tool aimed at musicians is whether it respects what you’ve made. A music video generator that ignores the structure of the song, drifts on character appearance, or produces generic output regardless of genre fails that test regardless of how technically impressive it is.

Freebeat passes it. The audio-reactive generation, the mode system, the character consistency, the lyrics video integration, and the multi-format export are all built around the specific things musicians need from a visual content tool — not generic creator needs, not enterprise marketing needs, but the particular situation of an artist who has a finished track and needs professional-quality visuals to go with it. For independent musicians working without a production team, that focus is exactly what’s been missing from this category.

FAQ

How does Freebeat sync visuals to music?

Freebeat analyzes the audio track before generating any visuals, extracting BPM, beat and bar markers, song section boundaries (intro, verse, chorus, bridge, outro), and energy peaks. Transitions land on beats, different sections receive distinct visual treatment, and high-energy moments like drops trigger corresponding visual escalation.

What is the storyboard review feature?

Before the final video renders, Freebeat surfaces the complete planned shot sequence — including camera logic and visual direction for each scene. Creators can review and edit any individual scene’s prompt before committing to generation, avoiding wasted renders from misdirected output.

How does character consistency work?

Creators upload a reference photo, and Freebeat anchors the AI avatar to that appearance across all shot types and scenes — close-ups, wides, performance angles, and detail shots. Up to two characters per video are supported, with stable facial identity maintained throughout.

How accurate is Freebeat’s lip sync?

Freebeat benchmarks lip sync accuracy at over 90%, meaning mouth movements stay naturally aligned with the vocal track across the full length of the video, without requiring manual correction after generation.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.