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Rocker EDISON RUPERT Recounts A Tale of Hard Living in “Ticket To A Place”

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Life can be punishing, and the world can be a cruel place, and sometimes we just want someone to lay it all out how it really is, without varnish or artifice. Canadian indie folk-rocker Edison Rupert does just that in his rollicking ballad of hard luck, “Ticket To A Place.”

“Ticket To A Place” starts out with marching, percussive electric guitar as Rupert tells the sad tale with plain-voiced candor in the vein of Johnny Cash. The story begins in the first person, as Rupert narrates the empty, anonymous existence of a cipher:

I’ve got a ticket to a place that nobody knows
I’ve got some years on my back with nothing to show
If you come looking for me, I’m hiding in the shadows
I’ve got my own dirt pile pillow, It feels like home

The accompanying music video depicts Rupert walking alone down a dirty snow-crusted street in Ottawa in the dead of winter, singing and playing his electric guitar. The guitar begins to rock and the tale takes on an infectious, bluesy melody as Rupert croons right up to the edge of a moan about the soul-shaking shame of this life, slouching in the shadows: “There’s nowhere to go/Beneath this low,” he laments. “And I’d lay my bones/Anywhere that you can’t find me.”

And then the song’s perspective suddenly shifts, with Rupert now recounting an encounter he had with a haggard man: “I picked up a ragged man from laying in the street/He said it’s my day to go son, can’t you see?” It’s this perspective that’s actually based on one of Rupert’s own life experiences – he was inspired to write “Ticket To A Place” after a sad and memorable encounter with a homeless man in Ottawa, on the very street where the music video was filmed.

“The song ‘Ticket to a place’ is about a real-life experience I had more than 15 years ago,” Rupert said. “I saw a homeless man lying in the middle of the road with the traffic stopped in front of him. People were just watching from the sidewalk, and I went over to him and got him up and onto the sidewalk where I asked if he was ok, and in the end, he just wanted someone to care.”

The experience struck him as a reminder to not let his compassion get diluted and desensitized by the overflow of homeless people in downtown Ottawa. This is perhaps why he chose to tell half the song’s tale in the first person — to humbly put himself directly in a homeless person’s shoes, to live the experience through song. “I was reminded to keep my kindness towards people no matter who they are,” he said.

Edison Rupert is a new musical artist from Ottawa. He has been making music for more than 15 years, and yet he is just starting to put it out there now. He’s a one-man show, and everything you hear is Edison writing, performing, engineering, mixing, and mastering in his basement studio. Equipped with a heart full of sincerity, a house full of gear, and a drive to put his new music out to the world, Edison Rupert is not looking to slow down anytime soon.

Eddie Vedder Celebrates Acclaimed Ukulele Songs Solo Release With A Pair Of Vinyl Reissues

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On May 6, Eddie Vedder is set to reissue both Deluxe Edition and Standard Edition LP versions of his acclaimed second solo album, May 2011’s Ukulele Songs, the first time this record has been pressed on vinyl since its initial LP release a decade ago.

The Deluxe Edition LP features the original 16-track Ukulele Songs album on high-grade 180-gram black vinyl in expanded packaging that includes a 16-page booklet and a special lithograph. The Standard Edition LP has also been pressed on 180-gram black vinyl.

Ukulele Songs comprises a fine mixture of original material penned by Vedder that he initially performed live, alongside vintage classics and standards. A recast, uke-driven version of “Can’t Keep,” which originally appeared as the opening track on Pearl Jam’s hard-charging November 2002 album Riot Act, opens the proceedings, while newer-bred original songs like the resigned lament of “Sleeping By Myself,” the charming love orbit of “Satellite,” the hopeful brightness of “Light Today,” and the instrumental interlude “Waving Palms” all set the table for the 35-minute album.

Guest vocalists appear on a pair of key Ukulele tracks, both of them fine covers of notable standards. First, Glen Hansard (The Frames, Once) adds his Irish folk DNA to “Sleepless Nights,” which was written by Felice and Boudreaux Bryant and remade by The Everly Brothers in 1960, in addition to later being covered by the likes of Emmylou Harris, Patty Loveless, and Elvis Costello.

Second, Cat Power lends her passionate tone to “Tonight You Belong To Me,” a jazz standard written in 1926 by lyricist Billy Rose and composer Lee David. This track has also been subsequently covered by the likes of Frankie Laine, Patience and Prudence, and Dottie West. Versions of “You Belong To Me” were also recently featured in the acclaimed 2019 film drama Blackbird and in an episode of the 2020 HBO horror-drama series Lovecraft Country.

The LP’s other noteworthy covers include stirring takes on Billy Rose and Edward Eliscu’s “More Than You Know,” Michael Edwards and Bud Green’s “Once In A While,” and the album-closing reading of Fabian Andre, Wilbur Schwandt, and Gus Kahn’s “Dream A Little Dream.”

Produced by Eddie Vedder and Adam Kasper (Foo Fighters, Soundgarden), Ukulele Songs peaked at No. 4 on the U.S. Billboard 200, hit No. 2 on the U.S. Top Rock Albums on Billboard, and achieved Gold status in Canada.

EDDIE VEDDER: UKULELE SONGS [Deluxe Edition LP & Standard LP]

Side A
Can’t Keep
Sleeping By Myself
Without You
More Than You Know
Goodbye
Broken Heart
Satellite

Side B
Longing To Belong
Hey Fahkah
You’re True
Light Today
Sleepless Nights
Once In A While
Waving Palms
Tonight You Belong To Me
Dream A Little Dream

Jake Clemons Band Free “Pop-Up” Show Tomorrow in Montreal in support of Red Cross Ukraine Relief Fund

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Gifted singer, songwriter and multi-instrumentalist Jake Clemons is a magnet for positive energy and emotion, consistently sharing stories and thoughts about life, his beliefs, and experiences through music. Jake and his Band are performing a Free Pop-Up Fund-Raising Show in Montreal this Friday March 11th at URSA Montreal, 5589 Park Ave, Montreal in support of Red Cross Ukraine Relief Fund. Donations Accepted at the door. Doors open at 7:30pm, show starts at 8:30pm.

“Watching this industrialized warfare against innocent civilians in real time is heartbreaking. Hope requires action, so I’m doing this show as a vehicle for those willing to actively say we are hopeful for Ukraine, and we’re actively sending resources for healing to the many who are hurting because of this terrible, unjust aggression.” Clemons’s song Eyes On The Horizon is a statement about the need to reach towards something better. “We always have to carry that hope with us,” he says. “We have to use it to look towards the horizon.”

Jake’s vast array of musical endeavors over the past decade have made him a familiar figure around the world. From recording and/or performing with Eddie Vedder, Glen Hansard, Tom Morello, Prophets of Rage, Roger Waters, US Girls as well as touring the world, to performing his own music with The Jake Clemons Band and spending the last 9 years as the tenor and baritone saxophonist with Bruce Springsteen’s E Street Band including appearing on Springsteen’s latest album “Letter To You” and the companion Apple TV Documentary.

Ottawa Composer Huguette Lavigne Celebrates the First Blush of Love with “I’ll Make You Happy”

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All humans know it: there’s nothing quite like feeling that exquisite mind and body rush and intrinsic connection when you’re in the presence of the one you love. Ottawa-based pianist and composer Huguette Lavigne has captured that complex and thrilling set of emotions in her latest contemporary instrumental single, “I’ll Make You Happy.”

Lavigne’s joyous piece, with its ascending and descending progressions, excitement building crescendos, and a touch of nostalgia, takes you on a very similar ride to the one your heart takes when falling in love.

“A blush radiating from the core. A twinkle in the eye and your heart tells you what to do,” describes the Ottawa-based piano innovator. “When there is no need to say anything. When anything can happen.

“So, you see? Flirting can open the door to a nice conversation.”

Lavigne’s relationship with her music is a very fruitful, ongoing flirtation. Her method of composing the over 40 piano works she’s written to date is a beautiful manifestation of the urge to sit down at the keys, let go and let the muse take her wherever it pleases. That’s certainly true of “I’ll Make You Happy.”

“I was most likely at the piano improvising something that ended up creating this piece,” says Lavigne. “It was destined to be uplifting and joyous, with its many ascending happy phrases, the main drivers of the piece.

“As I was creating this piece, my musical soul was probably searching for an expression of joy, love, and romance!”

“I’ll Make You Happy” is the second composition Lavigne has released as a single from her third album, 2019’s Free and Easy. The prolific pianist has released four full-length recordings over the past six years. Her latest album, Five O’Clock Somewhere, was released in 2020. Her first album, Black Tie Affair, debuted in 2015 and the second collection of her works, Yin and Yang, was issued in 2018.

Lavigne’s playing and composing are truly extensions of her physical and mental being. She’s an artist who eschews the tradition of meticulously notating her compositions in favour of relying on a shorthand of her own to facilitate recall for future performances.

“There is something about breaking the rules that can be terribly satisfying,” says Lavigne. “My fingers sometimes go where they want to on the keyboard and at times I sort of have to take them back home or rein them in.”

Her final compositions are eventually stored entirely in her head and fingers. Once they’re recorded she moves on to the next piece.

“Not notating everything down keeps things fresh,” she explains. “You are open to new phrases and resolutions. This is risky, but oh so satisfying!”

Also very satisfying for Lavigne is the video for “I’ll Make You Happy”, featuring a wide array of couples in heartwarming displays of attraction and affection.

‘Whether it is enduring or a fleeting moment, love nurtures everyone and is the same at the core of every human being.”

A crossroads of cultures is at the core of Lavigne’s music as she was raised in a milieu of Franco Ontarian, Quebecois, and English Canadian influences. She studied composition at McGill University and piano at l’université de Montréal. Consequently, her music has a melting pot of elements of Neo-Classicism, Neo-Romanticism, Minimalism, Jazz, Folk, and Classical.

Lavigne’s inspiration always comes from a deeply personal place but the variety of influences she has had can often make what comes out of her fingers surprising.

“Somehow and unexpectedly, a style, theme, mood, emotion or vision is released from the deep recesses of memory,” she explains. “It’s a place where the subjective is stored and it surprises me when it lets something loose. Then, I either capture it, or let it go.”

With her newest single, Lavigne has captured the joyous abandon and mysterious magic of love.

Iconic Song Inspires Upcoming Children’s Book ‘Don McLean’s American Pie: A Fable’

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Award-winning singer/songwriter Don McLean’s iconic anthem “American Pie” has inspired a new children’s book about a young boy’s journey to uncover his passion for music.

Commemorating the fiftieth anniversary of one of the top songs of the twentieth century, ‘Don McLean’s American Pie: A Fable’ weaves themes from the iconic song with experiences from McLean’s early life and, like the musical hit that inspired it, offers meaningful elements open to interpretation in a lushly illustrated tale.

“As ‘American Pie’ celebrates 50 years, I’m very happy to have a children’s book based on the premise of the song,” McLean said. “Everyone has a different interpretation of it. Releasing this fable brings another perspective to the lyrics, along with some backstory for when I wrote it. I hope every child gets to imagine in their own mind what ‘American Pie’ means to them and know that dreams can become reality.”

“Don McLean’s American Pie: A Fable” is the story of a newspaper delivery boy in the late 1950s who discovers the joy of friendship and music, eventually learning that when you recognize what makes you happy, you are never truly alone.

The June 7 book release also serves as the launch of IPG Publishing and of a partnership between the Chicago-based publisher and Los Angeles-based media company Meteor 17.

“I’m especially proud that this timely fable is the first release in our partnership with IPG Publishing,” Proffer said. “It echoes the spirit and sentiment of Don’s ‘American Pie’ and will leave the reader contemplating and feeling, just like the song that inspired it. After fifty years, the song maintains its relevance and the book will introduce its magic to a new generation.”

Released in 1971, “American Pie” was named one of the top five songs of the century by the National Endowment for the Arts and the Recording Industry Association of America, and the original recording was selected for preservation in the National Recording Registry by the Library of Congress as being “culturally, historically or artistically significant.” The song is also the subject of an upcoming documentary.

“At its heart, Don McLean’s iconic song was about real events that impacted a generation, and our book is similar in spirit,” said Richard T. Williams, Vice President, Business Development, Publishing & Licensing for IPG. “It doesn’t tell the literal story of The Day the Music Died, but it hints at how a young boy may have found inspiration from it, resulting in a lifetime of music and artistry—just as Don may have.”

He added that by pairing an emotionally resonant story with elaborate and whimsical illustrations, the publishing team hoped to inspire children to find their inner creative voices.

Find more information on ‘Don McLean’s American Pie: A Fable,’ including illustration examples, at Edelweiss.

Kicking Off Jazz Month To Honour Charles Mingus’ “Mingus Three” In A Deluxe Edition

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This year, Rhino / Parlophone is kicking off Jazz Appreciation Month with one of the most influential figures in 20th-century American music, Charles Mingus, who would have turned 100 on April 22. This year, Mingus’ legacy will be in the spotlight with the release of a deluxe edition of his album, Mingus Three, just in time for his centenary as a virtuoso bass player, an accomplished pianist, bandleader, and composer.

Rhino/Parlophone will salute Mingus with an updated version of his 1957 trio recording with pianist Hampton Hawes and drummer Dannie Richmond. The seven original tracks have been expanded for the upcoming release, with eight previously unreleased session recordings discovered by chance recently in the London Parlophone vaults. The bonus tracks include different takes for all but one album track (“Laura”), plus two blues originals.

MINGUS THREE: DELUXE EDITION will be available on April 22 – Mingus’ birthday – as a 180-gram double-LP set and as a double-CD set. The music will also be available from digital and streaming services on the same day.

The music comes in a replica of the original record sleeve issued by Jubilee Records and a booklet featuring photos from the era. The set also includes new liner notes written by jazz arranger and pianist Sy Johnson, who collaborated with Mingus in the 1970s and helped arrange his 1972 album, Let My Children Hear Music.

He writes: “The Mingus Three session was booked for July 9, 1957. Mingus and Hawes brought their histories to the studio: Mingus with a long, powerful record of activism, outrage, and political attack anchored in serious music-making, and Hawes’ fanfare of jazz awards and huge success—and he could play!! The date would ultimately become a dialogue between Mingus and Hawes with punctuation from Richmond.”

Mingus recorded the session in a day with Hawes, a childhood friend who’d been in bands with Charlie Parker and Dexter Gordon, and drummer Dannie Richmond, whose association with the bassist lasted over two decades. Mingus Three included four standards (“Yesterdays,” “I Can’t Get Started,” “Summertime” and “Laura”), two Mingus originals (“Back Home Blues” and “Dizzy Moods”), and a group jam “Hamp’s New Blues.”

The bonus material provides a fresh glimpse into the principal players and offers alternate – not lesser – versions of album tracks, including swinging takes of “Summertime” and “Hamp’s New Blues.”

Mingus’s music continues to reach new audiences through artists like Mingus Big Band (directed by his widow Sue Mingus), Kamasi Washington, Chrissie Hynde (whose latest album includes a Mingus cover), Candace Springs, Elvis Costello, Gang Starr (who samples him), and Joni Mitchell (who wrote lyrics to his music). His musical legacy is still ongoing and will continue to play an essential role in music history for many generations to come.

MINGUS THREE

LP Track Listing:

Disc One: Original LP
Side A
1. “Yesterdays”
2. “Back Home Blues”
3. “I Can’t Get Started”
4. “Hamp’s New Blues”

Side B
1. “Summertime”
2. “Dizzy Moods”
3. “Laura”

Disc Two: The Outtakes
Side A
1. Untitled Blues
2. Untitled Blues – Take 2
3. “Back Home Blues” – Take 6
4. “Hamp’s New Blues” – Take 4

Side B
1. “I Can’t Get Started” – Take 1
2. “Yesterdays” – Take 2 (Incomplete)
3. “Dizzy Moods” – Take 2
4. “Summertime” – Take 3

CD Track Listing
Disc One: Original LP
1. “Yesterdays”
2. “Back Home Blues”
3. “I Can’t Get Started”
4. “Hamp’s New Blues”
5. “Summertime”
6. “Dizzy Moods”
7. “Laura”

Disc Two: The Outtakes
1. Untitled Blues
2. Untitled Blues – Take 2
3. “Back Home Blues” – Take 6
4. “Hamp’s New Blues” – Take 4
5. “I Can’t Get Started” – Take 1
6. “Yesterdays” – Take 2 (Incomplete)
7. “Dizzy Moods” – Take 2
8. “Summertime” – Take 3

600 Songs From The 1990s Remixed Into 34 Minutes

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The Hood Internet does it again, blending 600 songs, mixed chronologically (grouped by year anyway) from 1990 through 1999 for Tim Burgess’ Twitter Listening Party. Astounding.

Alt-Pop New Wave Rockers EVIL TONGUES Unleash Synth-Infused New Single in “Fine”

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Alt-pop new wave rockers Evil Tongues are delivering a synth-infused message in a banger bottle with the release of their new single, “Fine.”

The debut drop from the Canadian duo was born of the global pandemic that pushed the pair to the top of their songwriting prowess. “Fine”’s lyrics evoke a somber, devastated Jennifer Di coping with isolation, depression, anxiety; and the cinematic inspired soundscape is delivered by engineer Mike Allain. “Mike wrote the foundation for the song,” explains Di, “I asked him to make something that sounded like it would be in the movie Tron.”

Evil Tongues forged forward in 2017, growing from a passion project into a fully developed songwriting duo. Having spent the better portion of 2020 dedicated to penning, the pair relocated to the west coast in 2021 and went into recording. Linking up with acclaimed platinum-certified producer/sound engineer, Nygel Asselin, at NYG Studios (Vancouver) Evil Tongues began the arduous journey of discovering their sound and establishing themselves as the newest rising rock export. Their debut track, “Fine”, would go on to be mixed by JUNO Award-winning engineer Kevin Dietz (Toronto), and mastered by GRAMMY Award-winning Emily Lazar and Chris Allgood at The Lodge Mastering (NYC).

“I wrote the chorus lyrics for ‘Fine’ while lying on my floor on a sunny, freezing cold Edmonton winter day,” reveals Di, citing pandemic-ridden isolation as the driving force behind her creativity. “Picture someone wandering aimlessly around their house, talking to themselves, playing guitar in the middle of the night, and lying on their floor during the day. That’s probably a pretty accurate mental picture of where I was at,” she says.

The results are a pure fire debut. “Fine” merrily juxtaposes upbeat electronic alt-rock synth new wave pop with menacingly honest vulnerable vox. Where Mother Mother and Dragonette open the door, Evil Tongues laps up, walks through and commands. Mesmerizing rushing verses welcome a pulsating, ear-worm-inducing chorus. As the bridge nears, Di trades in her signature vocals for a spoken word twist – an effective, eerie, madness-questioning move. On “Fine”, it’s Di begging to be released. It’s the listener begging it not to stop.

The pair have also released an official lyric video to accompany the song, available now on YouTube. “I had the lights in the vocal booth turned completely off, so it was just me alone in the studio, in the dark, with only my words,” Di recollects, adding, “Each take was like a slow-building volcano of emotions.”

In a world when an “endemic” feels imminent and then sloughed further down the road — for the first time, humanity feels something as one. Evil Tongues describes it as “Fine.”

My Next Read: “The Philosophy of Modern Song” by Bob Dylan

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The Philosophy of Modern Song is Bob Dylan’s first book of new writing since 2004’s Chronicles: Volume One — and since winning the Nobel Prize for Literature in 2016. It gets released on November 8, 2022.

Dylan, who began working on the book in 2010, offers a master class on the art and craft of songwriting. He writes over sixty essays focusing on songs by other artists, spanning from Stephen Foster to Elvis Costello, and in between ranging from Hank Williams to Nina Simone. He analyzes what he calls the trap of easy rhymes, breaks down how the addition of a single syllable can diminish a song, and even explains how bluegrass relates to heavy metal. These essays are written in Dylan’s unique prose. They are mysterious and mercurial, poignant and profound, and often laugh-out-loud funny. And while they are ostensibly about music, they are really meditations and reflections on the human condition. Running throughout the book are nearly 150 carefully curated photos as well as a series of dream-like riffs that, taken together, resemble an epic poem and add to the work’s transcendence.

In 2020, with the release of his outstanding album Rough and Rowdy Ways, Dylan became the first artist to have an album hit the Billboard Top 40 in each decade since the 1960s. The Philosophy of Modern Song contains much of what he has learned about his craft in all those years, and like everything that Dylan does, it is a momentous artistic achievement.

Florence + The Machine Shares New Song “Heaven Is Here”

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Written in spite of lockdown one, Florence channeled her frustrations at being creatively chastised into this immediately arresting, 2 minutes 8 seconds of powerful choral chant set to primal drums and vocal percussion.

The Autumn de Wilde directed video shows a cast of dancers led in possessed procession by Florence. Choreographed by Ryan Heffington with chilling precision to bring the music to life, the short burst of bewitching, other-worldly energy – audibly and visually – takes your breath away.

Joy, grief, breath, the body, movement, the soul, power, rage, powerlessness, spirituality and escapism are all at play in this flash of pure brilliance.